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Manual-

MP 2016a FRONT PANEL CONTROLS

INPUT SELECTORS 1-4

Each six-position Input Selector chooses a dedicated PHO-

NO / LINE preamplifier, or one of five stereo line-level AUX 

Inputs as its Input Channel source. (PHONO / LINE switches 

are on the rear panel).

INPUT SELECTORS 5-6

Each six-position Input Selector chooses a dedicated mono 

MIC Input, or one of five stereo AUX Inputs as its Input Chan-

nel source. (MIC GAIN trim, MIC / LINE switch and MIC 

tone controls are located on the rear panel).

MIC ENGAGE

MIC 1 and MIC 2 ENGAGE switches allow switching a 

mic on (up) or off (down). A MIC Input must be selected and 

MIC ENGAGE on to activate a MIC Input. When a mic is not 

in use, be sure to switch MIC ENGAGE off. The MIC EN-

GAGE switches also activate the Booth Ducker. This attenuates 

the Booth Output -12 dB whenever a MIC ENGAGE switch 

is on, even if MIC Input is not selected (internal jumpers allow 

disabling the Booth Ducker—see 

Mic/Line Inputs

 on page 

Manual-6).

INPUT GAIN

INPUT GAIN controls allow the user to match input levels. 

Adjust these to make the SIG / OL indicator flash green. If the 

indicators turn red, reduce the INPUT GAIN. Adjusting the 

INPUT LEVEL controls correctly maximizes dynamic range 

and provides consistent MIX LEVEL response.

Input SIG / OL

These dual-color indicators provide help in setting correct 

input levels. A flashing green indication is optimal. A red light 

that lasts more than a flash is a request to turn down the INPUT 

GAIN.

MIX LEVEL

These studio-grade controls determine the Master MIX LEV-

EL. For optimum performance, set the INPUT GAIN controls 

as indicated previously, and then operate MIX LEVELS between 

“7” and “10” for full volume. Use the HOUSE and BOOTH 

LEVEL controls to set the output levels. Always set the MIX 

LEVEL controls to minimum when not in use.

CUE

The CUE signal is selected using CUE 1-6 switches in any 

combination. The associated yellow indicator lights when a CUE 

is active.

SIG / OL

CUE

1

CUE

2

ENGAGE

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

6

5

7

4

2

3

9

1

10

8

6

5

7

CUE

PGM

POWER

STEREO

XP 2016a

MASTER

CUE

EFFECTS

LOOP

MONO

BOOTH

+6

OFF

0

TREBLE

1

2

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

AUX 5

AUX 4

AUX 3

PHONO /

    LINE

PHONO /

    LINE

PHONO /

    LINE

PHONO /

    LINE

MIC 1

ENGAGE

MIC 2

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

3

3

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

4

4

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

5

5

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

6

6

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

4

8

6

8

6

2

2

4

4

2

3

9

1

10

8

6

5

7

LEVEL

MONITOR

PHONES

4

2

3

9

1

10

8

6

5

7

HOUSE

4

2

3

9

1

10

8

6

5

7

MASTER

ROTARY

MIXER

MP 2016a

+6

OFF

0

MID

+6

OFF

0

BASS

STEREO

MONO

SIG / OL

CUE

1

CUE

2

ENGAGE

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

6

5

7

4

2

3

9

1

10

8

6

5

7

CUE

PGM

POWER

STEREO

XP 2016a

MASTER

CUE

EFFECTS

LOOP

MONO

BOOTH

+6

OFF

0

TREBLE

1

2

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

AUX 5

AUX 4

AUX 3

PHONO /

    LINE

PHONO /

    LINE

PHONO /

    LINE

PHONO /

    LINE

MIC 1

ENGAGE

MIC 2

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

3

3

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

4

4

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

5

5

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

6

6

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

4

8

6

8

6

2

2

4

4

2

3

9

1

10

8

6

5

7

LEVEL

MONITOR

PHONES

4

2

3

9

1

10

8

6

5

7

HOUSE

4

2

3

9

1

10

8

6

5

7

MASTER

ROTARY

MIXER

MP 2016a

+6

OFF

0

MID

+6

OFF

0

BASS

STEREO

MONO

Summary of Contents for MP 2016A

Page 1: ... has a LEVEL control and may be used as a pre tone control AUX Output The MP 2016a Master Output uses Accelerated Slope tone controls that provide full kill for TREBLE MID and BASS The MASTER SIG OL indicator monitors the master mix before and after the tone controls This indicator should light green most of the time It is OK for it to flash red on occasion This provides optimum signal to noise an...

Page 2: ...nd 10 for full volume Use the HOUSE and BOOTH LEVEL controls to set the output levels Always set the MIX LEVEL controls to minimum when not in use CUE The CUE signal is selected using CUE 1 6 switches in any combination The associated yellow indicator lights when a CUE is active SIG OL CUE 1 CUE 2 ENGAGE MIX LEVEL 4 INPUT GAIN 2 3 9 1 10 8 6 5 7 4 2 3 9 1 10 8 6 5 7 CUE MASTER CUE BOOTH 1 2 SIG OL...

Page 3: ...nd HOUSE Outputs MASTER SIG OL indicator This dual color indicator helps set correct MASTER mix levels A flashing or steady green indication is optimal The red indicator may flash only briefly on rare occasion regular flash ing or steady on means that distortion is imminent and Levels need reducing XP 2016a switch This engages the optional XP 2016a External Processor If the XP 2016a is not connect...

Page 4: ...trim with BASS and TREBLE tone controls MIC LINE switches These select MIC or LINE mode for the MIC Inputs In MIC mode the gain range is 20 to 50 dB In LINE mode the gain range is 0 to 30 dB In addition to setting the proper gain range for MIC or LINE level Inputs these switches also select the proper Input impedance MIC GAIN trim These controls adjust the preamplifier for optimum dynamic range Ea...

Page 5: ... as Auxiliary Outputs EFFECTS LOOP RETURN jacks RETURN Inputs are unbalanced standard tip sleeve jacks They provide the Input from external signal processing or effects units Switching jacks are used so there is no loss of signal if the front panel EFFECTS LOOP switch is active with no effects connected RETURN Inputs are not appropriate for Aux iliary Inputs as this signal is only selected when th...

Page 6: ...ut stages up cor rectly however you will be amazed at how much better your performance sounds MIX LEVEL With the Input stages properly adjusted you are free to use the MIX LEVEL control for mixing For most applica tions channels will be mixed at about 70 to 100 rotation BOOTH and HOUSE level controls then set the output volume The MASTER SIG OL indicator displays the signal level of the mix The Gr...

Page 7: ...n each of the six input channels to the A side of the Crossfader B side of the Crossfader or POST Cross fader CROSSFADER This implements using Ranes proprietary Active Crossfader design All audio is isolated from the control element greatly extending the life and performance of the control See page Manual 8 for cleaning and replacement instructions CROSSFADER CONTOUR This control allows adjusting ...

Page 8: ...22 CH 2L IN 23 XP 2016 ENABLE GND 24 CH 1R IN 25 CH 1L IN 26 GND Fader Cleaning With heavy use in harsh environments the faders may need lubrication This treatment extends longevity and can make used faders as good as new The fader assembly must be removed from the XP 2016a for proper cleaning We recommend any of the following cleaning solutions Caig DeoxIT FaderLube F100 spray lubricant www caig ...

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