Manual-3
REAR PANEL DESCRIPTION
1
INPUTS 1 through 4
feature MIC-level XLR and LINE-level ¼" TRS connectors.
Use only one of these Inputs for each channel
.
Both Inputs are balanced. A mono ¼" TS plug may be inserted into the LINE input if necessary, but better results come from a
balanced TRS plug. See the RaneNote, “Sound System Interconnection” included with this manual.
2
GAIN trim control
sets the inital gain of the Input so the front panel LEVEL control has the most latitude without distortion.
When the XLR MIC Input is used, the range of the GAIN is 12 to 50 dB and Phantom Power may be selected. When the TRS
LINE Input is used, the range of the GAIN is 0 to 12 dB and Phantom Power is disabled.
3
PHANTOM POWER switch
provides 15 volts to condenser microphones plugged in the MIC Input.
4
EFFECTS SEND & RETURN
loop connects external effects processors or expands to other mixers. See page Manual-4.
5
¼" TRS and XLR Balanced OUTPUT
jacks are provided for convenience. Both connectors may be used simulaneously.
6
OUTPUT LINE / MIC switch
changes both balanced XLR and ¼" TRS Outputs to either LINE-level or MIC-level. Many
DJ mixers have microphone engage and talk-over functions associated with the microphone inputs. By connecting the MLM42S
directly to one of these microphone inputs, you are able to take advantage of these features.
7
A & B Unbalanced RCA Outputs
provide connection to line-level inputs. The Outputs of A and B are identical.
8
Universal Voltage Input:
via a miniature IEC 60320 C6 appliance inlet. This mates with an IEC 60320 C5 line cord (USA
domestic). Do
not
lift the ground connection!
MLM42S
4
1
EFFECTS
OUTPUT
INPUTS
SEND
RETURN
B
UNBALANCED
BALANCED
UNBALANCED
LINE MIC
RANE CORPORATION
A
ON
MIC
BALANCED
LINE
OR
3
2
PHANTOM
POWER
GAIN
ON
MIC
BALANCED
LINE
OR
PHANTOM
POWER
GAIN
ON
MIC
BALANCED
LINE
OR
PHANTOM
POWER
GAIN
ON
MIC
BALANCED
LINE
OR
PHANTOM
POWER
GAIN
100-240 V
50/60 Hz 7 WATTS
COMMERCIAL
AUDIO
EQUIPMENT
24TJ
R
8
5
6
4
2
1
7
3
