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Manual-5

Level Meters

•   Level Meters have two modes of operation:

  °   Stereo Main output

  °   Cue Monitor.

•   Meter mode switch set to MAIN “

out

”:

  °   Meter displays the level at the Main output, after the Main output LEVEL control.

•   Meter mode switch set to CUE “

in

”:

  °   Meter displays whatever is selected by the Cue and Headphone monitoring circuit.

  °   This is the same signal heard in the headphones.

  °   Monitor any combination of the five individual Cue signals

   

-

or

-  A-side auto-cue

   

-

or

-  B-side auto-cue.

  °   Split Cue metering is the same as split cue monitoring in the headphones:

 

 

Mono-Cue in the left, Mono-Master in the right.

FlexFX Effects Loop

•   Allows the addition of an external stereo effects processor.

•   Individual DRY/WET pan controls for channels 1, 2, 3 and MIC.

•   Use DRY/WET pan controls simultaneously in any combination.

•   SEND level control:

  °   Off to +0 dB.

  °   Set SEND to prevent overloading the effects processor.

  °   Many effects devices can't tolerate the high signal levels possible with the Empath.

•   Unbalanced ¼" Tip/Sleeve SEND jacks.

•   Unbalanced ¼" Tip/Sleeve RETURN jacks.

•   FlexFX RETURN CUE

  °   FlexFX RETURN CUE is before the RETURN level control.

  °   Allows Cuing effects before bringing into mix:

   

Set FlexFX RETURN to minimum.

   

Adjust desired DRY/WET pan control to send signal to the effects processor.

   

Set A-CUE-B switch to center CUE position.

   

Engage FlexFX RETURN CUE “

in

”.

   

Monitor the effect in the headphones.

   

Bring the effect into the master mix by increasing FlexFX RETURN Level 

•   Important reminders when using the FlexFX Return Cue:

  °   The FlexFX Loop is 

after 

the channel Fader and Crossfader.

   

You will hear nothing in the Return Cue if the signal is turned down by the channel Fader.

   

You will hear nothing in the Return Cue if the signal is turned down by the Crossfader

  °   For a signal to reach the FlexFX Loop:

   

One or more of the four DRY/WET pan controls must be set for some WET.

   

The Send Level must be turned up.

  °   To send DRY (no effect) signal to the Master mix while you Cue the WET signal:

   

Set the DRY/WET pan control in the middle.

   

If you set it to WET with the FlexFX RETURN down, you will lose the signal in the Master mix.

   

If you set it to DRY, nothing is sent to the FlexFX Loop.

  °   Setting any DRY/WET Pan control to its center position sends an equal signal to the Master mix and the FlexFX Loop.

•   RETURN level control:

  °   Off to +6 dB

  °   Use in combination with the DRY/WET pan controls to determine how much effect is in the Master mix.

  °   Increases the signal level of low voltage effects processors to the higher levels possible with the Empath.

-20

-10

-4
-7

-2

+10

+2

0

+4

+7

LEFT

RIGHT

MAIN

CUE

0

10

FlexFX

DRY

Inputs 1, 2, 3 and MIC

WET

CUE

RETURN

SEND

RETURN

Summary of Contents for EMPATH

Page 1: ...competition remix live sound The Empath o ers a combination of features compact size and quality presently unavailable at any price 1 2 3 0 10 2 0 4 8 6 10 2 0 4 8 6 10 2 0 4 8 6 10 2 0 4 8 6 10 10 8...

Page 2: ...uto Gain switch to the in position Green indicator will light Auto Gain is engaged for all three channels or none Target Level 0 dBu No gain change Threshold 16 dBu Minimum level required for Auto Gai...

Page 3: ...ions on page Manual 7 CONTOUR controls are provided for Input 1 and Input 3 faders Allows any fader response from SLOW smooth fade to FAST cut CONTOUR control provided for the Crossfader Allows any re...

Page 4: ...Unbalanced RCA jack AUX CUE signal is sent to the cue circuit before the AUX IN level control AUX IN level control range is O to 10 dB AUX input sums to the Master mix after the Crossfader and FlexFX...

Page 5: ...pan control to send signal to the e ects processor Set A CUE B switch to center CUE position Engage FlexFX RETURN CUE in Monitor the e ect in the headphones Bring the e ect into the master mix by inc...

Page 6: ...attenuation Stop threshold is at 75 dB of control attenuation CD triggers may be used with some external e ects processors and drum machines See manufacturers speci cations for details Internal switc...

Page 7: ...ider rocking a replace ment assembly should be tted 2 Clean the guide rod using a tissue or cloth removing all traces of dirt or contamination 3 Remove the track by carefully withdrawing from the unit...

Page 8: ...STEREO AMPLIFIER LEFT BOOTH DUAL CD PLAYER SAMPLER OR TAPE DECK GROOVE BOX PHONO 3 PHONO 2 PHONO 1 PHONO GROUND MIC dB dB INPUT LEVEL INPUT LEVEL ON I 0 POWER MAIN BOOTH AUX PHONO GROUND FlexFX RETURN...

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