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PreMax™ Preamp and EQ

True to the Music

®

Radial Engineering Ltd.

4

MAKING CONNECTIONS

As with all audio equipment, always ensure levels are turned down and equipment is turned 
off before making any connections or inserting the PreMax into a 500 series power rack. This 
common practice ensures turn-on transients will not damage more sensitive components such 
as tweeters. 

Slide your PreMax module into the 500 series power rack until the card-edge on the board is 
fi rmly seated into the slot connector on the main board. Care should be taken when inserting 
the module to maintain correct alignment of the card-edge with the connector. After inserting 
the PreMax into your 500 series rack, secure it using the supplied machine screws to ensure it 
does not accidentally become dislodged during use. To prevent damage to the power rack, do 
not over-tighten the mounting screws. 

Most 500 series racks are equipped with balanced XLR connectors. When you insert the 
PreMax into your 500 series rack it will automatically route the rear panel XLR connections to 
the module’s input and output. This is augmented with ¼” TRS connectors if using the PreMax 
in a Radial Workhorse 500 series power rack. The PreMax follows the AES standard with pin-2 
(+) hot, pin-3 (-) cold. Most devices are wired this way but older vintage equipment should be 
checked to confi rm compatibility with AES standards.

Connect a microphone or direct box to the PreMax input using a standard XLR patch cable. If 
you are using a condenser microphone or active direct box, turn on the 48V phantom power.
The switch is recessed to prevent accidental turn on. Use a small screw driver or paper clip to 
push in the switch. A red LED will illuminate when phantom power is active. 

Rear panel mic input and line output.

Radial Workhorse 500 rack.

INPUT

OMNIPORT

FEED

LINK

1

OFF

OFF

CARD SLOT 1

OUTPUT

OUTPUT

INPUT

Connect the line-level output of the PreMax to your audio system so that you can audition the 
PreMax. We recommend that you fi rst listen to the PreMax on its own before combining with 
effects or other signal processors until you have had a chance to familiarize yourself with the 
preamp and equalizer functions. Using your own voice to test is best, as it gives you a familiar 
starting place.

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Summary of Contents for PreMax 500 Series

Page 1: ...ng com True to the Music User Guide www radialeng com Radial Engineering Ltd 1588 Kebet Way Port Coquitlam British Columbia Canada V3C 5M5 tel 604 942 1001 fax 604 942 1010 email info radialeng com Pr...

Page 2: ...r plugging and unplugging them when the Workhorse or other 500 series racks are powered on Hot swapping can cause connection sparks at the card edge connector that could send damaging transients to ot...

Page 3: ...each and every time you put it to work Plug in your favorite microphone set the Accustate gain control for maximum signal to noise and use the powerful three band EQ to shape your sound There are lot...

Page 4: ...nstant at all levels This is particularly important when recording in the digital domain where even the slightest bit of noise can be audible NOISE FLOOR MINIMUM GAIN NARROW SIGNAL TO NOISE RATIO MAXI...

Page 5: ...he EQ frequencies to sound musical and work with today s production styles 20 20k 50 100 200 500 1k 2k 5k 10k 20 15 10 5 0 5 10 15 20 G X 20 20k 50 100 200 500 1k 2k 5k 10k 20 15 10 5 0 5 10 15 20 G X...

Page 6: ...Q Low mid and high frequency controls with 12dB of boost or cut are used for tone shaping 6 EQ IN OUT Bypass control lets you compare the tone of the original signal without the EQ and the tone create...

Page 7: ...ar panel XLR connections to the module s input and output This is augmented with TRS connectors if using the PreMax in a Radial Workhorse 500 series power rack The PreMax follows the AES standard with...

Page 8: ...PreMax preamps at the same time to capture the sound Together the mics can create a timbre that a single mic cannot One may be positioned near the instrument while the second may be set further away t...

Page 9: ...0 5 10 15 20 G X 20 20k 50 100 200 500 1k 2k 5k 10k 20 15 10 5 0 5 10 15 20 G X 20 20k 50 100 200 500 1k 2k 5k 10k 20 15 10 5 0 5 10 15 20 G X The mid range is a constant Q filter that forms a bell s...

Page 10: ...boards Simply connect to the PreMax via the Omniport jack using a standard instrument cable Set the MIC INST switch on the front panel to the inward position to activate the Omniport Adjust the preamp...

Page 11: ...Ohms Equivalent input noise 120dBu Noise floor 85dB 40dB of gain Intermodulation distortion 0 006 LED meter Signal green over load red Omniport function High Z instrument input EQ filter slope 12 db O...

Page 12: ...ompany any request for work to be performed under this limited and transferable warranty This warranty shall not apply if the product has been damaged due to abuse misuse misapplication accident or as...

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