background image

Speaker selec

ti

on 

When selec

ti

ng loudspeakers, you must consider a few important factors, such as the loca

ti

on of the mixer ampli

fi

er,  

the type of loudspeakers and the need to use a 70V distribu

ti

on system. The following sec

ons explain how to connect 

loudspeakers or a constant voltage system in a typical installa

ti

on. 

Using passive speakers 

Before using low impedance speakers (4 or 8 ohms), you must 

fi

rst determine the loca

ti

on of your mixer ampli

fi

er. If 

the speakers are less than 30 meters away, you can connect the ampli

fi

er directly to the speakers in low impedance  

mode. 

Be sure to check the impedance of the speakers. The 4 Ohms output allows you to connect a 4 Ohms speaker or two 8 

ohms speakers in parallel. If the speakers are more than 30 meters away (approximately), it is best to use a constant 

voltage system. 

Using a constant voltage system 

If your setup has many loudspeakers and long cables, you might consider using a 25 or 70V constant voltage system.  

This type of system became standard in the 

fi

eld of installa

ti

ons in the middle of the 20th century because it o

ff

ered

 an 

e

ffi

cient solu

ti

on for the use of mul

ti

ple enclosures and long cables. It is inspired by long distance electrical networks  

which use increased voltage and reduced current to carry very high power over long distances with more 

aff

ordable  

and rela

vely small diameter cables. The voltage is then reduced and then routed to the consumer on a short, large  

diameter cable. 

The same principle applies to constant voltage audio systems. A transformer connected to the output of the ampli

fi

er  

increases the voltage and reduces the output current, allowing the use of long, smaller-diameter cables to link mul

ti

ple 

speakers with step-down transformers. For economy, the 70V standard was adopted in the United States because 

electrical conduit is required on lines with voltages greater than 100V peak-to-peak. Commercial sound systems, such 

as those installed in schools, o

ffi

ce buildings and restaurants, o

ft

en use a constant voltage distribu

ti

on 

sys

tem when 

mul

ti

ple loudspeakers are connected in di

ff

eren

t areas. 

Many loudspeakers with transformers are produced by various manufacturers. Most of these loudspeakers provide tap 

points on the transformer to allow power to be distributed to the loudspeakers and their levels to be adjusted 

separately. Quest Commercial mixer ampli

fi

ers have a built-in transformer to step up the output voltage and step 

down the current so that mul

ti

ple speakers (with transformers) can be connected using long cables. Constant tension 

systems allow the use of cables from 1 to 1.6 mm in diameter, depending on their length (long cables must be larger in 

diameter).

 

A simple way to represent a constant voltage is to divide the power in Wa

tt

s of the ampli

fi

er by the number of 

loudspeakers used. For example, to connect ten loudspeakers to the output of a PR-130A ampli

fi

er, use a loudspeaker 

whose transformer provides a tap point of approximately 10 Wa

tt

s. 130 Wa

tt

s divided by 10 speakers gives 13 Wa

tt

per loudspeaker, but we must always keep a cushion of about 15 to 20% of the power of the amp to make sure not to 

overload the amp.

 

[ Figure 2.2 Constant voltage speaker ] 

– 9 –

PR-130A / PR-240A

Summary of Contents for PR-130A

Page 1: ...COMMERCIAL MIXER AMPLIFIER MODEL PR 130A PR 240A Speci cations are subject to change without notice...

Page 2: ...device the disconnect device shall remain readily operable 18 Power Sources This product should be operated only from the type of power source indicated on the rating label If you are not sure of the...

Page 3: ...uction Features Controls Setup Connections Operations Specifications 17 21000 Transcanadienne Baie d Urf Qu bec H9X 4B7 Phone 1 877 374 5266 Fax 888 918 2244 www eriksoncommercial com Copyright 2022 E...

Page 4: ...xperience When you connect these mixers to a telecommunica ons system customers can listen to music or pre recorded messages while they wait With proper maintenance and sufficient ventilation your pro...

Page 5: ...A connectors 6 Zone Out with Discrete Volume Control 6 Zone Paging Microphone input on RJ45 paging microphone not included Tel Paging and Music On Hold MoH with volume controls Priority with Ducking L...

Page 6: ...ne output selector and indicator 3 Output Volume Control for each zone 4 Status indicators Protect Output level AC power 5 Power switch 6 Master volume control 7 2 band tone control Bass 100Hz Treble...

Page 7: ...ule when installed and remote mic station RM6 input jack 4 Priority with Ducking Level Control Channel Selector 5 2 Aux In 1 Line Out 1 Link Out 6 4 Balanced Mic Line Inputs with 48V Phantom 7 Line Ph...

Page 8: ...ed to connect your equipment to the speakers Depending on the type of loudspeakers and the length of the cables you can choose to route the signals to the loudspeakers in low impedance or in constant...

Page 9: ...oltage audio systems A transformer connected to the output of the amplifier increases the voltage and reduces the output current allowing the use of long smaller diameter cables to link multiple speak...

Page 10: ...Ohms 4 Ohms or more For 70V operation connect the speaker s positive input to the 70V terminal and the nega ve input to the COM ground terminal Then connect the other speakers one a er the other in p...

Page 11: ...nced outputs use balanced three conductor connections and connectors you can use unbalanced connections but you ll get better sound quality and less noise if you use balanced connections Set all input...

Page 12: ...iate cable for each source For the amplifier output connectors we recommend the use of pre assembled or professionally assembled speaker cables of high quality and of sufficient gauge You can use plug...

Page 13: ...ed 70V or 100V and COM for high impedance speakers Connect the COM terminal to the negative terminal of the speaker connect one of the other terminals to the positive terminal of the speaker Output im...

Page 14: ...nes The level at which an input will mute the other ones can be adjusted by the LEVEL volume Figure 3 2 Priority Control The PR Series mixer amplifiers have a three 3 layer priority mute function When...

Page 15: ...3 CAUTION This port is not a network terminal Do not connect to a network device Using Music on Hold M O H The PR Series mixer amplifiers include a MOH Music on Hold function allowing you to connect...

Page 16: ...s more inputs and outputs you can use an external mixer or additional PR Series mixer amplifiers using the LINK OUT and REC OUT connectors Connect the LINK OUT of the first PR Series mixer amplifier t...

Page 17: ...c Distor on THD at 1kHz rated power output Less than 0 5 Phantom Power 48 VDC Power Band Width at 1kHz from speaker out tap 80Hz 15kHz with less than 0 5 THD DC Output Offset Less than 3mV Opera ng Te...

Page 18: ...Notes 18 PR 130A PR 240A...

Page 19: ...Notes 19 PR 130A PR 240A...

Page 20: ...21000 Transcanadienne Baie d Urf Qu bec H9X 4B7 Phone 1 877 374 5266 Fax 888 918 2244 www eriksoncommercial com Copyright 2022 Exer s Jam All rights reserved...

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