Pyle Pro PYD1911 User Manual Download Page 11

Pyle Pro Mixer PYD1911/1955 Owner’s Manual – 9

Monitoring (”Cueing”) the Inputs

1. Set the CUE ASSIGN switch of the input source (MIC , CH1, CH2, CH3 or CH 4) you wish to

monitor.

2. Adjust the Headphone Level control to a comfortable listening level.

3. The Headphone CUE/PGM control permits you to switch easily from listening to CUE material to

the playing PROGRAM sound. You can also listen to both simultaneously by moving the Headphone

CUE/PGM control to a point midway between the two ends.

PYD-1955:

This model has an additional CUE on the sampler module for you monitor the sampled

signal being applied. To monitor a sampled signal, press the SAMPLE ASSIGN button for the

channel to which the sample has been saved, and then press the SAMPLE CUE button to audition

this sound.

Using the Mixer Controls

Turning on the Mixer

1. Turn on the output amplifier and temporarily set its volume to the minimum setting.

2. On the mixer, turn ON the power switch. The adjacent power LED will illuminate.

3. Turn on the audio input sources you wish to mix, and set them to play (or talk continuously into

the microphone).

4. To monitor the audio input sources so that you can decide when to mix in each input, see “Monitoring

‘Cueing’ the Inputs.”

5. To mix the audio input sources so that you can play them through your amplifier system or record

them on your tape deck, see “Mixing the Inputs.”

Mixing the Inputs

There are a maximum of ten input sources available at one time, including two microphone inputs.

Both microphone input sources are always available as part of the mix, if desired. Each of the four

audio channels can be linked to two different input sources, and one of these sources for each channel

is available for mixing.Turn on all the available audio sources and be sure they are providing sound

before continuing.

1. Select the Channel Input Selectors for each channel, choose the audio sources you want to mix

for each channel (i.e., choose PHONO1/LINE2 or LINE2).

2. Set the Mic and Channel Level controls all to within the 8 - 10 range.

3. Slide the MASTER volume control toward 10 until you get an average reading of 0 on both Output

Level LED Meters. The output level displayed in the meters represents the TOTAL output from all

the channels supplying audio to the mix. NOTE: Once you set this level, we suggest you do not

change it!

4. If you add or change input sources, adjust the corresponding MIC1, 2 or CH1, CH2, CH3 or CH4 level

control(s) to maintain the average reading of 0 on the LED meters.

5. To change the overall sound level, adjust the RECEIVER/AMPLIFIER (NOT THE MIXER) volume

control to the desired volume.

Summary of Contents for PYD1911

Page 1: ...with MP3 Player pro series PYD191 1 PYD1955 4 channel professional...

Page 2: ...ing Inputs Mixing Inputs Adding Equalization to the Mix Adding External Effects to the Mix Using the MicrophoneTalkover Mode Microphone Tone and Level Controls Using the MIC Kill Frequency Switches Us...

Page 3: ...ed to Channel A and Channel B MIC Talkover Allows you to lower the level of the input sources so you can talk them using the DJ Mic MIC1 2 Level Controls Lets you control the MIC levels as they enter...

Page 4: ...ter Indicates the levels of Left and Right Master Channels Channel CUE Sample Switch Allows you to monitor the selected audio input source and set up the destination channel for the sampled signal Cha...

Page 5: ...s 1 MODE to select the internal built in memory or external SD card mode 2 A B REPEAT to repeat A point to B point of the song periodically press the button once to set up the starting point A or the...

Page 6: ...e portable disk icon and click the right mouse button and do FORMAT complete than DEFRAGMENTER if the properties going down 5 Please copy the song files in the computer and than go to portable disk cl...

Page 7: ...D players One Rhythm Synth One Cassette Deck Connecting Microphones Microphone 1 Connect a balanced unbalanced low impedance 600 Ohm XLR type mic OR a low impedance mic with a 1 4 plug to the MIC 1 ja...

Page 8: ...her Level Output Audio Sources Connect up to 2 turntables to the Phono 1 and Phono 2 input jacks Please note that Phone 1 and Line 1 as well as Phono 2 and Line 3 use the same jacks The selector switc...

Page 9: ...nds of output jacks for you to choose from RCA style and 1 4 type DO NOT USE BOTH SIMULTANEOUSLY Connecting the Mixer Outputs Output to a Tape or Digital Audio Recorder To play the mixer s output sign...

Page 10: ...r hearing especially when using headphones Always start by setting the volume level to the lowest possible level before listening Put headphones on and then gradually increase the volume as necessary...

Page 11: ...g Cueing the Inputs 5 To mix the audio input sources so that you can play them through your amplifier system or record them on your tape deck see Mixing the Inputs Mixing the Inputs There are a maximu...

Page 12: ...Switch The effect devices are now in the audio chain Be sure the device is ON Using the Microphone Incorporating Voice into the Mix Talkover mode allows a voice to be heard clearly through the microph...

Page 13: ...of the sample Follow these steps to record a sample 1 Play the audio source for recording as a sample 2 While it is playing press the desired cue sample channel assign button i e CH 1 CH 2 CH 3 CH 4 o...

Page 14: ...Keep the mixer away from dust and dirt Wipe occasionally with a damp cloth to keep it looking new Do not use harsh chemicals solvents or detergents PROBLEM POSSIBLE SOLUTION Hum from PHONO Check that...

Page 15: ...Pyle Pro Mixer PYD1911 1955 13 Owner s Manual Please complete warranty card detach and return PYLE PRO Audio Inc 1600 63rd Street Brooklyn NY 11204 Place Stamp Here...

Page 16: ...1 2 Line 1 7 Output Level Amp Zone Record Frequency Response S N Ratio at 1 kHz Mic Phono Line Distortion Mic Phono Line Equalizer Control Frequencies Boost Cut Range MIC Tone Control Treble Mid Bass...

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