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(14) LOW CUT SWITCH

This switch is used to activate the LOW CUT filter for the corresponding channel. It is again a push-push 
type switch, requiring a small "tool" to activate. The IN position routes the input signals through the 40 
Hz LOW CUT filter, while the OUT position bypasses the filter. This filter will cut extremely low
frequencies, protecting speakers from the possibility of over-excursion. The filter low-frequency roll off is 
12 dB per octave. The LOW CUT filter for each channel will function independently of the crossover 
function to be discussed next.

(15) CROSSOVER SWITCH (150 Hz X

 

OVER)

This switch is used to activate the 150 Hz crossover for the corresponding channel. It is also a 
push-push type switch and requires a small "tool" to activate. The offers two 150 Hz crossovers. These 
are specially designed features that enhance the response of most loudspeakers in a typical bi-amped 
application. Rather than just having a fiat output curve, these crossovers use special filters to tailor the 
response and provide a flat acoustical output. This type of crossover "sounds" more natural than 
conventional "state-variable" type crossovers.

With the switch IN, the input signals are routed through the crossover, and the low frequencies are 
automatically sent to the corresponding channel.
 At the same time, the high frequencies are sent to 
the HIGH OUT (17) jack and must then be patched to INPUT of the other channel of this amplifier or to 
another amplifier input to complete the bi-amped system. Additionally, the low frequencies are sent to
the THRU/LOW OUT (16) jack, and can be patched to other amplifier inputs to permit even larger 
systems. With the switch OUT the crossover is defeated, and input signal is routed directly to the 
respective power amp channel. The crossover frequency is fixed at 150 Hz and cannot be changed. The 
crossover configuration is a 4-pole Linkwitz-Riley approximation.

(16) THRU/LOW OUT JACKS

As per previous crossover discussion, this 1/4" jack supplies low-frequency out signals from the 
activated crossover for patching to additional power amplifier inputs, providing added flexibility in larger 
bi-amped systems. When the crossover function is not activated, this jack converts to a THRU function, 
where the output of the electronically balanced input circuitry is supplied to this jack. The THRU function 
provides the means to patch a full range input signal to the other input of this amplifier (parallel 
mode), or to other amp inputs in the same rack. This function allows one balanced mixer feed to be 
connected to the amp via the desired balanced input connector (XLR, 1/4", Barrier), and then further 
distributed locally. Regardless of the crossover switch position, this 1/4" jack provides an unbalanced
(tips/sleeve) output to be patched with single conductor shielded cables.

(17) HIGH OUT JACKS

Again, as per previous crossover discussion, this 1/4" jack supplies high frequency out signals from the 
activated crossover for patching to this amplifier and/or additional power amplifier inputs. Unlike the 
low-frequency crossover output, that is automatically routed to the associated channel, the high-frequency 
output signal must be patched to some suitable input in order to complete the bi-amped system. This 
1/4" jack also provides an unbalanced (tip/sleeve) output to be patched with signle-conductor shielded 
cables.

INDUSTRIAL AND COMMERCIAL INSTALLATIONS

For commercial and other installation where sustained high-power operation is required, the amplifiers 
should be mounted in a standard 19" rack. It is not necessary to leave a rack space between each 
amplifier in the stack since each fan pulls air in from the rear and exhausts the hot air our the front.
However, an adequate cool air supply must be provided for the amplifier when rack mounted. The 
internal fan must have a source of air that is not preheated by other equipment. The amplifier will start up
in low speed fan operation and will normally stay at low speed unless sustained high-power operation 

Summary of Contents for PTA3000

Page 1: ...PROFESSIONAL POWER AMPLIFIER OPERATING GUIDE PTA3000 ...

Page 2: ...ratus near water 6 Clean only with a dry cloth 7 Do not block any of the ventilation openings Install in accordance with manufacture s instructions 8 Do not install near any heat sources such as a radiator heat register stove or other apparatus including amplifiers that produce heat 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one ...

Page 3: ...7 Exposure to extremely high noise levels may cause permanent hearing loss Individuals vary considerably in susceptibility to noise induced hearing loss but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a sufficient time The US Government s Occupational and Health Administration OSHA has specified the following permissible noise level exposures Sound Level dBA...

Page 4: ...out 1 4 jacks and activation switches for the LOW CUT filter and crossover 150Hz X OVER Channel output sections feature dual shock proof binding posts and four conductor Speakon connectors An additional four conductor Speakon connector allows BRIDGE mode output UNPACKING Inspect the amplifier during unpacking If any damage is found notify your dealer immediately Be sure to save the carton and all ...

Page 5: ...ture limits or if the mains circuit breaker trips both channel power LED will be dark indicating shutdown If the BRIDGE mode is selected the indicator on channel B will remain dark as a positive indication of this mode selection 3 SIGNAL ACTIVITY LEDS SIGNAL These indicators illuminate when the associated channel output signal level exceeds 1 V RMS 4 OVERLOAD LEDS CLIP These indicators illuminate ...

Page 6: ... colored green and yellow 2 The wire that is colored blue must be connected to the terminal that is marked with the letter N or the color black 3 The wire that is colored brown must be connected to the terminal that is marked with the little L or the color red 8 BINDING POST OUTPUTS Shockproof binding post speaker outputs are provided on the amplifier For each channel the outputs are in parallel a...

Page 7: ...e fans should be in low speed The fans should never stop unless the amplifier is switched off or the AC mains power source is interrupted 13 COMBO INPUT CONNECTOR The combo connector offers both female XLR and 1 4 phone jack balanced inputs for each channel The XLR is wired with pin 1 as ground pin 2 positive input and pin 3 negative input The 1 4 phone jack is a tip ring sleeve 3 conductor type w...

Page 8: ...mation 16 THRU LOW OUT JACKS As per previous crossover discussion this 1 4 jack supplies low frequency out signals from the activated crossover for patching to additional power amplifier inputs providing added flexibility in larger bi amped systems When the crossover function is not activated this jack converts to a THRU function where the output of the electronically balanced input circuitry is s...

Page 9: ... illuminated In any event action should be taken to correct the cause of the thermal shutdown If the amplifier is not severely overloaded or shorted and air flow is normal in and out of the amplifier then steps should be taken to provide a cooler environment for all the amplifiers As a general rule the cooler electronic equipment is operated the longer its useful service life In most low to medium...

Page 10: ...AMPLIFIER CONFIGURATIONS ...

Page 11: ...10 ...

Page 12: ...dge mode mono 8 Ohms EIA 1 kHz 1 THD HUM NOISE Stereo mode below rated output power 4 ohms DISTORTION SMPTE IM INPUT SENSITIVITY IMPEDANCE rated output power 4 ohms Balanced TRS 1 4 phone jack Balanced XLR pin 2 positive Overall system gain per channel DISTORTION THD typical value Stereo mode both channels driven 4 Ohms 20 Hz to 20 kHz 10dB below rated power 20 Hz to 2 kHz at full rated power FREQ...

Page 13: ...PyleAudio com 718 535 1800 718 236 2400 fax 1600 63rd Street Brooklyn NY 11204 ...

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