15
12. FADER LEVEL control
It adjusts the level of the channel signal and send it to the MAIN MIX outputs.
13. LINE LEFT/MONO Input
This is a female JACK connector, which accepts a balanced or unbalanced line level input signal from almost any source.
If the RIGHT jack is not inserted, this channel operate like a MONO channel with this input as a single signal source.
Wiring is the same of point 2.
14. LINE RIGHT Input
This is a JACK connector, which accepts a balanced or unbalanced line level input signal from almost any source. This is
used only in presence of LEFT jack input to use the channel as STEREO.
15. +4/-10 GAIN Switch
The gain switch adjusts the input sensi vity of the line inputs. This allows the signal from instruments to be adjusted
to op mal internal levels. If the switch is up (+4 dBu) the input stage is set to accept high level line signals, if the switch
is down the input stage is set to accept low level line signals.
16. AUX 1 level control pre-fader
This control sends the signal to the AUX 1 output. This signal is pre-fader, meaning that it doesn't depend on the posi on
of the channel's FADER. NOTE: this control is present on Mi12 only.
17. AUX 2 (Mi12) / AUX 1 (Mi10) level control post-fader send to FX
This control sends the signal to the AUX 2 (Mi12) / AUX 1 (Mi10) output and to the internal PROFEX digital e
ff
ect
processor. This signal is post-fader, or in other words it depends on the posi on of the channel's FADER.
18. BAL control
It adjusts the amount of channel signal sent to the le versus the right outputs if the channel is used as MONO, or it
fades the LEFT or RIGHT signal amount if the channel is used as STEREO.
19. PEAK detector
The PEAK LED
fl
ashes when the input signal is near to the CLIPPING point. IMPORTANT: if the LED PEAK
fl
ashes reduce
the level li ing up the GAIN switch.
20. FADER LEVEL control
It adjusts the level of the channel signal and send it to the MAIN MIX outputs.
21. PRESETS selector and display
The internal PROFEX digital e
ff
ect processor is built around a powerful DSP and 24bit AD/DA converters. It includes 16
di
ff
erent presets of studio-grade e
ff
ect algorithm, each one featuring 16 di
ff
erent varia ons of the internal parameters,
for a total of 256 e
ff
ects available.
HOW TO USE THE PROFEX EFFECT:
- rotate the SELECTOR knob to choose the type of e
ff
ect (preset) you want to use;
- to select a varia on of the preset, press and hold the knob un l the display
fl
ashes;
- rotate the knob and choose one of the 16 varia ons available;
- press and hold again the knob un l the display stops
fl
ashing to con
fi
rm the selec on and to return back to the
preset selec on;
- send the signal to the e
ff
ect with the AUX control (9)(17) of the channel you want to add the e
ff
ect to;
- rotate the FX LEVEL (24) knob un l you hear the e
ff
ect added to the original signal;
- adjust the AUX controls (9)(17) just before the signal input clipping indicated by the peak led (23);
- re-adjust the FX LEVEL (24) knob to combine the wet e
ff
ected signal with the natural dry signal.
NOTE:
the preset and the varia on selected in the PROFEX e
ff
ect are kept in the memory even if you turn o
ff
the
mixer.
PRESET DESCRIPTION:
p 1. BRIGHT HALL
- This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with
long pre delay and a lot of high frequency re
fl
ec ons. Works well with vocals, electric and acous c guitars, strings.
The VARIATIONS vary the decay me and the hall size from bigger [1] to smallest [16].
p 2. DARK HALL
- This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with long
pre delay and a few of high frequency re
fl
ec ons. Works well with vocals, guitars, woodwinds.
The VARIATIONS vary the decay me and the hall size from bigger [1] to smallest [16].
p 3. BRIGHT ROOM
- This type of reverb reproduces the more in mate ambience of natural room acous cs. Feature
a lot of early re
fl
ec ons with a lot of high frequency. Works well with vocals, woodwinds, strings, drums.
The VARIATIONS vary the decay me and the room size from bigger [1] to smallest [16].
p 4. DARK ROOM
- This type of reverb reproduces the more in mate ambience of natural room acous cs. Feature a
lot lot of early re
fl
ec ons with a few of high frequency. Works well with vocals,
fi
ngered guitars, drums.