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2. INSTALLATION

2.1 RACK MOUNTING

The Phonic PMX 2300 fits into standard rack, and takes one unit height of space (1 3/4"). Additional 4" depth

for the connectors on the back panel is needed. Be sure that there is enough air space around the unit for

cooling and please do not place the PMX 2300 in contact to or directly on top of high temperature devices such

as power amplifiers etc. to avoid overheating.

2.2 CONNECTORS

The PMX 2300 use XLR plug for microphone input, RCA plugs for BGM inputs, 1/4” phone plugs for emer-

gency audio input, utility output, zone 1/zone 2 outputs, an RJ45 plug for emergency override control, an

phonix 3-pin plug for remote level control, an D-Type 9-pin for source link, and an 3.5mm mini phone plug for

paging control.

2.2.1 Impedance

The microphone input impedance is less than 2k Ohms. As standard, the outputs of the PMX 2300 are elec-

tronically balanced with output impedance lower than 100 Ohms. When driving transformer coupled loads, it

may be necessary to create 600-Ohm source impedance. For this purpose, install two 247 Ohms resistors in

series with pin 2 and 3.

2.2.2 Unbalanced/Balanced Connection

Most of the mistakes in audio installations are incorrect and defective audio connections. In order to perfectly

complete your installation, please pay special attention to the following section unless you are already familiar

with balanced/unbalanced operation.

What is an unbalanced system?

You can find this system in most of home audio-video system. It gets one conductor to carry the signal, and the

other conductor for ground. Normally for lower level signal, the signal conductor is shielded by the ground

conductor.

What is a balanced system?

Balanced system transmits the signal via 2 conductors plus one ground shielding conductor. The 2 signal

conductors carry the same signal but out of phase. For the balanced input stage, the amplifier will boost the

difference of the 2 signal conductors and remove the identical part (known as common mode signal.) of the 2

signal conductors. Because of the real signal is carried by the 2 conductors out of phase, so it is perfectly

carried to the input. At the same time, the interference occurs during transmission will be identical part (common

mode), because the signal conductors are run together, there is no chance they can be different, and all the

interference will be removed by the balanced input amplifier.

Summary of Contents for PX2300

Page 1: ...PMX2300 USER MANUAL...

Page 2: ...alerts you to the presence of uninsulated danger ous voltage inside the enclosure that may be sufficient to constitute a risk of shock CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER...

Page 3: ...D CONNECTION 5 2 3 CONNECTIONS 6 2 3 1 APPLICATION 1 OFFICE 7 2 3 2 APPLICATION 2 RESTAURANT LAUNGE 8 2 3 3 APPLICATION 3 THEATER 9 2 3 4 APPLICATION 4 HEALTH BEAUTY CLUB 10 2 4 MAINS CONNECTION 11 2...

Page 4: ...3 6 SYSTEM BLOCK DIAGRAM 20 7 REFERENCE BOOKS 21 SERVICE REQUEST FORM 22...

Page 5: ...the mixer FEATURES Three stereo line inputs 1 paging microphone input 1 emergency input 2 stereo zone outputs and 1 mono utility output Each zone has music source select switch separate music level m...

Page 6: ...3 2 2 2 Unbalanced Balanced Connection Most of the mistakes in audio installations are incorrect and defective audio connections In order to perfectly complete your installation please pay special at...

Page 7: ...system ground is properly done Don t use ground insulator plug adapter without properly connect the ground individually This is vital to a successful audio system connection Always connect the ground...

Page 8: ...7 2 3 1 Application 1 Office...

Page 9: ...8 2 3 2 Application 2 Restaurant Launge...

Page 10: ...9 2 3 3 Application 3 Theater...

Page 11: ...10 2 3 4 Application 4 Health Beauty Club...

Page 12: ...PMX 2300 is capacitor de coupled please isolates it from the power ground Do not attempt to solve ground loop problem by disconnecting the power ground 2 4 1 Safety Fuse Replacement A safety fuse pro...

Page 13: ...nob in the centre detented position when not required 2 2 2 2 2 TREBLE High frequency Turn clockwise to boost high treble frequency at 8KHz adding crispness to vocals Turn counter clockwise cuts 8KHz...

Page 14: ...e to boost high treble frequency at 10KHz by up to 15dB for adding sweetness to the music Turn the knob counter clockwise to cut by up to 15dB Set the knob in the centre detented position when not req...

Page 15: ...12 12 EMERGENCY The TRIM knob adjusts the volume of emergency audio input While the 24VDC control circuit is activated by external device will cut all the programs 2 zones 1 utility and route the aud...

Page 16: ...ncy function which route the external emergency message to all outputs It provides an override control for emergency use AUDIO Accept an external audio input 15 15 15 15 15 UTILITY The UTILITY output...

Page 17: ...19 19 19 19 19 SOURCE LINK It distributes the three BGM input sources for next PMX 2300 or accepting previous PMX 2300 three BGM input sources This function allows the three BGM input sources to be us...

Page 18: ...17 4 CONNECTING LEADS...

Page 19: ...dio 1 Unbalanced line level Impedance 14K ohms Frequency response 150Hz 20KHz 0 1dB Gain 10dB 10dB Filter RF HPF 30KHz 150Hz 3dB 18dB oct OUTPUT Stereo Zone output 2 Balanced Microphone Equalizer HF 1...

Page 20: ...el Control Gain Microphone Remote Control 1 2 functions paging to zone 1 and or 2 Contact closures or open collector logic control Zone Remote Control 2 BGM Level Panic Override 1 24VDC POWER Mains po...

Page 21: ...20 6 SYSTEM BLOCK DIAGRAM...

Page 22: ...vice The Musician s Guide to the Recording Studio by Wayne Wadham Schirmer Books ISBN 0 02 872694 4 Professional Microphone Techniques by David Mills Huber Philip Williams Hal Leonard Publishing Corpo...

Page 23: ...______________________________________________________ _______________________________________________________________ MODEL No ______________________ SERIAL No ______________________________ PURCHASE...

Page 24: ......

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