Phonic MU 200 XP User Manual Download Page 6

PHONIC CORPORATION

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MU 200XP USER

S MANUAL

MU 200XP USER

S MANUAL

PHONIC CORPORATION

Page 7

MAKING CONNECTIONS

Inputs and Outputs

1.  XLR Microphone Jacks

These jacks accept typical 3-pin XLR inputs for balanced 
and unbalanced signals. They can be used in conjunc-
tion with microphones – such as professional condenser, 
dynamic or ribbon microphones - with standard XLR male 
connectors, and feature low noise preamplifiers, serv-
ing for crystal clear sound replication. The MU 200XP 
features four standard XLR microphone inputs for your 
convenience.

NB

When  these  inputs  are  used  with  condenser  microphones,  the  Phantom 

Power  should  be  activated.  However,  when  Phantom  Power  button  is  engaged, 

single ended (unbalanced) microphones and instruments should not be used on 

the Mic inputs.

2.  Line Inputs

This  input  accepts  typical  1/4” TRS  or TS  inputs,  for 
balanced  or  unbalanced  signals.  There  are  various 
numbers of these inputs depending which mixer you are 
using. They can be used in conjunction with various line 
level devices, such as keyboards, drum machines, electric 
guitars, and a variety of other electric instruments.

3.  Stereo Channels

The  MU  200XP  mixer  features  a  couple  of  stereo 
channels,  thrown  in  for  maximum  flexibility.  Each  of 
these  stereo  channels  features  two  1/4” TRS  phone 
jacks, for the addition of various line level input devices, 
such as electronic keyboards, guitars and external signal 
processors or mixers. These Stereo Channels can also 
be used as Mono channels, where the signal from any 
1/4" phone jack plugged into the Left stereo input will 
cause the signal to be duplicated to the Right input due 
to the miracle of jack normalizing. This does not work in 
reverse, however.

4.  Stereo AUX Return

These 1/4” TS inputs are for the return of audio to the 
MU  200XP  mixer,  processed  by  an  external  signal 
processor. If really needed, they can also be used as 
additional stereo inputs, with a level control located on the 
face of the mixer. The signal received by AUX Return 2 is 
routed to the internal effects processor. Furthermore, the 
Stereo AUX Return can also accept Mono signals, where 
plugging the 1/4" phone jack of any device into the Left 
input will cause the signal to be duplicated to the Right 
input also. This does not work in reverse, however.

5.  AUX / Effects Send

These 1/4” TS outputs may be used to connect to an 
external digital effect processor, or even to an amplifier 
and speakers (depending on your desired settings), to 
the mixer.

6.  Main L and R Outputs

These two ports will output the final stereo unbalanced 
line  level  signal  sent  from  the  main  mixing  bus. The 
primary purpose of these jacks is to send the main output 
to external devices, which may include power amplifiers 
(and in-turn, a pair of speakers), other mixers, as well 
as  a  wide  range  of  other  possible  signal  processors 
(Equalizers, Crossovers, etcetera). 

NB

.

 When sending unbalanced signals from this output, a 1/4" TRS stereo plugs 

must  be  used  and  have  the  ring-pin  disconnected,  as  to  avoid  damaging  this 

mixer.

7. Control Room Outputs

These  two  1/4”  Phone  Jack  outputs  feed  the  signal 
altered by the CTRL RM / SUBMIX level control on the 
face of the mixer. This output has extensive use, as it can 
be used to feed the signal from the mixer to an active 
monitor, for the monitoring of the audio signal from within 
a booth, among other possible uses.

8.  Phones

This stereo output port is suited for use with headphones, 
allowing monitoring of the mix. The audio level of this 
output is controlled using the CTRL RM / SUBMIX level 
control.

9.  Record Out

These outputs will accommodate RCA cables, able to be 
fed to a variety of recording devices. Also included is a 
mini stereo jack for the addition of recording devices such 
as MD players, and even laptop computers, as well as a 
Trim control, allowing users to control the output signal 
level, ensuring total control over recording quality.

10. 2T Return

These RCA and mini stereo inputs are used to connect 
the mixer with external devices, such as tape and CD 
players, or even Laptop computers, receiving a signal 
from another source and feeding it to the Main L-R mix-
ing bus.

Summary of Contents for MU 200 XP

Page 1: ...V1 5 2004 10 13...

Page 2: ...ble specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplug this apparatus during li...

Page 3: ...TROLS AND SETTINGS 8 APPLICATION 11 DIGITAL EFFECT TABLE 12 BLOCK DIAGRAM 13 SPECIFICATIONS 14 DIMENSIONS 16 APPENDIX 17 page Compact Powered Mixer MU200XP Phonic reserves the right to improve or alte...

Page 4: ...uals then we just urge you to at least glance at the Instant Setup section After glanc ing at or reading through the manual we applaud you if you do read the entire manual please store it in a place t...

Page 5: ...l input controls of the Mixer should be turned counterclockwise or down as far as they will go 2 No input other than the one being set should have any device plugged in This will ensure the purest sig...

Page 6: ...yAUX Return 2 is routed to the internal effects processor Furthermore the StereoAUX Return can also accept Mono signals where plugging the 1 4 phone jack of any device into the Left input will cause t...

Page 7: ...cable allowing AC power to be supplied to the mixer Please use the power cable that is included with this mixer only The Fuse holder located above the AC Power connector is of course for the MU 200XP...

Page 8: ...dle frequency 2 5 kHz sounds at a range of 15 dB Changing middle frequencies of an audio feed can be rather difficult when used in a professional audio mix as it is usually more desirable to cut middl...

Page 9: ...position middle position 26 Mute ALT 3 4 This handy little button is basically a typical mute button effectively stopping any signal received by the channel from being sent to the Main L R and EFX mix...

Page 10: ...on is released and you can turn the AUX 1 up control of any input channel to track it s signal 39 Assign To Main Button When the Assign To Main button is engaged the 2T Return and Alternative 3 4 sign...

Page 11: ...explore the functions and find the best setup possible for your needs which may depend on what instruments you wish to connect as well as how many external devices you wish to connect and your require...

Page 12: ...7 ECHO 2 Ideal for Echoing vocals Delay Time 0 800 ms 8 DELAY 1 Delays the audio signal Delay Time 0 800 ms 9 DELAY 2 Delays the audio signal Delay Time 0 800 ms 10 EARLY REF Modifies early reflection...

Page 13: ...MU 200XP USER S MANUAL PHONIC CORPORATION Page 13 BLOCK DIAGRAM...

Page 14: ...out with trim control Mini stereo and stereo RCA CTRL RM L R 2 x 1 4 TS Phones 1 Channel Strips 6 Inserts 4 Aux send 2 Pan Balance control Yes Volume Controls Rotary Master Section Stereo aux returns...

Page 15: ...d max gain 129 5 dBm THD Power output 1KHz 20Hz to 20KHz 50 watts 4 ohms 0 1 Any output 1KHz 14dBu 20Hz to 20KHz channel inputs 0 005 CMRR 1 KHz 60dBu Gain at maximum 80 dB Maximum Level Mic preamp in...

Page 16: ...PHONIC CORPORATION Page 16 MU 200XP USER S MANUAL DIMENSIONS 264 3 10 4 270 3 10 6 274 8 10 8 92 8 3 7 100 0 3 9 68 0 2 7 82 0 3 2 240 0 9 4 41 0 1 6 95 3 3 8 Measurements are shown in mm inch...

Page 17: ...SBN 0 240 80308 6 l Sound Advice The Musician s Guide to the Recording Studio by Wayne Wadham Schirmer Books ISBN 0 02 872694 4 l Professional Microphone Techniques by David Mills Huber Philip William...

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