UPTURNED T
series
SOUND REINFORCEMENT
ACOUSTIC RESEARCH
CONTROLLED RADIATION
User’s Manual
UPTURNED T
series
SOUND REINFORCEMENT
ACOUSTIC RESEARCH
CONTROLLED RADIATION
10
4.9 Summary table
The following table refers to the use of active stacks.
SYSTEM
APPLICATION AND USE
COVERAGE
AND DISTANCE
REMARKS
UT Active Stack
1_1_mono
A) Placed at the back of the stage
(works as both a monitor and a P.A.)
Jazz/Unplugged music/Jam session
Rock/Blues indoor
(only voice amplification)
Stage width:
4-5 m
Maximum distance of
the furthest listener:
16 m
A slightly angled and off-centred position can optimize the stage
coverage.
Dedicated amplifiers for acoustic bass/contrabass are not required
B) Placed at the front of the stage
(main P.A.)
/
Strictly not recommended
C) Portable system for deejays
and entertainers
40 sqm
Position in a corner of a square dance floor and direct at 45°
UT Active Stack
1_1 stereo
A) Placed at the back of the stage
(works as both a monitor and a P.A.)
Jazz/Unplugged music/Jam session
Stage width:
7-8 m
Maximum distance of
the furthest listener:
24 m
Join up the tracking directions, possibly cross them in the middle of
the room until a correct coverage of the stage is obtained.
Dedicated amplifiers for acoustic bass/double bass are not required
B) Placed at the front of the stage
(main P.A.)
Jazz/Unplugged music
Rock/Blues indoor
Maximum distance of
the furthest listener:
24 m
Evaluate the tracking directions based on the width of the audience
stall. Lower front-fill requirement as compared to standard systems
C) Portable system for deejays
and entertainers
80 sqm
Position in a corner of a square dance floor and direct at 45°
UT Active Stack
2_1_mono
A) Placed at the back of the stage
(works as both a monitor and a P.A.)
Jazz/Unplugged music /Jam session
Rock/Blues indoor
(only voice amplification)
Stage width:
5-6 m
Maximum distance of
the furthest listener:
24 m
A slightly angled and off-centred position can optimize coverage of
the stage.
Dedicated amplifiers for acoustic bass/double bass are not required.
As compared to the
Active Stack 1_1_mono
:
- increased range, especially with a large standing audience;
- better listening for musicians in near and lateral positions (i.e. drums);
- vertically more extended sound field (musicians sitting
and/or sloping audience stalls);
- increased medium-low frequency dynamics.
B) Placed at the front of the stage
(main P.A.)
/
Strictly not recommended
UT Active Stack
2_1_stereo
A) Placed at the back of the stage
(works as both a monitor and a P.A.)
Jazz/Unplugged music/Jam session
Stage width:
8-10 m
Maximum distance of
the furthest listener:
32 m
Join up the tracking directions, possibly cross them in the middle of
the room until a correct coverage of the stage is obtained.
Advantages as compared to the
Active Stack 1_1_stereo
:
- increased range, especially with a large standing audience;
- better listening for musicians in near and lateral positions (i.e. drums);
- vertically more extended sound field (musicians sitting
and/or sloping audience stalls);
- increased medium-low frequencies dynamics.
B) Placed at the front of the stage
(main P.A.)
Jazz/Unplugged music
Rock/Blues indoor
Stage width:
9-12 m
Maximum distance of
the furthest listener:
32 m
Evaluate the tracking direction based on the width of the audience
stall. Lower front-fill requirement as compared to standard systems.
Advantages as compared to
Active Stack 1_1_stereo
:
- increased range, especially with a large standing audience;
- vertically more extended sound field (public sitting and sloping
audience stalls);
- increased medium-low frequencies dynamics.
