25. TAPE OUTPUT JACKS:
Provides a signal to feed a stereo tape deck or
other input. This signal is the L/R signal with the
level set by the Tape output control. The Tape
input signal is also included, and can cause
feedback if the tape input level is turned up when
recording on a single machine.
26. TAPE INPUT JACKS:
Receives the input from a stereo tape deck or a
CD player.
27. TAPE OUTPUT LEVEL:
Sets the level of the L/R signal sent to the Tape
output jacks.
28. HEADPHONE/CONTROL ROOM
LEVEL:
Adjusts the level of the headphone and outputs.
The signal is independent of the L/R master
faders (pre-fader).
29. MIC INPUT:
XLR balanced low impedance channel input
optimized for a microphone or other low imped-
ance source. Pin 2 is the positive input. Because
of the wide range of gain adjustment, signal levels
up to 21 dBu ( 8.9 VRMS) can be accommodated.
30. LINE INPUT:
1/4" balanced (TRS) high impedance input for
high-level signals. The tip is the positive input,
which should also be used for unbalanced inputs. This input is con-
nected through a 10 dB pad to the MIC input. The two inputs cannot
be used simultaneously.
31. RETURN
INPUTS:
1/4" balanced (TRS)
high impedance input
for high level signals.
These are designed for effect returns, but can be used
for additional stereo inputs. The tip is the positive
input, which should also be used for unbalanced
inputs. The Left/Mono input supplies signal to both
the left and right inputs if there is no input connected
to the right input jack.
32. AUX EFFECT OUT:
1/4" TRS Output jack of the corresponding Aux
Effect mix. It can be used to feed an external monitor
system or effects unit. The level is set by the indi-
vidual channel Aux Effects send and the Effects
Master controls.
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