Peavey SP 3G Specification Sheet Download Page 2

NET WEIGHT:

95 lbs. (43.2 kg)

FEATURES
•  1505-8 KADT Black Widow

®

 woofer

•  6.5" Pro mid-range driver
•  22 XT compression driver
•  Sound Guard high-frequency
    protection circuit
•  Trapezoidal enclosure design

DESCRIPTION

The SP 3G is a full-range 3-way

speaker system engineered for high
performance and versatility. Useful
for sound reinforcement, monitoring,
public address and musical play-
back. The system is comprised of a
15" Black Widow woofer with
Kevlar-impregnated cone, a 6.5"
professional mid-range driver, and a
22XT compression driver coupled
with a CH 3 constant directivity
horn.

This unit can be driven in a full-

range or bi-amp mode by simply
plugging into the desired jack on the
input plate. The SP 3G has a
trapezoidal shaped box, rather than
a rectangular shaped box, that
allows arrays to be constructed
much more easily. This shape also
greatly reduces the build-up of
standing waves on the inside of the
enclosure. This ensures a minimum
of mid-bass and mid-range colora-
tion of the reproduced sound due to
the cabinet. The SP 3G is con-
structed of 3/4" plywood and is
covered with Peavey's durable black
carpet. Polymer corners are also a
part of the unit to provide added
protection to the enclosure. A
powder-coated, expanded metal
grille covers the lower part of the
front of the enclosure to protect the
mid- and low-frequency drivers from
unforeseen accidents.

Sound Guard, Peavey's propri-

etary circuit for high-frequency
driver protection, has been included
as a integral part of the crossover
for the SP 3G. The input signal is
routed through the Sound Guard
circuit in both full-range and bi-amp
modes of operation. When the high-
frequency drive level to the SP 3G
exceeds a predetermined threshold,
the Sound Guard circuit is engaged.
This subtly decreases the signal
going to the 22XT so that it will not
be damaged due to long-term
overpowering. Short duration
transients will not be attenuated by
Sound Guard and have the possibil-
ity to damage the 22XT. The Sound
Guard circuit is a dynamic circuit

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Frequency (Hz)

30

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60

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100

140

180

300

360

Beamwidth

(Degrees)

Beamwidth

Vertical

Horizontal

Figure 3

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Frequency (Hz)

70

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110

120

dB

SPL

(re

20

Pa)

Amplitude Response (1W 1m On-Axis)

Figure 1

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Frequency (Hz)

1

10

100

Q & Directivity Index

Q

Figure 4

20

10

Di

0

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Frequency (Hz)

1

2

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100

Impedance

Z

( )

Figure 2

Summary of Contents for SP 3G

Page 1: ...o 1 6 kHz Horizontal 122 15 Vertical 152 38 1 6 kHz to 5 kHz Horizontal 79 21 Vertical 83 22 5 kHz to 16 kHz Horizontal 87 10 Vertical 45 4 Directivity Factor Q Mean 8 4 3 Directivity Index Di Mean 8 3 dB 2 8 dB Transducer Complement 1505 8 KADT Black Widow woofer 6 5 Pro mid range driver 22XT compression driver Box Tuning Frequency 58 Hz Crossover Frequency internal passive 800 Hz Minimum Recomme...

Page 2: ...also a part of the unit to provide added protection to the enclosure A powder coated expanded metal grille covers the lower part of the front of the enclosure to protect the mid and low frequency drivers from unforeseen accidents Sound Guard Peavey s propri etary circuit for high frequency driver protection has been included as a integral part of the crossover for the SP 3G The input signal is rou...

Page 3: ...lotted on ISO 1 octave centers from 500 Hz to 16 kHz VERTICAL POLAR PATTERNS 0 o 30 o 60 o 90 o 30 o 60 o 90 o 0 o 30 o 60 o 90 o 30 o 60 o 90 o 0 o 30 o 60 o 90 o 30 o 60 o 90 o 0 o 30 o 60 o 90 o 30 o 60 o 90 o 90 o 60 o 30 o 0 o 30 o 60 o 90 o 90 o 60 o 30 o 0 o 30 o 60 o 90 o 90 o 60 o 30 o 0 o 30 o 60 o 90 o 16 kHz 8 kHz 4 kHz 500 Hz 2 kHz 1 kHz 0 o 30 o 60 o 90 o 30 o 60 o 90 o 4 kHz 8 kHz 0...

Page 4: ...ard 2 1984 utilizing audio band limited 20 Hz 20 kHz pink noise with peaks over four times the RMS level This strenuous test signal assures the user that every portion of this system can withstand today s high technology music The test signal contains large amounts of very low frequency energy effectively simulating the frequency content of live music situations The full measure of high frequencie...

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