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FOOTSWITCH (MIDI IN) (13)

 This 8-pin DIN jack is used to connect the included hand controller or any 

compatible 5/7-pin interfaced MIDI switching device.  Details on the hand controller functions are found in a 

separate section below.

STEREO EFFECTS LOOP (14)

 In MONO mode (only LEFT/MONO SPEAKER connected), this is a standard 

mono post EQ effects loop where the LEFT and RIGHT loops can both be used, but will sum the effects to a 

mono signal before being routed to the power amp.  It is remote selectable (via MIDI or supplied hand control-

ler), used for patching effects into the signal chain. In STEREO mode (two speakers connected), the LEFT and 

RIGHT loops are sent to the power amp as true stereo effects.  High quality shielded instrument cables should be 

used from the SEND and to the RETURN in all cases.

STEREO MSDI SECTION(15)

 These jacks provide a microphone-simulated direct out signal to a mixing con-

sole or recording device.  With no speakers connected, the output will be brighter, as these signals are tapped 

directly from the SPEAKER OUTPUTS.  The speakers being used define the high frequency characteristics, as if 

they were mic’d up.  A GROUND LIFT switch is provided for each to minimize AC line interference, as needed.

SPEAKER OUTPUTS (16)

 These jacks provide a direct connection to any desired speaker cabinet with a nom-

inal impedance of 4 Ohms, or greater.  When using only one cabinet, connect to the LEFT/MONO jack.  Use 

BOTH jacks for Stereo operation, only.  

Note:  When both speaker jacks are used, the SPRING REVERB, DIGITAL EFFECTS SECTION, STEREO EF-

FECTS LOOP, and MSDI are automatically split into stereo operation.  When only the LEFT/MONO SPEAKER 

is connected, these are all summed to a mono signal, in the same manner.

FUSE (17) 

Always replace the AC MAINS FUSE with the same size and type specified, per voltage version.

WARNING! NEVER ATTEMPT TO REMOVE THE FUSE CAP OR REPLACE THE FUSE UNLESS THE 

POWER CORD HAS BEEN DISCONNECTED FROM THE POWER OUTLET.

IEC INLET (18) 

Used to connect the appropriate line cord (supplied), per voltage version.

Never break off the ground pin on any equipment. It is provided for your safety. If the outlet used does not have 

a ground pin, a suitable grounding adapter should be used, and the third wire should be grounded properly. To 

prevent the risk of shock or fire hazard, always make sure that the amplifier and all associated equipment is prop-

erly grounded.

NOTE: FOR UK ONLY

As the colors of the wires in the mains lead of this apparatus may not correspond with the colored markings 

identifying the terminals in your plug, proceed as follows: (1) The wire that is colored green and yellow must be 

connected to the terminal that is marked by the letter E, or by the Earth symbol, or colored green or green and 

yellow. (2) The wire that is colored blue must be connected to the terminal that is marked with the letter N, or 

the color black. (3) The wire that  is colored brown must be connected to the terminal that is marked with the 

letter L, or the color red.

Summary of Contents for Robert Randolph Signature 212

Page 1: ... 5 6 0 10 1 9 2 8 3 7 4 5 6 15 15 12 12 9 9 6 6 3 0 3 15 15 12 12 9 9 6 6 3 0 3 15 15 12 12 9 9 6 6 3 0 3 0 10 1 9 2 8 3 7 4 5 6 0 10 1 9 2 8 3 7 4 5 6 0 10 1 9 2 8 3 7 4 5 6 PRE GAIN BOOST BOOST LOW MID HIGH PRESENCE REVERB MASTER MID SHIFT EQUALIZER 125 250 500 800 1K 1 3K SELECT ADJUST EFX PARAMETER Plate Level Chrs Rate Dly Fdbk Dly Level Chrs Dpth Push to BYPASS Push for TAP TEMPO EFFECTS LOO...

Page 2: ...h the limits for a Class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there...

Page 3: ...lung to as a standard for nearly 45 years With pre EQ loop separate mono and stereo post EQ loops smart stereo loop switching an added boost function and a studio quality digital effects section this may be the last amp that you will ever need The included MIDI hand controller clips to any standard microphone stand and can be replaced by any other standard MIDI switching device for maximum flexibi...

Page 4: ...r cabinet s to either the LEFT output jack or both if you are using a stereo speaker configuration Be sure to use speaker cables with at least 18AWG wire in all cases Make sure that your speaker cabinets can handle the power that will be delivered to the marked impedance of the cabinet 6 Using front panel controls on the amp find the type of tone that most closely resembles that which you wish to ...

Page 5: ...er the input gain stage of the amplifier At lower settings it provides a subtle thickening of the tone and at higher settings it provides a more lively distortion characteristic all very much like a genuine tube circuit in a conventional guitar amplifier PRE EQ LOOP 5 These mono jacks provide a transparent loop for a volume pedal such as the Budda Vol ume Boost Pedal or any other desirable pre EQ ...

Page 6: ... are saved after the amp is turned off on and so this essentially acts as a multi effects unit would in a normal loop The ADJUST control alters the parameter that is selected by the SELECT control Pressing the SELECT control bypasses all digital effects and pressing the ADJUST control sets the TAP TEMPO of the digital delay NOTE When both speaker jacks are used the SPRING REVERB DIGITAL EFFECTS SE...

Page 7: ...connect to the LEFT MONO jack Use BOTH jacks for Stereo operation only Note When both speaker jacks are used the SPRING REVERB DIGITAL EFFECTS SECTION STEREO EF FECTS LOOP and MSDI are automatically split into stereo operation When only the LEFT MONO SPEAKER is connected these are all summed to a mono signal in the same manner FUSE 17 Always replace the AC MAINS FUSE with the same size and type sp...

Page 8: ...tible hand controller is used in conjunction with the included 25 8 pin DIN cable to toggle the remote switchable functions in the amplifier as noted in the SPECIFI CATIONS section BOOST POST EQ LOOP SPRING REVERB EFFECTS REAR LOOP TAP REMOTE ...

Page 9: ...FF Low EQ 0 dB Mid EQ 0 dB Mid Shift 600 Hz High EQ 0 dB Presence EQ 0 dB Reverb 0 Nominal levels are with Pre Gain 5 Minimum levels are with Pre Gain 10 Preamp High Gain Input no pad Impedance 220k Ohms Nominal Input Level 25 5dBV 53 0mV rms Preamp Low Gain Input 10 dB pad Impedance 68k Ohms Nominal Input Level 15 5dBV 168mV rms Pre EQ Patch Send Load Impedance 10k Ohms or greater Nominal Output ...

Page 10: ... frequency boost cut Mid Shift 150Hz to 1 5kHz High 15 dB 6 kHz special EQ Presence 15 dB 10 kHz shelving External MIDI Hand Controller included Functions BOOST Boost defeat enable SPRING REVERB Spring reverb defeat enable EFFECTS Digital effects section defeat enable TAP Tap Tempo setting for digital delay section POST EQ EFFECTS LOOP Post EQ effects loop defeat enable REAR LOOP Rear panel stereo...

Page 11: ...e fre quency response and faithful reproduction of a given amplifier is desirable With most conventional heads it is also a great choice for use in live and studio applications where a clear tone with less than typical cone breakup characteristics are desirable for all sorts of miking setups This is a true Swiss Army Knife of a cabinet where the best possible sound reproduction of any guitar rig a...

Page 12: ...ed only to equipment manufactured after 13 August 2005 www peavey com Warranty registration and information for U S customers available online at www peavey com warranty or use the QR tag below Features and specifications subject to change without notice Peavey Electronics Corporation 5022 Hartley Peavey Drive Meridian MS 39305 601 483 5365 FAX 601 486 1278 ...

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