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Peavey FX 2 Series, Manual, Page: 18 / 19

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Crosstalk/Attenuation

Adjacent Input Channels (1 kHz) -70 dB typical 

Mute Button Attenuation (1 kHz) -80 dB typical

Left to Right Outputs (1 kHz) -70  dB typical 

Channel Fader Kill (1 kHz) -80 dB typical

Weight

Power Requirements

FX2 16: 22 lbs. (10.0 kg)
FX2 24: 25 lbs (11.4 kg)
FX2 32: 30 lbs. (13.6 kg)

Installation Note, Ventilation:
This unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"

Dimensions

Phantom Power

Signal/Clip Indicators

Yellow: -20 dBu                         Red: 2 dB below clipping

+48 volts

Equivalent Input Noise (EIN)

-129 dBu (Mic input terminated with 150 Ohms) 

Common Mode Rejection Ratio (Mic Input)

Test Conditions: 120 VAC 60 Hz maintained throughout testing

FX2 16 

: 8"h x 19.0"w x 20.25"d on table top

                    16.7" wide without rack ears 
(20.32cm x 48.3cm x 51.44cm on table top)
                    (42.4cm wide without rack ears)
12RU (20") x 19.0" x 8" in equipment rack;
                    7" behind rack
(44.3cm x 48.3cm x 20.32cm in equipment rack)
                    (17.78cm behind rack)

FX2 24

: 8" high x 24.65" wide x 21.25" deep

           (20.32cm x 62.6cm x 53.975cm)

FX2 32

: 8" high x 32.75" wide x 21.25" deep

           (20.32cm x 83.185cm x 53.975cm)

-50 dB minimum (20 Hz to 20 kHz)
-60 dB typical @ 1 kHz

Features and specifications are subject to change without notice.

Peavey Electronics Corporation • 5022 Hartley Peavey Dr • Meridian, MS 39305  
(601) 483-5365 • FAX (601) 486-1278 • www.peavey.com       © 2012   EX000165

FX2 16: 100-240 VAC 50/60 Hz 40 watts nominal
FX2 24: 100-240 VAC 50/60 Hz 55 watts nominal
FX2 32: 100-240 VAC 50/60 Hz 60 watts nominal

Summary of Contents for FX 2 Series

Page 1: ...www peavey com FX 2 Mixer Series FX 2 32 Channel Four Bus Mixing Consoles ...

Page 2: ... Sweepable mid frequency control on all mono input channels Variable low cut filter on all mono input channels off to 300Hz Inserts on all mono channels Four bus design with direct group outputs and L R assignment Four monitor sends per channel pre fader Two effects sends per channel post fader Pan and PFL on each channel Multi point clip detection Signal presence LEDs on every input group and ret...

Page 3: ...range from 100 Hz to 5 kHz The center frequen cy is controlled by the Mid Freq 5 control Mid Freq This control determines the center frequency of the Mid EQ 4 control Center frequency for the bandpass filter can be set from 100 Hz to 5 kHz Low EQ This shelving type tone control adjusts bass frequency levels 15 dB at 70 Hz adding depth to thin signals or clarity to overly thick signals Caution Exce...

Page 4: ...th a red LED that will illuminate when the channel is muted When the MUTE button is out the LED functions as a Clip indicator that will illuminate at 2 dB below clipping Muting the channel does not prevent the PFL signal from being sent to the PFL AFL mix when the PFL Switch 12 is in PFL Switch Signal PFL LED This switch connects the channel s pre fader signal to the PFL AFL mix When the PFL butto...

Page 5: ...onnected The signal level is controlled via the Stereo Gain control 15 Input Select Stereo USB Switch This switch selects the input signal that will feed the stereo line input of the second stereo channel When the switch is out the signal from the stereo line inputs is routed to the Stereo Gain control 15 When the switch is in the signal from the device connected to either USB port 60 61 is routed...

Page 6: ...e Make sure the Master Level Faders 40 are completely down when switching on the phantom power and when connecting microphones to the Mic inputs to prevent pops from affecting the loudspeakers Left Right Bus Assign Switches These post fader switches determine where the Group mix signal is being sent For example if each individual drum mic is assigned to Group 1 depress ing the Left button will sen...

Page 7: ...s Return signal being sent to its assigned buses It func tions similarly to the Channel Faders 13 1 2 3 4 L R Bus Assign Switches Like the channel assign switches these buttons determine the bus assignment of the Effects Return signal They determine where the signal is being sent Mute Switch Mute Clip LED This switch mutes its respective Effects Return from being sent to the buses This switch is e...

Page 8: ...itches the head phone level monitoring to the selected signal L R Media Switch This switch selects the signal that is monitored by the headphones When out the Main Left Right post fader signal is monitored When in the Media Input post fader signal is monitored Master Level Faders The Master Faders control the levels sent to the Main Left Right outputs 54 Best results are obtained when these contro...

Page 9: ...nsert of a single channel or inserted into a group bus Effects that modify amplitude such as compressors limiters gates expanders and de essers when used individually work best when inserted into channels or busses While they may be edited the edited versions may not be saved in positions 0 49 Presets 50 99 are user presets custom and or edited presets can be named and saved in these slots Edited ...

Page 10: ...of the effect IMPORTANT When a signal passes through a digital effects processor a short delay results When this same signal returns to the mixer and combines with the main output the small delay difference results in a comb filter Short changing delays are the basis of wah wah effects To prevent the comb filter effect increase the delay time simply by including an effect block such as reverb or d...

Page 11: ...the recommended mode for more robust feedback elimination Once Static mode has been selected select Detect to begin de tecting feedback In order for feedback to be eliminated feedback must be present so it is recommended to increase the gain of the mixer in order to achieve feedback Once feedback is sufficiently present a filter should be activated to eliminate the feedback and the number of avail...

Page 12: ...nts but may be adjusted as necessary If you are hearing this limiter actually work then you are probably driving too hard and should back off This limiter is not intended to be a sonic shaper use the compressor function in the Effects processors You may save or load from the library as necessary Digital I O The digital I O section of the FX mixer consists of the Utility and USB functions Utility S...

Page 13: ...R to back out of a directory Once an MP3 or M3U file is selected the MP3 Playback Screen will be shown When an MP3 file is finished playing the player will seek to the next file in the list or if a playlist is se lected it will seek to the next file in the playlist Once the last file is reached the player will loop back to the first file in the list To scroll to a position in the song spin the rig...

Page 14: ... can be patched to any Group Insert Group Outputs These Group Outputs feature 1 4 TRS balanced jacks and provide output signal from the Groups The output level is set by the Group Level faders 26 Left Right Outputs The Left Right Outputs feature two 1 4 TRS Z balanced jacks and two fully bal anced XLR outputs The 1 4 outputs can be used with Tip Ring Sleeve TRS balanced or Tip Sleeve TS unbalanced...

Page 15: ... cord to this connector and to a properly grounded AC supply Damage to the equip ment may occur if an improper line voltage is used see voltage marking on unit Never remove or cut the ground pin of the line cord plug The console is supplied with a properly rated line cord If lost or damaged replace this cord with one of the proper rating NOTE FOR UK ONLY If the colors of the wires in the mains lea...

Page 16: ... dB Nom Gain 0dB 36 dBu 16 dBu 16 dBu 4 dBu 2 dBu 22 dBu Unbal 1 4 TS Tip Sleeve Ground Channel and Group Insert Return 22k N A 0dB 16 dBu 4 dBu 22 dBu Unbal 1 4 TRS Tip send Ring return Sleeve Ground EFX2 Return 20k Max Gain 10 dB Nom gain 0dB 16 dBu 6 dBu 6 dBu 4 dBu 12 dBu 22 dBu Bal 1 4 TRS Tip Ring Sleeve Ground Media In 10k Max Gain 10dB Nom Gain 0db 16 dBu 6 dBu 6 dBu 4 dBu 10 dBu 20 dBu Un...

Page 17: ... Left Right Balanced Output 30 dB direct to L R output 40 dB via channel max gain Total Harmonic Distortion Noise 0 01 20 Hz to 20 kHz Mic to Left Right Output 22 Hz to 22 kHz BW 0 005 Mic Pre amp 22 Hz to 22 kHz BW Frequency Response Mic Input to Left Right Output 20 Hz to 20 kHz 0 dB 1 dB Hum and Noise Output Residual Noise S N Ratio Ref 4dBu Test Conditions Master Left Right 100 dBu 82 dBu 80 d...

Page 18: ...tions 120 VAC 60 Hz maintained throughout testing FX2 16 8 h x 19 0 w x 20 25 d on table top 16 7 wide without rack ears 20 32cm x 48 3cm x 51 44cm on table top 42 4cm wide without rack ears 12RU 20 x 19 0 x 8 in equipment rack 7 behind rack 44 3cm x 48 3cm x 20 32cm in equipment rack 17 78cm behind rack FX2 24 8 high x 24 65 wide x 21 25 deep 20 32cm x 62 6cm x 53 975cm FX2 32 8 high x 32 75 wide...

Page 19: ... R OUT T IN AUX 2 AUX 1 LEVEL HEADPHONE L R FROM AUX 6 FROM AUX 5 EFX1 LEVEL MUTE AFL SIG PFL CLIP SIG PFL CLIP MUTE MUTE CLIP AFL SIG AFL ACTIVE LOGIC PFL AFL LEFT RIGHT PROCESSOR EFX 1 EFX 2 INT EFX2 RTN EXT PATCH EFX2 PATCH AUX AUX 5 6 AUX AUX 6 TO EFX 2 AUX 5 TO EFX 1 GAIN MID EFX2 RIGHT LEFT RIGHT LEFT INPUT AUX 3 4 UNBAL STEREO CHANNELS MONO CHANNELS AUX5 EFX1 AUX6 EFX2 AUX5 EFX1 AUX6 EFX2 M...

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