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(36)  1/2, 3/4, L/R, MONO (ASSIGN)

Like the channel assign switches, these buttons determine the bus assignment of the input
signal. They determine where the return signal is being sent.

(37)

BAL/PAN

This control determines the placement of the signal in its assigned bus. Rotating the control
counterclockwise (L) sends more signal to the LEFT output and odd-numbered SUBS;
rotating clockwise (R) sends more signal to the RIGHT output and even-numbered SUBS.
The C position sends equal amounts to each.

(38)

LEVEL

This control determines the level of the signal being sent to its assigned bus(es). It functions
similarly to the CHANNEL FADERS (16).

(39) MUTE 

SWITCH/MUTE-CLIP LED

Like the other mutes on the console, this switch interrupts the input signal being sent to the
bus(es). Red LED illumination indicates activation. When MUTE is not engaged, the LED
functions as a clip (PK) indicator that illuminates at 2 dB below clipping.

(40) AFL SWITCH/AFL-SIGNAL LED

This switch directs the post-fader (AFL) signal to the HEADPHONE OUTPUT (42), and to the
AFL/PFL LEVEL DISPLAY (45). An adjacent LED illuminates to signify this selection. If AFL is
not selected, the LED will blink as an indication of signal presence (-20 dBu).

(41) PHANTOM 

POWER

These switches apply power (+48 V DC) to the MIC inputs (6) on CHANNELS 1–16 and
17–24 respectively (1–24 on the AAM 2443 and 25–32 on the AAM 3243). This feature
provides power to microphones that need an external power source. These switches are
recessed into the console and require a small “tool” to activate. If PHANTOM POWER is
used, do not connect unbalanced dynamic microphones or other devices that cannot handle
this voltage to the XLR inputs. (Some wireless receivers may be damaged. Consult their
manuals.) A regular low-impedance mic such as the PVM

22 will not be harmed. The LINE

inputs (2) are not connected to the +48 V supply and are safe for balanced or unbalanced
inputs. An adjacent LED will illuminate when PHANTOM POWER is activated on its
respective channels.

(42) HEADPHONE 

OUTPUT

This stereo output jack (TRS) provides the signal to drive headphones. Signal to this output is
L/R unless AFL or PFL is activated.

(43) HEADPHONE 

LEVEL

This control adjusts the volume of the signal being sent to the HEADPHONE OUTPUT (42).

(44) LEFT/RIGHT 

LEVEL DISPLAYS

These indicators graphically display the signal level being sent to the LEFT or RIGHT outputs 
(L, R). Signal is sampled at the summing amp and post-master faders to monitor clipping
throughout the Left/Right and MONO MASTER section. The CLIP indicator will illuminate
when signal approaches (-2 dB) clipping. 

NOTE:

CLIP LED can illuminate before the rest of the array indicating the summing amp is

clipping.

(45) MONO 

— 

AFL/PFL LEVEL DISPLAY

This indicator graphically displays the signal level being sent to the MONO output. When any
AFL/PFL switch on the mixer is activated, this display indicates the signal level being sent to
the AFL/PFL bus. The AFL/PFL indicator flashes if either mode (AFL or PFL) is selected.

11

Summary of Contents for AAM 2443

Page 1: ...AAM 2443 3243 User Manual ARCHITECTURAL ACOUSTICS...

Page 2: ...aci n Ce symbole est utilis dans ce manuel pour indiquer l utilisateur la pr sence d une tension dangereuse pouvant tre d amplitude suffisante pour constituer un risque de choc lectrique Ce symbole es...

Page 3: ...panel connectors ideal for desktop placement Smooth 60 mm CHANNEL SUB L R and MONO faders Phantom power with separate activation switches and LEDs indicating operation on CHANNELS 1 16 or 17 24 AAM 24...

Page 4: ...output level from the compressor This is really a makeup gain allowing the user to recover gain lost by compression LINK When these buttons are depressed the input to compressor 1 activates compresso...

Page 5: ...trol varies the input gain of the channel to provide a wider dynamic range The adjustment range is 10 dB to 58 dB for the XLR input and 10 dB to 38 dB for the line input Proper adjustment of input gai...

Page 6: ...trol counterclockwise increases the amount of signal sent to SUB 1 while rotating clockwise increases the amount sent to SUB 2 The C position sends equal amounts to each 13 1 2 3 4 L R MONO ASSIGN The...

Page 7: ...dB This allows accommodation of higher input levels without clipping and is especially useful when close miking high sound pressure level SPL sources such as drums or guitar cabinets It is also benefi...

Page 8: ...phono inputs are unbalanced line level inputs for stereo L R signals They are connected in parallel with the STEREO 1 4 LINE INPUTS 19 8 21 22 23 24 25 26 27 28 31 33 32 29 30 34 37 39 42 43 38 40 35...

Page 9: ...otating the control clockwise will result in only the louder notes being compressed a low setting rotating the control counterclockwise will compress a broader range of notes 24 COMPRESSOR I O This sw...

Page 10: ...is assigned to SUB 1 depressing the LEFT button will send the drum SUB mix to the LEFT OUT on the rear panel 31 MUTE MUTE LED This switch mutes all output from the corresponding SUB group Illuminatio...

Page 11: ...microphones that need an external power source These switches are recessed into the console and require a small tool to activate If PHANTOM POWER is used do not connect unbalanced dynamic microphones...

Page 12: ...the return if no plug is inserted The signal must be returned to this jack when this feature is used Failure to return the signal will result in no output 50 L R MONO UNBAL UNBALANCED OUTPUT These 1...

Page 13: ...ower to the unit Connect the line cord to this connector and to a properly grounded AC supply Damage to the equipment may occur if an improper line voltage is used see voltage marking on unit Never re...

Page 14: ...14 BLOCK DIAGRAM...

Page 15: ...Bu Sleeve Ground 10 dB Insert 22 k N A 16 dBu 4 dBu 22 dBu Unbal 1 4 TRS Return 0 dB Tip Send Ring Return Sleeve Ground Stereo 20 k Max Gain 29 dBu 9 dBu 4 dBu Unbal 1 4 Phono Line Input 20 dB Sleeve...

Page 16: ...ip Left no load Ring Right Sleeve Ground Gain Mic Input Gain Adj Range 10 dB to 58 dB Mic Input to Sub Output 78 dB Max Gain Mic lnput Longest Path 88 dB Max Gain Line Input Gain Adj Range 10 dB to 38...

Page 17: ...Adjacent input channels 20 Hz 20 kHz 70 dB Left to right outputs 20 Hz 20 kHz Common Mode Rejection Ratio Mic Input 50 dB min 20 Hz 20 kHz 70 dB typ 1 kHz Meters L R master and all submasters 12 segme...

Page 18: ...sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplug this apparatus during lightning storms or when unused for lo...

Page 19: ...Service Center OR 2 Ship the defective item prepaid to Peavey Electronics Corporation International Service Center 412 Highway 11 80 East Meridian MS 39301 or Peavey Canada Ltd 95 Shields Court Markh...

Page 20: ...and specifications subject to change without notice Peavey Electronics Corporation 711 A Street Meridian MS 39301 601 483 5376 FAX 601 486 1678 http aa peavey com 2001 Printed in the U S A 7 01 ARCHIT...

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