MIC jack accepts any low Z dynamic mic in the range of 100
- 600 Ohms with a mini plug. Mic audio is active at all times
and mixes with the camera or VCR line audio input to give
more direct pickup, commenting while running video tapes,
etc. Mikes must have a shielded cable to prevent RF pickup
hum and buzz. Unidirectional mics are suggested for full
duplex to minimize speaker feedback or to reduce pickup of
unwanted sounds and noise from the sides. Electret and
amplified mics are very susceptible to RF pickup - buzz and
should not be used.
MIC GAIN control varies the level of the low Z dynamic mic.
It is independent of the line audio level. Speak directly into
the microphone at the normal operating distance. Increase
the level to the point where the red XMIT light winks off, and
then back down the gain slightly. There is a volume
compressor that will keep the audio at the standard 25 kHz
deviation and 40 kHz peaks. Audio usually drops out about
the same time as color does in a snowy picture - P3 -
depending on the TV sets audio IF gain and limiting.
3
XMIT/REC switch. It is in parallel with the EXT KEY jack.
The red lamp above this switch will light whenever you are in
the transmit mode and the audio inputs are making <40 kHz
peak deviation. There is a delay of 2 to 3 seconds for this
LED to light and the RF output to come up. In receive, the
a voltage appears on the downconverter power jack
to power a TVC-9s 33CM ATV downconverter.
CHANNEL SWITCH.
This model has 5 synthesized
channels and are the same as our TVC-9s downconv.:
1 - 910.25 MHz
2 - 911.25 MHz
3 - 913.25 MHz
4 - 919.00 MHz
5 - 923.25 MHz
POWER ON switch turns on the a12 to 14 Vdc to the
TX33-.1s. If the green light does not come on, check the
fuse, polarity and determine why it blew before replacement.
LINE AUDIO GAIN control varies the high level audio applied
to the subcarrier from the front panel audio input RCA phono
jack. Increase the level to the point where the red XMIT light
winks off, and then back down the gain slightly. This audio is
independent and mixed with the mic audio. This makes
varying the level of a video tape audio verses mic for voice
over comments easy. Peak deviation is set by an internal
pot on the FMA5-G sound subcarrier board.
LINE AUDIO INPUT. High level line audio usually from the
same source as plugged into the companion Video input is
plugged into this jack using another RCA phono plug shielded
cable. Minimum level is .1 v pk-pk into a 10K load.
75 OHMS TO MONITOR. This output provides the composite
video from the front panel Video jack during receive to enable
you to aim the camera and to best adjust the focus and
lighting, etc. before transmitting. In transmit, there is no
output. Use a RCA plug 75 Ohm shielded cable to connect
to your video monitor or VCR video in.
VIDEO INPUT. This input accepts any standard NTSC 1Vp-
p composite video into 75
Ω
from cameras, VCRs, computers,
SSTV or RTTY converters, home satellite converters, etc.
Use RCA phono plug and shielded cable (Radio Shack 15-
1535) up to 12' or RG59 or RG-6 for longer runs. When
unplugging, only twist clockwise to keep the jack from working
lose over time.
FRONT PANEL:
50 OHMS TO ATV DOWNCONVERTER. This BNC output
jack is connected to the antenna input of your 33 CM 902-
928 MHz ATV downconverter. Downconverters for other
bands are not connected to the TX33-.1s, but rather to their
own antenna and left on when transmitting on 33cm for full
duplex or crossband repeat. If a TVC-9s downconverter is
used, a short 50 Ohm cable with a male BNC on one end
and type N adaptor on the other is supplied. The TX33-.1s
contains a T/R relay to switch the antenna input as well as
DC power between the downconverter and the transmitter.
If you are driving an amp, video plugged in and have a
peak reading RF power meter, you will be reading the peak
sync level and pep. With video plugged in and using an
average reading meter, it will read less, and down to half
with an all white picture, but sync tip power will still be the
same as measured with a peak reading meter. This is the
nature of cable analog NTSC or AM video transmission,
similar to SSB voice peak and average RF power
measurements with complex analog modulation.
On initial turn on, do not transmit more than 15 seconds
if the reflected power is more than 10% or 2:1 VSWR. You
could damage the final power FET. Also, VSWR or being
too near your antenna can cause RF interference in your
camera or buzz in the audio.
Use a good resonant broad bandwidth 33 CM antenna
like the Directive Systems 3318LYRM, circularly polarized
OAL 33/23 Helix, or homebrew antennas shown on our app
note web page. Do not be tempted to just try it out with a
rubber duckie, 2 meter antenna, or other antenna not
specifically designed for the video carrier frequency. Place
the antenna as high as practical, at least above the trees or
roof tops.
VIDEO GAIN control. This sets the white level or depth of
modulation of the selected video source. In transmit, the
knob should be slowly increased clockwise just to the point
of white smearing or blooming as described back to you from
a station located at least a quarter mile away. The distant
ATV receiving station can describe your picture back to you
over 2 meters.
Summary of Contents for TX33-.1s
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