Pass Laboratories X1000 Owner'S Manual Download Page 13

                                                    

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feedback with a Supersymmetric connection another 20 dB or so.  This is easily accomplished
with only one gain stage instead of the multiple stages required by conventional design, and so
it results in only one “pole” of high frequency characteristic, and is unconditionally stable
without compensation.  In fact, if you build a supersymmetric circuit with multiple gain stages, it
does not work as well.

In 1993 I attempted to build the first power amplifier using this principle, but it was not
successful.  Ironically, the supersymmetric concept not only allows for very simple gain circuits,
but it requires them for good performance.  My first efforts did not use a simple enough
approach, although I didn’t realize it at the time.  A more modest version of the circuit found its
way into a preamplifier, the Aleph P.  Ultimately the power amplifier was set aside, as we were
very busy building Aleph single-ended Class A amplifiers.

In 1997 Pass Labs decided to build a state-of-the-art 

very high power

 amplifier, the X1000, a

project not particularly appropriate for the single-ended Class A approach (believe me, you
don’t want to own an amplifier idling at 3000 watts per channel).  So I pulled out the files on our
patent # 5376899 and took another look.  Extensive testing of potential circuits revealed that
the best topology for the front end of the amplifier is what we refer to as “balanced single-
ended”, a phrase I use to refer to differential use of two single-ended Class A gain devices.
The classic differential pair of transistors (or tubes, for that matter) is just such a topology.

“Balanced single-ended” is an oxymoron in the sense that most single-ended enthusiasts
believe that the most desirable characteristic of single-ended circuits is their generation of
even-order distortion components by virtue of their asymmetry.  Purists will point out that a
balanced version of a single-ended circuit will experience cancellation of noise and even-order
components.  Just so.  Interestingly, the single-ended nature of each half of the balanced
circuit doesn’t give rise to much in the way of odd-order distortion, and when the even-order
components and noise are cancelled there isn’t much distortion and noise left.  In any case,
“Balanced single-ended” is a phrase that accurately describes the circuit.

For the amplifier’s front end, a balanced single-ended gain stage was developed which used
just a differential pair of Mosfet gain devices.  These were biased by constant current sources
and cascoded for maximum performance and given local feedback and a Supersymmetric
connection.  After years of trying alternative arrangements, it ended up virtually identical to the
schematic on the cover page of the patent, which is reproduced later in this manual.

The front end, which develops all the voltage gain for the amplifier, then presents this voltage
to a large bank of follower Mosfet power transistors.  Originally it was assumed that we would
have to enclose this output stage in a feedback loop to get the performance we wanted, but
ultimately we found that we could operate it without feedback as long as we put a healthy bias
current through it.  For these amplifiers this is about 600 watts worth.  This is not pure Class A
operation in the context of 1000 watts output, but it has proven to be the appropriate amount.

The result is three amplifiers using the supersymmetric topology delivering from 350 to 1000
watts per channel into 8 ohms with good distortion and noise figures.  If you are a little less
fussy about distortion, you will get twice that into 4 ohms.  This is accomplished with only two
gain stages and no feedback.

You want more?  We can do that, too.  The X1000 can be operated in series and parallel
arrays to present multiple values of voltage and current so as to create a huge
power/performance envelope direct coupled into virtually any load.

Summary of Contents for X1000

Page 1: ...Page 1 Pass Laboratories Owner s Manual X1000 X600 X350 ...

Page 2: ...ect matching Matched balanced power circuitry typically sees a distortion and noise reduction of about 90 20 dB through a balanced connection without any additional effort The Supersymmetric circuit delivers another 90 reduction so that the X series has about 1 100 of the distortion of a conventionally simple amplifier Actually this ordinary distortion and noise can still be seen at the output of ...

Page 3: ... diagram of the kind of AC wall outlet required is included here X600 and X350 models are being provided with the more conventional AC line cord which is rated at 15 amps for your convenience The chassis of the X1000 is connected to the earth ground through the power cord This is the only thing it connects to It is not attached to the circuit or to the amplifier signal ground This is essential to ...

Page 4: ...ut but the terminal should be large enough to accommodate dual spade lugs if desired With the speakers connected push the front panel button to activate the amplifier The meter lights will come on The meter on the front should go to somewhere between one third and half way up reflecting the bias on the output stage You are ready to play music The meters read current through the output stage in the...

Page 5: ...ar values People are interested in how long it takes for these amplifiers to break in It takes about an hour for them to warm up and this is where we adjust them first Then we adjust them again and again over a couple of days keeping the bias and offset in the sweet spot Our environment is about 23 degrees Centigrade room temperature and the heat sinks will rise to about 22 degrees C above that fo...

Page 6: ... character of the situation If the transformer primary is being driven raw with no protection from DC and your source has DC voltage or in cases where the small offset of the power amplifier is still too much you may create distortion in the transformer and get less than optimal performance from it Generally this is not the case with transformer coupled loudspeakers but it does occasionally surfac...

Page 7: ... are really bad connections and we recommend that special attention be paid to cleanliness of contact surfaces and tight fit Speaker cables should be firmly tightened down at the speaker output terminals but do not use a wrench They will not withstand 100 foot lbs of torque Hand tightening without excessive force is plenty Source Interaction The amplifier does not care what the source impedance is...

Page 8: ...output This extra front end supply lowers the distortion and noise of the system and allows the front end to swing the output stage rail to rail with losses on the order of only a volt or so extracting every last possible watt The circuit of the amplifier is completely DC with no capacitors in the signal path There are also no slew rate limiting capacitors in the circuit The high frequency rolloff...

Page 9: ...except capacitors The answer is I don t have good information beyond that More to the point I would suggest that you not worry about it This is a conservatively built industrial design not a tweaky tube circuit run on the brink If it breaks we will simply get it fixed so sleep well Warranty Information This product is warranted for parts and labor for three years from the date we ship it We do not...

Page 10: ...back was often overused to cover up design sins elsewhere in the circuit with the result that the amplifier did not sound very good in spite of good distortion measurements Push pull circuits while allowing high efficiency and cheap manufacture did not improve the character of the sound at lower levels where we do most of our listening a deficiency which designers often use feedback to cover up It...

Page 11: ...sounding amplifiers It was all the rage for a while but is no longer touted with such enthusiasm The solution to TIM is low amounts of feedback coupled with fast amplification high slew rate In retrospect the idea was at least half right but I believe not completely for the following reasons First it presumed that there was really fast signal in music Research conducted independently by Peter Walk...

Page 12: ...nt on the design The concept is actually very simple Conventional feedback local or not is used to make the output of the circuit look like the input In this circuit feedback was not used to make the input look like the output in the conventional sense Instead it works to make two halves of an already symmetric balanced circuit behave identically with respect to distortion and noise dramatically l...

Page 13: ...Purists will point out that a balanced version of a single ended circuit will experience cancellation of noise and even order components Just so Interestingly the single ended nature of each half of the balanced circuit doesn t give rise to much in the way of odd order distortion and when the even order components and noise are cancelled there isn t much distortion and noise left In any case Balan...

Page 14: ...s unique in that at this point the distortion contributed by each half appears out of phase with the signal and we use this to reinforce the desired signal and cancel noise and distortion This occurs mutually between the two halves of the circuit and the result is signal symmetry with respect to both the voltage and current axis and anti symmetry for distortion and noise This means that the distor...

Page 15: ...ks to precisely match the two halves of the circuit and lets the balanced output ignore the unwanted components As long as the two halves are matched this performance tends to be frequency independent and does not deteriorate over the audio band With mid level distortion figures on the order of 002 this is very high performance for a single balanced gain stage The following pages include a copy of...

Page 16: ...Page 16 X1000 CURVES ...

Page 17: ...Page 17 X600 CURVES ...

Page 18: ...Page 18 X350 CURVES ...

Page 19: ... plus minus 145 volts Maximum Output Current plus minus 30 amps Input Impedance 22 kohm balanced Damping factor 60 ref 8 ohms nominal Slew rate plus minus 40 V uS Output Noise 500 uV unweighted 20 20 kHz Random noise floor approximately 2 uV Dynamic range 155 dB random noise floor to peak output Balanced CMRR 85 dB 1 kHz input common mode rejection ratio DC offset 100 mv Power Consumption 600 watt...

Page 20: ...plus minus 105 volts Maximum Output Current plus minus 25 amps Input Impedance 22 kohm balanced Damping factor 60 ref 8 ohms nominal Slew rate plus minus 50 V uS Output Noise 500 uV unweighted 20 20 kHz Random noise floor approximately 2 uV Dynamic range 153 dB random noise floor to peak output Balanced CMRR 85 dB 1 kHz input common mode rejection ratio DC offset 100 mv Power Consumption 600 watts...

Page 21: ... amps Input Impedance 22 kohm balanced Damping factor 30 ref 8 ohms nominal Slew rate plus minus 50 V uS Output Noise 500 uV unweighted 20 20 kHz Random noise floor approximately 2 uV Dynamic range 150 dB random noise floor to peak output Balanced CMRR 85 dB 1 kHz input common mode rejection ratio DC offset 100 mv Power Consumption 600 watts idle 1800 watts maximum Temperature 20 degrees C above a...

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