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GETTING STARTED WITH THE PANASONIC HVX200

(Irene’s Quick Reference Guide)

Getting Started / Shooting HD

 

Always start by calibrating your LCD display and / or viewfinder (use Color Bars
button inside LCD flip-out; see “Video and Hi Def” reading for step-by-step
instructions for calibrating your display)

 

Many cinematographers prefer to shoot using the viewfinder rather than the flip-
out screen; the black and white viewfinder display setting (change in Display
Setup menu) makes it easier to see focus and to assess exposure; also, many
documentary filmmakers shooting in uncontrolled situations find the flip-out screen
problematic because the subject / bystanders can get distracted trying to look at
what you’re shooting.

 

If you’re using the viewfinder, make sure the diopter ring is set correctly for your
eyesight; if you wear glasses and prefer shooting without glasses, try calibrating
the diopter for your vision (use ring on viewfinder)

 

Format your P2 card before starting to record – make sure footage from previous
user is cleared off.

 

Always keep automatic / manual master switch set to manual for professional-
quality recording

 

Shoot in 720p / 30PN format for optimized recording. 720 is the only true
progressive HD resolution available in the camera, and gives about 40 minutes of
recording time on a 16 GB P2 card (as opposed to only 16 min. at 1080i). 30 PN
is a native progressive frame rate, meaning it only does not record any extra
frames or embed the progressive frames in a standard interlaced videotape
stream, so that fewer total frames are stored on the P2 card (= more recording
time) and no reverse pulldown is necessary in FCP. 

PN frame rates are possible

with P2 cards only.

 

If you’re shooting a documentary and anticipate needing to shoot more than 40
minutes at a time, consider using the HVX to shoot miniDV instead of using the P2
cards.

 

Go through and set all menus before you start shooting. Load previously saved
scene files and user files from SD card if applicable.

 

If a menu selection is blue and can’t be changed, it means that you are in the
wrong mode to access that particular menu function (for example you can’t
change variable frame rates if you are in VIDEO CAM mode).

 

When shooting HD, carefully control your highlights to prevent clipping / blowing
out. Use a light meter, as well as the camera exposure tools (Marker and zebra
stripes) to make sure your exposure is not too hot; when in doubt, err on the side
of underexposing.

Summary of Contents for HVX200

Page 1: ...rding Shoot in 720p 30PN format for optimized recording 720 is the only true progressive HD resolution available in the camera and gives about 40 minutes of recording time on a 16 GB P2 card as opposed to only 16 min at 1080i 30 PN is a native progressive frame rate meaning it only does not record any extra frames or embed the progressive frames in a standard interlaced videotape stream so that fe...

Page 2: ... Never use the Firewire port on the camera You must use the duel adaptor and a laptop either your own or the transfer room MacBook Pro to transfer your footage off the P2 card ...

Page 3: ...iewfinder on objects in focus useful for confirming focus visually Focus assist button works only in HD recording modes creates pixel for pixel magnified extraction viewer window in viewfinder another useful visual confirmation of focus General Procedure to focus camera a Zoom in on subject to 100 b Open iris up to narrow DOF c Put on ND filter if image is too bright with open iris d Press focus a...

Page 4: ...a variable frame rate lower than 22fps and will not work with slow shutter speed e g 1 12 White Balance To use presets a Set WB switch to preset b Hit AWB button in front of camera to toggle between two presets i 3200K tungsten preset ii 5600K daylight preset To manually white balance a Make sure iris is set correctly first b Select position A or B you can store 2 manual white balance settings for...

Page 5: ...e scale turns red when levels are peaking aim to keep normal dialog between 20 and 12dB vi Keep mic ALC on in Recording Setup menu to make sure audio doesn t exceed max threshold vii Turn on Mic Power 48V phantom power switches if using condenser mics that do not have their own power source turn off if using dynamic microphones the latter is more likely condenser mics are higher quality but delica...

Page 6: ...for around 70 IRE in the skin tones face Turn on Zebra 1 to make sure skin tone is well exposed none of the facial highlights should be triggering the 70 IRE zebra Then turn on Zebra 2 to check the highlights you should now see zebras on the face s hotspots tip of the nose forehead etc f OIS Optical Image Stabilizer i Turn on to minimize wobbly handheld shooting ii Turn OFF for tripod pans to avoi...

Page 7: ...ile settings so don t be afraid to save your work in progress because you can always go back to the defaults but you can t recall your selections if the camera gets turned off unless they are saved Scene Files can also be saved to an SD card shared with other camera users especially useful to coordinate multi day or multi camera shoots with a consistent look and re uploaded so that successful scen...

Page 8: ...180ª shutter angle c To use this menu shutter button on camera needs to be on Use speed sel buttons to scroll through shutter speeds to access variable shutter mode then use menu to scroll through possible choices d Exposure will need adjustment depending on selected shutter speed angle since you are changing the effective exposure amount of light per frame e Tweaking the shutter in this menu can ...

Page 9: ... you to bias white balance c Ranges from 7 orange bias to 7 blue bias similar to shooting in daylight with tungsten film or vice versa d Only works if you re not using WB preset positions on AWB camera switch Master Pedestal a Contrast control controls video black level b Lower setting up to 15 deeper richer black c Higher setting up to 15 more washed out milky black d Be cautious about setting pe...

Page 10: ...stop down a bit try for low light f B lack PRESS presses down blacks similar to lowering master pedestal makes slightly punchier more contrasty image increases dynamic range in midtones g CINELIKE D yanamic Range gives most latitude maximizes dynamic range gives up to 1 stop additional dynamic range in image gives flatter and less contrasty curve suppresses lights and midtones noisier optimal for ...

Page 11: ...ated matrix for richer cinemalike colors TIP combine this with chroma level 7 for supersaturated candy colors that pop Skin Tone Detail a Like detail coring but only for portion of the color spectrum associated with skin tone reddish softens skin blemishes by softening edge enhancement on skin detail b Very subtle mild effect only apparent at high detail settings c OFF renders normally d ON masks ...

Page 12: ...ter for finishing on video f 24PN 30 PN are native frame rates that do not use pulldown and do not record any redundant frames These frame rates maximize space on P2 cards and skip artifacts caused by reverse pulldown and frame rate conversions only available in 720P g Suggested setting is 720p 30 PN unless you need longer recording times for documentary Rec Function video cam only for time lapse ...

Page 13: ...h takes are good during a long shoot AUTO SW itch controls which functions of camera become automatic if you put camera in auto mode using front switch AV In Out mostly useful for using camera to dub to another format Display Setup customizes various displays Here are a few useful items a Zebras customizes IRE thresholds for zebra 1 and 2 recommended values are 70 IRE and 105 IRE b Safety zone can...

Page 14: ... i Thumbnail Menu format and sort thumbnail display choose to display only selected clips clips of the same format marked clips sort clips by p2 slot etc Change display setup thumbnail size etc ii Operation Menu deletes clips repairs clips clips can be damaged if battery dies during recording format P2 cards or SD card THIS WILL ERASE ALL DATA Hit Thumbnail button to turn off thumbnails This allow...

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