Recorder Functions and Interfaces
Full Frame Progressive Recording
(Available in the near future)
1080/60p* (50p) full frame progressive recording is supported for the first
time in the AJ-PX5000G. In addition to being able to record with the
AVC-Intra100 or AVC-LongG25 codec, the camera can through-output
data from the 3G SDI and HDMI output terminals.
* 60p is actually recorded at 59.94 Hz.
HD/SD Multi Format/Multi Codec
In addition to 1080/60i*
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, the AJ-PX5000G supports 24p*
1
*
2
, 30p*
1
*
2
,
60p*
1
*
2
, and 720p*
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multi HD format and SD recording.
Also, 50i, 50p, and 25p are supported by 59.94 Hz/50 Hz switching, for
convenient use in productions headed for overseas use or for use in
overseas branch studios. For 24p*
1
/30p*
1
(25p) image recording, a native
(PN) recording mode that records only the effective frames, or a pulldown
recording mode can be selected. Recording is also possible with a 24PA
(Advance) pulldown system suited to 24p image nonlinear editing. A wide
variety of progressive recording is possible. (See right page.)
DVCPRO HD/DVCPRO50/DVCPRO/DV recording is also supported.
*1: 60i, 60p, 24p, and 30p are actually recorded at 59.94 Hz, 23.98 Hz, and 29.97 Hz respectively.
*2: Available in the near future.
Metadata Recording
Shooter’s name, Reporter’s name, Program name, etc., can be recorded as
clip metadata. Embedded GPS enables location information recording
(latitude, longitude, altitude) (available in the future). This metadata makes
search or classification easier. The metadata can be modified by PC and
other devices via USB, LAN or Wireless LAN*.
* The AJ-WM30 Wireless Module is required.
High-Quality 24 Bit 4 Channel Audio Recording
The AVC-Intra or AVC-LongG modes support 24 bit digital audio recording*
(16 bit for DVCPRO HD, DVCPRO 50, DVCPRO and DV). The AJ-PX5000G
offers 4 channel audio in all recording modes. Each channel input can be
selected from FRONT (mic), REAR (line) and WL (wireless). The level volume
also supports 4 channels.
* The audio signal can be played back by using 24 bit digital audio equipment. For details, refer to “Note
Regarding 24 bit Audio” on page 10.
Four Slots for Simul Rec and Other Recording Tasks
• Four (2 x 2) Slots:
Features two slots each for microP2 cards and P2 cards.
• Simul Rec:
*
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Records simultaneously onto two microP2 cards or P2 cards.*
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• Hot-Swap Rec:
Thanks to the two card slots, you can hot-swap P2 cards
for continuous non-stop recording.
• One-Clip Rec Mode:
Records up to 99 consecutive cuts as a single clip.
A text memo is automatically attached to the Rec Start point for easy
searching for the beginning of the cut.
• Pre Rec:
This stores approximately 8 seconds of video and audio data in
memory while in standby mode and lets you recover and use the data from
the point approximately 8 seconds before you started recording.
• Loop Rec:
By allocating the open space on two microP2 cards or two P2
cards, the camera continues to record over that area until the operator
pushes the stop button.*
2
• Interval Rec:
Automatically records intermittently based on a set interval
and recording time.
• One-Shot Rec:
A frame-shot recording function useful for producing
animations.
• Text Memo:
*
3
Up to 100 memos can be posted onto a clip as bookmarks.
• Shot Marker:
*
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Used to mark clips as OK, NG, etc.
• Rec Review:
This lets you run a quick playback check of the clip-end you
have just recorded.
*1: Available in the near future.
*2: microP2 and P2 cards cannot be simultaneously recorded.
*3: The text memo and shot mark cannot be added in Loop Rec, Interval Rec, or One-Shot Rec mode.
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