Gain Selector and ND Filter
The gain selector has three positions: L is fixed at 0 dB; and M and
h can be set to 0, +3, +6, +9, or +12 dB. +18dB can also be
accessed as a User button function. Three ND filters (1/4 ND,
1/16 nd, 1/64 nd) are built-in.
Three User Buttons
the ag-hPX170 series allows 16 functions (listed below) to be
assigned to the User buttons. The three buttons are arranged in a
group for easy use. assigned functions can be accessed at the
touch of a button.
Assignable Functions
reC CheCK: rec check function
SPOTLIGHT:
Spotlight compensation
BACKLIGHT: Backlight compensation
BLACKFADE: Black fade in/out
WhiteFade: White fade in/out
atW:
auto tracking white balance
ATW LOCK:
ATW lock function
gain 18dB:
+18dB gain up
d. ZooM:
digital zoom (x2/x5/x10)
new
teXt MeMo: add a text memo
Shot MarK: add a shot mark
LVL METER:
Switch audio level meters (Ch1 & 2/Ch3 & 4)
new
LAST CLIP:
Delete a last clip
new
Pre reC:
Pre-rec function
new
F.rate
＋
:
Flame rate up
new
F.rate
－
:
Flame rate down
new
Scene File Dial
Set this dial for a set of shooting conditions instantly. Six preset
files are provided, and you can change any of the six file names
and their settings as desired.
you can also store and load the settings to an Sd card.
File Description
F1: —
Standard settings
F2: FLUO.
Indoor shooting under fluorescent lights
F3: SParK
highlighting subjects at receptions, dinners etc.
F4: B-Str
enhanced gradations of luminance in low light scenes
F5: CINE V
Cine-Like setting shifted to prioritize contrast
F6: CINE D
Cine-Like setting shifted to prioritize dynamic range
Support Functions for Greater Convenience
• White balance: Three values (A/B/Preset) of white balance
with the auto tracking white function.
• Mode check: Displays a list of the camera settings on the
viewfinder and LCD monitor.
• Zebra: Select any two levels from among 50% to 105%,
in 5% steps.
• Center marker: Provides an accurate numeric display of the
brightness at screen center.
Standard HD-SDI Output
an Sdi (hd/Sd) output terminal enables serial transfer of
uncompressed video and audio data. in addition to its use in
ordinary digital broadcasting environments, it also allows
synchronized recording with a Panasonic digital recorder (P2 hd/
hd-d5/dvCPro hd).
USB 2.0 and IEEE 1394 PC Interfaces
• The USB 2.0 interface lets you transfer P2 files to a Windows
PC for use with a nonlinear editing system.
• The IEEE 1394 (6-pin) port supports SBP2 (Serial Bus Protocol
2) and allows direct connection to a Mac, making it easy to
transfer P2 files for use with Final Cut Pro. it also allows
synchronized recording with a dvCPro hd vtr and file transfers
to an external hard disk drive.
*neither operates with bus power.
*PCs must have the P2 driver installed in order to mount P2 cards. For editing, PCs must
have P2 compatible editing software installed. read “notes regarding the handling of P2
Files Using a PC” on the back page.
*For information on compatible nonlinear editing systems, visit https://eww.pavc.panasonic.
co.jp/pro-av/ and click “Nonlinear Compatibility Information.” For the operating requirements
and other details of editing software, visit the web site of the relevant software manufacturer.
TC Set and User File Copy with Multi-Cameras
Connecting two ag-hPX170 series cameras with an ieee 1394
cable allows the slave camera to synchronize with the master
camera which enables time-code-matched editing with multiple
cameras for “TC synchro editing”.
Other Professional Features and Interfaces
• Tally lamps: Provided on the unit’s front and rear.
• Remote: Controls zoom, rec, focus and aperture.
• D-4 out: The analog component output lets you preview on an
ordinary hd/Sd tv monitor.
• XLR audio input: 2-channel mic/line inputs supporting 48V
phantom power supply.
Camera-1
Camera-3
Camera-1
IEEE 1394
The TC value of the camera-2 and 3 are matched to the camera-1
