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AVC-Intra Codec

The AVC-Intra codec further advances 
HD production. It complies with the 
MPEG-4 AVC/H.264 international 
standard based on advanced image compression technology, and offers 
both superb image quality and highly efficient compression. It uses an 
intra-frame compression system to bring important advantages to 
professional editing. The AG-HPD24 can record in AVC-Intra 100 for 
maximum picture quality or in AVC-Intra 50, which adopts a lower bit rate, 
for versatile operation. It also supports the DVCPRO HD codec.

• AVC-Intra 100:

 With the same bit rate as DVCPRO HD, this mode gives 

you full 10 bit recording with 1920 x 1080* pixels. It captures master-
quality video for high-end image production.

• AVC-Intra 50:

 This mode delivers video quality very similar to DVCPRO 

HD with 1440 x 1080* pixels, yet is able to do so at bit rates usually 
associated with standard definition (e.g. DVCPRO 50). AVC-Intra 50's lower 
bit rate doubles the recording time and cuts the data transfer time in half.

* These figures are for 1080i/p mode. The AG-HPD24 also supports 720p mode.

24PsF Compatible, HD/SD Multi-Format

Handling a wide range of HD formats, such as 1080p, 1080i and 720p, the 
AG-HPD24 can be switched between 59.94 Hz and 50 Hz to adapt to the 
world's HD broadcasting formats. The AG-HPD24 supports 1080/24p native 
recording and playback with the AVC-Intra codec. HD SDI mode provides 
1080/24PsF input/output for use in high-end movie production. And SD 
recording in both NTSC (480i) and PAL (567i) are available with multi 
codec (DVCPRO 50, DVCPRO, DV).

Up-/Down-/Cross-Conversion

The AG-HPD24 can convert up or down between HD and SD or cross-
convert between 720p and 1080i during playback. It also features an 
aspect conversion function.

* Only cross-conversion is available in 3D mode. 

* The closed caption signal in the SD signal is not output during up-/down-/cross-conversion 

playback.

VariCam Speed Effects

The AG-HPD24 can extract active frames from VFR (variable frame rate) 
signals output by a VariCam and record them in 720/24p. VariCam-like 60p 
pull-down output can also be provided by playing back a video clip in a P2 
card recorded in native 720/24p by the AJ-HPX2700, the AG-HPX500 
Series, the AG-HPX370 Series, the AG-HPX170 Series or the AG-HPX250 
(scheduled for release in Autumn 2011) P2HD camera recorders.

* Not supported in 3D mode.

Gamma Conversion for Cinema Production

This function converts images recorded by a VariCam or images recorded in 
the Film Rec mode of the AJ-HPX3100 to the same kind of film-like look as 
the Telecine 5 or Telecine 6 mode of the AJ-GBX27G HD Gamma Corrector. 
It can also convert to the Cineon curve for film-recording.

High-Quality 24 bit Audio Recording

AVC-Intra mode features high-quality 24 bit digital audio recording. You 
can select either 24 bit 4 channel or 16 bit 8 channel recording. DVCPRO 
HD mode provides 16 bit 8 channel, and DVCPRO 50/DVCPRO/DV mode 
includes 16 bit 4 channel recording.

* To play video clips recorded with 24 bit audio, use a 24 bit-compatible P2 device or P2 viewer.  

A P2 device that is not 24 bit compatible will display the clip number in red, and playback will not 

be possible. A P2 viewer that is not 24 bit compatible will not produce normal sound. Use the latest 

P2 viewer version. For current information on 24 bit-compatible P2 devices and P2 viewers, see the 

Service and Support section of the Panasonic website (http://panasonic.biz/sav/).

Excellent Reliability and Mobility with the P2 Card

The P2 card offers a large capacity of up to 64 GB* in a small, lightweight 
package. Its rugged design withstands even harsh professional use. It is 
highly resistant to temperature fluctuations, dust, impact and vibration, 
and is free of the problems that are common in tapes, such as 
condensation, head clogging and dropouts. The P2 card promises solid 
reliability and excellent mobility under the often difficult conditions of 
field recording. Because data is automatically recorded in blank card 
spaces, there is no need for cueing and the risk of accidentally overwriting 
valuable data is eliminated.

* Total card capacity includes space for data management such as system data; therefore, the 

actual usable area is less than the capacity indicated on the card. For details on recording times, 

see the table below on the compatibility of input signals and recording formats.

high-end production with AVc-intrA codec, 24 bit Audio, And 24 psf.

HD Input Signal

Recording Format

Recording Time*

1

 (With Two 64 GB P2 cards)

SDI Output*

2

AVC-Intra100

AVC-Intra50

DVCPRO HD

1080

720

480/576

1080/59.94i

1080/59.94i

Approx. 128 min. Approx. 256 min. Approx. 128 min. 1080/59.94i

720/59.94p

480/59.94i

1080/50i

1080/50i

Approx. 128 min. Approx. 256 min. Approx. 128 min. 1080/50i

720/50p

576/50i

1080/23.98p over 59.94i*

3

1080/23.98pN*

4

Approx. 160 min. Approx. 320 min.

1080/23.98PsF

1080/59.94i

Approx. 128 min. Approx. 256 min. Approx. 128 min. 1080/23.98p over 59.94i

720/23.98p over 59.94p

480/23.98p over 59.94i

1080/23.98PsF

1080/23.98pN*

4

Approx. 160 min. Approx. 320 min.

1080/23.98PsF

1080/24PsF

1080/23.98pN*

4

Approx. 160 min. Approx. 320 min.

1080/24PsF

720/59.94p

720/59.94p

Approx. 128 min. Approx. 256 min. Approx. 128 min. 1080/59.94i

720/59.94p

480/59.94i

720/50p

720/50p

Approx. 128 min. Approx. 256 min. Approx. 128 min. 1080/50i

720/50p

576/50i

720/23.98p over 59.94p*

3

720/23.98pN*

4

Approx. 320 min. Approx. 640 min. Approx. 320 min. 1080/23.98PsF

720/24p over 60p*

3

720/23.98pN*

4

Approx. 320 min. Approx. 640 min. Approx. 320 min. 1080/24PsF

SD Input Signal

Recording Format

Recording Time*

1

 (With Two 64 GB P2 cards)

SDI Output*

2

DVCPRO 50

DVCPRO/DV

1080

720

480/576

480/59.94i

480/59.94i

Approx. 256 min.

Approx. 512 min.

1080/59.94i

720/59.94p

480/59.94i

480/23.98p over 59.94i

480/59.94i

1080/23.98PsF*

5

1080/23.98p over 59.94i

720/23.98p over 59.94p

480/23.98p over 59.94i

576/50i

576/50i

1080/50i

720/50p

576/50i

• 3D recording and playback is possible only in the AVC-Intra codec. 

*1: All of the times apply when single clips are recorded continuously one after the other on the P2 card. Depending on the number of the clips to be recorded, the recordable time may be shorter than the 

times given.  *2: Settings must be made on the menu screen (system frequency mode).  *3: 2-3, 2-3-3-2 or 2-2 pull-down output signal from P2HD Camera Recorder or DVCPRO HD Camera recorder.   

*4: N=Native This mode records only effective frames.  *5: Output is produced only when the playback system frequency is set to 23.98 or 59-23.

AG-HPD24 Corresponding Input/Recording Formats

Summary of Contents for AG-HPD24

Page 1: ...AG HPD24 Memory Card Portable Recorder A c o m pa c t P 2 d e c k w i t h 2 4 P a n d 3 D c o m pa t i b i l i t y f o r s t u d i o p r o d u c t i o n a n d o n a i r t r a n s m i s s i o n ...

Page 2: ...k in a Half Rack Size AVC Intra Recording HDMI 1 Output and USB 3 0 2 Interface 2 Unit Sync Operation Records and Plays Superb 3D Images Versatile Functions for Broadcasting and Image Production Work 1 Supports 3D 2 USB3 0 host interface ...

Page 3: ... possible A P2 viewer that is not 24 bit compatible will not produce normal sound Use the latest P2 viewer version For current information on 24 bit compatible P2 devices and P2 viewers see the Service and Support section of the Panasonic website http panasonic biz sav Excellent Reliability and Mobility with the P2 Card The P2 card offers a large capacity of up to 64 GB in a small lightweight pack...

Page 4: ...ed from an SD SDHC card Not supported in 3D mode USB Keyboard Connection The USB 2 0 keyboard terminal lets you connect an ordinary USB keyboard for easy metadata text input A software keyboard is also provided Clip Thumbnail Display with Free Clip Sequencing Using the clip thumbnail image list display you can select clips for instant playback deletion copying or resequencing This makes it easy to...

Page 5: ...o features the same RS 422A remote terminal 9 pin that is found on many broadcast VTRs allowing it to be controlled as a player by an external editing controller HD SD SDI Input Output Terminals HD SD SDI input and output terminals are provided as standard equipment This enables high quality line recording using signals from a video camera or a video switcher When connected to a camera recorder th...

Page 6: ...ing the control panel of the master left AG HPD24 left right sync operations include Rec Start Stop 1 Clip Thumbnail Display Clip Playback 1 including variable speed playback Clip Delete Text Memo and Shot Marker addition This makes 3D images as easy to handle as 2D images 1 External remote control is also possible via the RS 422A terminal 2 When the Setup System Frequency menu item is set to 59 9...

Page 7: ...Hz PB PR 6 75 MHz DVCPRO Y 13 5 MHz PB PR 3 375 MHz Quantization AVC Intra 100 AVC Intra 50 10 bits DVCPRO HD DVCPRO50 DVCPRO DV 8 bits Video Compression Methods AVC Intra 100 50 MPEG 4 AVC H 264 Intra Profile DVCPRO HD DV based Compression SMPTE 370M DVCPRO50 DVCPRO DV based Compression SMPTE 314M DV DV Compression IEC61834 2 Color Sampling AVC Intra 100 Y PB PR 4 2 2 Resolution AVC Intra 100 192...

Page 8: ...sonic web site Panasonic Corporation Business Solutions Business Group 2 15 Matsuba cho Kadoma Osaka 571 8503 Japan http pro av panasonic net Argentina 54 1 308 1610 Australia 61 2 9986 7400 Bahrain 973 252292 Belgium 32 0 2 481 04 57 Brazil 55 11 3889 4035 Canada 1 905 624 5010 China 86 10 6515 8828 Hong Kong 852 2313 0888 Czech Republic 420 236 032 552 511 Denmark 45 43 20 08 57 Egypt 20 2 23938...

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