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Joe had a dream of introducing his vision of mind-body 
fitness into every aspect of life, from elementary schools to 
military training, and, had he not been so far ahead of his 
time, it might have happened. Instead, he taught a small 
group of devoted teachers and students, a few of whom 
went on to continue the work and keep it alive until the rest 
of the world caught up with his revolutionary thinking. Joe 
spent many years talking to anyone who would listen about 
his work, but did not receive much recognition during his 
lifetime.

Joe’s studio was destroyed by fire in 1967 and he died soon 
after that from complications of smoke inhalation. His wife 
Clara carried on the work until her death in 1977.

Amongst the primary teachers who carried on Joe’s work 
after his death was 

Romana Kryzanowska

, a ballet dancer 

who worked very closely with Joe and taught at his studio 
for many years. She started one of the first teacher training 
programs in the country and has trained hundreds of 
instructors to teach the work as Joe taught it to her. She 
was associated with the Pilates Guild for many years and 
taught her Romana’s Pilates training program up until her 
death in 2013. 

Eve Gentry

 was a well known modern dancer who worked 

with Joe and Clara as a student and teacher for over 20 
years before moving to Santa Fe, New Mexico and opening 
a studio there. Joe helped to rehabilitate Eve after a radical 
mastectomy and helped her to regain the full use of her 
arm and torso. Eve died in the late 1990s. Her work is 
carried on by Michele Larsson through Core Dynamics.

Ron Fletcher

 was a Martha Graham dancer who worked 

with Joe and Clara very late in their lives. Ron credits Clara 
with inspiring him to develop his unique work on the Step 
Barrel/Spine Corrector and to open a studio in Los Angeles 
on Rodeo Drive. Ron was the first teacher to bring Pilates to 
the West Coast and to introduce it to many famous actors 
and actresses. His work incorporated a more “dancerly” 
style and more complicated choreography into the original 
exercises. His work is carried on by the Ron Fletcher 
Program of Study and is known as Ron Fletcher Work.

Carola Trier

 trained with Joe and opened her own studio 

in New York where she taught until her death in the late 
1990s. Her work is carried on by several senior students 
including Jillian Hessel in Los Angeles and Deborah Lessen 
in New York.

Kathleen Stanford Grant

 originally came to Joe with a 

knee injury she sustained as a dancer. She was one of only 
two students to be certified by Joe to teach Pilates. After 
dancing and choreographing for many years she started 
teaching at New York University where she taught a Mat 
class to the students and ran a small studio until her death 
in 2010. 

Lolita San Miguel

 is a well known dancer and 

choreographer who was certified by Joe while she was 
dancing in New York. She moved to Puerto Rico and 
founded the Ballet Concierto de Puerto Rico, one of the 
island’s premier dance companies where she incorporated 
Pilates into the training program for her dancers. Ms. 
San Miguel teaches Pilates workshops nationally and 
internationally and has produced several DVDs.

Mary Bowen

 was a comedian performing in New York when 

she first started working with Joe. She now combines 
Psyche and Pilates in her current life as a Jungian 
psychoanalyst and Pilates instructor at her studio in 
Northampton, MA and her office in Killingworth, CT. She 
has taken at least one Pilates session a week for close to 50 
years and continues to deepen her own understanding of 
the balance between mind and body.

Pilates has now become a household word thanks to the 
work of all of these first generation teachers and many 
others who kept the method alive after the death of Mr. 
Pilates. Without them, we would not have the wonderful 
exercise system we have today. We are grateful to all of 
them.

THE DEVELOPMENT OF  

BALANCED BODY EDUCATION

The Balanced Body Pilates instructor training was 
developed by Nora St. John, MS. who has been practicing 
Pilates since 1981 

and

 teaching since 1989. She originally 

trained at St. Francis Memorial Hospital with Patrice 
Whiteside and Elizabeth Larkam and has studied the work 
with Alan Herdman, Eve Gentry, Michele Larsson, Romana 
Kryzanowska, Carola Trier, Kathy Grant, Lolita San Miguel 
and Karen Clippinger. Nora has degrees in Biology, Dance 
and Traditional Chinese Medicine as well as certifications in 
Pilates, Oriental Bodywork and the Franklin Method.

The Balanced Body program combines the full bodied, 
athletic aspects of the original work with the refinement 
and anatomical understanding of the more contemporary 
schools of Pilates. Nora’s background in movement science 
provides a strong foundation for the ongoing development 
of the Balanced Body Pilates instructor training program. 

WHAT IS PILATES?

Pilates is an exercise system developed by Joseph Pilates over 80 years ago. Exercises are performed on a 

mat or on specially designed Pilates equipment including the Reformer, the Trapeze Table or Cadillac, the 

Wunda chair, the Magic Circle and the Barrels. The Pilates system includes exercises for every part of the 

body and applications for every kind of activity. When Pilates first created his method, it was so far ahead of 

its time that it did not begin to achieve popular recognition until the first few years of the 21st century. Over 

10 million people are now practicing Pilates in the United States and the numbers are growing every year.

WHY IS PILATES SO POPULAR ?

Pilates focuses on engaging the mind and body together 
to create exercises that involve the whole person. Every 
exercise is performed with attention to the breath, proper 
form and efficient movement patterns. Pilates strengthens 
the core, improves balance, increases coordination and 
decreases stress. The exercises are relatively safe, low 
impact and appropriate for anyone from 10 to 100. Pilates 
focuses on learning to move better so the benefits are felt 
in everyday life.

Pilates is used in fitness centers, private studios, 
rehabilitation clinics and hospitals to improve the health 
and well being of clients from the recently injured to the 
super fit. As more and more people participate, Pilates 
continues to grow and evolve to meet the needs of anyone 
wanting to improve their ability to move with strength, ease 
and grace.

A BRIEF HISTORY OF JOSEPH H. PILATES 

AND THE DEVELOPMENT OF CONTROLOGY

Joseph Hubertus Pilates was born in Germany around 
1883. He had rheumatic fever, asthma and rickets as 
a child and was plagued by a weak respiratory system. 
In order to improve his own health he began exploring 
ways to strengthen his body and his mind. Early on, Joe 
became intrigued by the classical notion of the ideal man 
who combined a well trained body with an equally well 
trained intellect. In pursuit of this goal he participated in 
boxing, fencing, wrestling and gymnastics with his father 
and brother. Germany was a fertile ground for these 
explorations at the turn of the 20th century with many 
ground breaking leaders in movement science, dance and 
psychology working there.

Joe was in England touring with a boxer when World War I 
broke out. He was held as a resident alien in an internment 
camp on the Isle of Man for the duration of the war. While 
in the camp he took it upon himself to lead his fellow 
detainees in a daily exercise program. According to Joe, 
when the influenza epidemic of 1918–1919 broke out, none 
of the inmates who followed his regimen got sick.

Joe’s success with his group of inmates brought him to 
the attention of the camp leaders and he was given the 
job of an orderly at a hospital for wounded soldiers. He 
was put in charge of 30 patients and worked with them 
every day to exercise whatever they could move. This was 
in the days when western medicine was in its infancy and 
there were few treatments to offer patients other than 
surgery and morphine. Nursing during this time usually 
meant extended bed rest which lead to muscular atrophy, 
loss of aerobic capacity and a weakened immune system. 
Joe’s exercises helped his patients to get better faster and 
helped them to fend off the secondary infections that killed 
so many people in similar circumstances.

Working as an orderly also led to the development of Joe’s 
first piece of exercise equipment. Manually working out 30 
patients every day was exhausting so Joe came up with the 
idea of attaching springs to the patient’s bed frames and 
thus the first Cadillac was born! Now the patients could 
exercise themselves under Joe’s supervision.

After Joe was released from the camps and returned to 
Germany, he was approached by the “brown shirts” (who 
were to become the Nazi party) to train their police force. 
Joe didn’t want to have anything to do with them, so he 
left Germany on a boat for America and met his soon-to-
be-wife Clara on the passage over. Clara was a nurse who 
became a true partner for Joe, working beside him in the 
studio everyday and taking care of any clients Joe didn’t 
want to work with.

When Joe and Clara arrived in New York in 1926, they 
rented a small studio in the same building as the New 
York City Ballet on 8th Ave. and started teaching what Joe 
named “Contrology.” Joe worked with clients from all walks 
of life but he made an especially strong impression on the 
dance community working with Ted Shawn, Ruth St. Denis, 
George Balanchine and many others who sent their injured 
dancers to Joe’s for rehabilitation following injuries.

Joe was an inventor who was always working on developing 
new exercise equipment. He designed the Universal 
Reformer, the Wunda Chair, the Cadillac, the Ladder Barrel, 
the Spine Corrector and many other wonderful inventions 
during his lifetime. He made many of the machines himself 
and often designed them to fit a particular client. Many of 
Joe’s original machines are still working today.

© 2008 Balanced Body Education LLC. All rights reserved.

 May not be reproduced in whole or in part.

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PILATES ARC

®

 - A DETAILED GUIDE FOR PRACTICING PILATES

Summary of Contents for PILATES ARC

Page 1: ...Body Inc Sacramento California By Nora St John Co Created by Elizabeth Larkam Naomi Leiserson Lizbeth Garcia Nico Gonzalez Portia Page and Valentin 3rd Edition PILATES ARC A DETAILED GUIDE FOR PRACTICING PILATES ...

Page 2: ...r clients who are working under the supervision of a trained Pilates teacher If you are using this manual to learn these Pilates exercises and you are not under the supervision of a trained Pilates teacher please keep in mind that the material presented is physically challenging and Balanced Body is not liable for any injuries caused by attempting these exercises without proper supervision Balance...

Page 3: ... 56 Rolling like a Ball 57 Pilates Arc Exercise Sequences Pilates Arc on the Reformer 63 Introduction 64 Footwork on the Arc 68 Stomach Massage on the Arc 70 Sidelying Work on the Arc 72 Abdominal Series on the Atc 76 Arm Work on the Arc 78 Prone Exercises on the Arc 82 Short Box Exercises on the Arc 84 Elephant on the Arc 85 Control Front on the Arc 86 Long Back Stretch on the Arc Published by Ba...

Page 4: ...sers new teachers and professionals through manuals DVDs Pilates teacher training programs and continuing education If you want to learn more about Pilates products instructor training or to find a Pilates professional near you visit pilates com ABOUT THIS MANUAL This manual contains a wealth of information about the Pilates method principles of good movement and Pilates Arc and Step Barrel exerci...

Page 5: ...cises are performed on a mat or on specially designed Pilates equipment including the Reformer the Trapeze Table or Cadillac the Wunda chair the Magic Circle and the Barrels The Pilates system includes exercises for every part of the body and applications for every kind of activity When Pilates first created his method it was so far ahead of its time that it did not begin to achieve popular recogn...

Page 6: ...on it The breath is the essential link between the mind and the body It draws our wandering mind back into our bodies and back to the task at hand It is the foundation of our existence and the rhythm that accompanies us from birth to death In Pilates the breath is integrated into every movement in order to focus our awareness on what we are doing to improve the flow of oxygen through our bodies an...

Page 7: ...nhale Return to the starting position on top of the sit bones as you straighten the back and open the arms 1 Step Roll Down Starting Position Parallel 1 Starting Position Legs Wide 1 Starting Position Diamond Legs 1 Deepen the Curve Starting Position 1 Scoop the abdominals round the back and bring the arms together MODIFICATIONS For slippery clothing Place a sticky pad on the step or place a stick...

Page 8: ...ope Starting Position Back against high slope 1 On the Step Starting Position Sitting in the well 1 Low Slope Starting Position Back against low slope 2 Draw the abdominals in until the low back is on the arc 3 Lean over the arc Oblique Well Roll Down MOVEMENT SEQUENCE Inhale Engage the abdominals and sit up tall with the hands behind the head Exhale Draw the abdominals deep into the body until th...

Page 9: ... side MODIFICATIONS For tall people Sit closer to the step or use a pillow or box to pad the head as the torso rolls back over the arc CUEING AND IMAGERY ƫ ƫ Narrow the pelvis and pull the sit bones together to begin the roll back Imagine you have a drawstring around your pelvis and you are pulling the drawstring tight ƫ ƫ Pull the navel to the spine Suck the abdominals deep into the body ƫ ƫ Plac...

Page 10: ...and weights to increase the work as the arms go overhead and circle around CUEING AND IMAGERY ƫ ƫ Narrow the pelvis and pull the sit bones together to begin the roll back Imagine you have a drawstring around your pelvis and you are pulling the drawstring tight ƫ ƫ Pull the navel to the spine Suck the abdominals deep into the body ƫ ƫ Place one vertebra down on the arc at a time Imagine your spine ...

Page 11: ...rcises PRECAUTIONS For neck and shoulder injuries Choose an abdominal exercise where the head is supported by the hands For low back injuries Be sure to keep the low back stable throughout the exercise Avoid if it is uncomfortable Avoid with osteoporosis 2 Reach the arms in line with the body and lower the legs 1 The Hundred Starting Position SINGLE LEG STRETCH BEGINNING 10 REPS STARTING POSITION ...

Page 12: ...etween the well and the step of the Pilates Arc with the back against the arc one leg reaching toward the ceiling and the other leg reaching toward the wall Place the hands behind the leg that is reaching toward the ceiling Place the hands as high as they can easily reach but not directly behind the knee Depending on the length of the torso and where you need support your hips may be close to the ...

Page 13: ...void with osteoporosis 2 Lower the legs toward the floor 1 Double Straight Leg Stretch Starting Position CRISS CROSS BEGINNING 10 REPS STARTING POSITION Sit between the well and the step of the Pilates Arc with the back against the arc and the head supported in the hands Pull one leg into the chest and reach the other out toward the wall Depending on the length of the torso and where you need supp...

Page 14: ...n front of the torso level with the bottom of the sternum Feel the center of the sit bones on the step and stay on top of them throughout the exercise MOVEMENT SEQUENCE Inhale Engage the abdominals reach the arms forward and round the back until you are looking at the mat Slide the shoulder blades up and over the rib cage as the arms reach forward without letting them come all the way up to the ea...

Page 15: ...sit bones are a mountain top don t slide down either side ƫ ƫ Engage the abdominals to lift the pelvis off the legs Imagine someone is holding your hips and lifting them up Imagine someone is pressing down on the top of your head and reach up to press their hand away ƫ ƫ Keep the shoulder blades wide as you slide them up and over the rib cage Imagine your shoulder blades are like two curtains that...

Page 16: ...om hand Exhale Lift the upper body off the arc until you are sitting back up in the starting position 1 Side Stretch Both arms up 1 Side Stretch Head supported by bottom hand 2 Lean the torso towards the arc 1 Side Sit Ups Starting Position 3 Lean over the arc Side Sit Ups Arms Out MOVEMENT SEQUENCE Inhale Reach the arms out to the sides with the elbows slightly bent Exhale Lean over the arc bring...

Page 17: ...nees To increase the challenge of the side sit up bend both knees rather then keeping the top one straight CUEING AND IMAGERY ƫ ƫ To maximize the stretch breathe into the top ribs in the stretch Imagine your rib cage is an accordion ƫ ƫ Reach the leg to help lift the torso Imagine someone is pulling your leg as you lift the torso into the sit up position ƫ ƫ Keep the shoulders and the hips in line...

Page 18: ...slope For an easier and more supported version of the Teaser forward series remove the step and lean back against the low slope of the arc MOVEMENT SEQUENCES Teaser 1 Torso only Inhale Roll the torso back over the arc keeping the legs high and reaching the arms overhead Exhale Reach the arms back to the Teaser position as you draw the chin into the chest and roll the torso up off the arc Repeat th...

Page 19: ...rotates to the left Inhale Return to the starting position Exhale Rotate the legs to the left as the torso rotates to the right Inhale Return to the starting position 1 Arm Sweep Low Rotate to the right and sweep the arm down 2 Reach the arm back 1 Rotate the torso to the right as you roll the hips to the left 2 Rotate the torso to the left as you roll the hips to the right Hip Rolls Straighten On...

Page 20: ...NG AND IMAGERY ƫ ƫ Keep the low back in neutral when you are at the top of the Teaser Feel equal effort on the front and the back of the torso If your torso is a sandwich with the spine being the filling and the abdominals and back muscles being the bread your bread slices are exactly the same width ƫ ƫ Don t hyperextend the low back against the arc You should not feel any pinching or discomfort a...

Page 21: ...teoporosis TEASER REVERSE INTERMEDIATE 3 5 REPS STARTING POSITION Sit between the step and the well of the Pilates Arc with the back of the legs against the arc and the legs straight Reach the hands toward the feet to come into the Teaser position MOVEMENT SEQUENCE Inhale Lower the legs and lean the torso back Exhale Reach the arms toward the feet and lift the torso back up to the Teaser position ...

Page 22: ...ises with the arc facing in both directions 1 Push Up Starting Position Top of arc 1 Push Up Starting Position Step 1 Push Up Starting Position Bottom of Arc low slope 1 Push Up Starting Position Bottom of Arc high slope closest rib 1 Push Up Starting Position Bottom of Arc crossways MOVEMENT SEQUENCE Inhale Bend the elbows and lower the torso in one line toward the arc Exhale Straighten the elbow...

Page 23: ...olerated then avoid the exercise LEG PULL DOWN INTERMEDIATE TO ADVANCED 4 10 REPS STARTING POSITION Place the hands on the Pilates Arc with the front of the body facing the floor Straighten out the torso until you are in a solid plank position with the shoulders over the wrists the inner thighs together and the torso in one line from head to feet Arc Right Side Up Intermediate ƫ ƫ Hands on the top...

Page 24: ...d heel discomfort Placing the step under the ankle usually solves this problem LEG PULL UP ADVANCED 3 6 REPS STARTING POSITION Remove the arc from the step and place it about 3 feet in front of the arc Sit on the slope of the arc with your hands on the lip of the arc near the high point Place the back of your ankles on the step Slide the step forward or back until it is comfortable on the back of ...

Page 25: ... back with your butt at the low slope end of the arc and your hands on the handles Reach the legs up to the ceiling and roll up into the Roll Over position from the Mat Pull the Pilates Arc towards you until it contacts the low back Lower the hips onto the arc If you are short pad the mat at the end of the arc to support the head The hips should be firmly supported by the arc and there should be n...

Page 26: ...get off the arc push the arc out from under the hips and roll to one side ƫ ƫ Alternatively you can slide or walk the shoulders away from the arc until the hips are on the ground and then roll to one side CUEING AND IMAGERY ƫ ƫ Keep the weight off the neck Support yourself on the top of your shoulder blades and upper back ƫ ƫ Keep the hips balanced on the top of the arc throughout Don t rock and r...

Page 27: ... Lift the top leg up toward the ceiling creasing at the top of the femur without moving the top hip or shortening the waist Keep the shoulders and hips stacked Exhale Lower the top leg back to the bottom leg 1 Side Leg Lifts Starting Position Parallel 2 External Rotation variation 2 Lift the top leg toward the ceiling 1 Side Leg Series Starting Position Parallel Torso over the arc Side Leg Circles...

Page 28: ...Side Leg Bicycles Starting Position Side Leg Bicycle MOVEMENT SEQUENCE Inhale Bend the knee and extend the top leg forward with a pointed foot Keep the leg parallel to the floor and in line with the hip Exhale Reach the top leg to the back Don t disturb the torso Repeat 4 to 6 times Change Directions Inhale Bend the knee and extend the top leg to the back with a pointed foot Keep the leg parallel ...

Page 29: ...ARTING POSITION On Top of the Arc Lie on top of the arc facing away from the seat with the weight balanced between the upper and lower body Reach the arms over head and the legs out long Depending on your body proportions the hips or abdomen may be on the top of the arc On the Bottom of the Arc Remove the step turn the arc over and place it so the high slope is closest to you Lie prone with the ar...

Page 30: ...e floor 1 Swan Starting Position on the bottom of the Arc 2 Bend the elbows and lower the torso toward the floor SINGLE LEG KICK INTERMEDIATE 10 20 REPS STARTING POSITION Remove the step turn the arc over and place it so the high slope is closest to you Lie prone with your hands on the floor and your elbows bent Straighten the legs and point the feet to begin MOVEMENT SEQUENCE Inhale Bend one knee...

Page 31: ...pine and roll up on that side ƫ ƫ Come to the midline with th elegs overhead Change directions ROLLING IN OUT ADVANCED 6 REPS STARTING POSITION With the Pilates Arc you can use either the low slope or the high slope for these exercises The high slope provides the most support in the inverted position because the torso doesn t have very far to go to roll onto it The low slope is more challenging an...

Page 32: ...n The introductory session provides a full bodied workout while introducing the key Pilates principles of breathing pelvic and scapular stability abdominal strengthening and alignment It also covers several of the basic body positions used on the Pilates Arc Practice this sequence three times a week for an invigorating workout Mermaid Side Sit Ups ƫ ƫ Breathing into the sides of the ribs 6x on eac...

Page 33: ...the Arc Intermediate The intermediate workout increases the abdominal challenge and the upper body challenge on the Pilates Arc It is a great warm up for the core and great strength training for the whole body Mermaid Side Sit Ups ƫ ƫ Breathing into the sides of the ribs 6x on each side ƫ ƫ Side Sit ups 8x on each side Step Roll Downs ƫ ƫ Deep Scoop 8x ƫ ƫ Deepen the curve 6x Well Roll Downs ƫ ƫ H...

Page 34: ... ƫ ƫ Scissors 10x ƫ ƫ Circles 6x ƫ ƫ Bicycle 6x Roll Over 3x each direction Single Leg Stretch 8 sets Double Leg Stretch 6x Single Straight Leg Stretch 8 sets Double Straight Leg Stretch 4x Criss Cross 8 sets Spine Stretch 6x Spine Stretch Side 6x Saw 6x Swan on top of arc 6x Swimming on top of arc 30 sets Teaser Forward ƫ ƫ Bookends 6x ƫ ƫ Teaser 1 5x ƫ ƫ Teaser Oblique Choose 2 variations 4 sets...

Page 35: ...nfigurations ƫ ƫ Step to footbar middle arch over shoulder rest ƫ ƫ Step to footbar front arch over shoulder rest ƫ ƫ Step to shoulder rests THE ARC ONLY ON THE REFORMER You can place the Arc without the step on the Reformer in any of the following positions ƫ ƫ High slope to footbar middle arch over shoulder rest ƫ ƫ High slope to footbar front arch over shoulder rest ƫ ƫ Low slope to footbar mid...

Page 36: ...etch Lift Lower ƫ ƫ Wide 2nd position ƫ ƫ Running in place Single Leg ƫ ƫ Heels ƫ ƫ Toes ƫ ƫ Legs parallel ƫ ƫ Legs turned out 1 Footwork Starting Position Hands supporting the head 1 Footwork Starting Position Arms reaching forward 1 Footwork Starting Position Step supporting the head 2 Footwork Press the carriage back Footwork with Torso Extension and Flexion STARTING POSITION Lie supine on the ...

Page 37: ...n the support of the back throughout the exercise In spinal flexion focus on the abdominals In spinal extension focus on lengthening and decompressing the spine There should be no spinal discomfort during this exercise ƫ ƫ Maintain the support of the neck throughout the exercise Move smoothly from flexion into extension maintaining control of the head If the neck needs support use the hands behind...

Page 38: ...ing the knees and returning to the starting position CUEING AND IMAGERY ƫ ƫ Stay seated on the ischial tuberosities sit bones Imagine your sit bones are like a mountain stay on the very top Don t roll off either side ƫ ƫ Keep lifting up and out of the hips Imagine a partner is holding your hips and lifting them off the legs as the legs straighten and bend ƫ ƫ Maintain a slight amount of lumbar fle...

Page 39: ...ion 2 Straighten the leg and press the carriage back CUEING AND IMAGERY ƫ ƫ Keep the hip knee ankle and foot in good alignment Draw a line from the inside of the ASIS through the center of the patella and the middle of the ankle ƫ ƫ Keep the top leg parallel to the carriage when working with a parallel leg Imagine the leg is supported by a table as you bend and straighten the knee Keep the knee ca...

Page 40: ...wer the arms and pulse the hands 1 The Hundred Starting Position Backstroke Hold the straps in the hands with the elbows bent MOVEMENT SEQUENCE Inhale Reach the arms and the legs toward the ceiling Exhale Open the legs and the arms and circle them around toward the ground until you are in the Hundred position Exhale Bend the knees into the chest Inhale Lower the head and return the arms to the sta...

Page 41: ...e upper body slightly off the Arc Repeat 6 to 10 times to each side 1 Double Leg Stretch Starting Position 2 Reach the arms and the legs up toward the ceiling 3 Return to the starting position 1 Criss Cross Starting Position 2 Bend the left knee in and rotate the torso to the left bringing both arms across the midline CUEING AND IMAGERY ƫ ƫ Keep your low back stable throughout the sequence Imagine...

Page 42: ...verhead Press with Upper Back Extension Maintaining the position of the torso reach the arms overhead and extend the upper back then circle them around to the starting position to begin again 1 Biceps Pull the straps in by bending the elbows 1 Triceps Posterior Deltoid Press the straps back 1 Starting Position Feet on headrest 1 Starting Position Legs in chair position 1 Starting Position Legs in ...

Page 43: ...nt Hold the straps in your hands Place a mat on the Arc as a cushion if it is uncomfortable INSTRUCTOR NOTE Spot clients in this position so they don t lose their balance as they pull the straps MOVEMENT SEQUENCE Exhale Lift the abdominals off the Arc and slide the shoulder blades down the back to begin Inhale Pull the straps toward the hips Exhale Return to the starting position maintaining the a...

Page 44: ...t up Don t wrinkle the back of the neck PURPOSE ƫ ƫ Strengthen the back of the torso including the latissimus dorsi teres major lower trapezius erector spinae gluteus maximus and hamstrings ƫ ƫ Strengthen the abdominals in a prone position ƫ ƫ Increase scapular stability ƫ ƫ Improve leg and torso alignment PRECAUTIONS For shoulder injuries Keep the arms below 90 degrees of abduction or flexion or ...

Page 45: ...Y ƫ ƫ Engage the abdominals and lightly squeeze the buttocks to begin ƫ ƫ Engage the abdominals and draw the sit bones together to roll back ƫ ƫ Roll back only as far as you can maintain the position of the back Don t let the low back go into an unsupported extension position on the arc ƫ ƫ Instructor cue Place fingers on spinous processes of lumbar vertebrae and make sure they stay in place as cl...

Page 46: ...Starting Position 2 Press the carriage back CONTROL FRONT ON THE ARC ADVANCED 3 REPS Springs B to RB Footbar High or Low Arc Only Low slope to footbar middle arch over shoulder rests or High slope to footbar middle arch over shoulder rests In this variation the Arc provides a platform for the hands that is more comfortable than the shoulder rests STARTING POSITION The Arc can be placed in either d...

Page 47: ...s down For an easier version this can be done with the feet on the carriage or up on the Arc with the knees bent CUEING AND IMAGERY ƫ ƫ Keep the shoulders away from the ears as the elbows bend and throughout the exercise Begin with the scapula slide until you are able to keep the shoulders down ƫ ƫ Maintain the abdominal engagement ƫ ƫ Press the carriage away only as far as the shoulders can toler...

Page 48: ...88 PILATES ARC A DETAILED GUIDE FOR PRACTICING PILATES ...

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