background image

Color displays are additive color devices. Color 
is formed by adding different proportions of 
red, green and blue light. These primary colors 
are formed by the glow of different types of 
phosphors in the case of a CRT display, or by 
filtering white light into red, green and blue 
on an LCD.

Red + Green = Yellow
Green + Blue = Cyan
Blue + Red = Magenta
Red +  Green + Blue = White

The color gamut of a display is limited by how 
pure in color the red, green and blue primaries 
are. 

When viewed on a CIE xy color chart (a 2 
dimensional plot of all colors visible to the hu-
man eye), the red, green, and blue primary col-
ors together form a triangle. Colors outside 
of this triangle are outside of the displayable 
color gamut.

LCD Operation and Color Gamut

With an LCD display, the color gamut is deter-
mined by a combination of the light source 
used to illuminate the LCD panel (known as the 
backlight) and of the LCD panel itself.

Each pixel on the screen is made up of red, green 
and blue sub-pixels. The colors of these sub-pix-
els are made by passing the backlight through 
a color filter array. The characteristics of these 
color filters in part determine the gamut of the 
display.

Typical LCD monitors use a broad-band light 
source such as CCFLs, which radiate a wide 
spectrum of colors, including unwanted colors 
such as oranges, yellows, cyans. Only the pure red, 
green and blue parts of the backlight spectrum 
are wanted in order to maximize the color gamut 
of the display. 

In order to achieve a larger color gamut, it would 
be necessary to filter the backlight into a nar-
rower spectrum of colors thus producing purer 
red, green and blue. However, filtering into a nar-
rower spectrum is a technological challenge and 
doing so also reduces the total amount of light 
that is transmitted through the filter. This means 
that the overall screen luminance is reduced or 
must be compensated for by using more CCFL 
backlights.

The LCD2180WG-LED avoids the need for narrower 
spectrum color filters by fundamentally changing 
the spectrum of the backlight source. By using 
red, green and blue power LEDs, which output 
a very narrow spectrum of light, a huge gain in 
displayable color gamut can be achieved without 
the need for using narrower color filters on each 
sub-pixel.

It is important to understand that the backlight 
for the LED based display is still “white” light, 
but it is made up of  very narrow-band red, green 
and blue light, which when combined together, is 
perceived by the human eye as white light. If this 
light were to be shown as a rainbow spectrum us-
ing a prism, only the red, green and blue portions 
of the rainbow would be seen.

Color Gamut of a Display

The size and position of the triangle are de-
termined by the purity of the primary colors. 
The purer the color, the closer it is to the edge 
of the CIE horseshoe. Colors along the edge of 
the horseshoe are made up of pure monochro-
matic light. 

The largest possible color gamut using 3 colors 
would be obtained by using 3 monochromatic 
light sources such as LASERs.

When a light source is viewed as a spectrum, it 
is possible to see the relationship between it’s 
spectrum and position on the CIE color chart.

Monochromatic Light lies along the 
edge of the CIE horseshoe

Light made up of a broader spectrum 
lies inside the CIE horseshoe.

Light Wavelength (nm)

400

700

500

600

   

Re

la

ti

ve

 Intensit

y

Light Wavelength (nm)

400

700

500

600

   

Re

la

ti

ve

 Intensit

y

Typical CCFL Backlight Spectrum

Combined LED Backlight Spectrum

Backlight

TFT Array
Liquid Crystal
Color Filter Array

LCD Screen Sub-Pixel Structure

LCD Color Filter Array

Light Wavelength (nm)

400

700

500

600

Re

la

ti

ve

 Intensit

y

Light Wavelength (nm)

400

700

500

600

   

Re

la

ti

ve

 Intensit

y

3

Summary of Contents for LCD2180WG-LED-BK - MultiSync - 21" LCD Monitor

Page 1: ...NEC LCD2180WG LED Technical Background and Feature Overview NEC Display Solutions ...

Page 2: ...le increases to the output color gamut as well as to the fidelity to which screen colors can be adjusted This increase in displayable color gamut opens up an entirely new era of color workflow in which the display screen can be trusted to accurately rep resent the colors that were captured edited and will be output be it on print film or other media Recent advances in digital image capturing devic...

Page 3: ...of light that is transmitted through the filter This means that the overall screen luminance is reduced or must be compensated for by using more CCFL backlights The LCD2180WG LED avoids the need for narrower spectrum color filters by fundamentally changing the spectrum of the backlight source By using red green and blue power LEDs which output a very narrow spectrum of light a huge gain in display...

Page 4: ...lay to be used where traditionally a darkened room was neces sary Also where direct side by side comparisons with print samples in a light box were previously difficult due to the difference in luminance the increased intensity of the display makes direct comparisons a reality Display Lifetime Commercial LEDs have been around since the early 1960s however it is only within the last 10 years that b...

Page 5: ...light and LUT adjustment with a typical LCD display Gamut Mapping Emulation While the native color gamut of the display exceeds that of even AdobeRGB it is sometimes necessary to preview images as they would be seen on a display with a smaller colorspace The LCD2180WG LED has presets for emulating displays with both sRGB and AdobeRGB gamuts by using internal color gamut mapping These presets can b...

Page 6: ...compensation allows the display to achieve an unparalleled level of color stability even as it warms up to full operat ing temperature This means that the display can then be used for color critical work within a couple of minutes of turning on compared to up to 30 60 minutes for conventional displays Mura Compensation All display monitors have some form of screen uniformity errors or mura across ...

Page 7: ... the video graph ics adapter and display monitor that uses the standard video signal cable No extra cables are necessary All adjustments to monitor settings are performed automatically using this commu nications link The LCD2180WG LED features three internal 10 bit LUTs one for each color that are programmed directly by SpectraViewII via DDC CI These tables allow very precise adjustments to be mad...

Page 8: ...r example with being able to see colors on the screen that were never before possible to display it is now easy to see problem areas in other parts of the color workflow such as deficiencies in printer or separation profiles The issue of having to continue to use some legacy standard color gamut displays and un tagged source images in a color workflow is another challenge Also it now becomes essen...

Page 9: ... White light is filtered back into Red Green and Blue sub pixels The modified blue filter further enhances blue spectrum Resulting spectrums are very pure which gives a very wide color gamut LED Backlight Typical CCFL Backlight Resulting spectrums contain unwanted colors such as yellow cyan and orange which reduces the color gamut Comparison of LED and CCFL Backlight Color Gamuts White light from ...

Page 10: ...d Response ISO 13406 2 No 100 240V 50 60 Hz 100W 7W 18 6 x 18 2 x 8 3 in 473 x 461 7 x 211 9mm 18 6 x 14 6 x 4 9 in 473 x 370 4 x 124 5mm 40 3 lbs 18 3 kg 31 1 lbs 14 1 kg 100 x 100mm 5 35 C 41 95 F 30 80 3658m 12 001 ft 10 60 C 14 140 F 10 85 12 192m 40 000 ft UL C UL or CSA FCC Class B Canadian DOC TUV GS TUV Ergonomie CE Yes SpectraViewII Color Calibration Kit custom cali brated colorimeter and...

Reviews: