a mess!).
MORPH:
column index.
AUX:
low-fi (5-bit) output.
Four-note chords, played by virtual analogue or wavetable oscillators. The virtual analogue oscillators
emulate the stack of harmonically-related square or sawtooth waveforms generated by vintage
string&organ machines.
HARMONICS:
chord type.
TIMBRE:
chord inversion and transposition.
MORPH:
waveform. The first half of the knob goes through a selection of string-machine like raw
waveforms (different combinations of the organ and string “drawbars”), the second half of the knob scans
a small wavetable containing 16 waveforms.
AUX:
root note of the chord.
A collection of speech synthesis algorithms.
HARMONICS:
crossfades between formant filtering, SAM, and LPC vowels, then goes through several
banks of LPC words.
TIMBRE:
species selection, from Daleks to chipmunks. How does it work? This parameter either shifts the
formants up or down independently of the pitch; or underclocks/overclocks the emulated LPC chip (with
Mutable Instruments | Plaits
6 of 11
