MOTU 896mk3 User Manual Download Page 69

CHAPTER

69

10

Reducing Monitoring Latency

OVERVIEW

Monitoring latency

 is that slight delay you hear 

when you run an input signal through your host 
audio software. For example, you might hear it 
when you drive a live guitar input signal through 
an amp modeling plug-in running in your audio 
sequencer.

This delay is caused by the amount of time it takes 
for audio to make the entire round trip through 
your computer, from when it first enters an 
896mk3 input, passes through the 896mk3 
hardware into the computer, through your host 
audio software, and then back out to an 896mk3 
output.

If you don’t need to process a live input with 
plug-ins, the easiest way to avoid monitoring 
latency is to use the 896mk3’s CueMix FX digital 
mixer to patch the input directly to your monitor 
outs via the 896mk3 audio hardware. The 896mk3 
even provides effects processing (EQ, compression 
and reverb), which can be applied on input, 
output, or even at the bussing stage, just like a 
conventional mixer. For details, see “CueMix FX 
hardware monitoring” on page 73.

If you 

do

 need to process a live input with host 

software plug-ins, or if you are playing virtual 
instruments live through your 896mk3 audio 
hardware, you can significantly reduce latency — 
and even make it completely inaudible, regardless 
of what host audio application software you use. 
This chapter explains how.

It is important to note that monitoring delay has no 
effect on when audio data is recorded to disk or 
played back from disk. Actual recording and 
playback is extremely precise.

Monitoring live input. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Adjusting the audio I/O buffer  . . . . . . . . . . . . . . . . . . . . . . . 71

Lower latency versus higher CPU overhead . . . . . . . . . . 72

Transport responsiveness . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Effects processing and automated mixing . . . . . . . . . . . 73

CueMix FX hardware monitoring. . . . . . . . . . . . . . . . . . . . . 73

Two methods for controlling CueMix FX  . . . . . . . . . . . . . 73

Using CueMix FX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Controlling CueMix FX from your audio software . . . . 74

Summary of Contents for 896mk3

Page 1: ...MOTU 896mk3 User Guide for Mac 1280 Massachusetts Avenue Cambridge MA 02138 Business voice 617 576 2760 Business fax 617 576 3609 Web site www motu com Tech support www motu com support...

Page 2: ...utletsandextensioncordsasthiscanresultinariskoffireorelectricalshock 10 Grounding Donotdefeatthesafetypurposeofthepolarizedorgrounding typeplug Apolarizedplughastwobladeswithonewiderthantheother Agrou...

Page 3: ...U S S warrantthisequipment againstdefectsinmaterialsandworkmanshipforaperiodofTWO 2 YEARSfrom thedateoforiginalretailpurchase Thiswarrantyappliesonlytohardwareproducts MOTUsoftwareislicensedandwarrant...

Page 4: ...15 Packing List and Mac System Requirements 17 Installing the 896mk3 Hardware 33 Installing the 896mk3 Mac Software 35 MOTU Audio Setup 43 896mk3 Front Panel Operation 53 Digital Performer 57 AudioDe...

Page 5: ...lash For example if you ve set the MOTU 896mk3 to slave to an external clock such as ADAT but there is no clock signal currently being detected these lights will flash FireWire is a plug and play prot...

Page 6: ...re equipped with 24 bit D A converters capable of 192kHz These jacks provide stereo 24 bit S PDIF digital input and output at all supported sample rates up to 96 kHz The 896mk3 is equipped with an aut...

Page 7: ...nterface Check this option if you would like the MOTU AudioSetupicontoappearintheapplication dock as soon as a MOTU FireWire interface is detected switched on plugged in etc In the standard Mac OS X f...

Page 8: ...8...

Page 9: ...analog main outs Operation on all analog I O at standard sample rates up to 192 kHz Two banks of optical digital I O that provide 16 channels of ADAT optical at 48 kHz 8 channels of S MUX optical I O...

Page 10: ...puts and 32 outputs at 44 1 48kHz The phone jack below the MASTERVOL knob is hard wired to mirrors the XLR main outs The PHONES output can operate as an independent output pair or it can mirror any ot...

Page 11: ...al input and output that supports digital I O at 44 1 48 88 2 and 96 kHz In addition input or output can be sample rate converted to any of these sample rates in situations that call for a different r...

Page 12: ...phantom power 20 dB Pad The front panel input trim knobs provide independent trim for the eight analog inputs The phantom power switch for each input provides 48V phantom power Up is on down is off T...

Page 13: ...d high pass filters are also supplied with slopes that range from 6 to 36 dB The EQ employs extremely high precision 64 bit floating point processing The 838mk3 s flexible effects architecture allows...

Page 14: ...A B O U T T H E 8 9 6 M K 3 14...

Page 15: ...st 100GB PLEASE REGISTER TODAY Please register your 896mk3 today There are two ways to register Visit www motu com register OR Fill out and mail the included product registration card As a registered...

Page 16: ...P A C K I N G L I S T A N D M A C S Y S T E M R E Q U I R E M E N T S 16...

Page 17: ...Etimecodedirectly 22 Syncingtovideoand orSMPTEtimecodeusinga synchronizer 23 SyncingS PDIFdevices 24 Syncingopticaldevices 25 SyncingAES EBUdevices 25 Syncingwordclockdevices 28 ConnectingmultipleMOTU...

Page 18: ...vel as needed for each input 20 dB pad If the input signal is too hot with the trim turned all the way down engage flip up the 20dB pad switch for the input on the front panel Analog outputs For the X...

Page 19: ...to review the digital audio clocking issues as explained in Syncing optical devices on page 25 S PDIF If you make a S PDIF digital audio connection to another device be sure to review the digital aud...

Page 20: ...pression to what you are recording and monitor it via the main outs headphone outs or any other output pair You can control everything from the included CueMix Console software Figure 3 4 A typical 89...

Page 21: ...system to SMPTE time code from a video deck analog multi track etc Both of the above Synchronization is critical for clean digital I O Synchronization is critical in any audio system but it is especia...

Page 22: ...Desk Digital Performer or MOTU Audio Setup This setting can also be made in the MOTU SMPTE Console shown below 896mk3 interface SMPTE time code source audio cable bearing LTC LongitudinalTime Code Any...

Page 23: ...zer such as the MOTU MIDITimepiece AV or DigitalTimepiece Mac running any audio software MOTU MIDITimepiece AV or DigitalTimepiece slaving to video and or SMPTE time code Audio cable bearing LTC Longi...

Page 24: ...can then freely transfer audio between the 896mk3 and the S PDIF device S PDIF S PDIF DAT deck or other S PDIF device 896mk3 896mk3 Clock Source setting Internal when transferring from the 896mk3 to...

Page 25: ...io digitally between the 896mk3 and another device that has AES EBU I O connect it to the 896mk3 s AES EBU jacks with balanced AES EBU grade audio cables AES EBU clock and sample rate conversion The 8...

Page 26: ...EBU input Note the 896mk3 AES EBU output can actually be clocked from a number of different sources In this example it is resolved to the 896mk3 system clock For details about other possible clock so...

Page 27: ...put clock options Scenario 1 Scenario 2 Scenario 3 Description Simple transfer Rate convert Use word clock 896mk3 clock source setting AES EBU Any setting except AES EBU Word Clock Sample rate convers...

Page 28: ...mplest case you have two devices and one is the word clock master and the other is the slave as shown below in Figure 3 17 and Figure 3 18 Figure 3 17 Slaving another digital audio device to the 896mk...

Page 29: ...eWire bus Multiple interfaces in MOTU Audio Setup MOTU Audio Setup displays the settings for one interface at a time To view the settings for an interface click its tab as shown below in Figure 3 20 F...

Page 30: ...For each slave interface click its tab and choose the master interface from the Clock Sourcemenu as demonstrated below in Figure 3 21 This causes the slave interfaces to resolve to the master interfac...

Page 31: ...s to conserve FireWire bus bandwidth At the 2x samples rates 88 2 or 96kHz and 4x sample rates 176 4 and 192kHz you can operate no more than two FireWire interfaces on a single FireWire bus Adding add...

Page 32: ...I N S T A L L I N G T H E 8 9 6 M K 3 H A R D W A R E 32...

Page 33: ...oftware the 896mk3 will appear as a choice for audio inputs and outputs in your software All MOTU audio hardware including our PCI systems and other FireWire and USB interfaces ships with CoreAudio dr...

Page 34: ...TE time code and to generate SMPTE for striping regenerating or slaving other devices to the computer For details see chapter 12 MOTU SMPTE Console page 103 AUDIODESK WORKSTATION SOFTWARE AudioDesk is...

Page 35: ...edal 41 ACCESSING THE 896MK3 SETTINGS There are several ways to access MOTU Audio Setup settings Click the MOTU Audio Setup icon in the dock Press on the MOTU Audio Setup dock icon to open the menu sh...

Page 36: ...playback The 896mk3 can operate at 44 1 the standard rate for compact disc audio 48 88 2 96 176 4 or 192KHz If you are operating at a sample rate between 44 1 and 96kHz make absolutely sure that all o...

Page 37: ...896mk3 system on its internal clock and then slave the DAT deck to the 896mk3 via the AES EBU connection usually DAT decks slave to their AES EBU input when you choose the AES EBU input as their recor...

Page 38: ...ed in Optical input output on page 39 The TOSLINK clock source setting refers to the clockprovidedanopticalS PDIFdeviceconnected to the 896mk3 s optical input This setting can be used to slave the 896...

Page 39: ...you d like to route the Main Out stereo pair to the PHONES jack Choose Phones if you would like the headphones to serve as their own independent output which you can access as an independent output d...

Page 40: ...S EBU is disabled entirely at the 4x samples rates 176 4 and 192kHz Each option is explained below None To make the AES EBU output sample rate match the System sample rate choose None Figure 3 16 on p...

Page 41: ...ed switched on plugged in etc Edit Channel Names Click the Edit Channel Names button to open the Channel Names window Figure 5 3 This window lets you edit the names of the 896mk3 inputs and outputs as...

Page 42: ...M O T U A U D I O S E T U P 42...

Page 43: ...96mk3Setupmenu 46 Audiomenu 47 CueMixmenu 47 Inputsmenu 51 Outputsmenu 51 Mixesmenu 52 Reverbmenu 52 Stand aloneoperation 52 ANALOG INPUT CONTROLS The 896mk3 front panel analog input controls Figure 6...

Page 44: ...ike the MAIN OUT phone jack and the PHONES jack to output the same signal assign the PHONES output to mirror the main outs In this configuration both the MASTERVOL and the PHONES volume knobs control...

Page 45: ...ROTARY ENCODERS All of the knobs shown in Figure 6 6 are push button digital rotary encoders In many cases you can either push the knob or turn it to make a setting or toggle the LCD display dependin...

Page 46: ...me Turn PAGE to change the currently flashing letter Once you ve named the preset pushVALUE to save it turn it again to choose the desired preset slot you wish to save it to 1 16 and the push again to...

Page 47: ...and support 2x operation Turn theVALUE knob to select an optical port and push the knob to toggle between the Type I and Type II setting CUEMIX MENU To access the CUEMIX menu push the PARAM knob until...

Page 48: ...3 on page 80 as well as the settings in the Channel tab Figure 11 8 on page 84 Turn the PARAMETER knob to scroll through individual parameters such as the frequency for the current band of EQ This is...

Page 49: ...s menu Choosing a mix bus Once you see the MIX menu Figure 6 11 in the LCD turn the CHANNEL knob to select the desired mix that you wish to edit This is roughly equivalent to choosing a mix in the Mix...

Page 50: ...y of Mix menu settings see Mixes menu on page 52 The REVERB menu Push the CHANNEL button repeatedly until you see REVERB in the channel section of the LCD Figure 6 12 This is similar to accessing the...

Page 51: ...REQ DYN Dynamics ENABLE COPY PASTE RESET COMP Compressor ENABLE MODE THRESH RATIO ATTACK RELEASE TRIM LEVELER ENABLE MODE REDUCE MAKEUP REVERB SEND SEND PAN mono only CHANNEL PAGE PARAM OUTPUTS Main A...

Page 52: ...y time from the front panel CHANNEL PAGE PARAM MIXES Mix 1 Mix 2 etc MASTER ASSIGN MUTE FADER COPY PASTE RESET REVERB SEND RETURN ANALOG 1 2 if stereo MUTE SOLO BAL WID BALANCE WIDTH FADER ANALOG 1 AN...

Page 53: ...a MIDI Timepiece AV or Digital Timepiece for synchronization be sure they are present in Audio MIDI setup THE 896MK3 SETTINGS Choose the 896mk3 as your audio input output device by choosing Configure...

Page 54: ...be mixing their live input with audio material recorded in Digital Performer See chapter 10 Reducing Monitoring Latency page 69 for complete details Phones This 896mk3 setting lets you choose what yo...

Page 55: ...the front panel of the 896mk3 until peaks in the level meter are as high as possible without clipping hitting zero dB Phones 1 2 If you ve chosen to treat the 896mk3 headphones as an independent outpu...

Page 56: ...hoosing a clock source for optical connections on page 19 and Making sync connections on page 21 If you don t have any digital audio devices connected to the 896mk3 digital audio phase lock does not a...

Page 57: ...ware installers will properly install and update everything for you If you are using a MIDI Timepiece AV or Digital Timepiece for synchronization be sure they are present in Audio MIDI setup THE 896MK...

Page 58: ...chapter 10 Reducing Monitoring Latency page 69 for complete details Phones This 896mk3 setting lets you choose what you ll hear from the headphone jack For example if you choose Main Out 1 2 the headp...

Page 59: ...clipping hitting zero dB Phones 1 2 If you ve chosen to treat the 896mk3 headphones as an independent output you ll see Phones 1 2 in AudioDesk s output menus Audio tracks assigned to this output pai...

Page 60: ...directly on page 22 Resolving to video and or time code with a dedicated synchronizer To resolve your 896mk3 to video and or SMPTE time code using an additional synchronization device use the setup sh...

Page 61: ...nd output ports be sure to follow the procedure in Preparing MIDI input and output on page 61 RUN MOTU AUDIO SETUP Before you run your host audio software launch MOTU Audio Setup to configure your 896...

Page 62: ...pair choose Main Outs Return Assign In your OS X host audio software audio input menus you ll see an 896mk3 input called Return 1 2 This is a stereo feed from the 896mk3 that matches the signal of one...

Page 63: ...nd choose MOTU 896mk3 from the Audio Output and Audio Input menus as shown below in Figure 9 4 For information about the Optimize for setting see Adjusting the audio I O buffer on page 71 Figure 9 4 E...

Page 64: ...o software For other audio applications the procedure is similar to that shown above Consult your owner s manual for further information WORKING WITH 896MK3 INPUTS AND OUTPUTS Once you ve enabled the...

Page 65: ...e that optical A is operating with the same format Input 88 2 96 kHz Channels List position Comment Analog 8 1 8 AES EBU 2 9 10 SPDIF 2 11 12 Stereo return 2 13 14 See Return Assign on page 62 Reverb...

Page 66: ...iguration that goes hand in hand with your host project be sure to use the file save features in CueMix FX to save the 896mk3 settings as a file in your host project folder for instant recall of all s...

Page 67: ...vices use the setup shown in Syncing to SMPTE time code directly on page 22 Resolving to video and or time code with a dedicated synchronizer If your host software has the ability to synchronize to SM...

Page 68: ...O T H E R M A C O S X A U D I O S O F T W A R E 68...

Page 69: ...dware The 896mk3 even provides effects processing EQ compression and reverb which can be applied on input output or even at the bussing stage just like a conventional mixer For details see CueMix FX h...

Page 70: ...out 896mk3 based effects processing EQ compression or reverb See CueMix FX hardware monitoring later in this chapter for details on how to use CueMix FX with your audio software or with the included C...

Page 71: ...Mac OS X audio I O buffer size is handled by the host audio application not the 896mk3 Core Audio driver Most audio software applications provide an adjustable audio buffer setting that lets you cont...

Page 72: ...ower latency versus higher CPU overhead The buffer setting has a large impact on the following things Patch thru latency The load on your computer s CPU Possible distortion at the smallest settings Ho...

Page 73: ...al mixer When enabled CueMix activates hardware patch thru in the 896mk3 itself CueMix FX has two important benefits First it completely eliminates the patch thru delay reducing it to a small number o...

Page 74: ...y be merged to the output Controlling CueMix FX from within AudioDesk or Digital Performer To turn on CueMix FX in AudioDesk and Digital Performer 1 From the Setup menu choose Configure Audio System I...

Page 75: ...scanberouted tothe on board CueMix FX 16 bus 8 stereo bus digital mixer driven by hardware based DSP with 32 bit floating point precision The CueMix FX mixer allows you to apply no latency effects pro...

Page 76: ...plications or projects CueMix routing can operate without the computer allowing the 896mk3 to operate as a portable stand alone mixer with effects CUEMIX FX SOFTWARE INSTALLATION CueMix FX is an appli...

Page 77: ...ves you access to settings for individual 896mk3 inputs or input pairs such as phase trim EQ and dynamics processing Each input also includes a send to the 896mk3 s global reverb processor These setti...

Page 78: ...l current available enabled 896mk3 output pairs If a bus is already assigned to an output pair the bus name appears next to the output pair name to indicate that the output pair is already taken by a...

Page 79: ...nd edit parameters in the channel settings section of the CueMix FX window Figure 11 7 on page 84 Clicking the mix bus master fader focus button brings the assigned output into focus if there is one I...

Page 80: ...need to record a completely unprocessed input signal do not apply any changes to it in the Input tab The only exception to this is the reverb send which simply splits the input signal and feeds a copy...

Page 81: ...l The controls in the EQ Compression section of the Inputs tab Figure 11 3 let you edit EQ and compression settings within the context of the channel strip This is ideal when you are comparing setting...

Page 82: ...3 feeds the input signal to the 896mk3 s global reverb processor where it is merged with any other signals being fed to the reverb The reverb s output can then be fed back into a mix or output pair T...

Page 83: ...x to eliminate the possibility for feedback loops created by reverb send return loops See Split point on page 96 The output reverb return Figure 11 6 feeds the output of the 896mk3 s global reverb pro...

Page 84: ...iew the Channel tab settings for the channel Figure 11 8 The Channel tab Signal flow Settings in the Channel tab occur just before the EQ dynamics and reverb sends in the Input tab channel strip Figur...

Page 85: ...t Clip begins to engage around 2 dB just below zero whenV Limit is turned on Soft Clip begins to engage around 10 dB just below 12 dB Talkback section Click the Talkback or Listenback button Figure 11...

Page 86: ...y legendary British large console EQs the 896mk3 Vintage EQ section Figure 11 10 gives you the look feel and sound of the most sought after classic equalizers Five bands of center frequency parametric...

Page 87: ...e current channel being edited the channel that currently has the focus EQ filter one of five center bands of EQ that can be independently enabled and programmed Filtertype Lets you choose from one of...

Page 88: ...ve EQ filters The EQ filters have three parameters Q The Q setting does not have a unit of measurement Rather it is the ratio of the filter s center frequency to the bandwidth of the filter In additio...

Page 89: ...stments in gain or reduction produce relatively high Q This EQ style is best for situations that call for precise EQ adjustments requiring the maximum amount of individual parameter control For more g...

Page 90: ...ng more musical More specifically this style emulates the classic Neve EQs their modern derivatives and later SSL G series EQs Many current popular outboard boutique EQs exhibit this same gain Q relat...

Page 91: ...Qs In some situations this form of accurate clean shelving can sound harsh especially when compared to legacy analog EQs To soften the results the overshoot is increased as Q is increased as shown Fig...

Page 92: ...or example with a maximum gain setting of 20dB the loss in the overshoot region is 10 dB Overshoot curves are symmetrical for both cut and boost Low pass and high pass filters TheVintage EQ low and hi...

Page 93: ...duce distortion The rate at which the attenuation is added is determined by the Attack parameter Likewise when the input level falls below the Threshold the attenuation is removed gradually The rate a...

Page 94: ...ing light The the Automatic Gain Control AGC circuit of the LA 2A uses a vintage opto coupler known by its model number T4 The T4 contains an electroluminescent panel ELP and photoresistor mounted so...

Page 95: ...t is turned on Therefore when you enable the Leveler give it a moment to settle before you begin processing signals with it The Meters tab The Meters tab Figure 11 22 serves as a comprehensive meter b...

Page 96: ...the reverb processorviatheircorrespondingsends discussed earlier in this chapter Mono or stereo inputs Figure 11 3 on page 80 Mix bus output Figure 11 2 on page 78 Outputs Figure 11 6 on page 83 Reve...

Page 97: ...ifferent types of spaces The Size and Level parameters let you control the size of the room and the strength of the initial reflections Here s a tip try using initial reflections without any subsequen...

Page 98: ...5 x 1 EQ band and Leveler 4 x 1 EQ band require about the same DSP resources for a mono or stereo channel SOLO LIGHT The Solo light Figure 11 1 illuminates when any input in the current active mix bu...

Page 99: ...ngaging Talkback and Listenback To engage Talk back or Listenback press on the Talk or Listen buttons Figure 11 26 and then release to disengage Talkback and or Listenback is engaged for as long as yo...

Page 100: ...r in dock icon This CueMix FX File menu item applies to other MOTU interfaces and has no effect on the 896mk3 EDIT MENU Undo Redo CueMix FX supports multiple undo redo This allows you to step backward...

Page 101: ...owever this menu provides one extra option that is exclusive to CueMix FX Follow Active Mix This menu item when checked causes the headphone output to mirror the output of the current mix being viewed...

Page 102: ...ol surface with any other software CueMix Control Surfaces CueMix FX includes support for the following control surface products Mackie Control Mackie HUI Mackie Baby HUI Use the sub menu commands in...

Page 103: ...te SMPTE for striping regenerating or slaving other devices to the computer CLOCK ADDRESS The Clock Address menu Figure 12 1 provides the same global Clock Source setting as in MOTU Audio Setup Clock...

Page 104: ...nput that the 896mk3 listens to for time code Freewheel Address Freewheeling occurs when there is a glitch or drop out in the incoming time code for some reason The 896mk3 can freewheel past the drop...

Page 105: ...me click directly on the SMPTE time code display in the Generator section and type in the desired start time Or drag vertically on the numbers Figure 12 2 Setting the time code start time Regenerate T...

Page 106: ...M O T U S M P T E C O N S O L E 106 RESOLVING CUBASE OR NUENDO TO SMPTE TIME CODE To resolve your 896mk3 and Cubase or Nuendo to SMPTE time code use the setup shown in Figure 3 8 on page 22...

Page 107: ...nter the same artifacts you may want try using another drive in your computer Clicks and pops can also occur when the drive is severely fragmented the disk drivers are outdated or other drive related...

Page 108: ...w motu com support Please provide the following information to help us solve your problem as quickly as possible The serial number of the 896mk3 system This is printed on a sticker placed on the botto...

Page 109: ...C Channel tab 84 reverb settings 85 Clear Peaks 100 Clip Hold Time 7 40 Clipping 5 Clock 192kHz operation 37 Clock source 7 21 37 AudioDesk 58 other audio interfaces 38 SMPTE setting 38 Clock status L...

Page 110: ...t 39 HUI 102 I iMovie audio input output 39 In menu LCD 48 Infinite freewheel 104 105 Input gain 12 Input level meters 5 Inputs analog 6 naming 79 80 optical 6 pan 79 reverb send 82 S PDIF RCA 6 tab 8...

Page 111: ...y 97 Presets naming saving in LCD 46 Programmable meters 7 40 Propellerhead Reason 64 Punch in out 12 Q Q 88 R Ratio compressor 93 Reason 64 Regenerate 105 Registration 15 Release Dynamics 93 Return A...

Page 112: ...ting 38 connecting 18 Trim 18 81 Trim input 12 Troubleshooting EQ knobs don t work 82 feedback loop 55 59 62 Type I II optical mode 47 U UltraLite connecting to 896mk3 30 Unbalanced analog 18 Undo Red...

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