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Overall Stereo Settings: The KBR-3D stereo channel utilizes total attenuation tone controls, thus

if bass, middle and treble are set to “0”, virtually no sound will get through to the power
amp section!  This is very versatile but at least one of the tone controls should be set to
“3”.

Bass

Middle     Treble

Best signal to noise

  2-6

   2-6

       2-6

Loudest operation

  6-9

   6-9

       6-9

Use lower numbers in quiet settings; use higher numbers at loud venues.

-REAR PANEL CONNECTIONS-

XLR Line Outputs: Signals from the low rotor simulator, the line level inputs, and the full range

stereo channel is sent here.  The horn level, as set by the microphone mixer, is also
present (Z out approximately 600 ohms; 70 mV RMS nominal).

Microphone Volume: These two controls mix the rotary channel horn microphones >600 Hz into

the XLR outputs.  The level should be set after all parameters on the rotary channel pre-
amp are adjusted.  The microphone mixer can be set to zero if external miking is
preferred.

¼” Line Level Inputs: These inputs feed directly to the 100/100 amplifiers and are not affected by

either pre-amp setting.  You can connect a mixing board for vocals or any other typical
signal source (420 mV RMS nominal).  Volume must be controlled by the signal source.

Dry Rotary Output: This signal is tapped just after the 12AX7EH post-gain control, before the

low rotor simulator volume and bass controls.  It provides a line level output to drive
reverbs and other effects where the rotary effect is not desirable.  Many “classic” organ
speakers used “non-rotary” reverb in conjunction with rotary sound (420 mV RMS
nominal).

Power Supply: The KBR-3D contains two 100 watt power amplifiers for the full range system

and 45-watt amplifier to drive the horn from>800 Hz.  The power supply is capable of
200 watts RMS that is shared between the three amplifiers.  Music is almost always
transient in nature and tests have verified the cost/weight effectiveness of this supply in
the KBR-3D.  Volume levels requiring sustained 200 watt performance should be
assisted by a PA system, both for hearing protection and for a generally better sound.

Speakers: The KBR-3D utilizes high efficiency 10” 250-watt speakers and 3.5X3.5” Ferro cooled

horns.  Reproduction of piano was of primary concern during speaker selection.  The
transient nature of piano is one of the best indicators of an amplifier’s performance.  The
KBR-3D cabinet angle and speakers provide an incredible 120 degrees of treble
dispersion producing a wide angle of full frequency response.

Summary of Contents for KBR-3D

Page 1: ... Power Amplifiers 100 100 watt RMS main full range amplifiers 45 watt RMS 800 Hz horn amplifier Frequency Response Full Range speakers 50 15 kHz 5 dB Horn driver 600 Hz 8 kHz Speakers 2 10 Eminence Beta 250 watt 8 ohms 2 80 watt 3 5X3 5 Ferro cooled horns 8 ohms 1 80 watt MS 1 2 proprietary diaphragm horn driver 8 ohms Dimensions 24 W 21 H 16 Weight 68 lbs Power Fuse Slo Blow US 117 VAC 50 60 Hz 3...

Page 2: ...annel stereo horn microphones There are two 10 250 watt Eminence Beta speakers and two 3 5X3 5 80 watt Ferro cooled horns driven by 100 100 watt amplifiers provide stunning clarity and transient response A 12AX7EH tube pre amp and 45 watt amplifier driving a 80 watt MS 1 2 diaphragm for the rotary horn in conjunction with the enhanced stereo low rotor simulator provide rich liquid REAL rotary soun...

Page 3: ...e a 147 tube output stage when overdriven This design provides silky smooth sound until pushed into clipping at first crunchy and at extremes provides a gnarly massive tube grind A combination of keyboard volume X volume pedal X pre gain settings determines the overall drive of the 12AX7EH Post Gain This control allows silky smooth clean tube sound with settings of 8 10 and utilizes the full outpu...

Page 4: ...applied it is routed to the tone controls global and to the power amplifiers The right mono input will send a mono source to the tone controls and both amplifiers Input 1 and 2 can also operate as independent amplifiers with global tone and volume controls Expand This circuit operates on input 1 only The expand switch and corresponding yellow indicator selectively enhance the difference between th...

Page 5: ...signal source 420 mV RMS nominal Volume must be controlled by the signal source Dry Rotary Output This signal is tapped just after the 12AX7EH post gain control before the low rotor simulator volume and bass controls It provides a line level output to drive reverbs and other effects where the rotary effect is not desirable Many classic organ speakers used non rotary reverb in conjunction with rota...

Page 6: ...peaker from the front Disconnect the two crossover wires note polarity to allow removal from cabinet Amplifier Tube Belt Diaphragm Removal Access 1 Remove the 4 screws on each grill cover and remove both grill covers 2 Carefully remove the two 10 speakers and disconnect the spade lugs note connection polarity when removing the wires then remove the two tweeters 3 Remove the 3 screws on the round b...

Page 7: ... a proprietary MS 1 2 diaphragm DO NOT USE other diaphragms You can purchase the MS 1 2 through Motion Sound Internal User Adjustments The dynamics and speeds of the KBR 3D s horn motor and low rotor simulator are calibrated at the factory to simulate a 147 type rotary speaker that is well used but maintained Three parameters of the horn and low rotor simulator may be adjusted to user preference a...

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