background image

   



Page   

42   



   

   



   



   



   



   



   



   



   



   



   



   


   



Slim   

Phatty   

User’s   

Manual   

-­   

The   

User   

Interface   



   

    



   



   



   



   



   



   



   



   



   



Page   

43

   



   


   



Slim   

Phatty   

User’s   

Manual   

-­   

The   

User   

Interface

The seventh page of the Arpeggiator menu allows you to enable or dis-
able the Latch function. The Latch allows the Arpeggiator to keep repeat-
ing the arpeggio state when you remove your hands from the keyboard.  
The Latch menu arms the Latch function the same way the Arpeggiator 
ON/OFF menu arms the Arpeggiator.  When the Latch parameter is 
set to ‘ON’, the Latch can be activated from the front panel (to activate 
the latch, you must be in PRESET Mode when the Arpeggiator is run-
ning - see 

Activating the Arpeggiator and Latch

 for more).  When ‘OFF’ is 

selected, the Latch is always off and cannot be activated accidently.  To 
enable/disable the latch function, use the 

CURSOR

 button to move to 

the latch parameter field, then use the 

VALUE

 knob to change the latch 

status.

  

The default value is ‘OFF’.

ARPEGGIATOR (Con’t):

C.  SYSEX (System Exclusive) Menus

SysEx menus are a set of commands to transmit and receive selected presets, bulk dumps and firmware 
dumps.  To enable SysEx menus, press the 

CURSOR

 button.  This will highlight the menu options shown 

on the second line of the display.  Once highlighted, use the 

VALUE

 knob to scroll through the menus. To 

activate a command, press the 

ENTER

 button. 

SEND CURRENT PRESET:

This option allows you to send the current preset (system exclusive 
data format) for archiving a preset in the SP’s memory.  This requires 
another SP, Little Phatty, or computer with a MIDI interface and a pro-
gram that can accept a SysEx dump.  You must enable the device that 
is to receive the SysEx data. Once the remote device is enabled, press 

ENTER

 to start the data transfer.

When 

ENTER

 is pressed, the LCD will briefly display the ‘SENDING 

CUR PRESET’

 

message shown.  When the operation is complete, the 

display will return to the SYSEX menu.

Summary of Contents for Slim Phatty

Page 1: ......

Page 2: ...Page...

Page 3: ...3...

Page 4: ...E USER INTERFACE Preset Mode 23 Master Mode 26 A Menus 26 B Advanced Presets 36 C System Exclusive 42 D System Utilities 45 THE USER INTERFACE con t Performance Sets 50 Activating the Arpeggiator and...

Page 5: ...led into the keyboard or front panel 10 The product should be serviced by qualified personnel when a The power supply cord or the plug has been damaged b Objects have fallen or liquid has been spilled...

Page 6: ...Adams Special thanks are due to Greg Kist who authored this ne manual Also thanks to you our customer for using our products and pushing the boundaries of music forward Finally I d like to pay tribute...

Page 7: ......

Page 8: ...Page...

Page 9: ...6...

Page 10: ......

Page 11: ......

Page 12: ......

Page 13: ......

Page 14: ......

Page 15: ......

Page 16: ......

Page 17: ......

Page 18: ......

Page 19: ......

Page 20: ......

Page 21: ......

Page 22: ......

Page 23: ...Slim...

Page 24: ...Phatty...

Page 25: ...User s...

Page 26: ...Manual...

Page 27: ......

Page 28: ...The...

Page 29: ...Basics...

Page 30: ......

Page 31: ......

Page 32: ......

Page 33: ......

Page 34: ......

Page 35: ......

Page 36: ......

Page 37: ......

Page 38: ......

Page 39: ......

Page 40: ...For those interested MIDI interface speci cs see the section titled How the SP handles MIDI page 54 as well as the MIDI Implementation Chart which appears in Appendix F Throughout the manual you will...

Page 41: ......

Page 42: ...NOTE...

Page 43: ......

Page 44: ...We...

Page 45: ...encourage...

Page 46: ...you...

Page 47: ...to...

Page 48: ...read...

Page 49: ...the...

Page 50: ...entire...

Page 51: ...manual...

Page 52: ...at...

Page 53: ...some...

Page 54: ...point...

Page 55: ...to...

Page 56: ...learn...

Page 57: ...more...

Page 58: ...about...

Page 59: ...the...

Page 60: ......

Page 61: ...instrument...

Page 62: ...and...

Page 63: ...gain...

Page 64: ...a...

Page 65: ...better...

Page 66: ...understanding...

Page 67: ...of...

Page 68: ...what...

Page 69: ...you...

Page 70: ...can...

Page 71: ...do...

Page 72: ...with...

Page 73: ...the...

Page 74: ...Slim...

Page 75: ...Phatty...

Page 76: ...egistration card What you will need In addition to the Slim Phatty and provided accessories you will need 1 A sturdy surface to support the Slim Phatty 2 A MIDI keyboard or MIDI controller 3 A MIDI ca...

Page 77: ...ng to an ampli er or headphones Adjust the ampli er level for a comfortable listening level and then slowly bring up the Slim Phatty s volume Make sure the OUTPUT ON OFF switch is illuminated this mea...

Page 78: ......

Page 79: ...Page...

Page 80: ...8...

Page 81: ......

Page 82: ......

Page 83: ......

Page 84: ......

Page 85: ......

Page 86: ......

Page 87: ......

Page 88: ......

Page 89: ......

Page 90: ......

Page 91: ......

Page 92: ......

Page 93: ......

Page 94: ...Slim...

Page 95: ...Phatty...

Page 96: ...User s...

Page 97: ...Manual...

Page 98: ......

Page 99: ...The...

Page 100: ...Basics...

Page 101: ......

Page 102: ......

Page 103: ......

Page 104: ......

Page 105: ......

Page 106: ......

Page 107: ......

Page 108: ......

Page 109: ......

Page 110: ......

Page 111: ...ong with switches for Glide On Off and Octave transpose 2 The Modulation section features a programmable modulation matrix The Modulation section has controls to select the modulation Source LFOTriang...

Page 112: ......

Page 113: ...Page...

Page 114: ...9...

Page 115: ......

Page 116: ......

Page 117: ...Slim...

Page 118: ...Phatty...

Page 119: ...User s...

Page 120: ...Manual...

Page 121: ......

Page 122: ...The...

Page 123: ...udio jacks provides monophonic Audio Input and Output connections as well as a Headphone output The Audio Input jack allows external signals to be processed by the Slim Phatty 3 ControlVoltage jacks p...

Page 124: ......

Page 125: ...Page...

Page 126: ...10...

Page 127: ......

Page 128: ......

Page 129: ......

Page 130: ......

Page 131: ......

Page 132: ......

Page 133: ......

Page 134: ......

Page 135: ......

Page 136: ......

Page 137: ......

Page 138: ......

Page 139: ......

Page 140: ...Slim...

Page 141: ...Phatty...

Page 142: ...User s...

Page 143: ...Manual...

Page 144: ......

Page 145: ...The...

Page 146: ...Basics...

Page 147: ......

Page 148: ......

Page 149: ......

Page 150: ......

Page 151: ......

Page 152: ......

Page 153: ......

Page 154: ......

Page 155: ......

Page 156: ......

Page 157: ...low pass lter where the tone is sculpted according to the settings of the lter parameters and the Filter ADSR enve lope The signal then passes to the ampli er stage where theVolume ADSR envelope shap...

Page 158: ......

Page 159: ...Page...

Page 160: ...11...

Page 161: ......

Page 162: ......

Page 163: ...Slim...

Page 164: ...Phatty...

Page 165: ...User s...

Page 166: ...Manual...

Page 167: ......

Page 168: ...The...

Page 169: ...SET button changes from red to amber indicating that you are editing the preset sound By pressing the PRESET button you can toggle between the preset stored and edited panel sounds Note that once you...

Page 170: ...NOTE...

Page 171: ......

Page 172: ...The...

Page 173: ...SP s...

Page 174: ...editing...

Page 175: ...controls...

Page 176: ...are...

Page 177: ...actually...

Page 178: ...analog...

Page 179: ...potentiometers...

Page 180: ...When...

Page 181: ...certain...

Page 182: ...key...

Page 183: ...parameters...

Page 184: ...are...

Page 185: ...selected...

Page 186: ...the...

Page 187: ...analog...

Page 188: ...control...

Page 189: ...signal...

Page 190: ...is...

Page 191: ...switched...

Page 192: ...to...

Page 193: ...control...

Page 194: ...that...

Page 195: ...parameter...

Page 196: ...directly...

Page 197: ...This...

Page 198: ...is...

Page 199: ...called...

Page 200: ...RAC...

Page 201: ...Real...

Page 202: ...Analog...

Page 203: ...Control...

Page 204: ...RAC...

Page 205: ...gives...

Page 206: ...the...

Page 207: ...SP...

Page 208: ...a...

Page 209: ...responsiveness...

Page 210: ...that...

Page 211: ...can...

Page 212: ...only...

Page 213: ...be...

Page 214: ...achieved...

Page 215: ...with...

Page 216: ...analog...

Page 217: ...control...

Page 218: ...by...

Page 219: ...providing...

Page 220: ...direct...

Page 221: ...access...

Page 222: ...to...

Page 223: ...the...

Page 224: ...analog...

Page 225: ...control...

Page 226: ...signal...

Page 227: ...path...

Page 228: ...straight...

Page 229: ...to...

Page 230: ...the...

Page 231: ...synthesizer...

Page 232: ...circuits...

Page 233: ...RAC...

Page 234: ...provides...

Page 235: ...responsive...

Page 236: ...analog...

Page 237: ...control...

Page 238: ...for...

Page 239: ...the...

Page 240: ...Osc...

Page 241: ...1...

Page 242: ......

Page 243: ...2...

Page 244: ...Filter...

Page 245: ...Cutoff...

Page 246: ...Filter...

Page 247: ...Resonance...

Page 248: ...EG...

Page 249: ...Amount...

Page 250: ...Overload...

Page 251: ...and...

Page 252: ...Filter...

Page 253: ...EG...

Page 254: ...Sustain...

Page 255: ...parameters Basic Operation...

Page 256: ......

Page 257: ...Page...

Page 258: ...12...

Page 259: ......

Page 260: ......

Page 261: ......

Page 262: ......

Page 263: ......

Page 264: ......

Page 265: ......

Page 266: ......

Page 267: ......

Page 268: ......

Page 269: ......

Page 270: ......

Page 271: ......

Page 272: ...Slim...

Page 273: ...Phatty...

Page 274: ...User s...

Page 275: ...Manual...

Page 276: ......

Page 277: ...The...

Page 278: ...Components...

Page 279: ......

Page 280: ......

Page 281: ......

Page 282: ......

Page 283: ......

Page 284: ......

Page 285: ......

Page 286: ......

Page 287: ......

Page 288: ......

Page 289: ...The main control source is a NOTE ON com mand transmitted from an external MIDI controller The MIDI NOTE ON command is translated into a ControlVoltage CV that allows the oscillators to be played in...

Page 290: ......

Page 291: ...Page...

Page 292: ...13...

Page 293: ......

Page 294: ......

Page 295: ...Slim...

Page 296: ...Phatty...

Page 297: ...User s...

Page 298: ...Manual...

Page 299: ......

Page 300: ...The...

Page 301: ...uency than the Reset Oscillator The main frequency heard is that of the reset oscillator As the frequency of the synced oscillator is swept it reinforces the harmonics of the reset oscillator Use the...

Page 302: ...TIP...

Page 303: ...A...

Page 304: ...steady...

Page 305: ...control...

Page 306: ...voltage...

Page 307: ...applied...

Page 308: ...to...

Page 309: ...the...

Page 310: ...PITCH...

Page 311: ...jack...

Page 312: ...will...

Page 313: ...offset...

Page 314: ...the...

Page 315: ...base...

Page 316: ...pitch...

Page 317: ...of...

Page 318: ...both...

Page 319: ...oscillators...

Page 320: ...You...

Page 321: ...can...

Page 322: ...use...

Page 323: ...this...

Page 324: ...feature...

Page 325: ...to...

Page 326: ...transpose...

Page 327: ...the...

Page 328: ...keyboard...

Page 329: ...to...

Page 330: ...any...

Page 331: ...desired...

Page 332: ...interval...

Page 333: ...applying...

Page 334: ...the...

Page 335: ...appropriate...

Page 336: ...steady state...

Page 337: ...CV...

Page 338: ...See...

Page 339: ...Appendix...

Page 340: ...J...

Page 341: ...for...

Page 342: ...more...

Page 343: ...information...

Page 344: ...on...

Page 345: ...how...

Page 346: ...to...

Page 347: ...con gure...

Page 348: ...this...

Page 349: ......

Page 350: ...Page...

Page 351: ...14...

Page 352: ......

Page 353: ......

Page 354: ......

Page 355: ......

Page 356: ......

Page 357: ......

Page 358: ......

Page 359: ......

Page 360: ......

Page 361: ......

Page 362: ......

Page 363: ......

Page 364: ......

Page 365: ...Slim...

Page 366: ...Phatty...

Page 367: ...User s...

Page 368: ...Manual...

Page 369: ......

Page 370: ...The...

Page 371: ...Components...

Page 372: ......

Page 373: ......

Page 374: ......

Page 375: ......

Page 376: ......

Page 377: ......

Page 378: ......

Page 379: ......

Page 380: ......

Page 381: ......

Page 382: ...d being ltered those overtones are reinforced This gives the lter a charac ter that can sound nasal buzzy raspy etc depending on how it s used When the resonance is turned up past about 3 o clock on t...

Page 383: ......

Page 384: ...Page...

Page 385: ...15...

Page 386: ......

Page 387: ......

Page 388: ...Slim...

Page 389: ...Phatty...

Page 390: ...User s...

Page 391: ...Manual...

Page 392: ......

Page 393: ...The...

Page 394: ...sine wave with the same frequency as the cutoff frequency Keyboard Control Amount KB When the KB switch is selected the analog edit control is used to adjust the amount of post glide keyboard voltage...

Page 395: ......

Page 396: ...Page...

Page 397: ...16...

Page 398: ......

Page 399: ......

Page 400: ......

Page 401: ......

Page 402: ......

Page 403: ......

Page 404: ......

Page 405: ......

Page 406: ......

Page 407: ......

Page 408: ......

Page 409: ......

Page 410: ......

Page 411: ...Slim...

Page 412: ...Phatty...

Page 413: ...User s...

Page 414: ...Manual...

Page 415: ......

Page 416: ...The...

Page 417: ...Components...

Page 418: ......

Page 419: ......

Page 420: ......

Page 421: ......

Page 422: ......

Page 423: ......

Page 424: ......

Page 425: ......

Page 426: ......

Page 427: ......

Page 428: ...TECH...

Page 429: ...NOTES 1...

Page 430: ...The...

Page 431: ...SP s...

Page 432: ...Overload...

Page 433: ...circuit...

Page 434: ...uses...

Page 435: ...asymmetrical...

Page 436: ...clipping...

Page 437: ...which...

Page 438: ...clips...

Page 439: ...each...

Page 440: ...side...

Page 441: ...of...

Page 442: ...the...

Page 443: ...waveform...

Page 444: ...differently...

Page 445: ...Asymmetrical...

Page 446: ...clipping...

Page 447: ...circuits...

Page 448: ...tend...

Page 449: ...to...

Page 450: ...produce...

Page 451: ...tones...

Page 452: ...with...

Page 453: ...unique...

Page 454: ...richness...

Page 455: ...and...

Page 456: ...character...

Page 457: ...2...

Page 458: ...The...

Page 459: ...Overload...

Page 460: ...circuit...

Page 461: ...has...

Page 462: ...no...

Page 463: ...effect...

Page 464: ...on...

Page 465: ...the...

Page 466: ...sound...

Page 467: ...when...

Page 468: ...the...

Page 469: ...analog...

Page 470: ...edit...

Page 471: ...control...

Page 472: ...is...

Page 473: ...set...

Page 474: ...fully...

Page 475: ...counter clockwise...

Page 476: ...Advancing...

Page 477: ...the...

Page 478: ...control...

Page 479: ...gradually...

Page 480: ...introduces...

Page 481: ...the...

Page 482: ...effect...

Page 483: ...starting...

Page 484: ...with...

Page 485: ...a...

Page 486: ...gentle...

Page 487: ...overdrive like...

Page 488: ...quality...

Page 489: ...that...

Page 490: ...becomes...

Page 491: ...increasingly...

Page 492: ...aggressive...

Page 493: ...and...

Page 494: ...edgy...

Page 495: ...as...

Page 496: ...the...

Page 497: ...control...

Page 498: ...reaches...

Page 499: ...100...

Page 500: ...Because...

Page 501: ...the...

Page 502: ...Overload...

Page 503: ...uses...

Page 504: ...clipping...

Page 505: ...some...

Page 506: ...sounds...

Page 507: ...such...

Page 508: ...as...

Page 509: ...a...

Page 510: ...square...

Page 511: ...wave...

Page 512: ...with...

Page 513: ...the...

Page 514: ...lter...

Page 515: ...cutoff...

Page 516: ...all...

Page 517: ...the...

Page 518: ...way...

Page 519: ...up...

Page 520: ...aren t...

Page 521: ...affected...

Page 522: ...much...

Page 523: ...by...

Page 524: ...increasing...

Page 525: ...the...

Page 526: ...Overload...

Page 527: ...amount...

Page 528: ...Try...

Page 529: ...sounds...

Page 530: ...tuned...

Page 531: ...to...

Page 532: ...intervals...

Page 533: ...other...

Page 534: ...than...

Page 535: ...unison...

Page 536: ...and...

Page 537: ...a...

Page 538: ...slightly...

Page 539: ...resonant...

Page 540: ...lter...

Page 541: ...setting...

Page 542: ...to...

Page 543: ...really...

Page 544: ...hear...

Page 545: ...the...

Page 546: ...effect 3...

Page 547: ...The...

Page 548: ...name...

Page 549: ...Overload...

Page 550: ...came...

Page 551: ...from...

Page 552: ...the...

Page 553: ...Overload...

Page 554: ...indicator...

Page 555: ...on...

Page 556: ...the...

Page 557: ...Minimoog...

Page 558: ...where...

Page 559: ...if...

Page 560: ...the...

Page 561: ...output...

Page 562: ...was...

Page 563: ...patched...

Page 564: ...back...

Page 565: ...into...

Page 566: ...the...

Page 567: ...audio...

Page 568: ...input...

Page 569: ...the...

Page 570: ...Overload...

Page 571: ...indicator...

Page 572: ...would...

Page 573: ...go...

Page 574: ...on...

Page 575: ...Mixing...

Page 576: ...the...

Page 577: ...Audio...

Page 578: ...in...

Page 579: ...would...

Page 580: ...provide...

Page 581: ...a...

Page 582: ...fatter...

Page 583: ...sound...

Page 584: ...by...

Page 585: ...increasing...

Page 586: ...the...

Page 587: ...level...

Page 588: ...of...

Page 589: ...signal...

Page 590: ...coming...

Page 591: ...out...

Page 592: ...of...

Page 593: ...the...

Page 594: ...mixer...

Page 595: ...and...

Page 596: ...going...

Page 597: ...into...

Page 598: ...the...

Page 599: ...ontrols abbreviated as ADSR Attack determines the fade in of the envelope The Attack control adjusts the time it takes for the envelope to go from zero to full value in other words the fade in time wh...

Page 600: ......

Page 601: ...Page...

Page 602: ...17...

Page 603: ......

Page 604: ......

Page 605: ...Slim...

Page 606: ...Phatty...

Page 607: ...User s...

Page 608: ...Manual...

Page 609: ......

Page 610: ...The...

Page 611: ...n the SUSTAIN switch is selected the analog edit control is used to set the Sustain level of the corre sponding envelope Release When the RELEASE switch is selected the analog edit control is used to...

Page 612: ...TIP...

Page 613: ...Plugging...

Page 614: ...a...

Page 615: ...FS 1...

Page 616: ...footswitch...

Page 617: ...into...

Page 618: ...the...

Page 619: ...KB...

Page 620: ...GATE...

Page 621: ...jack...

Page 622: ...allows...

Page 623: ...you...

Page 624: ...to...

Page 625: ...trigger...

Page 626: ...or...

Page 627: ...sustain...

Page 628: ...a...

Page 629: ...note...

Page 630: ...using...

Page 631: ...your...

Page 632: ...foot...

Page 633: ...without...

Page 634: ...playing...

Page 635: ...the...

Page 636: ...keyboard...

Page 637: ......

Page 638: ...useful...

Page 639: ...if...

Page 640: ...you...

Page 641: ...want...

Page 642: ...to...

Page 643: ...free up...

Page 644: ...both...

Page 645: ...hands...

Page 646: ...to...

Page 647: ...modify...

Page 648: ...two...

Page 649: ...panel...

Page 650: ...functions...

Page 651: ...at...

Page 652: ...once...

Page 653: ......

Page 654: ......

Page 655: ...Page...

Page 656: ...18...

Page 657: ......

Page 658: ......

Page 659: ......

Page 660: ......

Page 661: ......

Page 662: ......

Page 663: ......

Page 664: ......

Page 665: ......

Page 666: ......

Page 667: ......

Page 668: ......

Page 669: ......

Page 670: ...Slim...

Page 671: ...Phatty...

Page 672: ...User s...

Page 673: ...Manual...

Page 674: ......

Page 675: ...The...

Page 676: ...Components...

Page 677: ......

Page 678: ......

Page 679: ......

Page 680: ......

Page 681: ......

Page 682: ......

Page 683: ......

Page 684: ......

Page 685: ......

Page 686: ......

Page 687: ...00 Hz Since the LFO rate extends well into the audio range this allows the LFO to be used for clangorous FM like modulations Pressing and holding the LFO RATE switch enables theTapTempo function WhenT...

Page 688: ......

Page 689: ...Page...

Page 690: ...19...

Page 691: ......

Page 692: ......

Page 693: ...Slim...

Page 694: ...Phatty...

Page 695: ...User s...

Page 696: ...Manual...

Page 697: ......

Page 698: ...The...

Page 699: ...ion Controls Volume VOLUME is the main volume control Rotating the control fully clockwise produces the maximum output Rotating the control fully counterclockwise silences the Slim Phatty TheVOLUME co...

Page 700: ...Modulation...

Page 701: ...Section...

Page 702: ...con t...

Page 703: ......

Page 704: ...Page...

Page 705: ...20...

Page 706: ......

Page 707: ......

Page 708: ......

Page 709: ......

Page 710: ......

Page 711: ......

Page 712: ......

Page 713: ......

Page 714: ......

Page 715: ......

Page 716: ......

Page 717: ......

Page 718: ......

Page 719: ...Slim...

Page 720: ...Phatty...

Page 721: ...User s...

Page 722: ...Manual...

Page 723: ......

Page 724: ...The...

Page 725: ...Components...

Page 726: ......

Page 727: ......

Page 728: ......

Page 729: ......

Page 730: ......

Page 731: ......

Page 732: ......

Page 733: ......

Page 734: ......

Page 735: ......

Page 736: ...here are CV and Gate inputs connections for MIDI and the power connector and power switch Power Connector This is a standard AC power inlet Use only a power cord designed to mate with this receptacle...

Page 737: ...SAFETY...

Page 738: ...NOTE...

Page 739: ......

Page 740: ...Do...

Page 741: ...not...

Page 742: ...alter...

Page 743: ...the...

Page 744: ...power...

Page 745: ...connector...

Page 746: ...in...

Page 747: ...any...

Page 748: ...way...

Page 749: ...Doing...

Page 750: ...so...

Page 751: ...can...

Page 752: ...result...

Page 753: ...in...

Page 754: ...the...

Page 755: ...risk...

Page 756: ...of...

Page 757: ...shock...

Page 758: ...injury...

Page 759: ...or...

Page 760: ...death...

Page 761: ...Be...

Page 762: ...familiar...

Page 763: ...with...

Page 764: ...the...

Page 765: ...safety...

Page 766: ...instructions...

Page 767: ...printed...

Page 768: ...at...

Page 769: ...the...

Page 770: ...beginning...

Page 771: ...of...

Page 772: ...this...

Page 773: ...manual...

Page 774: ...If...

Page 775: ...the...

Page 776: ...connector...

Page 777: ...is...

Page 778: ...damaged...

Page 779: ...refer...

Page 780: ...servicing...

Page 781: ...to...

Page 782: ...quali ed...

Page 783: ...personnel...

Page 784: ...only...

Page 785: ...evel signal for connecting to an ampli er or mixer CV Inputs The Pitch Filter andVol Volume CV jacks supply power and will accept an expression pedal such as the Moogerfooger EP 2 ring 5 5 supply to t...

Page 786: ...TIPS...

Page 787: ...1...

Page 788: ......

Page 789: ...You...

Page 790: ...can...

Page 791: ...use...

Page 792: ...the...

Page 793: ...SP...

Page 794: ...to...

Page 795: ...process...

Page 796: ...any...

Page 797: ...audio...

Page 798: ...signal...

Page 799: ...simply...

Page 800: ...by...

Page 801: ...plugging...

Page 802: ...into...

Page 803: ...the...

Page 804: ...Audio...

Page 805: ...IN...

Page 806: ...jack...

Page 807: ...To...

Page 808: ...hear...

Page 809: ...the...

Page 810: ...external...

Page 811: ...audio...

Page 812: ...signal...

Page 813: ...without...

Page 814: ...having...

Page 815: ...to...

Page 816: ...hold...

Page 817: ...down...

Page 818: ...a...

Page 819: ...key...

Page 820: ...on...

Page 821: ...the...

Page 822: ...keyboard...

Page 823: ...plug...

Page 824: ...a...

Page 825: ...dummy...

Page 826: ...plug...

Page 827: ...or...

Page 828: ...a...

Page 829: ...patch...

Page 830: ...cord...

Page 831: ...with...

Page 832: ...nothing...

Page 833: ...connected...

Page 834: ...to...

Page 835: ...the...

Page 836: ...other...

Page 837: ...end...

Page 838: ...into...

Page 839: ...the...

Page 840: ...KB...

Page 841: ...Gate...

Page 842: ...jack...

Page 843: ...This...

Page 844: ...will...

Page 845: ...leave...

Page 846: ...the...

Page 847: ...keyboard...

Page 848: ...gate...

Page 849: ...open...

Page 850: ...and...

Page 851: ...the...

Page 852: ...volume...

Page 853: ...envelope...

Page 854: ...will...

Page 855: ...remain...

Page 856: ...at...

Page 857: ...its...

Page 858: ...Sustain...

Page 859: ...level...

Page 860: ...until...

Page 861: ...the...

Page 862: ...keyboard...

Page 863: ...gate...

Page 864: ...closes...

Page 865: ...Due...

Page 866: ...to...

Page 867: ...the...

Page 868: ...design...

Page 869: ...of...

Page 870: ...the...

Page 871: ...envelope...

Page 872: ...circuits...

Page 873: ...you...

Page 874: ...will...

Page 875: ...need...

Page 876: ...to...

Page 877: ...turn...

Page 878: ...the...

Page 879: ...envelope...

Page 880: ...Decay...

Page 881: ...parameter...

Page 882: ...down...

Page 883: ...below...

Page 884: ...12 00...

Page 885: ...in...

Page 886: ...order...

Page 887: ...for...

Page 888: ...the...

Page 889: ...Sustain...

Page 890: ...level...

Page 891: ...to...

Page 892: ...remain...

Page 893: ...constant...

Page 894: ...If...

Page 895: ...you...

Page 896: ...notice...

Page 897: ...that...

Page 898: ...the...

Page 899: ...volume...

Page 900: ...of...

Page 901: ...the...

Page 902: ...external...

Page 903: ...signal...

Page 904: ...begins...

Page 905: ...to...

Page 906: ...slowly...

Page 907: ...fade...

Page 908: ...away...

Page 909: ...check...

Page 910: ...to...

Page 911: ...be...

Page 912: ...sure...

Page 913: ...the...

Page 914: ...envelope...

Page 915: ...Decay...

Page 916: ...parameters...

Page 917: ...are...

Page 918: ...not...

Page 919: ...set...

Page 920: ...too...

Page 921: ...high...

Page 922: ...2...

Page 923: ...The...

Page 924: ...SP s...

Page 925: ...Audio...

Page 926: ...Input...

Page 927: ...is...

Page 928: ...not...

Page 929: ...limited...

Page 930: ...to...

Page 931: ...processing...

Page 932: ...monophonic...

Page 933: ...signals...

Page 934: ......

Page 935: ...it...

Page 936: ...can...

Page 937: ...work...

Page 938: ...well...

Page 939: ...for...

Page 940: ...processing...

Page 941: ...polyphonic...

Page 942: ...signals...

Page 943: ...too...

Page 944: ...For...

Page 945: ...example...

Page 946: ...connect...

Page 947: ...the...

Page 948: ...MIDI...

Page 949: ...Out...

Page 950: ...of...

Page 951: ...the...

Page 952: ...SP...

Page 953: ...to...

Page 954: ...the...

Page 955: ...MIDI...

Page 956: ...Input...

Page 957: ...of...

Page 958: ...another...

Page 959: ...polyphonic...

Page 960: ...keyboard...

Page 961: ...then...

Page 962: ...feed...

Page 963: ...that...

Page 964: ...audio...

Page 965: ...output...

Page 966: ...back...

Page 967: ...into...

Page 968: ...the...

Page 969: ...SP...

Page 970: ...through...

Page 971: ...the...

Page 972: ...Audio...

Page 973: ...In...

Page 974: ...jack...

Page 975: ...Now...

Page 976: ...you...

Page 977: ...have...

Page 978: ...a...

Page 979: ...POLYPHONIC...

Page 980: ...source...

Page 981: ...that...

Page 982: ...is...

Page 983: ...being...

Page 984: ...affected...

Page 985: ...by...

Page 986: ...the...

Page 987: ...SP s...

Page 988: ...Filter...

Page 989: ...Overload...

Page 990: ...and...

Page 991: ...EGR...

Page 992: ...circuits...

Page 993: ......

Page 994: ......

Page 995: ......

Page 996: ...Page...

Page 997: ...21...

Page 998: ......

Page 999: ......

Page 1000: ...Slim...

Page 1001: ...Phatty...

Page 1002: ...User s...

Page 1003: ...Manual...

Page 1004: ......

Page 1005: ...The...

Page 1006: ...aces you in Preset mode In this mode the VALUE knob is used to select the preset The PRESET switch also functions as compare button allowing you to toggle between stored and edited presets For more on...

Page 1007: ......

Page 1008: ...Page...

Page 1009: ...22...

Page 1010: ......

Page 1011: ......

Page 1012: ......

Page 1013: ......

Page 1014: ......

Page 1015: ......

Page 1016: ......

Page 1017: ......

Page 1018: ......

Page 1019: ......

Page 1020: ......

Page 1021: ......

Page 1022: ......

Page 1023: ...Slim...

Page 1024: ...Phatty...

Page 1025: ...User s...

Page 1026: ...Manual...

Page 1027: ......

Page 1028: ...The...

Page 1029: ...Components...

Page 1030: ......

Page 1031: ......

Page 1032: ......

Page 1033: ......

Page 1034: ......

Page 1035: ......

Page 1036: ......

Page 1037: ......

Page 1038: ......

Page 1039: ......

Page 1040: ...n the switch LED is lit The glide rate is set using the GLIDE RATE control in the oscillator section Octave Up Down The OCTAVE UP and OCTAVE DOWN switches transpose incoming MIDI notes up or down by o...

Page 1041: ......

Page 1042: ...Page...

Page 1043: ...23...

Page 1044: ......

Page 1045: ......

Page 1046: ...Slim...

Page 1047: ...Phatty...

Page 1048: ...User s...

Page 1049: ...Manual...

Page 1050: ......

Page 1051: ...The...

Page 1052: ...User...

Page 1053: ...sound at any point Changing any of the front panel controls will automatically switch the lower part of the display from PRESET ACTIVE to PANEL ACTIVE indicating that the preset has been modi ed The...

Page 1054: ...When...

Page 1055: ...switching...

Page 1056: ...between...

Page 1057: ...Master...

Page 1058: ...and...

Page 1059: ...Preset...

Page 1060: ...modes...

Page 1061: ...the...

Page 1062: ...last...

Page 1063: ...used...

Page 1064: ...preset...

Page 1065: ...appears...

Page 1066: ...in...

Page 1067: ...the...

Page 1068: ...preset that is currently stored in that location Use the VALUE knob to change to the desired preset location then press the CURSOR to move the cursor to the lower line of the LCD A default setting of...

Page 1069: ......

Page 1070: ...Page...

Page 1071: ...24...

Page 1072: ......

Page 1073: ......

Page 1074: ......

Page 1075: ......

Page 1076: ......

Page 1077: ......

Page 1078: ......

Page 1079: ......

Page 1080: ......

Page 1081: ......

Page 1082: ......

Page 1083: ......

Page 1084: ......

Page 1085: ...Slim...

Page 1086: ...Phatty...

Page 1087: ...User s...

Page 1088: ...Manual...

Page 1089: ......

Page 1090: ...The...

Page 1091: ...User...

Page 1092: ...Interface...

Page 1093: ......

Page 1094: ......

Page 1095: ......

Page 1096: ......

Page 1097: ......

Page 1098: ......

Page 1099: ......

Page 1100: ......

Page 1101: ......

Page 1102: ......

Page 1103: ...of any combination of 13 letters numbers and punctuation characters In order the available characters are space A B C D E F G H I J K L M N O P Q R ST UV W XY Z 0 1 2 3 4 5 6 7 8 9 a b c d e f g h i j...

Page 1104: ...TIP...

Page 1105: ......

Page 1106: ...When...

Page 1107: ...a...

Page 1108: ...preset...

Page 1109: ...is...

Page 1110: ...stored...

Page 1111: ...the...

Page 1112: ...ON...

Page 1113: ...status...

Page 1114: ...of...

Page 1115: ...the...

Page 1116: ...active...

Page 1117: ...parameter in...

Page 1118: ...each...

Page 1119: ...of...

Page 1120: ...the...

Page 1121: ...four...

Page 1122: ...sections...

Page 1123: ...is...

Page 1124: ...also...

Page 1125: ...stored...

Page 1126: ...For...

Page 1127: ...example...

Page 1128: ...if...

Page 1129: ...Cutoff...

Page 1130: ...was...

Page 1131: ...the...

Page 1132: ...active...

Page 1133: ...lter parameter...

Page 1134: ...when...

Page 1135: ...the...

Page 1136: ...preset...

Page 1137: ...was...

Page 1138: ...stored...

Page 1139: ...it...

Page 1140: ...will...

Page 1141: ...become...

Page 1142: ...the...

Page 1143: ...active...

Page 1144: ...lter...

Page 1145: ...parameter...

Page 1146: ...again when...

Page 1147: ...the...

Page 1148: ...preset...

Page 1149: ...is...

Page 1150: ...recalled...

Page 1151: ...By...

Page 1152: ...saving...

Page 1153: ...your...

Page 1154: ...presets...

Page 1155: ...with...

Page 1156: ...this...

Page 1157: ...in...

Page 1158: ...mind...

Page 1159: ...you...

Page 1160: ...can...

Page 1161: ...have...

Page 1162: ...the four...

Page 1163: ...analog...

Page 1164: ...edit...

Page 1165: ...controls...

Page 1166: ...automatically...

Page 1167: ...set...

Page 1168: ...to...

Page 1169: ...the...

Page 1170: ...desired...

Page 1171: ...parameters...

Page 1172: ...when...

Page 1173: ...the...

Page 1174: ...preset...

Page 1175: ...is recalled...

Page 1176: ...This...

Page 1177: ...is...

Page 1178: ...a...

Page 1179: ...great...

Page 1180: ...feature...

Page 1181: ...if...

Page 1182: ...you...

Page 1183: ...need...

Page 1184: ...to...

Page 1185: ...tweak...

Page 1186: ...the...

Page 1187: ...sound...

Page 1188: ...in...

Page 1189: ...live...

Page 1190: ...performance NOTE...

Page 1191: ......

Page 1192: ...When...

Page 1193: ...the...

Page 1194: ...Arpeggiator...

Page 1195: ...is...

Page 1196: ...running...

Page 1197: ...the...

Page 1198: ...ENTER STORE...

Page 1199: ...button...

Page 1200: ...is...

Page 1201: ...also...

Page 1202: ...used...

Page 1203: ...to...

Page 1204: ...activate...

Page 1205: ...the...

Page 1206: ...latch...

Page 1207: ...if...

Page 1208: ...the...

Page 1209: ...Latch...

Page 1210: ...parameter...

Page 1211: ...has...

Page 1212: ...been...

Page 1213: ...enabled...

Page 1214: ...For...

Page 1215: ...more...

Page 1216: ...on...

Page 1217: ...the...

Page 1218: ...Arpeggiator...

Page 1219: ...and...

Page 1220: ...Latch...

Page 1221: ...functions...

Page 1222: ...see...

Page 1223: ...page...

Page 1224: ...40...

Page 1225: ......

Page 1226: ...Page...

Page 1227: ...25...

Page 1228: ......

Page 1229: ......

Page 1230: ...Slim...

Page 1231: ...Phatty...

Page 1232: ...User s...

Page 1233: ...Manual...

Page 1234: ......

Page 1235: ...The...

Page 1236: ...User...

Page 1237: ...Arpeggiator is running To enterTapTempo Mode press and hold the LFO RATE button until it starts ashing rapidly this indicates thatTapTempo Mode is active WhenTapTempo is active and the Arpeggiator is...

Page 1238: ......

Page 1239: ...If...

Page 1240: ...the...

Page 1241: ...Arpeggiator...

Page 1242: ...is...

Page 1243: ...set...

Page 1244: ...to...

Page 1245: ...MIDI...

Page 1246: ...CLOCK...

Page 1247: ...when...

Page 1248: ...Tap...

Page 1249: ...Tempo...

Page 1250: ...is...

Page 1251: ...active...

Page 1252: ...Tap...

Page 1253: ...Tempo...

Page 1254: ...will...

Page 1255: ...adjust...

Page 1256: ...the...

Page 1257: ...internal...

Page 1258: ...LFO...

Page 1259: ...Rate...

Page 1260: ...and...

Page 1261: ...not...

Page 1262: ...the...

Page 1263: ...Arpeggiator...

Page 1264: ...Clock...

Page 1265: ...press and hold the LFO RATE button until it stops ashing This will return to the previous mode either free running or MIDI clock WhenTapTempo is active and the Arpeggiator is running tapping the LFO R...

Page 1266: ...Once...

Page 1267: ...activated...

Page 1268: ...Tap...

Page 1269: ...Tempo...

Page 1270: ...will...

Page 1271: ...remain...

Page 1272: ...activate...

Page 1273: ...even...

Page 1274: ...if...

Page 1275: ...you...

Page 1276: ...change...

Page 1277: ...presets...

Page 1278: ...The...

Page 1279: ...Tap...

Page 1280: ...Tempo...

Page 1281: ...rate...

Page 1282: ...from...

Page 1283: ...the...

Page 1284: ...previous...

Page 1285: ...preset...

Page 1286: ...will...

Page 1287: ...not...

Page 1288: ...be...

Page 1289: ...transferred...

Page 1290: ...to...

Page 1291: ...the...

Page 1292: ...new...

Page 1293: ...preset...

Page 1294: ...however...

Page 1295: ......

Page 1296: ...Page...

Page 1297: ...26...

Page 1298: ......

Page 1299: ......

Page 1300: ......

Page 1301: ......

Page 1302: ......

Page 1303: ......

Page 1304: ......

Page 1305: ......

Page 1306: ......

Page 1307: ......

Page 1308: ......

Page 1309: ......

Page 1310: ......

Page 1311: ...Slim...

Page 1312: ...Phatty...

Page 1313: ...User s...

Page 1314: ...Manual...

Page 1315: ......

Page 1316: ...The...

Page 1317: ...User...

Page 1318: ...Interface...

Page 1319: ......

Page 1320: ......

Page 1321: ......

Page 1322: ......

Page 1323: ......

Page 1324: ......

Page 1325: ......

Page 1326: ......

Page 1327: ......

Page 1328: ......

Page 1329: ...t new entry If a menu contains more than one parameter for editing repeatedly pressing CURSOR will step through the avail able parameters Press the MASTER button at any time to return to Master Mode A...

Page 1330: ......

Page 1331: ...Page...

Page 1332: ...27...

Page 1333: ......

Page 1334: ......

Page 1335: ...Slim...

Page 1336: ...Phatty...

Page 1337: ...User s...

Page 1338: ...Manual...

Page 1339: ......

Page 1340: ...The...

Page 1341: ...User...

Page 1342: ...ard Priority Pot Mapping Arpeggiator For more information see the Advanced Preset Menus section on page 36 LFO SYNC The LFO Sync menu allows you to globally set the LFO to Internal free running or MID...

Page 1343: ......

Page 1344: ...For...

Page 1345: ...additional...

Page 1346: ...information...

Page 1347: ...see...

Page 1348: ...Appendix...

Page 1349: ...A...

Page 1350: ......

Page 1351: ...LFO...

Page 1352: ...Sync...

Page 1353: ...MIDI standard The table on the fol lowing page shows how the number of MIDI clocks relates to musical time values When the LFO Sync Mode is CLOCK the MODULA TION control can be used to select the clo...

Page 1354: ...TIP...

Page 1355: ......

Page 1356: ...You...

Page 1357: ...can...

Page 1358: ...adjust...

Page 1359: ...the...

Page 1360: ...clock...

Page 1361: ...divider...

Page 1362: ...value...

Page 1363: ...in...

Page 1364: ...real time...

Page 1365: ......

Page 1366: ...this...

Page 1367: ...is...

Page 1368: ...a...

Page 1369: ...great...

Page 1370: ...way...

Page 1371: ...to...

Page 1372: ...add...

Page 1373: ...rhythmic...

Page 1374: ...variations...

Page 1375: ...to...

Page 1376: ...a...

Page 1377: ...performance For...

Page 1378: ...example...

Page 1379: ...try...

Page 1380: ...some...

Page 1381: ...deep...

Page 1382: ...lter...

Page 1383: ...modulation...

Page 1384: ...using...

Page 1385: ...a...

Page 1386: ...clocked...

Page 1387: ...triangle LFO...

Page 1388: ...while...

Page 1389: ...adjusting...

Page 1390: ...the...

Page 1391: ...divider...

Page 1392: ...for...

Page 1393: ...some...

Page 1394: ...cool...

Page 1395: ...rhythmic...

Page 1396: ...fun...

Page 1397: ......

Page 1398: ...Page...

Page 1399: ...28...

Page 1400: ......

Page 1401: ......

Page 1402: ......

Page 1403: ......

Page 1404: ......

Page 1405: ......

Page 1406: ......

Page 1407: ......

Page 1408: ......

Page 1409: ......

Page 1410: ......

Page 1411: ......

Page 1412: ......

Page 1413: ...Slim...

Page 1414: ...Phatty...

Page 1415: ...User s...

Page 1416: ...Manual...

Page 1417: ......

Page 1418: ...The...

Page 1419: ...User...

Page 1420: ...Interface...

Page 1421: ......

Page 1422: ......

Page 1423: ......

Page 1424: ......

Page 1425: ......

Page 1426: ......

Page 1427: ......

Page 1428: ......

Page 1429: ......

Page 1430: ......

Page 1431: ...monophonic instrument determines what happens when more than one key is pressed A set ting of LOW NOTE causes the lowest key pressed to sound a setting of HIGH NOTE causes the highest key pressed to...

Page 1432: ......

Page 1433: ...Page...

Page 1434: ...29...

Page 1435: ......

Page 1436: ......

Page 1437: ...Slim...

Page 1438: ...Phatty...

Page 1439: ...User s...

Page 1440: ...Manual...

Page 1441: ......

Page 1442: ...The...

Page 1443: ...User...

Page 1444: ...the position of the FINE TUNE panel control is stored and the control itself is disabled This feature prevents accidental bumping of the FINE TUNE panel control during performance When theTune parame...

Page 1445: ......

Page 1446: ...Page...

Page 1447: ...30...

Page 1448: ......

Page 1449: ......

Page 1450: ......

Page 1451: ......

Page 1452: ......

Page 1453: ......

Page 1454: ......

Page 1455: ......

Page 1456: ......

Page 1457: ......

Page 1458: ......

Page 1459: ......

Page 1460: ......

Page 1461: ...Slim...

Page 1462: ...Phatty...

Page 1463: ...User s...

Page 1464: ...Manual...

Page 1465: ......

Page 1466: ...The...

Page 1467: ...User...

Page 1468: ...Interface...

Page 1469: ......

Page 1470: ......

Page 1471: ......

Page 1472: ......

Page 1473: ......

Page 1474: ......

Page 1475: ......

Page 1476: ......

Page 1477: ......

Page 1478: ......

Page 1479: ...NOTE...

Page 1480: ......

Page 1481: ...While...

Page 1482: ...you...

Page 1483: ...are...

Page 1484: ...in...

Page 1485: ...this...

Page 1486: ...menu...

Page 1487: ...with...

Page 1488: ...AutoTune...

Page 1489: ...enabled...

Page 1490: ...the...

Page 1491: ...output...

Page 1492: ...of...

Page 1493: ...the...

Page 1494: ...SP...

Page 1495: ...will...

Page 1496: ...be...

Page 1497: ...muted...

Page 1498: ...the...

Page 1499: ...Output...

Page 1500: ...ON OFF...

Page 1501: ...button...

Page 1502: ...status...

Page 1503: ...will...

Page 1504: ...not...

Page 1505: ...change...

Page 1506: ...however...

Page 1507: ...The...

Page 1508: ...reason...

Page 1509: ...for...

Page 1510: ...muting...

Page 1511: ...the...

Page 1512: ...output...

Page 1513: ...is...

Page 1514: ...that...

Page 1515: ...AutoTune...

Page 1516: ...uses...

Page 1517: ...a...

Page 1518: ...special...

Page 1519: ...Calibration...

Page 1520: ...Preset...

Page 1521: ...tone...

Page 1522: ...which...

Page 1523: ...isn t...

Page 1524: ...very...

Page 1525: ...musical...

Page 1526: ...The...

Page 1527: ...SP s...

Page 1528: ...output...

Page 1529: ...will...

Page 1530: ...remain...

Page 1531: ...muted...

Page 1532: ...as...

Page 1533: ...long...

Page 1534: ...as...

Page 1535: ...you...

Page 1536: ...stay...

Page 1537: ...in...

Page 1538: ...this...

Page 1539: ...menu...

Page 1540: ...or...

Page 1541: ...until...

Page 1542: ...you...

Page 1543: ...disable...

Page 1544: ...AutoTune...

Page 1545: ...If...

Page 1546: ...AutoTune...

Page 1547: ...is...

Page 1548: ...active...

Page 1549: ...when...

Page 1550: ...you...

Page 1551: ...leave...

Page 1552: ...the...

Page 1553: ...menu...

Page 1554: ...it...

Page 1555: ...will...

Page 1556: ...remain...

Page 1557: ...active...

Page 1558: ...but...

Page 1559: ...will...

Page 1560: ...automatically...

Page 1561: ...unmute...

Page 1562: ...the...

Page 1563: ...output...

Page 1564: ...and...

Page 1565: ...disengage...

Page 1566: ...when...

Page 1567: ...you...

Page 1568: ...start...

Page 1569: ...playing...

Page 1570: ...AutoTune...

Page 1571: ...has...

Page 1572: ...a...

Page 1573: ...special...

Page 1574: ...timeout...

Page 1575: ...feature...

Page 1576: ...that...

Page 1577: ...waits...

Page 1578: ...15...

Page 1579: ...seconds...

Page 1580: ...after...

Page 1581: ...you...

Page 1582: ...stop...

Page 1583: ...playing...

Page 1584: ...before...

Page 1585: ...engaging...

Page 1586: ...the...

Page 1587: ...AutoTune...

Page 1588: ...function...

Page 1589: ...in...

Page 1590: ...the...

Page 1591: ...background...

Page 1592: ...If...

Page 1593: ...the...

Page 1594: ...AutoTune...

Page 1595: ...menu...

Page 1596: ...is...

Page 1597: ...displayed...

Page 1598: ...during...

Page 1599: ...this...

Page 1600: ...time...

Page 1601: ...you...

Page 1602: ...will...

Page 1603: ...see...

Page 1604: ...it...

Page 1605: ...change...

Page 1606: ...AUTO...

Page 1607: ......

Page 1608: ......

Page 1609: ...Until...

Page 1610: ...the...

Page 1611: ...timeout...

Page 1612: ...is...

Page 1613: ...nished...

Page 1614: ...at...

Page 1615: ...which...

Page 1616: ...point...

Page 1617: ...the...

Page 1618: ...target...

Page 1619: ...note...

Page 1620: ...will...

Page 1621: ...appear...

Page 1622: ...again...

Page 1623: ......

Page 1624: ......

Page 1625: ...AUTO...

Page 1626: ......

Page 1627: ...60 12 The...

Page 1628: ...SP...

Page 1629: ...will...

Page 1630: ...continue...

Page 1631: ...to...

Page 1632: ...autotune...

Page 1633: ...while...

Page 1634: ...you...

Page 1635: ...are...

Page 1636: ...playing...

Page 1637: ...until...

Page 1638: ...you...

Page 1639: ...disable...

Page 1640: ...it...

Page 1641: ...in...

Page 1642: ...the...

Page 1643: ...menu...

Page 1644: ...or...

Page 1645: ...until...

Page 1646: ...you...

Page 1647: ...switch...

Page 1648: ...off...

Page 1649: ...the...

Page 1650: ...power For...

Page 1651: ...more...

Page 1652: ...on...

Page 1653: ...the...

Page 1654: ...Calibration...

Page 1655: ...Preset...

Page 1656: ...and...

Page 1657: ...a...

Page 1658: ...list...

Page 1659: ...of...

Page 1660: ...its...

Page 1661: ...parameter...

Page 1662: ...values...

Page 1663: ...see...

Page 1664: ...Appendix...

Page 1665: ...he Mac and PC platforms While the cursor is positioned under the selected scale pressing the ENTER switch presents a second page that allows you to set the root note of the desired scale This puts the...

Page 1666: ......

Page 1667: ...The...

Page 1668: ...Little...

Page 1669: ...Phatty...

Page 1670: ...Scale...

Page 1671: ...Editor...

Page 1672: ...can...

Page 1673: ...also...

Page 1674: ...open...

Page 1675: ...any...

Page 1676: ...12 note...

Page 1677: ...tuning...

Page 1678: ...le...

Page 1679: ...created...

Page 1680: ...by...

Page 1681: ...Scala...

Page 1682: ...a...

Page 1683: ...cross platform...

Page 1684: ...program...

Page 1685: ...for...

Page 1686: ...de ning...

Page 1687: ...and...

Page 1688: ...analyzing...

Page 1689: ...microtonal...

Page 1690: ...tunings...

Page 1691: ......

Page 1692: ......

Page 1693: ...Page...

Page 1694: ...31...

Page 1695: ......

Page 1696: ......

Page 1697: ...Slim...

Page 1698: ...Phatty...

Page 1699: ...User s...

Page 1700: ...Manual...

Page 1701: ......

Page 1702: ...The...

Page 1703: ...User...

Page 1704: ...e VALUE knob press the CURSOR button and rotate the VALUE knob Each click of the VALUE knob results in a change of one value Pressing the VALUE knob while simultaneously rotating it will change the va...

Page 1705: ......

Page 1706: ...Page...

Page 1707: ...32...

Page 1708: ......

Page 1709: ......

Page 1710: ......

Page 1711: ......

Page 1712: ......

Page 1713: ......

Page 1714: ......

Page 1715: ......

Page 1716: ......

Page 1717: ......

Page 1718: ......

Page 1719: ......

Page 1720: ......

Page 1721: ...Slim...

Page 1722: ...Phatty...

Page 1723: ...User s...

Page 1724: ...Manual...

Page 1725: ......

Page 1726: ...The...

Page 1727: ...User...

Page 1728: ...Interface...

Page 1729: ......

Page 1730: ......

Page 1731: ......

Page 1732: ......

Page 1733: ......

Page 1734: ......

Page 1735: ......

Page 1736: ......

Page 1737: ......

Page 1738: ......

Page 1739: ...NTER button you do not have to enable this menu with the CURSOR button The second page of the MIDI Setup menu allows you to turn control of the SP s synth engine ON or OFF locally i e any front panel...

Page 1740: ...NOTE...

Page 1741: ......

Page 1742: ...DIN...

Page 1743: ...is...

Page 1744: ...an...

Page 1745: ...abbreviation...

Page 1746: ...for...

Page 1747: ...Deutsches...

Page 1748: ...Institut...

Page 1749: ...f r...

Page 1750: ...Normung...

Page 1751: ...German...

Page 1752: ...Institute...

Page 1753: ...for...

Page 1754: ...Standardization...

Page 1755: ...DIN...

Page 1756: ...connectors...

Page 1757: ...commonly...

Page 1758: ...refer...

Page 1759: ...to...

Page 1760: ...a...

Page 1761: ...family...

Page 1762: ...of...

Page 1763: ...circular...

Page 1764: ...connectors...

Page 1765: ...that...

Page 1766: ...were...

Page 1767: ...standardized...

Page 1768: ...by...

Page 1769: ...the...

Page 1770: ...DIN...

Page 1771: ...for...

Page 1772: ...commercial...

Page 1773: ...electronic...

Page 1774: ...use...

Page 1775: ...When...

Page 1776: ...the...

Page 1777: ...MIDI...

Page 1778: ...standard...

Page 1779: ...was...

Page 1780: ...released...

Page 1781: ...in...

Page 1782: ...1983...

Page 1783: ...it...

Page 1784: ...speci ed...

Page 1785: ...a...

Page 1786: ...5 pin...

Page 1787: ...DIN...

Page 1788: ...connector...

Page 1789: ...as...

Page 1790: ...the...

Page 1791: ...hardware...

Page 1792: ...interconnection...

Page 1793: ...thus...

Page 1794: ...the...

Page 1795: ...MIDI...

Page 1796: ...DIN...

Page 1797: ...connector...

Page 1798: ......

Page 1799: ...Page...

Page 1800: ...33...

Page 1801: ......

Page 1802: ......

Page 1803: ...Slim...

Page 1804: ...Phatty...

Page 1805: ...User s...

Page 1806: ...Manual...

Page 1807: ......

Page 1808: ...The...

Page 1809: ...User...

Page 1810: ...d by the SP To change the selected MIDI output port use the CURSOR to highlight the output parameter then use the VALUE knob to select the desired output Values NONE DIN OUT USB OUT DIN USB OUT the de...

Page 1811: ......

Page 1812: ...When...

Page 1813: ...using...

Page 1814: ...MIDI...

Page 1815: ...Merge...

Page 1816: ...take...

Page 1817: ...precautions...

Page 1818: ...to...

Page 1819: ...insure...

Page 1820: ...that...

Page 1821: ...you...

Page 1822: ...do...

Page 1823: ...not...

Page 1824: ...create...

Page 1825: ...a...

Page 1826: ...MIDI...

Page 1827: ...feedback...

Page 1828: ...loop...

Page 1829: ...the...

Page 1830: ...output...

Page 1831: ...is...

Page 1832: ...passed...

Page 1833: ...back...

Page 1834: ...into...

Page 1835: ...the...

Page 1836: ...input...

Page 1837: ...and...

Page 1838: ...then...

Page 1839: ...merged...

Page 1840: ...with...

Page 1841: ...the...

Page 1842: ...output...

Page 1843: ...again...

Page 1844: ...or...

Page 1845: ...you...

Page 1846: ...may experience...

Page 1847: ...unwanted...

Page 1848: ...side...

Page 1849: ...effects...

Page 1850: ...like...

Page 1851: ...a...

Page 1852: ...locked up...

Page 1853: ...SP...

Page 1854: ......

Page 1855: ...Should...

Page 1856: ...this...

Page 1857: ...happen...

Page 1858: ...cycling...

Page 1859: ...the...

Page 1860: ...power...

Page 1861: ...should...

Page 1862: ...resolve...

Page 1863: ...the...

Page 1864: ...condition...

Page 1865: ...but...

Page 1866: ...it...

Page 1867: ...is...

Page 1868: ...best...

Page 1869: ...not...

Page 1870: ...to...

Page 1871: ...create...

Page 1872: ...a...

Page 1873: ...MIDI...

Page 1874: ...feedback...

Page 1875: ...loop...

Page 1876: ...in...

Page 1877: ...the...

Page 1878: ...rst...

Page 1879: ...he SP will echo all MIDI data received at the MIDI DIN Input port to the selected MIDI Output port merged with any MIDI data generated by the SP To change the selected MIDI output port use the CURSOR...

Page 1880: ......

Page 1881: ...Page...

Page 1882: ...34...

Page 1883: ......

Page 1884: ......

Page 1885: ......

Page 1886: ......

Page 1887: ......

Page 1888: ......

Page 1889: ......

Page 1890: ......

Page 1891: ......

Page 1892: ......

Page 1893: ......

Page 1894: ......

Page 1895: ......

Page 1896: ...Slim...

Page 1897: ...Phatty...

Page 1898: ...User s...

Page 1899: ...Manual...

Page 1900: ......

Page 1901: ...The...

Page 1902: ...User...

Page 1903: ...Interface...

Page 1904: ......

Page 1905: ......

Page 1906: ......

Page 1907: ......

Page 1908: ......

Page 1909: ......

Page 1910: ......

Page 1911: ......

Page 1912: ......

Page 1913: ......

Page 1914: ...you would set the SP to POLY 2 of 2 Connect the MIDI OUT from the Little Phatty to the MIDI IN on the SP You should now be able to play duophonically with the Little Phatty sounding the rst note play...

Page 1915: ...When...

Page 1916: ...the...

Page 1917: ...Arpeggiator...

Page 1918: ...is...

Page 1919: ...activated...

Page 1920: ...it...

Page 1921: ...overrides...

Page 1922: ...any POLY...

Page 1923: ...mode...

Page 1924: ...settings...

Page 1925: ......

Page 1926: ......

Page 1927: ...Page...

Page 1928: ...35...

Page 1929: ......

Page 1930: ......

Page 1931: ...Slim...

Page 1932: ...Phatty...

Page 1933: ...User s...

Page 1934: ...Manual...

Page 1935: ......

Page 1936: ...The...

Page 1937: ...User...

Page 1938: ...umps For more informa tion on SysEx commands see the SysEx Menus section on page 42 SYSTEM UTILITIES System Utilities is a set of commands used to perform a system reboot restore factory default value...

Page 1939: ...PERFORMANCE...

Page 1940: ...TIP...

Page 1941: ...You...

Page 1942: ...can...

Page 1943: ...quickly...

Page 1944: ...change...

Page 1945: ...a...

Page 1946: ...Master...

Page 1947: ...Menu...

Page 1948: ...parameter...

Page 1949: ...during...

Page 1950: ...performance...

Page 1951: ...by...

Page 1952: ...rst...

Page 1953: ...entering...

Page 1954: ...Master...

Page 1955: ...Mode...

Page 1956: ...and...

Page 1957: ...select...

Page 1958: ...the...

Page 1959: ...desired...

Page 1960: ...parameter...

Page 1961: ...menu...

Page 1962: ...using...

Page 1963: ...the...

Page 1964: ...VALUE...

Page 1965: ...knob...

Page 1966: ...then...

Page 1967: ...return...

Page 1968: ...to...

Page 1969: ...Preset...

Page 1970: ...Mode...

Page 1971: ...When...

Page 1972: ...you...

Page 1973: ...are...

Page 1974: ...ready...

Page 1975: ...to...

Page 1976: ...make...

Page 1977: ...the...

Page 1978: ...change...

Page 1979: ...press...

Page 1980: ...MASTER...

Page 1981: ...The...

Page 1982: ...desired...

Page 1983: ...menu...

Page 1984: ...item...

Page 1985: ...will...

Page 1986: ...be...

Page 1987: ...displayed...

Page 1988: ...allowing...

Page 1989: ...you...

Page 1990: ...to...

Page 1991: ...quickly...

Page 1992: ...make...

Page 1993: ...yed for as long as you hold down the ENTER button and will stop when you let go When Latching mode is selected pressing ENTER starts a note which will continue to play until you press ENTER again In t...

Page 1994: ......

Page 1995: ...Page...

Page 1996: ...36...

Page 1997: ......

Page 1998: ......

Page 1999: ......

Page 2000: ......

Page 2001: ......

Page 2002: ......

Page 2003: ......

Page 2004: ......

Page 2005: ......

Page 2006: ......

Page 2007: ......

Page 2008: ......

Page 2009: ......

Page 2010: ...Slim...

Page 2011: ...Phatty...

Page 2012: ...User s...

Page 2013: ...Manual...

Page 2014: ......

Page 2015: ...The...

Page 2016: ...User...

Page 2017: ...Interface...

Page 2018: ......

Page 2019: ......

Page 2020: ......

Page 2021: ......

Page 2022: ......

Page 2023: ......

Page 2024: ......

Page 2025: ......

Page 2026: ......

Page 2027: ......

Page 2028: ...opes are triggered when more than one key is pressed on the keyboard A setting of LEG ON Legato ON means that the envelopes aren t retriggered until the key is fully released A setting of LEG OFF Lega...

Page 2029: ......

Page 2030: ...Page...

Page 2031: ...37...

Page 2032: ......

Page 2033: ......

Page 2034: ...Slim...

Page 2035: ...Phatty...

Page 2036: ...User s...

Page 2037: ...Manual...

Page 2038: ......

Page 2039: ...The...

Page 2040: ...User...

Page 2041: ...VALUE knob to set the new parameter value Values OSC2 NOISE MODULATION DESTINATION 2 MOD DEST2 This menu allows you to program a secondary destination for modulation The four destination options here...

Page 2042: ......

Page 2043: ...Page...

Page 2044: ...38...

Page 2045: ......

Page 2046: ......

Page 2047: ......

Page 2048: ......

Page 2049: ......

Page 2050: ......

Page 2051: ......

Page 2052: ......

Page 2053: ......

Page 2054: ......

Page 2055: ......

Page 2056: ......

Page 2057: ......

Page 2058: ...Slim...

Page 2059: ...Phatty...

Page 2060: ...User s...

Page 2061: ...Manual...

Page 2062: ......

Page 2063: ...The...

Page 2064: ...User...

Page 2065: ...Interface...

Page 2066: ......

Page 2067: ......

Page 2068: ......

Page 2069: ......

Page 2070: ......

Page 2071: ......

Page 2072: ......

Page 2073: ......

Page 2074: ......

Page 2075: ......

Page 2076: ...ontrol Among its many possibilities Pot Mapping allows you to reprogram the four panel knobs to control any of the SP functions For example you could program Pot Mapping to give you control of Filter...

Page 2077: ......

Page 2078: ...When...

Page 2079: ...Pot...

Page 2080: ...Mapping...

Page 2081: ...is...

Page 2082: ...enabled...

Page 2083: ...for...

Page 2084: ...a...

Page 2085: ...given...

Page 2086: ...panel...

Page 2087: ...section...

Page 2088: ...the...

Page 2089: ...mapping...

Page 2090: ...assignment...

Page 2091: ...overrides...

Page 2092: ...the...

Page 2093: ...normal...

Page 2094: ...CC...

Page 2095: ...assignments...

Page 2096: ...in...

Page 2097: ...that...

Page 2098: ...section...

Page 2099: ...For...

Page 2100: ...example...

Page 2101: ...in...

Page 2102: ...the...

Page 2103: ...Modulation...

Page 2104: ...section...

Page 2105: ...the...

Page 2106: ...LFO...

Page 2107: ...Rate...

Page 2108: ...is...

Page 2109: ...transmitted...

Page 2110: ...as...

Page 2111: ...CC 03...

Page 2112: ...and...

Page 2113: ...the...

Page 2114: ...Amount...

Page 2115: ...transmitted...

Page 2116: ...as...

Page 2117: ...CC...

Page 2118: ...06...

Page 2119: ...If...

Page 2120: ...you...

Page 2121: ...set...

Page 2122: ...up...

Page 2123: ...Pot...

Page 2124: ...Mapping...

Page 2125: ...in...

Page 2126: ...the...

Page 2127: ...Modulation...

Page 2128: ...section...

Page 2129: ...to...

Page 2130: ...send...

Page 2131: ...MIDI...

Page 2132: ...CC 21...

Page 2133: ...the...

Page 2134: ...Modulation...

Page 2135: ...knob...

Page 2136: ...will...

Page 2137: ...exclusively...

Page 2138: ...transmit...

Page 2139: ...CC 21...

Page 2140: ...when...

Page 2141: ...Pot...

Page 2142: ...Mapping...

Page 2143: ...is...

Page 2144: ...enabled...

Page 2145: ...and...

Page 2146: ...not...

Page 2147: ...CC 03...

Page 2148: ...or...

Page 2149: ...06...

Page 2150: ...When...

Page 2151: ...Pot...

Page 2152: ...Mapping...

Page 2153: ...is...

Page 2154: ...disabled...

Page 2155: ...the...

Page 2156: ...Modulation...

Page 2157: ...knob...

Page 2158: ...will...

Page 2159: ...revert...

Page 2160: ...to...

Page 2161: ...sending...

Page 2162: ...the...

Page 2163: ...normal...

Page 2164: ...MIDI...

Page 2165: ...CC s...

Page 2166: ...03...

Page 2167: ...and...

Page 2168: ...eld then use the VALUE knob to select the desired value Values GLOB LOW HIGH LAST the default value is GLOB KEYBOARD PRIORITY KB PRIOR TheTuning Scale menu allows you to select the tuning scale for in...

Page 2169: ......

Page 2170: ...Page...

Page 2171: ...39...

Page 2172: ......

Page 2173: ......

Page 2174: ...Slim...

Page 2175: ...Phatty...

Page 2176: ...User s...

Page 2177: ...Manual...

Page 2178: ......

Page 2179: ...The...

Page 2180: ...User...

Page 2181: ...is con gured for the MODULATION knob to send MIDI CC 10 To activate Pot Mapping in the Modulation section press the button that is currently active i e lit in that section The button will turn off no...

Page 2182: ...TIP...

Page 2183: ......

Page 2184: ...Here s...

Page 2185: ...a...

Page 2186: ...Pot...

Page 2187: ...Mapping...

Page 2188: ...example...

Page 2189: ...suppose...

Page 2190: ...you...

Page 2191: ...have...

Page 2192: ...an...

Page 2193: ...external...

Page 2194: ...audio...

Page 2195: ...device...

Page 2196: ...that...

Page 2197: ...you...

Page 2198: ...want...

Page 2199: ...to...

Page 2200: ...control...

Page 2201: ...independently...

Page 2202: ...of...

Page 2203: ...the...

Page 2204: ...SP...

Page 2205: ...You...

Page 2206: ...could...

Page 2207: ...program...

Page 2208: ...Pot...

Page 2209: ...Mapping...

Page 2210: ...to...

Page 2211: ...have...

Page 2212: ...the...

Page 2213: ...Modulation...

Page 2214: ...control...

Page 2215: ...transmit...

Page 2216: ...MIDI...

Page 2217: ...CC...

Page 2218: ...XX...

Page 2219: ...but...

Page 2220: ...only...

Page 2221: ...have...

Page 2222: ...it...

Page 2223: ...programmed...

Page 2224: ...for...

Page 2225: ...external...

Page 2226: ...control...

Page 2227: ...EXT...

Page 2228: ...With...

Page 2229: ...this...

Page 2230: ...setup...

Page 2231: ...you...

Page 2232: ...press...

Page 2233: ...the...

Page 2234: ...active...

Page 2235: ...control...

Page 2236: ...in...

Page 2237: ...the...

Page 2238: ...Mod...

Page 2239: ...section...

Page 2240: ...either...

Page 2241: ...the...

Page 2242: ...LFO...

Page 2243: ...Rate...

Page 2244: ...or...

Page 2245: ...Amount...

Page 2246: ...switch...

Page 2247: ...to...

Page 2248: ...engage...

Page 2249: ...Pot...

Page 2250: ...Mapping...

Page 2251: ...without...

Page 2252: ...affecting...

Page 2253: ...your...

Page 2254: ...SP s...

Page 2255: ...sound...

Page 2256: ...or...

Page 2257: ...state...

Page 2258: ...Now...

Page 2259: ...when...

Page 2260: ...you...

Page 2261: ...adjust...

Page 2262: ...the...

Page 2263: ...MOD...

Page 2264: ...control...

Page 2265: ...it...

Page 2266: ...sends...

Page 2267: ...MIDI...

Page 2268: ...CC...

Page 2269: ...XX...

Page 2270: ...out...

Page 2271: ...to...

Page 2272: ...your...

Page 2273: ...external...

Page 2274: ...MIDI...

Page 2275: ...device...

Page 2276: ...but...

Page 2277: ...has...

Page 2278: ...no...

Page 2279: ...effect...

Page 2280: ...on...

Page 2281: ...the...

Page 2282: ...SP s...

Page 2283: ...sound...

Page 2284: ...engine...

Page 2285: ......

Page 2286: ...Page...

Page 2287: ...40...

Page 2288: ......

Page 2289: ......

Page 2290: ......

Page 2291: ......

Page 2292: ......

Page 2293: ......

Page 2294: ......

Page 2295: ......

Page 2296: ......

Page 2297: ......

Page 2298: ......

Page 2299: ......

Page 2300: ......

Page 2301: ...Slim...

Page 2302: ...Phatty...

Page 2303: ...User s...

Page 2304: ...Manual...

Page 2305: ......

Page 2306: ...The...

Page 2307: ...User...

Page 2308: ...Interface...

Page 2309: ......

Page 2310: ......

Page 2311: ......

Page 2312: ......

Page 2313: ......

Page 2314: ......

Page 2315: ......

Page 2316: ......

Page 2317: ......

Page 2318: ......

Page 2319: ...re three possible clock sources INT The Arpeggiator Clock LFO The SP s Low Frequency Oscillator MIDI An externally applied MIDI Clock When INT is selected as the clock source the Arpeggiator runs from...

Page 2320: ......

Page 2321: ...For...

Page 2322: ...additional...

Page 2323: ...details...

Page 2324: ...see...

Page 2325: ...Appendix...

Page 2326: ...B...

Page 2327: ......

Page 2328: ...Arpeggiator...

Page 2329: ...Clock...

Page 2330: ...Source...

Page 2331: ......

Page 2332: ...Page...

Page 2333: ...41...

Page 2334: ......

Page 2335: ......

Page 2336: ...Slim...

Page 2337: ...Phatty...

Page 2338: ...User s...

Page 2339: ...Manual...

Page 2340: ......

Page 2341: ...The...

Page 2342: ...User...

Page 2343: ...is 1 The fth page of the Arpeggiator menu allows you to select the order pattern in which notes are sequenced The choices are UP Notes are arpeggiated from lowest to highest DN Notes are arpeggiated...

Page 2344: ......

Page 2345: ...Page...

Page 2346: ...42...

Page 2347: ......

Page 2348: ......

Page 2349: ......

Page 2350: ......

Page 2351: ......

Page 2352: ......

Page 2353: ......

Page 2354: ......

Page 2355: ......

Page 2356: ......

Page 2357: ......

Page 2358: ......

Page 2359: ......

Page 2360: ...Slim...

Page 2361: ...Phatty...

Page 2362: ...User s...

Page 2363: ...Manual...

Page 2364: ......

Page 2365: ...The...

Page 2366: ...User...

Page 2367: ...Interface...

Page 2368: ......

Page 2369: ......

Page 2370: ......

Page 2371: ......

Page 2372: ......

Page 2373: ......

Page 2374: ......

Page 2375: ......

Page 2376: ......

Page 2377: ......

Page 2378: ...default value is OFF ARPEGGIATOR Con t C SYSEX System Exclusive Menus SysEx menus are a set of commands to transmit and receive selected presets bulk dumps and rmware dumps To enable SysEx menus pres...

Page 2379: ......

Page 2380: ...Page...

Page 2381: ...43...

Page 2382: ......

Page 2383: ......

Page 2384: ...Slim...

Page 2385: ...Phatty...

Page 2386: ...User s...

Page 2387: ...Manual...

Page 2388: ......

Page 2389: ...The...

Page 2390: ...User...

Page 2391: ...t until the data transfer is complete When the operation has nished the display will return to the SYSEX menu BULK DUMP This option allows you to save the entire state of the SP including all global d...

Page 2392: ......

Page 2393: ...Page...

Page 2394: ...44...

Page 2395: ......

Page 2396: ......

Page 2397: ......

Page 2398: ......

Page 2399: ......

Page 2400: ......

Page 2401: ......

Page 2402: ......

Page 2403: ......

Page 2404: ......

Page 2405: ......

Page 2406: ......

Page 2407: ......

Page 2408: ...Slim...

Page 2409: ...Phatty...

Page 2410: ...User s...

Page 2411: ...Manual...

Page 2412: ......

Page 2413: ...The...

Page 2414: ...User...

Page 2415: ...Interface...

Page 2416: ......

Page 2417: ......

Page 2418: ......

Page 2419: ......

Page 2420: ......

Page 2421: ......

Page 2422: ......

Page 2423: ......

Page 2424: ......

Page 2425: ......

Page 2426: ...he current preset location For example if the current preset location is 31 when the SysEx is received the new preset data will be written into location 31 ALL PRESETS The SP will display a RECEIVING...

Page 2427: ......

Page 2428: ...Page...

Page 2429: ...45...

Page 2430: ......

Page 2431: ......

Page 2432: ...Slim...

Page 2433: ...Phatty...

Page 2434: ...User s...

Page 2435: ...Manual...

Page 2436: ......

Page 2437: ...The...

Page 2438: ...User...

Page 2439: ...p back to the beginning when you reach the end When disabled OFF menus will not wrap To enable disable menu wrap ping use the CURSOR to move to the ON OFF parameter eld then use the VALUE knob to sele...

Page 2440: ......

Page 2441: ...You...

Page 2442: ...should...

Page 2443: ...back...

Page 2444: ...up...

Page 2445: ...any...

Page 2446: ...presets...

Page 2447: ...you wish...

Page 2448: ...to...

Page 2449: ...save...

Page 2450: ...prior...

Page 2451: ...to...

Page 2452: ...performing...

Page 2453: ...this...

Page 2454: ...d to con rm this operation Yes No If you are unsure select NO and press ENTER to return to the Sys tem Utilities menu without any action If you are sure use the VALUE knob to selectYES and press ENTER...

Page 2455: ......

Page 2456: ...Page...

Page 2457: ...46...

Page 2458: ......

Page 2459: ......

Page 2460: ......

Page 2461: ......

Page 2462: ......

Page 2463: ......

Page 2464: ......

Page 2465: ......

Page 2466: ......

Page 2467: ......

Page 2468: ......

Page 2469: ......

Page 2470: ......

Page 2471: ...Slim...

Page 2472: ...Phatty...

Page 2473: ...User s...

Page 2474: ...Manual...

Page 2475: ......

Page 2476: ...The...

Page 2477: ...User...

Page 2478: ...Interface...

Page 2479: ......

Page 2480: ......

Page 2481: ......

Page 2482: ......

Page 2483: ......

Page 2484: ......

Page 2485: ......

Page 2486: ......

Page 2487: ......

Page 2488: ......

Page 2489: ...Notes...

Page 2490: ......

Page 2491: ...All...

Page 2492: ...calibration...

Page 2493: ...procedures...

Page 2494: ...should...

Page 2495: ...be...

Page 2496: ...thoroughly...

Page 2497: ...reviewed...

Page 2498: ...before...

Page 2499: ...proceeding...

Page 2500: ...Observe...

Page 2501: ...the...

Page 2502: ...following...

Page 2503: ...precautions...

Page 2504: ...and...

Page 2505: ...recommendations...

Page 2506: ...before...

Page 2507: ...attempting...

Page 2508: ...any...

Page 2509: ...calibration...

Page 2510: ...operation 1...

Page 2511: ......

Page 2512: ...The...

Page 2513: ...SP...

Page 2514: ...must...

Page 2515: ...be...

Page 2516: ...at...

Page 2517: ...a...

Page 2518: ...stable...

Page 2519: ...and...

Page 2520: ...constant...

Page 2521: ...temperature...

Page 2522: ...during...

Page 2523: ...calibration...

Page 2524: ...You...

Page 2525: ...should...

Page 2526: ...allow...

Page 2527: ...the...

Page 2528: ...SP...

Page 2529: ...to...

Page 2530: ...warm...

Page 2531: ...up...

Page 2532: ...45...

Page 2533: ...minutes...

Page 2534: ...before...

Page 2535: ...beginning...

Page 2536: ...any...

Page 2537: ...calibrations 2...

Page 2538: ......

Page 2539: ...The...

Page 2540: ...Note...

Page 2541: ...Calibration...

Page 2542: ...procedure...

Page 2543: ...takes...

Page 2544: ...about...

Page 2545: ...two...

Page 2546: ...hours...

Page 2547: ...to...

Page 2548: ...cover...

Page 2549: ...the...

Page 2550: ...full...

Page 2551: ...MIDI...

Page 2552: ...note...

Page 2553: ...range...

Page 2554: ...If...

Page 2555: ...you...

Page 2556: ...are...

Page 2557: ...performing...

Page 2558: ...this...

Page 2559: ...calibration...

Page 2560: ...allow...

Page 2561: ...suf cient...

Page 2562: ...time...

Page 2563: ...for...

Page 2564: ...the...

Page 2565: ...calibration...

Page 2566: ...process...

Page 2567: ...to...

Page 2568: ...complete 3...

Page 2569: ......

Page 2570: ...The...

Page 2571: ...SP...

Page 2572: ...is...

Page 2573: ...calibrated...

Page 2574: ...at...

Page 2575: ...the...

Page 2576: ...factory...

Page 2577: ...The...

Page 2578: ...Note...

Page 2579: ...Calibration...

Page 2580: ...operation...

Page 2581: ...is...

Page 2582: ...not...

Page 2583: ...necessary...

Page 2584: ...unless...

Page 2585: ...the...

Page 2586: ...SP...

Page 2587: ...goes...

Page 2588: ...out...

Page 2589: ...of...

Page 2590: ...tune...

Page 2591: ...The...

Page 2592: ...Note...

Page 2593: ...Calibration...

Page 2594: ...overwrites...

Page 2595: ...the...

Page 2596: ...current...

Page 2597: ...calibration...

Page 2598: ...lookup...

Page 2599: ...table...

Page 2600: ...LUT...

Page 2601: ...Performing...

Page 2602: ...a...

Page 2603: ...Factory...

Page 2604: ...Restore...

Page 2605: ...operation...

Page 2606: ...will...

Page 2607: ...not...

Page 2608: ...cause...

Page 2609: ...the...

Page 2610: ...LUT...

Page 2611: ...to...

Page 2612: ...revert...

Page 2613: ...to...

Page 2614: ...the...

Page 2615: ...factory...

Page 2616: ...calibration 4...

Page 2617: ...You...

Page 2618: ...can...

Page 2619: ...exit...

Page 2620: ...out...

Page 2621: ...of...

Page 2622: ...a...

Page 2623: ...calibration...

Page 2624: ...at...

Page 2625: ...any...

Page 2626: ...time...

Page 2627: ...by...

Page 2628: ...pressing...

Page 2629: ...the...

Page 2630: ...MASTER...

Page 2631: ...button...

Page 2632: ...For...

Page 2633: ...the...

Page 2634: ...Note...

Page 2635: ...Calibration...

Page 2636: ...operation...

Page 2637: ...only...

Page 2638: ...those...

Page 2639: ...notes...

Page 2640: ...that...

Page 2641: ...have...

Page 2642: ...already...

Page 2643: ...been...

Page 2644: ...calibrated...

Page 2645: ...will...

Page 2646: ...be...

Page 2647: ...saved...

Page 2648: ...The...

Page 2649: ...remaining...

Page 2650: ...notes...

Page 2651: ...will...

Page 2652: ...revert...

Page 2653: ...to...

Page 2654: ...their...

Page 2655: ...previous...

Page 2656: ...calibration...

Page 2657: ...values...

Page 2658: ...Interrupting...

Page 2659: ...the...

Page 2660: ...Note...

Page 2661: ...Calibration...

Page 2662: ...operation...

Page 2663: ...in...

Page 2664: ...this...

Page 2665: ...manner...

Page 2666: ...may...

Page 2667: ...result...

Page 2668: ...in...

Page 2669: ...inaccurate...

Page 2670: ...tuning 5...

Page 2671: ......

Page 2672: ...Note...

Page 2673: ...Calibration...

Page 2674: ...is...

Page 2675: ...not...

Page 2676: ...meant...

Page 2677: ...for...

Page 2678: ...overall...

Page 2679: ...tuning...

Page 2680: ...drifts...

Page 2681: ...such...

Page 2682: ...as...

Page 2683: ...if...

Page 2684: ...the...

Page 2685: ...SP...

Page 2686: ...is...

Page 2687: ...10...

Page 2688: ...cents...

Page 2689: ...sharp...

Page 2690: ...Small...

Page 2691: ...tuning...

Page 2692: ...drifts...

Page 2693: ...are...

Page 2694: ...best...

Page 2695: ...taken...

Page 2696: ...care...

Page 2697: ...of...

Page 2698: ...using...

Page 2699: ...the...

Page 2700: ...AutoTune...

Page 2701: ...function 6...

Page 2702: ......

Page 2703: ...If...

Page 2704: ...you...

Page 2705: ...perform...

Page 2706: ...a...

Page 2707: ...Note...

Page 2708: ...Calibration...

Page 2709: ...it...

Page 2710: ...is...

Page 2711: ...highly...

Page 2712: ...recommended...

Page 2713: ...that...

Page 2714: ...you...

Page 2715: ...also...

Page 2716: ...perform...

Page 2717: ...the...

Page 2718: ...Oscillator...

Page 2719: ...2...

Page 2720: ...Frequency...

Page 2721: ...Calibration...

Page 2722: ...to...

Page 2723: ...ensure...

Page 2724: ...accurate...

Page 2725: ...frequency...

Page 2726: ...tracking...

Page 2727: ...with...

Page 2728: ...the...

Page 2729: ...new...

Page 2730: ...te range For example the Note Calibration operation individually tunes each note exactly for each oscillator and octave setting This tuning informa tion is stored in the SP s EEPROM and referenced whe...

Page 2731: ......

Page 2732: ...Page...

Page 2733: ...47...

Page 2734: ......

Page 2735: ......

Page 2736: ...Slim...

Page 2737: ...Phatty...

Page 2738: ...User s...

Page 2739: ...Manual...

Page 2740: ......

Page 2741: ...The...

Page 2742: ...User...

Page 2743: ...ss the Note calibration menu The Note calibration menu will be displayed allowing you to set the calibration range The default note range is MIDI notes 12 116 For every one of these notes the pitches...

Page 2744: ......

Page 2745: ...A...

Page 2746: ...full...

Page 2747: ...Note...

Page 2748: ...calibration...

Page 2749: ...using...

Page 2750: ...the...

Page 2751: ...default...

Page 2752: ...range...

Page 2753: ...12...

Page 2754: ......

Page 2755: ...116...

Page 2756: ...can...

Page 2757: ...take...

Page 2758: ...about...

Page 2759: ...two...

Page 2760: ...hours...

Page 2761: ...to...

Page 2762: ...complete...

Page 2763: ...By...

Page 2764: ...specifying...

Page 2765: ...a...

Page 2766: ...narrower...

Page 2767: ...range...

Page 2768: ...of...

Page 2769: ...notes...

Page 2770: ...however...

Page 2771: ...you...

Page 2772: ...can...

Page 2773: ...shorten...

Page 2774: ...the...

Page 2775: ...calibration...

Page 2776: ...ed in the SP s EEPROM and the actual measured note in MIDI Note Number Cents in the example shown here 32 01 indicates MIDI note 32 and the actual measured note is 01 cents sharp Note calibration will...

Page 2777: ......

Page 2778: ...You...

Page 2779: ...can...

Page 2780: ...exit...

Page 2781: ...out...

Page 2782: ...of...

Page 2783: ...Note...

Page 2784: ...calibration...

Page 2785: ...at...

Page 2786: ...any...

Page 2787: ...time...

Page 2788: ...by...

Page 2789: ...pressing...

Page 2790: ...the...

Page 2791: ...MASTER...

Page 2792: ...button...

Page 2793: ...Only...

Page 2794: ...those...

Page 2795: ...notes...

Page 2796: ...that...

Page 2797: ...have...

Page 2798: ...been...

Page 2799: ...calibrated...

Page 2800: ...up...

Page 2801: ...to...

Page 2802: ...that...

Page 2803: ...point...

Page 2804: ...will...

Page 2805: ...be...

Page 2806: ...saved...

Page 2807: ...The...

Page 2808: ...remaining...

Page 2809: ...notes...

Page 2810: ...will...

Page 2811: ...revert...

Page 2812: ...to...

Page 2813: ...their...

Page 2814: ...previous...

Page 2815: ...calibration...

Page 2816: ...values...

Page 2817: ...Interrupting...

Page 2818: ...the...

Page 2819: ...Note...

Page 2820: ...Calibration...

Page 2821: ...operation...

Page 2822: ...in...

Page 2823: ...this...

Page 2824: ...manner...

Page 2825: ...may...

Page 2826: ...result...

Page 2827: ...in...

Page 2828: ...inaccurate...

Page 2829: ...tuning...

Page 2830: ......

Page 2831: ...Page...

Page 2832: ...48...

Page 2833: ......

Page 2834: ......

Page 2835: ......

Page 2836: ......

Page 2837: ......

Page 2838: ......

Page 2839: ......

Page 2840: ......

Page 2841: ......

Page 2842: ......

Page 2843: ......

Page 2844: ......

Page 2845: ......

Page 2846: ...Slim...

Page 2847: ...Phatty...

Page 2848: ...User s...

Page 2849: ...Manual...

Page 2850: ......

Page 2851: ...The...

Page 2852: ...User...

Page 2853: ...Interface...

Page 2854: ......

Page 2855: ......

Page 2856: ......

Page 2857: ......

Page 2858: ......

Page 2859: ......

Page 2860: ......

Page 2861: ......

Page 2862: ......

Page 2863: ......

Page 2864: ...he second number is the calibration value this is the value stored in the SP s EEPROM and the third number is the actual measured note which is displayed in MIDI Note Number Cents in this example 62 3...

Page 2865: ......

Page 2866: ...Page...

Page 2867: ...49...

Page 2868: ......

Page 2869: ......

Page 2870: ...Slim...

Page 2871: ...Phatty...

Page 2872: ...User s...

Page 2873: ...Manual...

Page 2874: ......

Page 2875: ...The...

Page 2876: ...User...

Page 2877: ...MIDI note 60 The second number is the calibration value this is the value stored in the SP s EEPROM and the third number is the actual measured note which is displayed in MIDI Note Number Cents in the...

Page 2878: ......

Page 2879: ...Page...

Page 2880: ...50...

Page 2881: ......

Page 2882: ......

Page 2883: ......

Page 2884: ......

Page 2885: ......

Page 2886: ......

Page 2887: ......

Page 2888: ......

Page 2889: ......

Page 2890: ......

Page 2891: ......

Page 2892: ......

Page 2893: ......

Page 2894: ...Slim...

Page 2895: ...Phatty...

Page 2896: ...User s...

Page 2897: ...Manual...

Page 2898: ......

Page 2899: ...The...

Page 2900: ...User...

Page 2901: ...Interface...

Page 2902: ......

Page 2903: ......

Page 2904: ......

Page 2905: ......

Page 2906: ......

Page 2907: ......

Page 2908: ......

Page 2909: ......

Page 2910: ......

Page 2911: ......

Page 2912: ...4 PRESET 5 PRESET 6 PRESET 7 PRESET 8 1 24 58 02 89 34 38 23 01 2 02 03 51 05 06 92 07 08 3 48 38 56 57 12 13 98 76 4 34 35 36 37 44 45 46 47 The rst entry in Set 1 above is Preset 24 the second entr...

Page 2913: ...The...

Page 2914: ...factory...

Page 2915: ...default...

Page 2916: ...setup...

Page 2917: ...for...

Page 2918: ...Performance...

Page 2919: ...Sets...

Page 2920: ...is...

Page 2921: ...shown...

Page 2922: ...below...

Page 2923: ...When...

Page 2924: ...you...

Page 2925: ...perform...

Page 2926: ...a...

Page 2927: ...Factory...

Page 2928: ...Restore...

Page 2929: ...operation...

Page 2930: ...all...

Page 2931: ...Performance...

Page 2932: ...Sets...

Page 2933: ...will...

Page 2934: ...default...

Page 2935: ...to...

Page 2936: ...these...

Page 2937: ...values SET PRESET 1 PRESET 2 PRESET 3 PRESET 4 PRESET 5 PRESET 6 PRESET 7 PRESET 8 1 00 01 02 03 04 05 06 07 2 08 09 10 11 12 13 14 15 3 16 17 18 19 20 21 22 23 4 24 25 26 27 28 29 30 31...

Page 2938: ......

Page 2939: ...Page...

Page 2940: ...51...

Page 2941: ......

Page 2942: ......

Page 2943: ...Slim...

Page 2944: ...Phatty...

Page 2945: ...User s...

Page 2946: ...Manual...

Page 2947: ......

Page 2948: ...The...

Page 2949: ...User...

Page 2950: ...eter by pressing the CURSOR button The ENTRY value is now ready to be changed Using the VALUE knob we ll change the ENTRY value to 5 and then hit the CURSOR button again to advance to the PRESET Now w...

Page 2951: ......

Page 2952: ...Page...

Page 2953: ...52...

Page 2954: ......

Page 2955: ......

Page 2956: ......

Page 2957: ......

Page 2958: ......

Page 2959: ......

Page 2960: ......

Page 2961: ......

Page 2962: ......

Page 2963: ......

Page 2964: ......

Page 2965: ......

Page 2966: ......

Page 2967: ...Slim...

Page 2968: ...Phatty...

Page 2969: ...User s...

Page 2970: ...Manual...

Page 2971: ......

Page 2972: ...The...

Page 2973: ...User...

Page 2974: ...Interface...

Page 2975: ......

Page 2976: ......

Page 2977: ......

Page 2978: ......

Page 2979: ......

Page 2980: ......

Page 2981: ......

Page 2982: ......

Page 2983: ......

Page 2984: ......

Page 2985: ...ust be in PRESET mode to engage the Arpeggiator When the Arpeggiator is ON an A will appear on the bottom line of the display With the Arpeggiator ON any note or group of notes you play will be sequen...

Page 2986: ......

Page 2987: ...The...

Page 2988: ...VALUE...

Page 2989: ...encoder...

Page 2990: ...switch...

Page 2991: ...is...

Page 2992: ...still...

Page 2993: ...used...

Page 2994: ...in...

Page 2995: ...MASTER...

Page 2996: ...Mode...

Page 2997: ...to...

Page 2998: ...step...

Page 2999: ...through...

Page 3000: ...the...

Page 3001: ...presets...

Page 3002: ...in...

Page 3003: ...Performance...

Page 3004: ...Sets...

Page 3005: ......

Page 3006: ...This...

Page 3007: ...means...

Page 3008: ...that...

Page 3009: ...if...

Page 3010: ...a...

Page 3011: ...preset...

Page 3012: ...selected...

Page 3013: ...from...

Page 3014: ...the...

Page 3015: ...MASTER...

Page 3016: ...Mode...

Page 3017: ...Performance...

Page 3018: ...Sets...

Page 3019: ...has...

Page 3020: ...the...

Page 3021: ...Arpeggiator...

Page 3022: ...function...

Page 3023: ...enabled...

Page 3024: ...and...

Page 3025: ...you...

Page 3026: ...wish...

Page 3027: ...to...

Page 3028: ...turn...

Page 3029: ...the...

Page 3030: ...Arpeggiator...

Page 3031: ...ON...

Page 3032: ...for...

Page 3033: ...that...

Page 3034: ...preset...

Page 3035: ...you...

Page 3036: ...will...

Page 3037: ...need...

Page 3038: ...to...

Page 3039: ...return...

Page 3040: ...to...

Page 3041: ...PRESET...

Page 3042: ...Mode...

Page 3043: ...rst...

Page 3044: ...and...

Page 3045: ...then...

Page 3046: ...press...

Page 3047: ...the...

Page 3048: ...VALUE...

Page 3049: ...encoder...

Page 3050: ...switch...

Page 3051: ...to...

Page 3052: ...activate...

Page 3053: ...the...

Page 3054: ...ng in its current state Any new note or group of notes will initiate a new note sequence based on the Arpeggiator Menu settings If any notes are played and held while the Latch is ON playing additiona...

Page 3055: ...When...

Page 3056: ...the...

Page 3057: ...Latch...

Page 3058: ...is...

Page 3059: ...ON...

Page 3060: ...you...

Page 3061: ...can...

Page 3062: ...turn...

Page 3063: ...the...

Page 3064: ...Arpeggiator...

Page 3065: ...ON OFF...

Page 3066: ...using...

Page 3067: ...the...

Page 3068: ...VALUE...

Page 3069: ...encoder...

Page 3070: ...switch 2...

Page 3071: ...If...

Page 3072: ...the...

Page 3073: ...Arpeggiator...

Page 3074: ...Mode...

Page 3075: ...is...

Page 3076: ...One shot...

Page 3077: ...when...

Page 3078: ...the...

Page 3079: ...Latch...

Page 3080: ...is...

Page 3081: ...ON...

Page 3082: ...the...

Page 3083: ...Arpeggiator...

Page 3084: ...will...

Page 3085: ...make...

Page 3086: ...one...

Page 3087: ...pass...

Page 3088: ......

Page 3089: ......

Page 3090: ......

Page 3091: ...of...

Page 3092: ...the...

Page 3093: ...note...

Page 3094: ...sequence...

Page 3095: ...and...

Page 3096: ...then...

Page 3097: ...stop 3...

Page 3098: ...When...

Page 3099: ...the...

Page 3100: ...Arpeggiator...

Page 3101: ...is...

Page 3102: ...switched...

Page 3103: ...OFF...

Page 3104: ...the...

Page 3105: ...ENTER STORE...

Page 3106: ...button...

Page 3107: ...will...

Page 3108: ...revert...

Page 3109: ...to...

Page 3110: ...the...

Page 3111: ...default...

Page 3112: ...action...

Page 3113: ......

Page 3114: ......

Page 3115: ......

Page 3116: ...of...

Page 3117: ...initiating...

Page 3118: ...a...

Page 3119: ...Preset...

Page 3120: ...Save...

Page 3121: ...sequence...

Page 3122: ......

Page 3123: ......

Page 3124: ...Page...

Page 3125: ...53...

Page 3126: ......

Page 3127: ......

Page 3128: ...Slim...

Page 3129: ...Phatty...

Page 3130: ...User s...

Page 3131: ...Manual...

Page 3132: ......

Page 3133: ...The...

Page 3134: ...User...

Page 3135: ...ves 1 Mode LOOP PLAY HOLD NOTE THE ARPEGGIATOR PLAYS C3 C4 C3 C4 C3 Add E3 E3 C3 E4 C4 E3 Add G2 E3 C3 G2 E4 C4 G3 E3 Add A3 A3 E3 C3 G2 A4 E4 C4 G3 A3 Release E3 A3 C3 G2 A4 C4 G3 A3 Example 3 Patter...

Page 3136: ......

Page 3137: ...Page...

Page 3138: ...54...

Page 3139: ......

Page 3140: ......

Page 3141: ......

Page 3142: ......

Page 3143: ......

Page 3144: ......

Page 3145: ......

Page 3146: ......

Page 3147: ......

Page 3148: ......

Page 3149: ......

Page 3150: ......

Page 3151: ......

Page 3152: ...Slim...

Page 3153: ...Phatty...

Page 3154: ...User s...

Page 3155: ...Manual...

Page 3156: ......

Page 3157: ...The...

Page 3158: ...User...

Page 3159: ...Interface...

Page 3160: ......

Page 3161: ......

Page 3162: ......

Page 3163: ......

Page 3164: ......

Page 3165: ......

Page 3166: ......

Page 3167: ......

Page 3168: ......

Page 3169: ......

Page 3170: ...ignment for that analog edit control For example when the front panel LFO RATE switch is selected the analog edit control in the Modulation Section generates MIDI CC data corresponding to the LFO Rate...

Page 3171: ......

Page 3172: ...The...

Page 3173: ...SP...

Page 3174: ...sends...

Page 3175: ...and...

Page 3176: ...receives...

Page 3177: ...7 bit...

Page 3178: ...MIDI...

Page 3179: ...CC...

Page 3180: ...messages...

Page 3181: ...for...

Page 3182: ...all...

Page 3183: ...parameters...

Page 3184: ...except...

Page 3185: ...for...

Page 3186: ...the...

Page 3187: ...Modulation...

Page 3188: ...Wheel...

Page 3189: ...and...

Page 3190: ...Filter...

Page 3191: ...Cutoff...

Page 3192: ...which...

Page 3193: ...receive...

Page 3194: ...high resolution...

Page 3195: ...14 bit...

Page 3196: ...MIDI...

Page 3197: ...CC...

Page 3198: ...messages...

Page 3199: ...This...

Page 3200: ...allows...

Page 3201: ...for...

Page 3202: ...ner...

Page 3203: ...control...

Page 3204: ...and...

Page 3205: ...smoother...

Page 3206: ...changes...

Page 3207: ...for...

Page 3208: ...these...

Page 3209: ...parameters...

Page 3210: ......

Page 3211: ...For...

Page 3212: ...these...

Page 3213: ...two...

Page 3214: ...parameters...

Page 3215: ...the...

Page 3216: ...MSB...

Page 3217: ...indicates...

Page 3218: ...the...

Page 3219: ...regular...

Page 3220: ...CC...

Page 3221: ...number...

Page 3222: ...and...

Page 3223: ...the...

Page 3224: ...LSB...

Page 3225: ...indicates...

Page 3226: ...the...

Page 3227: ...high resolution...

Page 3228: ...ne...

Page 3229: ...control...

Page 3230: ...value...

Page 3231: ...If...

Page 3232: ...you...

Page 3233: ...are...

Page 3234: ...only...

Page 3235: ...sending...

Page 3236: ...7 bit...

Page 3237: ...MIDI...

Page 3238: ...CC...

Page 3239: ...messages...

Page 3240: ...to...

Page 3241: ...the...

Page 3242: ...SP...

Page 3243: ...use...

Page 3244: ...the...

Page 3245: ...MSB...

Page 3246: ...channel...

Page 3247: ...number...

Page 3248: ...by...

Page 3249: ...itself...

Page 3250: ...for...

Page 3251: ...these...

Page 3252: ...two...

Page 3253: ...parameters 2...

Page 3254: ......

Page 3255: ...The...

Page 3256: ...Arpeggiator...

Page 3257: ...Clock...

Page 3258: ...Rate...

Page 3259: ...is...

Page 3260: ...set...

Page 3261: ...by...

Page 3262: ...two...

Page 3263: ...MIDI...

Page 3264: ...CC...

Page 3265: ...messages...

Page 3266: ...that...

Page 3267: ...correspond...

Page 3268: ...to...

Page 3269: ...coarse...

Page 3270: ...and...

Page 3271: ...ne...

Page 3272: ...clock...

Page 3273: ...rates...

Page 3274: ...The...

Page 3275: ...coarse...

Page 3276: ...rate...

Page 3277: ...is...

Page 3278: ...set...

Page 3279: ...by...

Page 3280: ...CC 04...

Page 3281: ...in...

Page 3282: ...increments...

Page 3283: ...of...

Page 3284: ...3...

Page 3285: ...BPM...

Page 3286: ...over...

Page 3287: ...a...

Page 3288: ...range...

Page 3289: ...of...

Page 3290: ...21 320...

Page 3291: ...BPM...

Page 3292: ...and...

Page 3293: ...the...

Page 3294: ...ne...

Page 3295: ...rate...

Page 3296: ...is...

Page 3297: ...set...

Page 3298: ...by...

Page 3299: ...CC 36...

Page 3300: ...in...

Page 3301: ...increments...

Page 3302: ...of...

Page 3303: ...0 1...

Page 3304: ...BPM...

Page 3305: ...To...

Page 3306: ...set...

Page 3307: ...the...

Page 3308: ...clock...

Page 3309: ...rate...

Page 3310: ...rst...

Page 3311: ...set...

Page 3312: ...the...

Page 3313: ...coarse...

Page 3314: ...rate...

Page 3315: ...by...

Page 3316: ...dividing...

Page 3317: ...the...

Page 3318: ...target...

Page 3319: ...BPM...

Page 3320: ...by...

Page 3321: ...three...

Page 3322: ...the...

Page 3323: ...integer...

Page 3324: ...result...

Page 3325: ...the...

Page 3326: ...whole...

Page 3327: ...number...

Page 3328: ...will...

Page 3329: ...be...

Page 3330: ...the...

Page 3331: ...CC 04...

Page 3332: ...value...

Page 3333: ...Then...

Page 3334: ...set...

Page 3335: ...the...

Page 3336: ...ne...

Page 3337: ...clock...

Page 3338: ...rate...

Page 3339: ...by...

Page 3340: ...subtracting...

Page 3341: ...the...

Page 3342: ...coarse...

Page 3343: ...BPM...

Page 3344: ...value...

Page 3345: ...from...

Page 3346: ...the...

Page 3347: ...target...

Page 3348: ...value...

Page 3349: ...and...

Page 3350: ...multiplying...

Page 3351: ...the...

Page 3352: ...result...

Page 3353: ...by...

Page 3354: ...10...

Page 3355: ...This...

Page 3356: ...will...

Page 3357: ...be...

Page 3358: ...the...

Page 3359: ...CC 36...

Page 3360: ...value...

Page 3361: ...For...

Page 3362: ...example...

Page 3363: ...to...

Page 3364: ...set...

Page 3365: ...the...

Page 3366: ...Arpeggiator...

Page 3367: ...Clock...

Page 3368: ...Rate...

Page 3369: ...to...

Page 3370: ...121 7...

Page 3371: ...BPM...

Page 3372: ...Determine...

Page 3373: ...the...

Page 3374: ...MIDI...

Page 3375: ...CC...

Page 3376: ...coarse...

Page 3377: ...value...

Page 3378: ...by...

Page 3379: ...dividing...

Page 3380: ...the...

Page 3381: ...target...

Page 3382: ...BPM...

Page 3383: ...by...

Page 3384: ...3...

Page 3385: ......

Page 3386: ...121 7 3...

Page 3387: ......

Page 3388: ...40 566...

Page 3389: ...The...

Page 3390: ...CC 04...

Page 3391: ...value...

Page 3392: ...is...

Page 3393: ...40...

Page 3394: ...120...

Page 3395: ...BPM...

Page 3396: ...Determine...

Page 3397: ...the...

Page 3398: ...MIDI...

Page 3399: ...CC...

Page 3400: ...ne...

Page 3401: ...value...

Page 3402: ...by...

Page 3403: ...subtracting...

Page 3404: ...the...

Page 3405: ...coarse...

Page 3406: ...BPM...

Page 3407: ...value...

Page 3408: ...from...

Page 3409: ...the...

Page 3410: ...target...

Page 3411: ...value...

Page 3412: ......

Page 3413: ...121 7...

Page 3414: ......

Page 3415: ...120...

Page 3416: ......

Page 3417: ...1 7...

Page 3418: ...Then...

Page 3419: ...multiply...

Page 3420: ...the...

Page 3421: ...result...

Page 3422: ...by...

Page 3423: ...10...

Page 3424: ......

Page 3425: ...1 7...

Page 3426: ......

Page 3427: ...10...

Page 3428: ......

Page 3429: ...17...

Page 3430: ...The...

Page 3431: ...CC 36...

Page 3432: ...value...

Page 3433: ...is...

Page 3434: ...17...

Page 3435: ...For...

Page 3436: ...CC 04...

Page 3437: ......

Page 3438: ...40...

Page 3439: ...and...

Page 3440: ...CC 36...

Page 3441: ......

Page 3442: ...17...

Page 3443: ...the...

Page 3444: ...SP s...

Page 3445: ...display...

Page 3446: ...will...

Page 3447: ...show...

Page 3448: ...121 7...

Page 3449: ...BPM...

Page 3450: ...Note...

Page 3451: ...that...

Page 3452: ...in...

Page 3453: ...order...

Page 3454: ...to...

Page 3455: ...display...

Page 3456: ...the...

Page 3457: ...internal...

Page 3458: ...BPM...

Page 3459: ...on...

Page 3460: ...the...

Page 3461: ...SP s...

Page 3462: ...LCD...

Page 3463: ...the...

Page 3464: ...Arpeggiator...

Page 3465: ...must...

Page 3466: ...be...

Page 3467: ...ON...

Page 3468: ...and...

Page 3469: ...the...

Page 3470: ...Arpeggiator...

Page 3471: ...Clock...

Page 3472: ...must...

Page 3473: ...be...

Page 3474: ...set...

Page 3475: ...to...

Page 3476: ...INT...

Page 3477: ...3...

Page 3478: ......

Page 3479: ...The...

Page 3480: ...MIDI...

Page 3481: ...CC...

Page 3482: ...assignments...

Page 3483: ...shown...

Page 3484: ...for...

Page 3485: ...each...

Page 3486: ...section...

Page 3487: ...are...

Page 3488: ...over ridden...

Page 3489: ...when...

Page 3490: ...Pot...

Page 3491: ...Mapping...

Page 3492: ...is...

Page 3493: ...enabled...

Page 3494: ...in...

Page 3495: ...that...

Page 3496: ...section...

Page 3497: ...For...

Page 3498: ...more...

Page 3499: ...on...

Page 3500: ...programming...

Page 3501: ...and...

Page 3502: ...enabling Pot...

Page 3503: ...Mapping...

Page 3504: ...see...

Page 3505: ...page...

Page 3506: ...38...

Page 3507: ......

Page 3508: ......

Page 3509: ......

Page 3510: ...Page...

Page 3511: ...55...

Page 3512: ......

Page 3513: ......

Page 3514: ...Slim...

Page 3515: ...Phatty...

Page 3516: ...User s...

Page 3517: ...Manual...

Page 3518: ......

Page 3519: ...The...

Page 3520: ...User...

Page 3521: ...s OSC 1 OCTAVE Sets the octave of oscillator 1 74 16 16 32 8 48 4 64 2 WAVE Sets the waveform of oscillator 1 9 0 127 OSC 1 LEVEL Adjusts the volume level of oscillator 1 15 0 127 GLIDE RATE Sets the...

Page 3522: ......

Page 3523: ...Page...

Page 3524: ...56...

Page 3525: ......

Page 3526: ......

Page 3527: ......

Page 3528: ......

Page 3529: ......

Page 3530: ......

Page 3531: ......

Page 3532: ......

Page 3533: ......

Page 3534: ......

Page 3535: ......

Page 3536: ......

Page 3537: ......

Page 3538: ...Slim...

Page 3539: ...Phatty...

Page 3540: ...User s...

Page 3541: ...Manual...

Page 3542: ......

Page 3543: ...The...

Page 3544: ...User...

Page 3545: ...Interface...

Page 3546: ......

Page 3547: ......

Page 3548: ......

Page 3549: ......

Page 3550: ......

Page 3551: ......

Page 3552: ......

Page 3553: ......

Page 3554: ......

Page 3555: ......

Page 3556: ...F 64 ON ARP RUN STOP Starts and stops the Arpeggiator 90 0 OFF 64 ON ARP CLOCK RATE SEE NOTE 2 Sets the Arpeggiator Clock Rate 4 coarse 36 ne 0 127 ARP CLOCK SOURCE Sets the Arpeggiator Clock Source 1...

Page 3557: ......

Page 3558: ...Page...

Page 3559: ...57...

Page 3560: ......

Page 3561: ......

Page 3562: ...Slim...

Page 3563: ...Phatty...

Page 3564: ...User s...

Page 3565: ...Manual...

Page 3566: ......

Page 3567: ...The...

Page 3568: ...User...

Page 3569: ...f note 1 2 64 Dotted half note 1 2 DOT 72 Whole note WH 80 Whole note quarter note WH 1 4 88 Whole note half note WH 1 2 96 Whole note dotted half note WH 1 2 DOT 104 Whole note whole note WH WH 112 M...

Page 3570: ......

Page 3571: ...Page...

Page 3572: ...58...

Page 3573: ......

Page 3574: ......

Page 3575: ......

Page 3576: ......

Page 3577: ......

Page 3578: ......

Page 3579: ......

Page 3580: ......

Page 3581: ......

Page 3582: ......

Page 3583: ......

Page 3584: ......

Page 3585: ......

Page 3586: ...Slim...

Page 3587: ...Phatty...

Page 3588: ...User s...

Page 3589: ...Manual...

Page 3590: ......

Page 3591: ...Appendices...

Page 3592: ......

Page 3593: ......

Page 3594: ......

Page 3595: ......

Page 3596: ......

Page 3597: ......

Page 3598: ......

Page 3599: ......

Page 3600: ......

Page 3601: ......

Page 3602: ...t some very strange LFO signals to result If you change the Sync Mode from INTERNAL to MIDI CLOCK while the SP is not receiving a MIDI clock signal the actual LFO rate will not change right away it wi...

Page 3603: ......

Page 3604: ...Page...

Page 3605: ...59...

Page 3606: ......

Page 3607: ......

Page 3608: ...Slim...

Page 3609: ...Phatty...

Page 3610: ...User s...

Page 3611: ...Manual...

Page 3612: ......

Page 3613: ...or Clock using the MODULATION control provided that prior to engagingTapTempo the MODULATION control was set to adjust the Modulation Rate and not the Amount Adjusting the Arpeggiator Clock in this ma...

Page 3614: ...TIPS 1...

Page 3615: ......

Page 3616: ...When...

Page 3617: ...the...

Page 3618: ...Arpeggiator...

Page 3619: ...Clock...

Page 3620: ...Source...

Page 3621: ...is...

Page 3622: ...set...

Page 3623: ...to...

Page 3624: ...INT...

Page 3625: ...you...

Page 3626: ...can...

Page 3627: ...use...

Page 3628: ...the...

Page 3629: ...Tap...

Page 3630: ...Tempo...

Page 3631: ...function...

Page 3632: ...to...

Page 3633: ...get...

Page 3634: ...clock...

Page 3635: ...rates...

Page 3636: ...that...

Page 3637: ...fall...

Page 3638: ...outside...

Page 3639: ...the...

Page 3640: ...minimum...

Page 3641: ...and...

Page 3642: ...maximum...

Page 3643: ...rates...

Page 3644: ...available...

Page 3645: ...from...

Page 3646: ...the...

Page 3647: ...MODULATION...

Page 3648: ...control...

Page 3649: ...2...

Page 3650: ......

Page 3651: ...When...

Page 3652: ...the...

Page 3653: ...Arpeggiator...

Page 3654: ...Clock...

Page 3655: ...Source...

Page 3656: ...is...

Page 3657: ...set...

Page 3658: ...to...

Page 3659: ...MIDI...

Page 3660: ...if...

Page 3661: ...the...

Page 3662: ...Latch...

Page 3663: ...is...

Page 3664: ...enabled...

Page 3665: ...and...

Page 3666: ...a...

Page 3667: ...latched...

Page 3668: ...arpeggio...

Page 3669: ...pattern...

Page 3670: ...is...

Page 3671: ...playing...

Page 3672: ...you...

Page 3673: ...can...

Page 3674: ...stop...

Page 3675: ...the...

Page 3676: ...MIDI...

Page 3677: ...clock...

Page 3678: ...and...

Page 3679: ...the...

Page 3680: ...pattern...

Page 3681: ...will...

Page 3682: ...stop...

Page 3683: ...playing...

Page 3684: ...when...

Page 3685: ...you...

Page 3686: ...restart...

Page 3687: ...the...

Page 3688: ...MIDI...

Page 3689: ...clock...

Page 3690: ...the...

Page 3691: ...latched...

Page 3692: ...pattern...

Page 3693: ...is...

Page 3694: ...retained...

Page 3695: ...and...

Page 3696: ...it...

Page 3697: ...will...

Page 3698: ...resume...

Page 3699: ...playing...

Page 3700: ...again...

Page 3701: ......

Page 3702: ...Page...

Page 3703: ...60...

Page 3704: ......

Page 3705: ......

Page 3706: ......

Page 3707: ......

Page 3708: ......

Page 3709: ......

Page 3710: ......

Page 3711: ......

Page 3712: ......

Page 3713: ......

Page 3714: ......

Page 3715: ......

Page 3716: ......

Page 3717: ...Slim...

Page 3718: ...Phatty...

Page 3719: ...User s...

Page 3720: ...Manual...

Page 3721: ......

Page 3722: ...Appendices...

Page 3723: ......

Page 3724: ......

Page 3725: ......

Page 3726: ......

Page 3727: ......

Page 3728: ......

Page 3729: ......

Page 3730: ......

Page 3731: ......

Page 3732: ......

Page 3733: ...Calibration Preset is a single oscillator squarewave tone that plays Oscillator 1 at full level This preset is used primarily for the SP s AutoTune function but it can also be used for tuning the SP w...

Page 3734: ......

Page 3735: ...Page...

Page 3736: ...61...

Page 3737: ......

Page 3738: ......

Page 3739: ...Slim...

Page 3740: ...Phatty...

Page 3741: ...User s...

Page 3742: ...Manual...

Page 3743: ......

Page 3744: ...cessor offers a number CV processing options that can be used with any Slim Phatty Moogerfooger analog effects module or other voltage controlled gear The CP 251 provides a dual waveform LFO Noise Gen...

Page 3745: ......

Page 3746: ...Page...

Page 3747: ...62...

Page 3748: ......

Page 3749: ......

Page 3750: ......

Page 3751: ......

Page 3752: ......

Page 3753: ......

Page 3754: ......

Page 3755: ......

Page 3756: ......

Page 3757: ......

Page 3758: ......

Page 3759: ......

Page 3760: ......

Page 3761: ...Slim...

Page 3762: ...Phatty...

Page 3763: ...User s...

Page 3764: ...Manual...

Page 3765: ......

Page 3766: ...Appendices...

Page 3767: ......

Page 3768: ......

Page 3769: ......

Page 3770: ......

Page 3771: ......

Page 3772: ......

Page 3773: ......

Page 3774: ......

Page 3775: ......

Page 3776: ......

Page 3777: ...es of the base pitch To explain what that means let s con sider an example if the base pitch is 100 Hz harmonics will occur at 200 Hz 2 x 100 300 Hz 3 x 100 400 Hz 4 x 100 etc The levels of the harmon...

Page 3778: ......

Page 3779: ...Page...

Page 3780: ...63...

Page 3781: ......

Page 3782: ......

Page 3783: ...Slim...

Page 3784: ...Phatty...

Page 3785: ...User s...

Page 3786: ...Manual...

Page 3787: ......

Page 3788: ...ing of the four waves It contains all of the harmonics and has a bright buzzy sound Sawtooth waves are ideal for brass and string sounds bass sounds and rich accompaniments The square wave possesses a...

Page 3789: ......

Page 3790: ...Page...

Page 3791: ...64...

Page 3792: ......

Page 3793: ......

Page 3794: ......

Page 3795: ......

Page 3796: ......

Page 3797: ......

Page 3798: ......

Page 3799: ......

Page 3800: ......

Page 3801: ......

Page 3802: ......

Page 3803: ......

Page 3804: ......

Page 3805: ...Slim...

Page 3806: ...Phatty...

Page 3807: ...User s...

Page 3808: ...Manual...

Page 3809: ......

Page 3810: ...Appendices...

Page 3811: ......

Page 3812: ......

Page 3813: ......

Page 3814: ......

Page 3815: ......

Page 3816: ......

Page 3817: ......

Page 3818: ......

Page 3819: ......

Page 3820: ......

Page 3821: ...the lter s slope which is a measure of how well the lter works The slope of a lter is expressed in decibels per octave dB Oct The Little Phatty lter is rated at 24 dB Oct which creates a dramatic redu...

Page 3822: ......

Page 3823: ...Page...

Page 3824: ...65...

Page 3825: ......

Page 3826: ......

Page 3827: ...Slim...

Page 3828: ...Phatty...

Page 3829: ...User s...

Page 3830: ...Manual...

Page 3831: ......

Page 3832: ...gnal that is generated every time a key is pressed on the keyboard Once triggered as long as the key is held down i e the Gate signal is present the EG envelope will evolve according to the control se...

Page 3833: ......

Page 3834: ...Page...

Page 3835: ...66...

Page 3836: ......

Page 3837: ......

Page 3838: ......

Page 3839: ......

Page 3840: ......

Page 3841: ......

Page 3842: ......

Page 3843: ......

Page 3844: ......

Page 3845: ......

Page 3846: ......

Page 3847: ......

Page 3848: ......

Page 3849: ...Slim...

Page 3850: ...Phatty...

Page 3851: ...User s...

Page 3852: ...Manual...

Page 3853: ......

Page 3854: ...Appendices...

Page 3855: ......

Page 3856: ......

Page 3857: ......

Page 3858: ......

Page 3859: ......

Page 3860: ......

Page 3861: ......

Page 3862: ......

Page 3863: ......

Page 3864: ......

Page 3865: ...the SP can be used for incredibly expressive sounds given solid programming and playing technique So what is the best way to con gure and program these synthesis components effectively The answer cou...

Page 3866: ......

Page 3867: ...Page...

Page 3868: ...67...

Page 3869: ......

Page 3870: ......

Page 3871: ...Slim...

Page 3872: ...Phatty...

Page 3873: ...User s...

Page 3874: ...Manual...

Page 3875: ......

Page 3876: ...X X O X After touch X X Pitch Bend X O Programmable from 0 to 12 semitones Control change O O 1 3 5 6 7 9 11 15 16 18 19 21 31 33 36 53 65 68 69 74 75 77 88 90 91 102 119 Program change True Number O...

Page 3877: ......

Page 3878: ...Page...

Page 3879: ...68...

Page 3880: ......

Page 3881: ......

Page 3882: ......

Page 3883: ......

Page 3884: ......

Page 3885: ......

Page 3886: ......

Page 3887: ......

Page 3888: ......

Page 3889: ......

Page 3890: ......

Page 3891: ......

Page 3892: ......

Page 3893: ...Slim...

Page 3894: ...Phatty...

Page 3895: ...User s...

Page 3896: ...Manual...

Page 3897: ......

Page 3898: ...Appendices...

Page 3899: ......

Page 3900: ......

Page 3901: ......

Page 3902: ......

Page 3903: ......

Page 3904: ......

Page 3905: ......

Page 3906: ......

Page 3907: ......

Page 3908: ......

Page 3909: ...ty will not be honored if the product is not properly packed Once packed send the product to Moog Music Inc with transportation and insurance charges paid What we will do Once received we will examine...

Page 3910: ...IMPORTANT...

Page 3911: ...NOTE...

Page 3912: ...ABOUT...

Page 3913: ...SAFETY...

Page 3914: ......

Page 3915: ...Do...

Page 3916: ...not...

Page 3917: ...open...

Page 3918: ...the...

Page 3919: ...chassis...

Page 3920: ...There...

Page 3921: ...are...

Page 3922: ...no...

Page 3923: ...user...

Page 3924: ...serviceable...

Page 3925: ...parts...

Page 3926: ...in...

Page 3927: ...the...

Page 3928: ...Slim...

Page 3929: ...Phatty...

Page 3930: ...Maintenance...

Page 3931: ...of...

Page 3932: ...the...

Page 3933: ...Slm...

Page 3934: ...Phatty...

Page 3935: ...synthesizer...

Page 3936: ...should...

Page 3937: ...be...

Page 3938: ...referred...

Page 3939: ...to...

Page 3940: ...quali ed...

Page 3941: ...service...

Page 3942: ...personnel...

Page 3943: ...only...

Page 3944: ......

Page 3945: ......

Page 3946: ...Page...

Page 3947: ...69...

Page 3948: ......

Page 3949: ......

Page 3950: ...Slim...

Page 3951: ...Phatty...

Page 3952: ...User s...

Page 3953: ...Manual...

Page 3954: ......

Page 3955: ...o 10 on the dial This will produce the pulsating amplitude modulation known as tremolo Adjust the LFO Rate to taste For a sharp volume chopping effect use the LFO Square wave output in place of the LF...

Page 3956: ......

Page 3957: ...Page...

Page 3958: ...70...

Page 3959: ......

Page 3960: ......

Page 3961: ......

Page 3962: ......

Page 3963: ......

Page 3964: ......

Page 3965: ......

Page 3966: ......

Page 3967: ......

Page 3968: ......

Page 3969: ......

Page 3970: ......

Page 3971: ......

Page 3972: ...Slim...

Page 3973: ...Phatty...

Page 3974: ...User s...

Page 3975: ...Manual...

Page 3976: ......

Page 3977: ...Appendices...

Page 3978: ......

Page 3979: ......

Page 3980: ......

Page 3981: ......

Page 3982: ......

Page 3983: ......

Page 3984: ......

Page 3985: ......

Page 3986: ......

Page 3987: ......

Page 3988: ...et the Master level to 10 Adjust the Mix er 1 and 2 levels to balance the LFO and Noise signals and use the Master level to set the effect intensity You can also use the Mixer s OffsetVoltage control...

Page 3989: ......

Page 3990: ...Page...

Page 3991: ...71...

Page 3992: ......

Page 3993: ......

Page 3994: ...Slim...

Page 3995: ...Phatty...

Page 3996: ...User s...

Page 3997: ...Manual...

Page 3998: ......

Page 3999: ...urce LFO triangle LFO square LFO sawtooth LFO ramp Filter EG Oscillator 2 Destination Pitch Oscillator 2 Filter Wave Amount 0 to 100 Performance Controls Modulation Wheel 0 to 100 FineTune 3 semitones...

Page 4000: ......

Page 4001: ...Page...

Page 4002: ...72...

Page 4003: ......

Page 4004: ......

Page 4005: ......

Page 4006: ......

Page 4007: ......

Page 4008: ......

Page 4009: ......

Page 4010: ......

Page 4011: ......

Page 4012: ......

Page 4013: ......

Page 4014: ......

Page 4015: ......

Page 4016: ...Slim...

Page 4017: ...Phatty...

Page 4018: ...User s...

Page 4019: ...Manual...

Page 4020: ......

Page 4021: ...Glossary...

Page 4022: ......

Page 4023: ......

Page 4024: ......

Page 4025: ......

Page 4026: ......

Page 4027: ......

Page 4028: ......

Page 4029: ......

Page 4030: ......

Page 4031: ......

Page 4032: ...the frequency of the sound go slightly higher when the string is plucked and then drop slightly as the note fades This is the pitch envelope contour A synthesizer can create these kinds of changes by...

Page 4033: ......

Page 4034: ...Page...

Page 4035: ...73...

Page 4036: ......

Page 4037: ......

Page 4038: ...Slim...

Page 4039: ...Phatty...

Page 4040: ...User s...

Page 4041: ...Manual...

Page 4042: ......

Page 4043: ...cy Modulation Also known as FM Frequency Modulation describes the technique of using one oscillator to modulate the frequency of another In FM the modulating oscillator is called the modulator while t...

Page 4044: ......

Page 4045: ...Page...

Page 4046: ...74...

Page 4047: ......

Page 4048: ......

Page 4049: ......

Page 4050: ......

Page 4051: ......

Page 4052: ......

Page 4053: ......

Page 4054: ......

Page 4055: ......

Page 4056: ......

Page 4057: ......

Page 4058: ......

Page 4059: ......

Page 4060: ...Slim...

Page 4061: ...Phatty...

Page 4062: ...User s...

Page 4063: ...Manual...

Page 4064: ......

Page 4065: ...Glossary...

Page 4066: ......

Page 4067: ......

Page 4068: ......

Page 4069: ......

Page 4070: ......

Page 4071: ......

Page 4072: ......

Page 4073: ......

Page 4074: ......

Page 4075: ......

Page 4076: ...such as a pitch cloud effect when noise modulates an oscillator In the Little Phatty noise is available as a modulation source only but external noise sources such as from the CP 251 Control Processor...

Page 4077: ......

Page 4078: ...Page...

Page 4079: ...75...

Page 4080: ......

Page 4081: ......

Page 4082: ...Slim...

Page 4083: ...Phatty...

Page 4084: ...User s...

Page 4085: ...Manual...

Page 4086: ......

Page 4087: ...has only odd harmonics and sounds bright but hollow like a clarinet A rectangular wave can vary in shape but typically has a bright but thin sound and a triangle wave s harmonics are so low in amplitu...

Page 4088: ......

Page 4089: ...Page...

Page 4090: ...76...

Page 4091: ......

Page 4092: ......

Page 4093: ......

Page 4094: ......

Page 4095: ......

Page 4096: ......

Page 4097: ......

Page 4098: ......

Page 4099: ......

Page 4100: ......

Page 4101: ......

Page 4102: ...the Slim Phatty Presets appears on the next page Many of the preset names are self explanatory some are for fun and all are all worth auditioning As you listen to the presets don t forget check out t...

Page 4103: ...Y IN E MOD 85 SHARP SEQUE 11 REZZY PAD 36 STAB ME 61 FILT REZ KICK 86 PWM MOD BASTE 12 COLD LEAD 37 HOLD4FIZZ 62 GRITTY 9TH 87 SAW U LEAD 13 DARK SIDE 38 OPEN UP 63 DISSONANTTING 88 SOURPUSS 14 ELECTR...

Reviews: