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e.

Tripole

®

With Adjustable Attenuated Dipole

To adjust the attenuation of the Dipole element, connect the positive (+) lead to Terminal 3 and           
insert a 5 watt resistor between terminals 3 and 4. The resistor can be any value between 2 and       
11 ohms. The larger the value of the resistor, the greater the attenuation.

f.

Tripole

®

With Maximum Output From All Drivers (2.4 ohm impedance)

Compared to the standard Tripole

®

configuration, the output from the Dipole (side) drivers will be        

unchanged, but there will be significantly greater output from the Direct (front) drivers.

To get maximum output from all drivers, connect the (+) lead from the amplifier to Terminal 1.
Connect a jumper wire between Terminal 1 and Terminal 3.

CAUTION: This configuration presents a 2.4 ohm load to the amplifier. Do not use this
configuration unless your amplifier is rated to 2 ohms.

g.

Direct Radiator Only Mode
There will be very little output from the Dipole (side) drivers. To operate as a Direct Radiator, connect 
the (+) lead from the amplifier to Terminal 3. Use no jumper.

Remember, regardless of configuration, the Ground (-) lead must always connect to Terminal 2.

REMOTE SWITCHING OF MODES (CS-150 ONLY)

If you want to be able to switch between any of the

above modes, you can do so by using a speaker level
switch box. The specific instructions will vary according
to the particular switcher you are using and so this sec-
tion is intended to be general in nature.

To switch between THX Dipole mode and Tripole

®

mode, connect one wire between Terminal 3 and the
switcher Input.

Connect a separate wire between

Terminal 4 and one of the switcher outputs. For the THX
Dipole mode, the switcher   output connected to Terminal
4 should be turned off. For the Tripole

®

mode, the switch-

er output should be turned on. Nothing else should be
connected to the switch box, especially your amplifier.

As another example, you can also use a switcher to

direct the (+) signal from the amplifier to either Terminal
1 or Terminal 3, to switch between some of the custom
modes described above. See Figure 5.

CAUTION: DO NOT WIRE THE SWITCH BOX SO TERMINAL 2 CAN BE CONNECTED TO ANY OTHER

TERMINAL. If Terminal 2 is connected to Terminal 1, 3, or 4, the output of the power amplifier will be
shorted, which will almost certainly damage the amplifier.

8. SPEAKER POLARITY TEST

In any system using a subwoofer separate from Satellite speakers, especially in multi-channel surround

sound applications, a polarity test must be performed to insure proper phase in the system, in order to achieve
optimum sound in the critical bass frequencies.

Therefore, you must have correct phase among all the speakers in the system. We recommend using a test

disc to compare the phase of the front channels, surround channels, and subwoofer. Test by comparing the
phase between individual channels (starting with the front right and left) until you have established that all units
have identical phase.

COLUMN SURROUND SPEAKER

10

 TRIPOLE

SURROUND SPEAKER

9351 Deering Avenue, Chatsworth, CA 91311
818/701-7010 fax: 818/701-0369 www.mksound.com 

INPUT

4 ohms

FOR TRIPOLE

OPERATION:

install jumper

between

terminals

3 and 4

DO NOT CONNECT YOUR

AMPLIFIER TO TWO  RED

TERMINALS.

1

3

2

4

FOR THX
(DIPOLE)

OPERATION:

remove jumper

between

terminals

3 and 4

Connect your

amplifier to

terminals

1 and 2

For remote control operation,

see your owner's manual.

+

-

LEFT SURROUND

RIGHT SURROUND

+

-

+

-

+

-

INPUT

OUTPUT - A

OUTPUT - B

+

-

Miller & Kreisel Sound Corporation

Amplifier or Receiver

Switch Box

FIGURE 11

Summary of Contents for Tripole CS-150

Page 1: ...ole CS 35 Tripole CS 29 Tripole CS 22 Tripole Miller Kreisel Sound Inc 9351 Deering Avenue Chatsworth CA 91311 5858 USA 818 701 7010 fax 818 701 0369 www mksound com 2002 Miller Kreisel Sound Inc tripole column surround speaker TM ...

Page 2: ...E 2 WIRING THE SURROUND SPEAKER CS 150 ONLY 4 FIGURE 3 DIPOLE OPERATION CS 150 ONLY 5 FIGURE 4 TRIPOLE OPERATION CS 150 ONLY 5 FIGURE 5 LOCATING THE SPEAKER NEXT TO THE LISTENER 6 FIGURE 6 LOCATING THE SPEAKER BEHIND THE LISTENER 6 FIGURE 7 SPEAKER LOCATION WITH ONE ROW OF LISTENERS 6 FIGURE 8 SPEAKER LOCATION WITH TWO ROWS OF LISTENERS 6 FIGURE 9 USING 4 SURROUND SPEAKERS 7 FIGURE 10 USING A SING...

Page 3: ...open or behind a couch chair or other furniture And with its baseboard mount you can permanently secure it to the base of any wall without sacrificing any floor space Using exceptionally high quality European drivers the Column Surrounds produce a brilliant sound quality with an incredibly large sound evoking the quality of M K professional monitors You ll hear the world class sound quality that h...

Page 4: ...nnel speaker If you are using multiple surround speakers or have a 6 1 channel system make sure that all surround speakers are being used in the proper right or left channel WIRING THE SURROUND SPEAKERS The Positive lead from your amplifier or receiver should be connected to the RED INPUT terminal and the Negative lead from your amplifier or receiver should be connected to the BLACK INPUT terminal...

Page 5: ... MILLER KREISEL SOUND CORPORATION 9351 Deering Avenue Chatsworth CA 91311 818 701 7010 fax 818 701 0369 www mksound com INPUT 4 ohms FOR TRIPOLE OPERATION install jumper between terminals 3 and 4 DO NOT CONNECT YOUR AMPLIFIER TO TWO RED TERMINALS 1 3 2 4 FOR THX DIPOLE OPERATION remove jumper between terminals 3 and 4 Connect your amplifier to terminals 1 and 2 For remote control operation see you...

Page 6: ...speaker as well as up towards the ceiling It is not necessary to place the speakers against a wall They will provide excellent sound away from walls and can be more easily concealed from view when they are placed next to furni ture On its pedestal base a freestanding Column Surround can be located out in the open or behind a couch chair or other fur niture For example a CS 22 with a height of only...

Page 7: ...ly one set of surround channel outputs for each channel connect both left speakers to the left output and both right speakers to the right output If you have a single rear center surround channel then place the speaker directly behind the listener See Figure 10 As always please feel free to call the M K factory if you have any questions 6 COLUMN SURROUND ASSEMBLY OPTIONS You have two assembly opti...

Page 8: ... rear of the Column Surround see diagram Repeat these instructions to assemble the second stand MOUNTING THE COLUMN SURROUND TO THE BASEBOARD Here are the parts you need 2 each Column Surround Speakers 2 each Baseboard Mounting Brackets 8 each 6 32 x 1 Flat Head machine screw PN 20356 4 each 8 x 1 1 2 Flat Head wood screws chrome TOOLS REQUIRED Phillips screwdriver ASSEMBLY Remove the contents of ...

Page 9: ...o your listening environment or personal preference You make these adjustments by choosing which input terminals jumpers and if desired resistors are used to connect the speaker to the amplifier PLEASE NOTE The sensitivity of the speaker is slightly different in each of the surround modes For critical listening when switching from one mode to another you should re calibrate the level of the surrou...

Page 10: ...e switcher output connected to Terminal 4 should be turned off For the Tripole mode the switch er output should be turned on Nothing else should be connected to the switch box especially your amplifier As another example you can also use a switcher to direct the signal from the amplifier to either Terminal 1 or Terminal 3 to switch between some of the custom modes described above See Figure 5 CAUT...

Page 11: ...aracter described above When tone controls or equalizers are used to boost frequencies the problem occurs much more rapidly Even a small boost of low or high frequencies can easily double the power requirement and lead to amplifier clipping at moderate levels Therefore you should use your tone controls judiciously avoiding extreme boosts of the bass and treble controls especially when you are list...

Page 12: ...COMMENDED POWER 25 watts RMS to 200 watts RMS MAXIMUM POWER 200 watts RMS unclipped peaks FREQUENCY RESPONSE 70 23 kHz 3dB CABINET DIMENSIONS 34 5 x 8 9 x 4 2 HWD BASE DIMENSIONS 0 75 x 10 75 x 10 HWD WEIGHT 24 lbs CS 29 IMPEDANCE 4 ohms MINIMUM POWER 10 watts RMS RECOMMENDED POWER 25 watts RMS to 200 watts RMS MAXIMUM POWER 200 watts RMS unclipped peaks FREQUENCY RESPONSE 70 23 kHz 3dB CABINET DI...

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