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  BOOST  

   Another valuable feature is the global (works in both LO and HI Modes) BOOST switch that allows you to further shape the overall 

EQ of the pedal to your needs. This switch adds a bit of gain, girth and fat low end and fills in all the “holes” and generally makes your sound 
bigger.  You may have to adjust the TONE control and/or the setting of the Graphic EQ to achieve your preferred and/or a balanced sound with 
the BOOST activated.

Heavy, high gain sounds usually benefit from the BOOST position engaged. Low to medium gain sounds can work with both positions, but often 
benefit from the more tapered and balanced low end of the non-BOOST or normal position.

  HI/LO FOOTSWITCH  

   The HI/LO footswitch incorporated into the GAIN circuit creates two different gain regions (overdrive levels).  This 

footswitch toggles you between the HI and LO Gain Modes.

LO works great for Crunch or clipped chording and medium gain solo sounds.  HI provides an increased level of saturation that is better suited 
for heavy Rock and Metal rhythm styles and smoldering single note lead work.  Try the LO Mode with the BOOST bypassed for the best balance 
when searching for lower to mid gain sounds appropriate for Blues, R&B or any other time when subtle saturation is in order (see BOOST section 
earlier in this manual).  The balance between low end and top end will be more in-sync and even, making the sound sweeter and more dynamic. 
The HI Mode kicks the gain up a few notches and delivers much more overdrive, sustain and harmonic layering.  Try the BOOST engaged for 
high gain applications where you need maximum saturation and thunderous, tuned low-end for Heavy styles.

  BYPASS  

   This footswitch is pretty self-explanatory... it “hard” bypasses the THROTTLE BOX EQ™. It removes all circuitry from your signal 

path and uses a piece of wire from the INPUT to the OUTPUT.  It is the same as having a very short piece of wire in line with your guitar’s signal 
cable.  When in BYPASS Mode none of the controls on the THROTTLE BOX EQ™ have any effect on the signal and you can rest assured your 
guitar ‘s sound is not being altered in any way by the THROTTLE BOX EQ™. 

NOTE: Make sure to take into account that any length of cable more than a few inches may have some cable capacitance and roll off a bit of top 
end.  Use as short of cables as possible to avoid this annoyance.

  EXTERNAL DC POWER JACK  

   This standard female DC Receptacle on the pedal is the External Power Supply Jack and it accepts the 

male plug from a standard 9-Volt DC “wall-wart” power supply.  When installing your unit into a pedal board utilizing a universal power supply 
(multi-output pedal board power supplies), connect the external power source here.  SEE WARNING BELOW!

NOTE: The External DC Power Supply is Not Included.  WARNING!!!  To avoid immediate damage to your unit and the voiding of your warranty, 
the External Power Supply 

MUST be 9VDC with a NEGATIVE CENTER plug polarity and a jack size of 2.1mm x 5.5mm.  Do NOT connect a 

9-Volt AC Voltage Power Supply to the EXT Power Jack!

The internal battery is (are) automatically disconnected by a switching element in the External DC Receptacle on the front of the pedal.  However, 
if you know you will not be using battery power for an extended period—for example, if you are mounting the unit to your pedal board permanently 
- it is wise to remove the battery to avoid possible damage from long-term battery corrosion.

Summary of Contents for Throttle Box

Page 1: ...Owner s Manual...

Page 2: ...lifornia U S A Rest assured that the very same people that hand build the finest amplifiers in the world built your pedal and you have access to the same resources for help that all our customers do C...

Page 3: ...nit is not in use NOTE If you wish to leave the INPUT connected permanently as in a pedal board scenario it is advisable to power the unit with an external DC 9V power supply When an external plug in...

Page 4: ...nds and to add a slight bump for Blues solo sounds The middle range 10 30 1 30 offers the most useful region of gain that begins to saturate but still retains a dynamic punch that keeps notes expressi...

Page 5: ...our decades and for Heavy styles there aren t many things that come close to this incredible sound And this mid dipped curve works for other applications as well as it puts a smile on every thing and...

Page 6: ...uration and thunderous tuned low end for Heavy styles BYPASS This footswitch is pretty self explanatory it hard bypasses the THROTTLE BOX EQ It removes all circuitry from your signal path and uses a p...

Page 7: ...the INPUT jack whenever the unit is not in use to prolong battery life To access the 9 Volt battery for inspection replacement or removal make sure the External Power Jack is disconnected remove the f...

Page 8: ...80Hz 240 750 2200 6600 HI LEVEL TONE LO LEVEL GAIN BOOST OUT EQ LO EQ HI MID CUT IN IN OUT OUT IN OUT HI LO BYPASS CLASSIC ROCK CRUNCH...

Page 9: ...80Hz 240 750 2200 6600 HI LEVEL TONE LO LEVEL GAIN BOOST IN EQ LO EQ HI MID CUT IN IN OUT OUT IN OUT HI LO BYPASS HI SOLO...

Page 10: ...80Hz 240 750 2200 6600 HI LEVEL TONE LO LEVEL GAIN BOOST IN EQ LO EQ HI MID CUT IN IN OUT OUT IN OUT HI LO BYPASS HI V CRUNCH...

Page 11: ...80Hz 240 750 2200 6600 HI LEVEL TONE LO LEVEL GAIN BOOST OUT EQ LO EQ HI MID CUT IN IN OUT OUT IN OUT HI LO BYPASS LO STINGING BLUES...

Page 12: ...14 04 01...

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