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Grounded AC mains power outlet when connecting your amplifier to the wall or a power source.

This power inlet conforms to the IEC C-14 type standard and is used with a corset containing a matching connector, and appropri-
ate plug for the intended market.

  SPEAKER OUTPUT  

   The Rosette 300 amplifiers are rated to drive a minimum 4 ohm load. Using a Load other than 4 Ohms is not 

recommended as the amplifier will not put out its full rated power and some loads may even cause overheating and engage the Protection Circuit.

While the Rosette Combo has only one SPEAKER OUTPUT, you may disconnect the internal speakers and run the amplifier with any external 4 
ohm Load. That said, we do not claim responsibility for the sound. The loudspeakers chosen for your amplifier were picked for their high quality, 
efficiency and full, robust, detailed sound. They are Full Range Speakers and your amplifier may suffer reduced performance when connected 
to speakers not designed in tandem with it.

Since the Combo internal speaker configuration is already 4 Ohms, it is not able to drive additional external speakers and is therefor equipped 
with only one 1/4” (6.5mm) T.S. (tip/sleeve) SPEAKER OUTPUT jack. Do not connect additional speaker enclosures to the Speaker jack unless 
you can verify the overall Combined Load will remain 4 Ohms for the enclosures in use.

NOTE: Do not connect the SPEAKER OUTPUT to anything except speakers. 

  HEADPHONE OUTPUT  

   Your Rosette includes a 1/4” (6.5mm) T.R.S. (tip-ring-sleeve) HEADPHONES output jack, which will 

drive all common headphones and IEM ear pieces/buds between 8 and 32 ohms. As headphones can vary greatly in performance 
and efficiency, we recommend auditioning them with your amplifier before purchasing.

The MASTER controls the output level at the HEADPHONES output, so be aware of its setting before putting on headphones! It is 
always a good practice to zero out the MASTER when connecting headphones, and once you have put the headphones on, increase 
it slowly to the desired listening volume. This will help avoid accidental ear damage.

NOTE: IMPORTANT! It’s advisable to use caution whenever sticking any sound source in, or in close proximity to, your ears, as 
hearing damage is possible due to unintended volume settings being in place. This is especially true in live performance or studio 
environments, where others may be adjusting things for you.

Also, loud volumes over prolonged periods with headphones can cause hearing damage you won’t notice immediately. Be very aware 
of this while playing with headphones and take frequent breaks to get a volume reference. It’s very easy to get lost in the sound, 
especially in an amplifier of this quality, and keep turning it up as your ears and brain keep acclimating to higher and higher volume 
levels. Don’t let that happen! Don’t get fooled! Take frequent breaks to rest your ears and reference silence.

NOTE: The internal speakers are still active and operate when the HEADPHONES output is in use. To play “silently” (just using 
headphones), simply disconnect the speaker jack from the SPEAKER OUTPUT on the rear panel. When you are finished, be sure 
to reconnect the speaker jack so that the amplifier will be ready for your next session.

This output contains additional cabinet emulation circuitry optimized for headphones. Do not connect anything other than headphones 
or ear buds to the HEADPHONES output.

  MUTE FOOTSWITCH  

  The 1/4” (6.5mm) T.R.S. MUTE FOOTSWITCH jack allows for remote muting of the Channels. It re-

sponds to standard tip-to-ground on/off latching footswitches. Shorting the tip to the sleeve mutes the top Channel 1. Shorting the ring 
to the sleeve mutes the bottom Channel 2. The LEDs on the Front Panel will indicate which Channel is in MUTE mode. The toggle 
switches on the front of the amp must be in the down (PLAY) position for the remote MUTE footswitch to function properly and mute 
the channels. Any standard latching type footswitch, wired appropriately, may be used to control the Channel Mute Function. MESA 
sells Rosette specific Mute footswitches (one and two button) separately through our Authorized Dealers and Distributors, our Parts 
& Accessories Online Store, or by contacting our Customer Service department.

PAGE 12

Summary of Contents for Rosette 300 Two:Eight

Page 1: ...Owner s Manual...

Page 2: ...u are the new owner of an amp bred of fine heritage benefitting from the many pioneering and patented MESA circuits as well as fresh cutting edge research and development efforts leading to this new a...

Page 3: ...________________ 10 LAYERED CHORUS REVERB PROGRAM_____________________________________________________ 10 ROOM HALL REVERB PROGRAMS_______________________________________________________ 10 11 EFFECTS...

Page 4: ...atus which extend past the rear edge of its cabinet When Rack Mounting this unit proper ventilation space must be maintained Do Not cover or block Front and Rear and allow at least 2 of open breathing...

Page 5: ...the accurate reproduction of that beauty While staying true to the concept of Do No Harm few products or companies seem to share this perspective forAcousticAmplification And when it comes to the ele...

Page 6: ...s and can end at the Input Stage We re not about to let the latter happen on our watch Note that the lower Channel 2 may be used with a Microphone by using a standard Line Matching Transformer availab...

Page 7: ...ot light indicating the AC MAINS Power has been switched on BLUE The on board Effects Suite includes three effects choices ROOM REVERB HALL REVERB and REVERB AND CHORUS These effects programs create m...

Page 8: ...eeds your acoustic voice to live venues and recording applications with something as important as your music INSTANT GRATIFICATION The ROSETTE is a professional and comprehensive amplifier for acousti...

Page 9: ...I PASS controls feedback by taming excess low frequency resonances and if your instrument is feeding back at a lower pitch increasing the HI PASS filter stands a very good chance of remov ing the offe...

Page 10: ...nel The microphone preamp features a discrete low impedance balanced input amplifier which provides appropriate loading approx 3k ohms and gain to the microphone The MICROPHONE INPUT jack provides DIN...

Page 11: ...ustic instrument and bass amplifiers within the past few years with a few notable exceptions This variable filter helps you coordinate and control the sub sonic harmonics generated by the acoustic cav...

Page 12: ...than trying to boost frequencies Don t frustrate yourself by ignoring this time proven Golden Rule of Audio and you will arrive at great Tone quickly and easily LOW MID BAND With the BASS set at 10 0...

Page 13: ...necessary to set the MIC GAIN or INSTRUMENT GAIN control a little lower and maybe increase the MASTER control a little to obtain a reasonable playing volume and avoid overdriving the input stage Simi...

Page 14: ...to the generated reflections Because the time offsets are longer it s helpful not to use too much of this program in a mix especially with long reverb times and a high setting of parameter 2 s low pa...

Page 15: ...t stage clipping It s acceptable for this amplifier to operate in output stage overdrive mode if that s the tone you re after with the LED flash ing roughly 25 of the time on Rear Panel Controls Featu...

Page 16: ...help avoid accidental ear damage NOTE IMPORTANT It s advisable to use caution whenever sticking any sound source in or in close proximity to your ears as hearing damage is possible due to unintended...

Page 17: ...still best to introduce the least possible cable capacitance in the FX LOOP to ensure the best performance and Tone AUX INPUT The Rosette provides a 1 4 6 5mm T R S AUX INPUT This Tip Ring Sleeve ster...

Page 18: ...h allows you to best match whatever the requirements are of the equipment you are connecting the DI OUTPUTS of your amplifier to so set this switch according to those needs and you will always enjoy g...

Page 19: ...REST AREA PAGE 15...

Page 20: ...n turn the controls up 3 Defective speaker cable or cabinet test known good speaker cable and cabinet 4 Defective pickup or cable test with known good pickup and cable 5 There is indeed a problem with...

Page 21: ...ck all wiring for missing grounding earthing pins have qualified electrician check building power wiring for missing ground earth connections and correct as necessary 4 Problem with wiring or a device...

Page 22: ...Class D amplifier experience both in bass and acoustic amplifiers as well as in the touring pro audio world We have worked closely with the European engineering team on the development of these new po...

Page 23: ...WM digital audio recorder but at a much higher frequency at 5 volts conventional computer logic level This PWM pulse train is level shifted by large solid state switching power transistors that operat...

Page 24: ...RUS ROOM REVERB HALL REVERB LIMIT FX BYPASS PROTECT POWER LOW MID HIGH MID 300 TWO EIGHT ROSETTE PICKUP PHASE PICKUP INPUT PICKUP INPUT CH 1 CH 2 MIC INPUT PLAY MUTE CLIP IN OUT IN MIC PICKUP PHASE PL...

Page 25: ...TWIST LIFT ADJUSTMENT Adjustment of the Twist Lift is as simple as turning the threaded stand on the bottom side of the cabinet counter clockwise to RAISE the amp or turning the threaded stand clockwi...

Page 26: ...ones For this reason specifications and information in this manual are subject to change without notice SERVICE INFORMATION USA CANADA Customer Support For technical support troubleshooting tone ques...

Page 27: ...ROSETTE 300 TWO EIGHT BLOCK DIAGRAM PAGE 23...

Page 28: ...CONSUMPTION 250W MAINS FUSE INTERNAL T4A 250V h AMPLIFIER 44YV 100V 240VAC 50 60HZ INPUT POWER RATED POWER PICKUP PHASE PICKUP INPUT PICKUP INPUT CH 1 CH 2 MIC INPUT PLAY MUTE CLIP IN OUT IN MIC PICKU...

Page 29: ......

Page 30: ...18 02 13 MESA Boogie 1317 Ross Street Petaluma California 94954 USA Phn 707 778 6565 www mesaboogie com Fax 707 765 1503...

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