Mesa/Boogie Express series Owner'S Manual Download Page 18

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TUBE NOISE & MICROPHONICS:

   You may occasionally experience some form of tube noise or microphonics. Certainly no cause 

for alarm, this quirky behavior comes with the territory and the Tone. Much like changing a light bulb, you don’t need a technician 
to cure these types of minor user serviceable annoyances and in fact, you’ll be amazed at how easy it is to cure tube problems...by 
simply swapping out a pre-amp or power tube!  

First may we suggest that you set the amplifier up on something so that you can get to the tubes comfortably without having to bend 
down. It also helps to have adequate lighting as you will need to see the tube sockets clearly to swap tubes. 

Use caution and com-

mon sense when touching the tubes after the amplifier has been on as they may be extremely hot! If they are hot and you 
don’t want to wait for them to cool off, try grasping them with a rag and also note that the glass down around the bulbous silvery tip is 
considerably less hot which makes it easier to handle. Gently rock the tube back and forth as you pull it away from its socket.

DIAGNOSING POWER TUBE FAILURE:

   There are two main types of tube faults: shorts and noise. Both large and small tubes 

may fall prey to either of these problems but diagnosis and remedy is usually simple.

If a fuse blows, the problem is most likely a shorted power tube and shorts can either be mild or severe. In a mildly shorted tube the 
electron flow has overcome the control grid and excess current flows to the plate. You will usually hear the amp become distorted 
and begin to hum slightly. If this occurs, quickly look at the power tubes as you switch the amp to STANDBY and try to identify one 
as glowing red hot. It is likely that two of a pair will be glowing since the “shorted” tube will pull down the bias for its adjacent mates, 
but one tube may be glowing hotter — and that one is the culprit. The other two are often fine — unless they’ve been glowing bright 
red for several minutes.

Because there is no physical short inside the tube (just electrons rioting out of control) merely switching to STANDBY for a few mo-
ments then back to ON will usually cure the problem...at least temporarily. Watch the tubes carefully now. Should the problem recur, 
the intermittent tube will visibly start to over heat before the others and thus it can be identified. It should be replaced with one from 
the same color batch, shown on its label. Call us and we will send one out to you.             

The severe short is not nearly so benign.  In the worst cases, a major arcing short occurs between the plate and the cathode with 
visible lightning inside the glass and a major noise through the speaker. If this is seen to happen, IMMEDIATELY turn the amp to 
STANDBY. By this time the fuse probably will have blown. Such a short is usually caused by a physical breakdown inside the tube 
including contaminate coming loose or physical contact (or near contact) between the elements. Replace it and the fuse with the 
proper slo-blo type and power up the amp using the power up procedure as we described earlier in this manual.

TUBE NOISE:

   Often caused by contamination within in a tube, the culprit can usually be identified, and by lightly tapping on the glass, 

you will probably hear the noise change. Hearing some noise through the speakers while tapping on the 12AX7’s is normal however. 
And  the one nearer the INPUT will always sound louder because its output is being further amplified by the second 12AX7.

The power tubes should be all but quiet when they are tapped. If crackling or hissing changes with the tapping, you have probably 
found the problem. To confirm a noisy power tube, merely put the amplifier on Standby, remove it from its socket and turn it back on. 
It will cause no damage to run the amplifier briefly with one power tube missing. You may notice a slight background hum, however, 
as the push-pull becomes unbalanced. Whenever you are trying to diagnose a suspect tube, keep your other hand on the POWER 
and STANDBY switches ready to shut them off instantly in the unlikely case you provoke a major short.

If you think you’ve located a problem tube but aren’t sure, we recommend substituting the suspect with a new one just to be sure of 
your diagnoses. You will be doing yourself and us a big favor by just following the simple guidelines previously mentioned regarding 
tube replacement. You’ll probably be successful with much less effort than is required to disconnect everything and haul the unit to a 
technician who will basically perform the same simple tests. If the tubes are still within their six-month warranty period, we will happily 
send you a replacement. Just note the color designation on the tube label so that we can send you the appropriate match.

Summary of Contents for Express series

Page 1: ...Owner s Manual...

Page 2: ...Your reward is that you are the new owner of an amp bred of fine all tube heritage benefiting from the many pioneering and patented Mesa circuits that led to the refinement of your new model We feel c...

Page 3: ...openings with items such as newspapers tablecloths curtains etc Do not impede ventilation by placing objects on top of the apparatus which extend past the rear edge of its cabinet No naked flame sour...

Page 4: ...________________________________________________ 8 REAR PANEL CONTROLS SWITCHES JACKS EXTERNAL SWITCHING______________________________________________________________________ 9 EFFECTS LOOP___________...

Page 5: ...a high gain adventure through the searing layers of molten harmonics in BURN Together these two inspiring modes invite years of solo exploration These stylistically opposing modes in the two Channels...

Page 6: ...ring configuration Choose the full power mode of either amp 25W in 5 25 or 50W in 5 50 for Class AB running in a Push Pull configuration for punch authority and headroom Then kick down to the 5 watt m...

Page 7: ...that these are approximate descriptions of the sound and that your own personal playing style guitar pickups and most of all touch will determine how this mode reacts at specific settings CRUNCH This...

Page 8: ...the BLUES mode perfectly not to mention that your roommates will love you for it BURN This is the highest gain of all the modes in your Express and it is BURN that characterizes Channel 2 as the Lead...

Page 9: ...d you are after try looking to the CONTOUR for any added low end enhancement as this circuit comes later in the preamp and is less likely to bloat the sound If the top end enhancement is unwanted redu...

Page 10: ...s set high the effectiveness of the BASS and MID controls is reduced If the TREBLE control is set low these two controls become dominant For the most balanced sound and a balance of power between the...

Page 11: ...l 2 is activated Now let s move to the individual controls and go over how they interact to achieve the sound you re looking for CONTOUR These two sets of 3 position mini toggles and rotary controls m...

Page 12: ...sition switch up the tubes are at idle so that during power up they may warm up before being put to use Before the power is switched on make sure the STANDBY switch is in the STANDBY position Wait at...

Page 13: ...al it is important that you use good quality processors in the middle of your amp While the loop is compatible with most processor Input Output impedance demands there can be a lot of room for sonic c...

Page 14: ...25 with Dyna Watt is one of our most enjoyable circuits to play as it is extremely Expressive and friendly feeling on the strings as well as incredible sounding 5 50 owners check one out sometime 5WA...

Page 15: ...eans go with the Tone NOTE Using impedance mismatches in the low direction i e a 2 Ohm load on the 4 Ohm output will cause the power tubes to wear a bit faster COMBO Express combos use either one inte...

Page 16: ...PAGE 12 FACTORY SAMPLE SETTINGS Roots Clean Texas Lead Pushed Clean Thick Crunch Alternative Clean Huge Crunch Spankin Clean Vocal Lead Tight Crunch Soaring Lead...

Page 17: ...PAGE 13 PERSONAL SETTINGS...

Page 18: ...start to over heat before the others and thus it can be identified It should be replaced with one from the same color batch shown on its label Call us and we will send one out to you The severe short...

Page 19: ...is because they are at the start of the chain and their noise gets amplified over and over by the tubes that follow The tube that goes into this input socket usually labeled V1 needs to be the least n...

Page 20: ...And most important The bias is RIGHT because it can t change Now you want the long answer Here s more information on how our hard wired bias avoids trouble Please read on But first let s make an impor...

Page 21: ...r an A note If the fluctuations in current flow are large and still at 440 per second you ll hear an A that is LOUD But for purposes of biasing it s the amount of plate current flowing with no signal...

Page 22: ...ges the other Great care goes into getting this just right and we think we d be asking for trouble to have it adjustable for the world to play with unless you like paying to have your amp messed up So...

Page 23: ...xample 8 ohm output into 16 ohm cabinet a slightly different feel and response will be eminent A slight mismatch can provide a darker smoother tone with a little less output and attack This response i...

Page 24: ...w you maintain a consistent load with multiple speakers The importance of this is more evident when you have more than one cabinet to connect to your amplifier This is when you need to figure out the...

Page 25: ...CHEMES Amplifier to Speaker Cabinets 4 OHM 8 OHM 16 OHM Partial back view of amplifier 16 Ohm Cabinet 4 OHM 8 OHM 16 OHM Partial back view of amplifier 16 Ohm Cabinet SAFE MISMATCH 8 OHM 4 OHM 4 OHM P...

Page 26: ...ack view of amplifier SAFE MISMATCH 8 OHM Partial back view of amplifier SERIES BOX 8 Ohm 4 Ohm 4 Ohm 4 Ohm Cabinet 4 Ohm Cabinet 4 OHM 4 OHM 8 OHM Partial back view of amplifier PARALLEL BOX 8 Ohm 16...

Page 27: ...hm 8 Ohm Cabinet 10 SAFE MISMATCH 12 4 OHM 4 OHM Partial back view of amplifier 16 Ohm Cabinet 16 Ohm Cabinet 11 8 OHM 8 Ohm Cabinet 16 Ohm Cabinet 16 Ohm Cabinet 4 OHM 4 OHM 8 OHM Partial back view o...

Page 28: ...et 8 Ohm Cabinet SERIES BOX 16 Ohm 8 Ohm 8 Ohm 16 Ohm Cabinet 13 SAFE MISMATCH WIRING SCHEMES Amplifier to Speaker Cabinets 4 OHM 4 OHM 8 OHM Partial back view of amplifier 16 Ohm Cabinet 16 Ohm Cabin...

Page 29: ...epel one another and thus within the electron cloud surrounding the cathode there is much jostling and elbowing as each one tries to maintain his distance from all the others unless there is a strong...

Page 30: ...d spring It can create a repelling field but mostly it s empty space in between widely sepa rated windings of wire It s very easy to control the electrons as they pass through the grid s force field C...

Page 31: ...this and haven t lost track of the count you ll know we re still one element short of the five needed to make a Pentode This last part is a pair of beam confining shields which being negatively charg...

Page 32: ...PAGE 28...

Page 33: ...PAGE 29...

Page 34: ...607231 LED pt 395735 LENS pt 703330 SWITCH pt 607233 LED pt 395438 LENS pt 703330 2 SWITCHES pt 607233 2 SWITCHES pt 600631 LED pt 394251 LED pt 394232 LED pt 394201 LENS pt 703782 BULB pt 703047 HOL...

Page 35: ...3330 LED pt 395735 LENS pt 703330 SWITCH pt 607233 2 SWITCHES pt 607233 LED pt 394251 LENS pt 703782 BULB pt 703047 HOLDER pt 703047 SWITCH pt 607231 2 SWITCHES pt 600631 FRONT PANEL Express 5 50 LED...

Page 36: ...NOTES...

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Page 38: ...09 14 09...

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