Mesa/Boogie Bass Prodigy Owner'S Manual Download Page 21

PAGE 16

  FOOTSWITCH (OPTIONAL)  

   An 

optional PRODIGY Footswitch is available that provides remote control of the VOICE, 

SOLO, FX and MUTE/TUNE features.  It also features a ¼” TUNER OUT jack on the left side that provides for connection of a tuner 

at the location of the Footswitch.  When MUTE is selected on the Footswitch the signal at the SPEAKER 
OUTPUTS will be silenced but the signal at the TUNER jack on the Footswitch will still be active so you can 
tune your instrument silently without going back to your amplifier.  The VOICE button allows you to toggle 
the VOICE feature from Mode (position) 1, 2, 4 and 5 back to the “Bypassed/Flat” setting of Mode #3. 

The female 8-pin DIN receptacle is for the 

optional PRODIGY Footswitch.  Connect the 8-pin DIN cable 

to this receptacle when the PRODIGY Footswitch is to be used to control the MUTE, VOICE, LOOP and 
SOLO.  Make sure the cable is oriented correctly - with the pins lining up with the sleeves in their jacks and 

then be sure it is properly seated (all the way in) when inserting the cable into the 8-pin DIN receptacle and the footswitch.  

NOTE:  NEVER force an improperly aligned cable!  It can be connected easily when properly aligned.

NOTE:  It is good practice to secure the Footswitch cable so that it will not be stressed should someone step on, trip over or pull the 
cable sideways in some manner.  This could cause damage to the pins on the male end of the cable or even possibly the sleeves 
within the DIN jack.  The simple, time tested gaffer’s (duct) tape is a good idea even if you and your band mates don’t move around 
much during performance – someone else might. 

  SPEAKER OUTPUT   (WITH AUTO-MUTE PROTECTION)  

   These three jacks are the ¼” SPEAKER OUTPUTS for 

the PRODIGY and they are responsible for delivering it’s massive Tone and Power to your cabinets of choice.  One 8 OHM and two 4 

OHM jacks allow interfacing of almost any speaker set up and ensures proper loading of the 
Output Transformer and Tubes.   For more ideas and instruction on connecting your cabinets 
properly, see the diagrams in the Rear of this Manual on SPEAKER CONNECTION.  But first, 
this IMPORTANT note:

NOTE:  IMPORTANT!  MAKE SURE YOU HAVE A SPEAKER CONNECTED TO THE 
SPEAKER OUTPUT JACKS AT ALL TIMES! EVEN THOUGH THE PRODIGY HAS BUILT-IN 
PROTECTION, DON’T RELY ON THIS ALONE – IT IS A HIGH POWER AMPLIFIER AND 

MUST HAVE A LOAD CONNECTED AT ALL TIMES!

NOTE:  IMPORTANT!  NEVER UNPLUG THE SPEAKER LOAD (Cabinet) WHILE THE AMPLIFIER IS IN USE AND BEING PLAYED!
 
The following are some basic Speaker Cabinet setup guidelines to follow for the proper loading, highest power headroom and tight, 
punchy Tone.  

One 8 Ohm Cabinet should be connected to the 8 OHM SPEAKER OUTPUT. 

Two 8 Ohm Cabinets should be connected to the two 4 OHM SPEAKER OUTPUTS.  

One 4 Ohm Cabinet should be connected to one of the 4 OHM SPEAKER OUTPUTS.

The three wiring schemes above cover 90% of the Cabinet load scenarios you will encounter. If you are attempting to connect cabi-
nets in a configuration not listed above, please consult the SPEAKER IMPEDANCE MATCHING AND HOOK-UP GUIDE toward the 
end of this manual. If you are still unsure of the proper connection, DO NOT GUESS – play it safe! The PRODIGY is a high power 
amplifier and improper speaker impedance connections can cause excessive tube wear or premature tube failure and other poten-
tially expensive and time-consuming damages not covered under warranty due to misuse. 

NOTE:  IMPORTANT!  DO NOT USE A 2 OHM LOAD ON THE PRODIGY.  IT WILL CAUSE STRESS ON THE OUTPUT TRANS-
FORMER AND OUTPUT TUBES, CREATE EXCESSIVE HEAT AND WEAR THE POWER TUBES FASTER OR CAUSE THEM TO 
FAIL PREMATURELY.

NORMAL

INPUT

FT. SW.

D.I. OUT

MUTE

FUSE

SOLO

VOICE

4 OHM

8 OHM

4 OHM

SEND

RETURN

POWER

ON

ON

STANDBY

D.I.

LEVEL

SOLO

GAIN

BASS

MID

TREBLE

VOICE

MASTER

D.I. LIFT

GROUND

FULL

HALF PWR

D.I. PRE

POST

CAUTION!

WARNING!

h

5 A

SLO

BLO

120 V~

60 Hz

6 A

CAUTION: Unplug power before  
 

servicing fuse or chassis

SWITCH

EXT

FX

LOOP

TUNER

SLAVE

OUT

USE

W/ TWO

8

Ω 

CABS

SPKRS

B

ASS

P

RODIGY

   4:88

  

VACUUM TUBE AMPLIFIER

TUBE GUIDE

3

 

x

 

12AX

7

   4

 

x

 

KT88

MUTE ON UNLESS SPKR IN

B

R

I

G

H

T

A

C

T

I

V

E

HAND BUILT IN 

PETALUMA, CALIFORNIA U.S.A.

3

2

4

5

1

HOME OF TONE

®

®

Four:88

PATENTED

6,724,897

MUTE

SIL. REC.

P

L

A

Y

NORMAL

INPUT

FT. SW.

D.I. OUT

MUTE

FUSE

SOLO

VOICE

4 OHM

8 OHM

4 OHM

SEND

RETURN

POWER

ON

ON

STANDBY

D.I.

LEVEL

SOLO

GAIN

BASS

MID

TREBLE

VOICE

MASTER

D.I. LIFT

GROUND

FULL

HALF PWR

D.I. PRE

POST

CAUTION!

WARNING!

h

5 A

SLO

BLO

120 V~

60 Hz

6 A

CAUTION: Unplug power before  
 

servicing fuse or chassis

SWITCH

EXT

FX

LOOP

TUNER

SLAVE

OUT

USE

W/ TWO

8

Ω 

CABS

SPKRS

B

ASS

P

RODIGY

   4:88

  

VACUUM TUBE AMPLIFIER

TUBE GUIDE

3

 

x

 

12AX

7

   4

 

x

 

KT88

MUTE ON UNLESS SPKR IN

B

R

I

G

H

T

A

C

T

I

V

E

HAND BUILT IN 

PETALUMA, CALIFORNIA U.S.A.

3

2

4

5

1

HOME OF TONE

®

®

Four:88

PATENTED

6,724,897

MUTE

SIL. REC.

P

L

A

Y

Summary of Contents for Bass Prodigy

Page 1: ...Owner s Manual THE HOME OF TONE...

Page 2: ...wn Your reward is that you are the new owner of an amp bred of fine all tube heritage benefiting from the many pioneering and patented Mesa circuits that led to the refinement of your new model We fee...

Page 3: ..._________________________________________________________ 11 STANDBY SWITCH__________________________________________________________________________________ 11 REAR PANEL AC MAINS FUSE FUSE RATING AN...

Page 4: ...y exit from the apparatus Only use attachments accessories specified by the manufacturer Unplug this apparatus during lightning storms or when unused for long periods of time Refer all servicing to qu...

Page 5: ...nnections Do not use excessive force when handling buttons switches and controls Do not use solvents such as benzene or paint thinner to clean the unit Always connect to an AC power supply that meets...

Page 6: ...Stanley Clark Jack Blades Michael Anthony Blasko and Bootsy Collins are but a few of the international stars that put the 400 center stage to anchor the band during its 20 year build cycle Those iconi...

Page 7: ...ed by the same Front Panel LED triggered by the mini toggle MUTE PLAY SILENT RE CORD switch Red LED ON MUTE The SILENT RECORD setting allows you to safely mute the signal at the Power Amp and use the...

Page 8: ...START PROCEDURE When powering up your PRODIGY from cold ALWAYS follow this Start Up Procedure We have found the currently available KT88s require substantially more time than 6L6s or EL34s to warm up...

Page 9: ...and delivers many of the characteristics of several different manufacturer s iconic amplifiers in one simple to use control Use the VOICE Control to take a broad aim at the sound playing style you are...

Page 10: ...t setting The NORMAL input is also a great choice if your bass or cabinet or both leans toward being a little on the bright side or if you find the Prodigy to sound bright with other elements of your...

Page 11: ...ASS control is actually a gain and frequency control all rolled into one with the Q center at 55Hz As mentioned above though it is centered here frequencies harmonics in both low and high direc tions...

Page 12: ...ity associated with a traditional passive TREBLE control The active TREBLE control completes the rotary tone control string to create a powerful and extremely accurate network to use as your fundament...

Page 13: ...ry sensitive The MASTER allows you to set the preamp s GAIN control across a wide range of input headroom possibilities from completely clean to tube overdrive and compensate for these extremes giving...

Page 14: ...your applications that don t require maximum output and headroom you can lengthen the interval between re tubing if you employ power tube rotation swapping the ones used in HALF Power with the ones t...

Page 15: ...ce whenever interfacing with Consoles whether Recording or Live Sound to ALWAYS begin your set up regimen by zeroing out the D I LEVEL control BEFORE flipping the POWER switch to the ON position This...

Page 16: ...ool your amp down and put it in an idle state during set breaks This is actually easier on the tubes than turning the POWER completely off only to fire it back up again 15 minutes later The shock of i...

Page 17: ...PAGE 12 REST AREA...

Page 18: ...f the speaker jacks For this system to be totally ef fective you must insure that the plug is FULLY inserted into the amplifier and that the other end of the speaker cable is also connected to your ca...

Page 19: ...RETURN EFFECTS LOOP NOTE To avoid any loud and potentially dangerous pops and noises set the amp to Standby before connecting or disconnecting any effects to the Send or Return jacks This will prevent...

Page 20: ...ks with an external master switching device or a single tip to ground on off latching footswitch NOTE Use shielded audio cable for connecting the TUNER Output to an external tuner SLAVE This jack is t...

Page 21: ...ures proper loading of the Output Transformer and Tubes For more ideas and instruction on connecting your cabinets properly see the diagrams in the Rear of this Manual on SPEAKER CONNECTION But first...

Page 22: ...et into one 4 OHM SPEAKER OUTPUT 4 Ohm Cabinet into the 4 OHM SPEAKER OUTPUT SPEAKER OUTPUT AUTO MUTE FUNCTION Your PRODIGY has built in Output Transformer protection against a No Load scenario in the...

Page 23: ...he D I POST Position However the final output level that appears at the D I OUTPUT jack is set by the D I OUTPUT control on the Front Panel The overall range of signal available is optimized for Conso...

Page 24: ...GROUND FULL HALF PWR D I PRE POST B R I G H T A C T I V E 3 2 4 5 1 Four 88 MUTE SIL REC P L A Y SAMPLE 4 Rock Growl NORMAL INPUT POWER ON ON STANDBY D I LEVEL SOLO GAIN BASS MID TREBLE VOICE MASTER...

Page 25: ...TREBLE VOICE MASTER PLAY MUTE D I LIFT GROUND FULL HALF PWR D I PRE POST N O R M A L A C T I V E 3 2 4 5 1 Four 88 VINTAGE INPUT POWER ON ON STANDBY D I LEVEL SOLO GAIN BASS MID TREBLE VOICE MASTER P...

Page 26: ...de our designer s sweet spot are unnecessary and usually undesirable unless you like paying a tech to re set your amp s bias voltage But KT 88s are different and sampling them from various suppliers r...

Page 27: ...is also printed on the chassis top Tube Deck and consists of the following steps SET BIAS For Non Technicians 1 Set the BIAS SWITCH located on the upper Rear Tube Deck to OPERATE Make sure the amp is...

Page 28: ...higher resistance for example 8 ohm output into 16 ohm cabinet a slightly different feel and response will be eminent A slight mismatch can provide a darker smoother tone with a little less output an...

Page 29: ...ve side of Speaker A to the Negative side of Speaker B COMBINATION OF SERIES PARALLEL This is really just two sets of Series wired speakers connected in Parallel This is how you maintain a consistent...

Page 30: ...CHEMES Amplifier to Speaker Cabinets 4 OHM 8 OHM 16 OHM Partial back view of amplifier 16 Ohm Cabinet 4 OHM 8 OHM 16 OHM Partial back view of amplifier 16 Ohm Cabinet SAFE MISMATCH 8 OHM 4 OHM 4 OHM P...

Page 31: ...ack view of amplifier SAFE MISMATCH 8 OHM Partial back view of amplifier SERIES BOX 8 Ohm 4 Ohm 4 Ohm 4 Ohm Cabinet 4 Ohm Cabinet 4 OHM 4 OHM 8 OHM Partial back view of amplifier PARALLEL BOX 8 Ohm 16...

Page 32: ...hm 8 Ohm Cabinet 10 SAFE MISMATCH 12 4 OHM 4 OHM Partial back view of amplifier 16 Ohm Cabinet 16 Ohm Cabinet 11 8 OHM 8 Ohm Cabinet 16 Ohm Cabinet 16 Ohm Cabinet 4 OHM 4 OHM 8 OHM Partial back view o...

Page 33: ...et 8 Ohm Cabinet SERIES BOX 16 Ohm 8 Ohm 8 Ohm 16 Ohm Cabinet 13 SAFE MISMATCH WIRING SCHEMES Amplifier to Speaker Cabinets 4 OHM 4 OHM 8 OHM Partial back view of amplifier 16 Ohm Cabinet 16 Ohm Cabin...

Page 34: ...You ll probably be successful with much less effort than is required to disconnect everything and haul the unit to a technician who will basically perform the same simple tests If the tubes are still...

Page 35: ...possibly damaged Pre amp tubes don t normally wear out as a rule Therefore it is not a good idea to change them just for the sake of changing them If there isn t a problem don t fix it If there is no...

Page 36: ...PAGE 31 NOTES...

Page 37: ...INFO MESABOOGIE COM BEFORE CHANGING TUBES FLIP POWER STANDBY SWITCH TO OFF INPUT JACK 12AX7 V3 12AX7 V2 12AX7 V1 KT 88 V7 KT 88 V6 KT 88 V5 KT 88 V4 SET BIAS LED TRIM OPERATE FRONT OF CHASSIS TUBE REP...

Page 38: ...VOICE 4 OHM 8 OHM 4 OHM SEND RETURN POWER ON ON STANDBY D I LEVEL SOLO GAIN BASS MID TREBLE VOICE MASTER D I LIFT GROUND FULL HALF PWR D I PRE POST CAUTION WARNING h 5 A SLO BLO 120 V 60 Hz 6 A CAUTI...

Page 39: ......

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