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7HEN)BEGANTODEVELOPTHE-ARKBASSCONCEPTIN)TALYSEVERALYEARSAGO)HADONEOBJECTIVEINMINDTOPRODUCEATOPQUALITYBASSAMPTHATWOULDMEETTHENEEDS
OFPROFESSIONALBASSPLAYERSEVERYWHERE)WANTEDMYAMPSTOBECOMPACTANDLIGHTWEIGHTYETABLETOHANDLETHELOWFREQUENCIESTHATTODAYSFOURlVEANDSIXSTRING
PASSIVEANDACTIVEBASSESARECAPABLEOFPRODUCING4HANKSTOMODERNTECHNOLOGYANDTHEAVAILABILITYOFHIGHQUALITYCOMPONENTSLIKELOWPROlLETOROIDALTRANSFORMERS
NEODYMIUMSPEAKERSANDSOON)WASABLETOACCOMPLISHTHIS
4HE-ARKBASSAMPLIlERCIRCUITRYISDESIGNEDSPECIlCALLYNOTTOCOLORTHESOUNDOFTHEBASSBUTTOFAITHFULLYREPRODUCETHEUNIQUETONALQUALITIESOFWHATEVERINSTRUMENT
ISPLAYEDTHROUGHIT)HAVEWORKEDVERYCLOSELYWITHMANYHIGHPROlLEPROFESSIONALBASSPLAYERSAROUNDTHEWORLDTOlNETUNETHE-ARKBASSPRODUCTLINE
)AMCONlDENTTHATTHE-ARKBASSLINEOFAMPSANDCABINETSISNOWREADYTOSATISFYTHENEEDSOFBASSPLAYERSALLOVERTHEWORLD
4HANKSFORCHOOSING-ARKBASS)HOPEYOUWILLlNDYOURNEWAMPTOBEANINSPIRINGUPGRADETOYOURSOUND
7EENCOURAGEYOUTOUSEYOUR-ARKBASSGEARINALLKINDSOFMUSICALSITUATIONSANDPLEASEHELPUSTOCONTINUEDEVELOPINGOURPRODUCTSBYSENDINGYOURCOMMENTSTO
INFO MARKBASSIT

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Summary of Contents for TA501

Page 1: ...08 3 4 6 7 a 7...

Page 2: ......

Page 3: ...E DESIGN AND EXTREME RELIABILITY ALL IN ONE IMPOSSIBLY LIGHTWEIGHT UNIT 4HIS AMP WILL ALLOW YOUR INSTRUMENT TO SPEAK IN ITS NATURAL VOICE FAITHFULLY CONVEYING YOUR MUSICAL IDEAS TO YOUR AUDIENCE WITH...

Page 4: ...ABLE TO ACCOMPLISH THIS 4HE ARKBASS AMPLIlER CIRCUITRY IS DESIGNED SPECIlCALLY NOT TO COLOR THE SOUND OF THE BASS BUT TO FAITHFULLY REPRODUCE THE UNIQUE TONAL QUALITIES OF WHATEVER INSTRUMENT IS PLAYE...

Page 5: ...T OUTPUT LEVELS MOSTLY DEPENDING ON THEIR PICKUPS AND IN THE CASE OF ACTIVE BASSES THE INSTRUMENT S ONBOARD PREAMP AND 1 SETTINGS NCE YOU VE SET THE LEVEL USE YOUR 34 2 KNOB TO CONTROL THE VOLUME OF Y...

Page 6: ...BASS THROUGH THE AMP WITH ALL THE 1 CONTROLS IN THE NEUTRAL O CLOCK POSITION BEFORE YOU START CHANGING THE SETTINGS 9OU RE LIKELY TO NEED LITTLE OR NO EQUALIZATION OWEVER IF AND WHEN EQUALIZATION IS R...

Page 7: ...DETECT A HUM FROM YOUR AMP S SIGNAL 4HIS IS ALMOST ALWAYS DUE TO A GROUNDING PROBLEM RELATED TO YOUR POWER SOURCE YOU WILL LIKELY ELIMINATE THIS HUM SIMPLY BY mIPPING THE 2 5 4 SWITCH 45 2 54 4HE 45 2...

Page 8: ...Z LEVEL D SEMI PARAMETRIC FREQUENCY Z n K Z LEVEL D CENTER FREQUENCY K Z LEVEL D 6 6INTAGE OUDSPEAKER MULATOR MAX CUT RANGE Z n K Z 60 6ARIABLE 0RE SHAPE ILTER CENTER FREQUENCY Z CUT 540543 3 43 UNBA...

Page 9: ...4 3 4 3 3 4 3 4...

Page 10: ...4 4 2 1 2 0 3...

Page 11: ...THEIR PICKUPS AND IN THE CASE OF ACTIVE BASSES THE INSTRUMENT S ONBOARD PREAMP AND 1 SETTINGS NCE YOU VE SET THE LEVEL USE YOUR 34 2 KNOB TO CONTROL THE VOLUME OF YOUR BASS 54 4HIS 54 KNOB CONTROLS TH...

Page 12: ...7 1 7 CONTROL COVERS THE RANGE BETWEEN AND Z 4HE VOLUME OF THE FREQUENCY SELECTED CAN BE BOOSTED OR CUT TO A MAXIMUM OF DECIBELS 4HE 1 CONTROL COVERS THE RANGE BETWEEN Z AND K Z 4HE VOLUME OF THE FREQ...

Page 13: ...DETECT A HUM FROM YOUR AMP S SIGNAL 4HIS IS ALMOST ALWAYS DUE TO A GROUNDING PROBLEM RELATED TO YOUR POWER SOURCE YOU WILL LIKELY ELIMINATE THIS HUM SIMPLY BY mIPPING THE 2 5 4 SWITCH 45 2 54 4HE 45 2...

Page 14: ...FREQUENCY n Z LEVEL D SEMI PARAMETRIC FREQUENCY Z n K Z LEVEL D SEMI PARAMETRIC FREQUENCY n K Z LEVEL D 6 6INTAGE OUDSPEAKER MULATOR MAX RANGE CUT Z n K Z 60 6ARIABLE 0RE SHAPE ILTER CENTER FREQUENCY...

Page 15: ...4 3 4 3 3 4 3 4...

Page 16: ...4 4 2 1 2 0 3...

Page 17: ...UN FOURNEAU OU BIEN UN AUTRE APPAREIL QUI PRODUIT DE LA CHALEUR E PAS MODIlER LE SYST ME DE S CURIT DE LA lCHE POLARIS E OU DE DE LA lCHE POUR LES PRISES DE TERRE 5NE lCHE POLARIS E A DEUX BROCHES L U...

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Page 20: ...TALY 3AN IOVANNI 4EATINO H 6IA TERNO 4EL AX WWW MARKBASS IT INFO MARKBASS IT...

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