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2.MOMARK MODULES ASSEMBLY INSTRUCTION
Prior to installing and/or removing modules, be sure to turn
the unit off AND unplug it from the power source.
Do not connect the unit to a power source unless all three
modules are installed in the amp frame.
Insert the tool (1) supplied with the modules into the two
holes on the front panel of the module.
Slide each module right-side-up into the
amp frame. Be careful to insert each
module into the proper slot!
The PRE module goes in the
left slot (2); the EQ module goes in the
center slot (3); and the MASTER module
in the the right slot (4).
For each module fasten the two corresponding
upper screws and two lower screws (5).
To disassemble a MoMark and remove the modules, repeat
the operations above in inverse order.
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3. MOMARK REAR PANEL
SPEAKER OUT
The MOMARK AMP FRAME can be connected to one or two speaker cabinets. The high-quality Neutrik SPEAKON COMBO jacks (2) accepts either a
SPEAKON or a 1⁄4” speaker cable. Do not use instrument cables. The minimum load is 4 ohms. If you connect two cabinets, the impedance of each
cab must be 8 ohms or higher. If you connect a 4 ohm cabinet, you cannot connect a second cabinet.
LINE OUT
This balanced XLR (8) output sends a balanced signal to the mixing console or snake in live and studio situations.
GROUND LIFT
Occasionally when you’re playing live and using the LINE OUT (8), the soundman will detect a hum from your amp’s signal. This is almost always due
to a grounding problem related to your power source; you will likely eliminate this hum simply by pressing the GROUND LIFT (7) button.
PRE/POST EQ
This button (6) determines whether the signal that leaves the XLR LINE OUT (8) is affected by your amplifier’s EQ settings or not. In most cases, you
will find that sound engineers prefer to receive a pre-EQ signal. Note that the line out signal includes whatever effects you’ve connected through
the effects loop.
TUNER OUT
The TUNER OUT (3) is an unbalanced signal that can be sent to a tuner, allowing you to tune as you play without passing your signal through pedals,
which can degrade the quality of your signal. You can also use this output to send your signal on to another amp, or any kind of recording unit that
doesn’t require a balanced signal.
EFFECT SEND AND RETURN
If you use effect pedals or rack gear, you can route them through the SEND EFFECT (5) and RETURN EFFECT (4) on the rear panel of the amp. The
effects loop is wired in parallel—this means that if something happens to your effects chain (a battery dies or a cable gives out, for example) while
you’re playing, you will not lose your main signal. If desired, however, the effects loop can be easily modified by authorized service personnel to
operate in series.
