%15!,):!4)/.
-ARKBASSAMPSAREDESIGNEDTOFAITHFULLYREPRODUCETHENATURALSOUNDOFYOURBASS)FYOUHAVEAGOODINSTRUMENTVERYLITTLEEQUALIZATION%1 IFANYSHOULDBEREQUIRED"ASSGUITARSPRODUCEASURPRISINGLY
WIDERANGEOFFREQUENCIESFROMEXTREMELYLOWFREQUENCIESTHATAREMOREFELTTHANHEARDTOEXTREMELYHIGHFREQUENCIESTHATPASSTHROUGHYOURCABINETSTWEETERANDAREBARELYAUDIBLETOTHEHUMANEAR!SYOU
EXPERIMENTWITHYOUR%1SETTINGSYOUWILLNOTICETHATALLTHEDIFFERENTFREQUENCYRANGESPLAYESSENTIALROLESINMAKINGUPYOURBASSTONE
,/7FREQUENCIESCONSTITUTEMUSICSSONICFOUNDATIONTHEYGIVEPOWERTOYOURSOUNDPHYSICALLYRESONATINGYOURLISTENERSBODIESANDYOURS SOMETIMESEVENCAUSINGPEOPLETOMOVEANDDANCE
,/7-)$Sh-)$,/7vOR-ID&REQUENCY,OW MAKEYOURBASSSOUNDLOUDPROJECTINGTHESOUNDOVERLONGDISTANCEShlLLINGTHEROOMv
()'(-)$Sh-)$()'(vOR-ID&REQUENCY(IGH CONVEYTHEPITCHOFTHENOTESTHATYOUPLAY#LARITYOFTHISRANGEENSURESTHATTHEMELODIESINYOURBASSLINESAREHEARD)FDETAILISMISSINGINTHISRANGEYOURMELODIC
CONTRIBUTIONTOTHEMUSICWILLSUFFER
()'(FREQUENCIESCARRYTHEPERCUSSIVECONTENTOFYOURPLAYINGTHEATTACKOFYOURNOTESTHESOUNDOFYOURlNGERORPICKPASSINGOVERTHESTRINGFRETNOISEANDINTHECASEOFSLAPBASSTHEhTICKvNOISEPRODUCED
WHENTHESTRINGSBOUNCEOFFTHEFRETS
)FANYONEOFTHESEFREQUENCYRANGESISNEGLECTEDORPOORLYREPRESENTEDBYYOURAMPYOUARENOTHEARINGANACCURATEREPRESENTATIONOFTHESOUNDTHATYOURBASSISGENERATING3INCETHESEAMPSHASBEENDESIGNED
TOGIVEYOUCLEARDETAILEDANDMUSICALSOUNDATALLFREQUENCIESWHENTHEAMPISSEThmATvWITHALL%1KNOBSATOCLOCKYOUSHOULDHEARAVERYTRUEMIRROROFTHESOUNDOFYOURBASS
(OWEVERTHEFOLLOWINGCIRCUMSTANCESWILLREQUIREYOUTOUSEEQUALIZATION
4HESIGNALFROMYOURBASSISLACKINGOUTPUTLEVELINONEOFTHEFREQUENCYRANGESDESCRIBEDABOVE
4HEROOMORVENUEYOUREPLAYINGINHASPOORACOUSTICSANDEXCITESACERTAINFREQUENCY&OREXAMPLEIFYOUREPLAYINGONAHOLLOWSTAGECERTAINLOWFREQUENCIESMAYSOUNDDISPROPORTIONATELYLOUD
OROUTOFCONTROLANDYOUMAYNOTICETHATEVERYTIMEYOUPLAYACERTAINNOTEITSOUNDSMUCHLOUDERTHANALLTHEOTHERS)NTHESECASESTHEOFFENDINGFREQUENCYNEEDSTOBEIDENTIlEDANDREDUCED
9OURESEEKINGTOALTERTHEBASICSOUNDOFYOURINSTRUMENTINORDERTOACHIEVEAPARTICULARMUSICALEFFECT
%QUALIZATIONSHOULDBETREATEDASlNETUNING3PENDSOMETIMELISTENINGTOYOURBASSTHROUGHTHEAMPWITHALLTHE%1CONTROLSINTHENEUTRALOCLOCK POSITIONBEFOREYOUSTARTCHANGINGTHESETTINGS9OURELIKELY
TONEEDLITTLEORNOEQUALIZATION
(OWEVERIFANDWHENEQUALIZATIONISREQUIREDYOUWILLlNDTHISAMPS%1TOBEPOWERFULANDIMPRESSIVELYDETAILED
4HE,/7%1 CONTROLISSETTOACENTERFREQUENCYOF(Z4HISMEANSTHATITEITHERBOOSTSORCUTSTHEVOLUMEOFTHEFREQUENCIESAROUND(ZTOAMAXIMUMOFDECIBELS
4HE,/7-)$-)$,/7 %1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUND(ZBYASMUCHASDECIBELS
4HE()'(-)$-)$()'( %1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUND(ZBYASMUCHASDECIBELS
4HE()'(%1 CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUNDK(ZBYASMUCHASDECIBELS4HE1ONTHIS%1THERANGEOFFREQUENCYCONTROLLED ISQUITEWIDESPANNINGFROMABOUTK(ZTOABOUTK(Z
6,%AND60&&),4%23
-ARKBASSAMPLIlERSFEATURETWOMAGICKNOBSTHATALTERTHEEQUALIZATIONOFYOURBASSSIGNALWITHSPECIALLYFORMULATEDMUSICALRESULTS-OSTPLAYERSUSETHESECONTROLSMORETHANTHE%1SINCETHEYWEREDESIGNED
SPECIlCALLYTOMEETTHEPRACTICALNEEDSOFBASSISTS
4HE6,% 6INTAGE,OUDSPEAKER%MULATOR lLTERSOUTHIGHFREQUENCIESTOGIVEYOUAMELLOWERLESSMODERNSOUND!SYOUTURNTHEKNOBCLOCKWISEYOUWILLlNDTHATAWIDERANDWIDERRANGEOFHIGHFREQUENCIES
GETSCUTSEEPAGEFORAGRAPHOFTHISlLTERSFUNCTION 4HIS%1EFFECTISESPECIALLYUSEFULFORACOUSTICANDOLDERSTYLESOFMUSIC
4HE60& 6ARIABLE0RESHAPE&ILTER BOOSTSLOWSAROUND(Z ANDHIGHSAROUNDK(Z ANDCUTSMIDSAT(Z4HISlLTERHASVERYPOWERFULUSESFORROCKMUSICANDISALSOAFAVORITEOFMANYSLAPBASS
PLAYERSSEEPAGEFORAGRAPHOFTHISlLTERSFUNCTION
!GAINWERECOMMENDYOUSTARTOFFWITHTHESElLTERSINTHEOFFPOSITIONANDDIALTHEMINGRADUALLYTODISCOVERWHATEFFECTTHEYHAVE%XPLORETHEMSEPARATELYlRSTBUTYOUMAYlNDTHATUSINGBOTHINCOMBINATION
CANLEADTOSOMEVERYAPPEALINGANDMUSICALRESULTS
Summary of Contents for Combo Head
Page 1: ...08 3 4 6 77 0 5 a 77 0 5 a 20 2 a 0...
Page 2: ......
Page 10: ...44 2 44 2 3 4 3...
Page 15: ...3 4 3 3 4 3...
Page 16: ...44 2 44 2 4 2 1 2 0 3...
Page 18: ......
Page 19: ......
Page 20: ...TALY 3AN IOVANNI 4EATINO H 6IA TERNO 4EL AX WWW MARKBASS IT INFO MARKBASS IT...