Remember that proximity effect is primarily affected by the polar pattern. Often with
vocalists, one wants a certain amount of bass boost associated with certain mics and
certain distances. Rather than just hoping that the CARDIOID setting will do the right
thing, this time try adjusting the PATTERN SELECT CONTROL to “dial in” the amount of
proximity effect for this particular vocal. More OMNI will give less proximity effect, while
more FIGURE 8 will bring in more lows. In other words, while this is only true for close
miking, the PATTERN SELECT can be an effective bass control.
TIP:
You may notice that as the pattern becomes more FIGURE 8, certain air conditioning
rumbles and room noise may exhibit reduced pick-up. Conversely, if you want more room
sound, try moving the pattern select closer to OMNI.
Compared to many microphones, the Manley Reference Gold Microphones exhibit less
proximity effect for a given close distance. This, we feel is a clear advantage. Most
engineers we consulted preferred the options of bass control from the console rather than
the typical situation where a few inches of distance can make or break a take. We also
chose to allow the frequency response of the Reference Mics to extend below 20 Hz. Some
mics seem to have a low frequency resonance that can be desirable at times while boomy
or tubby at other times. Our goal is “flat and natural”.
PATTERN SELECT CONTROL, REF-SILVER
The Reference Silver Microphone offers two
different patterns, Cardioid and Omni.
Changing the pattern is achieved by
inserting the supplied tool into the opening
in the back of the grille and turning the
screw. This adjusts the backplate vents,
allowing the capsule to operate in two
modes.
2) Microphone Controls
REFERENCE
7
