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MPS 5310 (THX PM3 APPROVED)

DRIVER COMPLEMENT

2 X 12” ACRYLIC POLYMER COATED CELLULOSE FIBER

CABINET TYPE

SEALED ENCLOSURE, INVERTED PUSH-PULL

RATED POWER OUTPUT

350 WATTS

PEAK POWER OUTPUT

(20 millisecond pulse)

480 WATTS

AMPLIFIER DISTORTION

< .03% AT FULL OUTPUT FROM 20 HZ TO 125 HZ

AMPLIFIER NOISE

(relative to full output)

- 90 

TYPICAL ROOM RESPONSE

20 HZ – 200 HZ +/- 2db (THX POSITION)

ANECHOIC RESPONSE

18HZ – 125 HZ +/- 2 db (ANECHOIC POSITION) 

INPUT IMPEDANCE

BALANCED

15 K OHMS

UNBALANCED

15K OHMS

LOW PASS FILTER

fixed

80Hz / 24db PER OCTAVE SLOPE (4th order Linkwitz-Riley)

variable

55Hz - 125Hz

13

Summary of Contents for MPS-2810

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Page 2: ...RVICE Unplug this product from the wall outlet and refer servicing to qualified personnel under the following conditions When the power supply cord or plug is damaged If liquid has been spilled or objects have fallen into this product If the product does not operate normally by following the operating instructions Adjust only controls that are covered by the operating instructions as an improper a...

Page 3: ...ICK PRODUCT OVERVIEW 6 7 SUBWOOFER PLACEMENT 6 8 INPUTS AND CONTROLS 8 9 RESPONSE AND SENSITIVITY ADJUSTMENTS 9 10 CALIBRATING YOUR M K PROFESSIONAL SYSTEM 9 11 SPEAKER CALIBRATION 10 12 SUBWOOFER CALIBRATION 11 13 THE FOUR MAJOR ADVANTAGES OF USING BASS MANAGEMENT 11 14 SPECIFICATIONS 12 DIAGRAMS INPUTS AND CONTROLS 8 CABINET DIMENSIONS 12 14 3 ...

Page 4: ... PM Pacific Time We will be more than happy to help you with any question no matter how simple or complex it may be Additional information may also be found on our web site www mkprofessional com 3 PACKING LIST Miller Kreisel Professional wants your product to work and look as good as the day it left the factory so please inspect the packaging for any shipping damage and contact the dealer if the ...

Page 5: ...ion No less is true in multi channel mixing Proper low frequency equalization and mixing decisions are difficult if not impossible unless all 5 1 or more chan nels have the same bass frequency response at the mixers listening position Due to unavoidable room modes five or more correctly placed full range speakers in even the most perfectly designed stu dio will produce dramatically different low f...

Page 6: ...t powered subwoofer that is certified for THX pm3 applications with reference level output in rooms up to approximately 3000 Cubic Feet in volume multiple subs can be used for larger room applications M K s MPS 5410 powered subwoofer allows mixers to hear details in low frequency information down to the limits of audibili ty With 400 watts of power and M K s Push Pull Technology the THX PM3 compli...

Page 7: ...cy response Once you have settled on a possible placement move the subwoofer to that location Experiment with aiming the sub woofer directly at the console or aiming it at a wall or even aiming it along a wall Once you have found a good placement solu tion for the subwoofer play program material that you are familiar with through the satellites and subwoofer and check the sound quality Two channel...

Page 8: ...r B The bottom position of this switch activates an 80Hz 24dB per octave filter This mode should not be used when the subwoofer is being connected to an external bass management box D Phase Switch Allows the subs phase to be changed between 0 degrees and 180 degree out of phase so as to best accommodate subwoofer location and crossover performance with regards to the main speakers E Standard IEC P...

Page 9: ...her the XLR input of the subwoofer or the mono unbalanced RCA input Since all the bass management filtering is being done externally the internal low pass filter should be set to THX mode so it is bypassed The phase switch should be set to whichever mode yields the smoothest response at crossover This can be confirmed by using a spectral analyzer or by listening tests Bass EQ should be set to whic...

Page 10: ... 3kHz recorded at 20dB FSD Use this tone to calibrate your main and surround satellite speakers Track two Band limited Pink noise from 40Hz to 80Hz recorded at 20dB FSD Use this tone to adjust your subwoofer level Track three 1 kHz sine wave recorded at 20dB FSD Use this to set the reference level of your source console etc On an analog console this will be 0VU On digital sources this will be eith...

Page 11: ... engineer never heard When these recordings are played back on a properly calibrated multichannel audio system the music sounds bass heavy or even worse has information in the sound track that was never intended to be there such as noise equipment hum or other artifacts Satellite speakers are smaller and can fit in more places than full range speakers Unlike two channel stereo multichannel audio r...

Page 12: ...UTPUT 20 millisecond pulse 550 WATTS AMPLIFIER DISTORTION 03 AT FULL OUTPUT FROM 20 HZ TO 125 HZ AMPLIFIER NOISE relative to full output 90 db TYPICAL ROOM RESPONSE 20 HZ 200 HZ 2db THX POSITION ANECHOIC RESPONSE 18HZ 125 HZ 2 db ANECHOIC POSITION INPUT IMPEDANCE BALANCED 30 K OHMS UNBALANCED 15K OHMS LOW PASS FILTER fixed 80Hz 24db PER OCTAVE SLOPE 4th order Linkwitz Riley variable 55Hz 125Hz 12 ...

Page 13: ...0 millisecond pulse 480 WATTS AMPLIFIER DISTORTION 03 AT FULL OUTPUT FROM 20 HZ TO 125 HZ AMPLIFIER NOISE relative to full output 90 TYPICAL ROOM RESPONSE 20 HZ 200 HZ 2db THX POSITION ANECHOIC RESPONSE 18HZ 125 HZ 2 db ANECHOIC POSITION INPUT IMPEDANCE BALANCED 15 K OHMS UNBALANCED 15K OHMS LOW PASS FILTER fixed 80Hz 24db PER OCTAVE SLOPE 4th order Linkwitz Riley variable 55Hz 125Hz 13 ...

Page 14: ...relative to full output 90 db TYPICAL ROOM RESPONSE 30 HZ 200 HZ 2db THX POSITION ANECHOIC RESPONSE 22 HZ 125 HZ 2 db ANECHOIC POSITION INPUT IMPEDANCE BALANCED 15K OHMS UNBALANCED 15K OHMS LOW PASS FILTER fixed 80Hz 24db PER OCTAVE SLOPE 4th order Linkwitz Riley variable 55Hz 125Hz MPS Sub Manual qrk 3 23 2004 pt 2 21 3 13 2 13 14 88 14 50 17 50 10 00 5 50 5 50 MPS 2810 2004 M K Sound Inc All rig...

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