Make Noise XPO Manual Download Page 11

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The Waveform Outputs 

(cont.)

Vari-Timbre is derived from the Sine, Triangle, and Sawtooth waveforms. The Center 
parameter cross-fades both left and right Vari-Timbre signals  from Sine to Sawtooth, a 
function found in classic WEST COAST synthesizer circuits such as the Buchla 158 and 258. 

This is useful in a way that is similar to a Low Pass filter, where the sound can transform from smooth and soft, to more biting 
and bright. The resulting Sine/ Saw shape is then further processed with the Modulate L/R parameters cutting the Triangle 
wave into the waveform determined by Center parameter (Sine/ Saw). From 0% at full CCW, to 50% at about 12:00, to 99% at 
full CW. Using control voltage, the triangle’s presence can be increased all the way to 100%. 

The Left and Right Variable outputs are controlled independently by the Modulate controls. The Center parameter operates 
identically on both outputs. 

When the Right output is unpatched, the Left output contains a sum of the Left output and an inverted copy of the Right 
output. Using just the Left output in this case for a Mono signal allows for interesting phasing behaviors when modulating 
one or both waves. The Center parameter tends to be more subtle in Mono since there is much opportunity for phase 
cancellation through the center of the resulting waveform, but may still provide increased harmonics when modulated at 
audio rate. It is this MONO functionality that allows Make Noise to create the elusive Bat waveform.

The Wavefolding outputs utilize wavefolding circuits similar to the Final output on the 
DPO and the Multiply circuit on 0-Coast. 

With Modulate full CCW, the wavefolder gain is low enough that the output will be functionally silent. As Modulate L/R 
increases, a wave will appear and then fold over on itself. The number of folds increase from zero to five through the range of 
the Modulate L/R parameters. The Center parameter modulates the shape and fold point of the wave sent through the 
wavefolder, with the simplest saturated sinusoid wave appearing at full CCW and a thin crispy series of Spikes occurring Full 
CW.

The Left and Right Folded outputs are controlled independently by the Modulate controls. The Center parameter operates 
identically on both outputs. 

When the Right Folded output is unpatched, the Left output contains a combination of the Left and Right wavefolding 
circuits. Using just the Left output in this case for a Mono signal allows for interesting phasing behaviors when modulating 
one or both waves. 

Summary of Contents for XPO

Page 1: ...Stereo Prismatic Oscillator XPO...

Page 2: ...XPO Limited Warranty Installation OUSPEVDUJPO Panel Controls and Inputs Outputs Waveform Outputs Frequency Controls Timbre Controls Tips and Tricks Patch Corner Table of Contents 3 4 5 6 7 12 14 15 1...

Page 3: ...rmal service rates will apply During the warranty period any defective products will be repaired or replaced at the option of Make Noise on a return to Make Noise basis with the customer paying the tr...

Page 4: ...r synthesizer system Go to http www makenoisemusic com for examples of Eurorack Systems and Cases To install find 18hp of space in your Eurorack synthesizer case confirm proper installation of include...

Page 5: ...Modulate Right and Center parameters All outputs are available simultaneously and all analog controls on the XPO are paired with control voltage inputs for full integration into a modular synthesizer...

Page 6: ...for Modulate L CV Input 8 Modulate L CV Input CV Input for Modulate L Also controls Modulate R when Modulate R CV Input is unpatched 9 V Oct input 1 Sets core frequency of the XPO via external contro...

Page 7: ...UT 0VUQVUT cont 16 Modulate R CV Input attenuverter Bipolar input attenuverter for Modulate R CV Input 17 Modulate R CV Input CV Input for Modulate R Normaled to Modulate L CV Input XPO Panel Controls...

Page 8: ...amplitude varies based on Modulate controls 8 Pulse Width Modulation Right output 8 12 V peak to peak amplitude varies based on Modulate controls 9 Vari Timbre Left Mono output 8 12V peak to peak ampl...

Page 9: ...nd will cut through a mix slightly more than a sine wave It can be a useful modulation source where you want more harmonics created for example audio rate modulation of Filter Cutoff The Sawtooth Wave...

Page 10: ...y from 0 silence at full CCW on the Modulate controls to 50 square wave around 12 00 to 99 a very thin pulse at full CW Using control voltage the pulse width can be increased all the way to 100 silenc...

Page 11: ...waves The Center parameter tends to be more subtle in Mono since there is much opportunity for phase cancellation through the center of the resulting waveform but may still provide increased harmonic...

Page 12: ...ch as Ren or analog unquantized sources such as 0 CTRL The two 1v oct inputs are summed with the large Pitch knob and the FM inputs to determine the oscillator frequency at any given moment The second...

Page 13: ...nuator for incoming CV when patched Current FM Depth is indicated in Red via the FM Depth Activity Window Keep in mind that when the Linear FM input is unpatched the FM Depth control is still active c...

Page 14: ...t acts as a panel control and becomes an attenuator for incoming CV when patched This parameter affects the Vari Timbre and Wavefolding outputs in various ways For the Vari Timbre outputs with Modulat...

Page 15: ...d waveform output can make a great modulation source for filters such as QPAS other modules in the patch or the XPO itself For example the Spike wave makes a great frequency modulator for a low pass f...

Page 16: ...Patch Corner coming soon 16...

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