TUTORIALS
(cont’d)
:
Requires Clock inputs in X-Clk and/or Y-Clk for clocked use.
Make sure Ego/Id panel control is turned up and Clock Rate is not Zero.
In order to use CV Outputs as Noise Sources, turn the Clock Rate and its input Attenuator all the way up.
*
*
*
TUTORIal 4 :
Patch Away
Functions, LFOs, Gates, Clock, Offsets:
MATHS
Manual functions, Gates, and manually-selected Sequential Voltages:
Pressure Points
Manual and Clocked Sequential Voltages, and Clocked-Gates:
René
LFO:
DPO
(VCO A’s LFO mode)
Random
Voltage,
Random
Gates,
Clock:
Wogglebug
CV and Gate Sources:
*
*
Dual VCO with selected and variable waveforms:
DPO
3
Random
VCOs,
Noise:
Wogglebug
Loops
and
Feedback:
Echophon
(Requires signal input or “Frozen” buffer)
Loops and Granular Synthesis:
Morphogene
(Recording required before manipulation)
Audio Sources:
Mixing,
VCA,
mild
filtering:
Optomix
Mixing, VCA, Ring Modulation, voltage-controlled Inversion:
modDemix
Mixing, Addition, Subtraction, Slew:
MATHS
Sample & Hold variable-Randomization of input:
Wogglebug
Signal Manipulation:
INPUTS:
OUTPUTS:
Voltage-Controlled Echo, Looping, and Pitch-Shifting:
Echophon
Modeless, continuously-variable Reverb algorithm:
Erbe-Verb
Recording, Looping, Granulation, and Time Lag Accumulation:
Morphogene
Signal Processors:
27
The DPO’s Expo FM inputs, as shown in the DPO and MATHS Tutorials, are useful for gaining an understanding of the shape
different Control Voltages take and whate they are doing. Pitch (ie. Frequency) Modulation is easy for the human ear to
discern as it’s been trained for a lifetime to hear melody. With that in mind, try patching all sorts of outputs to one of the
Expo FM inputs and see and hear the results. When you tire of that, try turning knobs all over the DPO and others to see
what they do. Find some parameters you like and try using CV for them instead. Below is short list of the basic uses of the
modules in the Shared System:
Figure 45: Shared System Inputs/Outputs: