Mackie THRASH212 GO, Manual, Page: 18 / 33

Owner
’s Manual
9
Owner’s Manual
Large Club System
PUSH FOR SETTINGS
50-60 Hz 110W
100-240VAC
SPEAKER CONTROL
INPUT
DIRECT OUT
INPUT
DIRECT OUT
HIGH-PASS OUT HIGH-PASS OUT
PUSH FOR SETTINGS
50-60 Hz 110W
100-240VAC
SPEAKER CONTROL
INPUT
DIRECT OUT
INPUT
DIRECT OUT
HIGH-PASS OUT HIGH-PASS OUT
PUSH FOR SETTINGS
50-60 Hz 110W
100-240VAC
SPEAKER CONTROL
INPUT
DIRECT OUT
INPUT
DIRECT OUT
HIGH-PASS OUT HIGH-PASS OUT
PUSH FOR SETTINGS
50-60 Hz 110W
100-240VAC
SPEAKER CONTROL
INPUT
DIRECT OUT
INPUT
DIRECT OUT
HIGH-PASS OUT HIGH-PASS OUT
GAIN
CH1
GAIN
CH2
MAX MAX OFF
LINE MIC
U U
OFF
LINE MIC
OVERLOAD
POWER/
Hookup Diagrams continued…
Here’s how to set up a large club system. In this example, the L/R outputs of a DL16S mixer are connected directly
to the channel 1 inputs of a pair of DRM18S subwoofers. The Direct Out of each subwoofer is then connected
to the inputs of an additional pair of DRM18S subwoofers.
From here, the high-pass outputs of the two outer DRM18S subwoofers are connected directly to the inputs of a set of Thrash
loudspeakers. Talk about beefy low end!
Outputs 1 and 2 from the mixer may be used as aux sends; these are connected directly to the channel 1 inputs of a pair
of Thrash loudspeakers to be used as monitors for the band. The gain knob on all Thrash loudspeakers in this example
should be set to Line. Keep in mind that these “MIC” and “LINE” markings are for reference only and may need to be raised
or lowered.