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5

The Crossover

The built-in electronic crossover is a

24 dB/octave Linkwitz-Riley design. Although
more expensive than other crossover designs,
the benefits provided by the Linkwitz-Riley
design have been well documented. These
benefits include:
• Absolutely flat frequency response

throughout the bandpass, without the
characteristic ripple near the crossover
point exhibited by other designs.

• The sharp 24 dB per octave roll-off of

the filters ensures that the transducers
aren’t reproducing frequencies outside
of their capabilities.

• The acoustic sum of the two driver

responses is unity at the crossover
frequency, resulting in perfect power
response.

• Our heroic engineers have worked

carefully to ensure that the SRM350
also provides perfect phase response.
This diligence has yielded phenomenal
accuracy, even if you are standing 20
feet away.

The Cabinet

The SRM350 cabinet was designed to be

the strongest molded composite cabinet on
the planet. This material is as strong as con-
crete, and rigid enough to prevent unwanted
vibrations in the cabinet. An optional
bracket kit is available for the top and bot-
tom of the cabinet to be used for flying, and
a socket is provided in the bottom of the
cabinet for mounting on a tripod stand.
Although it is an exceptional choice for in-
stalled sound situations, its light weight and
durable finish also make it ideal for portable
sound system use. The asymmetrical trap-
ezoidal design of the cabinet makes it easy
to use as a floor wedge for stage monitor
applications.

The Active Advantage

There are a number of advantages to us-

ing an active speaker system over a passive
loudspeaker:
• The internal crossover is active, and its

low power circuitry operates on line-
level signals. It does not waste
speaker-level power like a passive
crossover with large coils, caps, and
resistors.

• The input signals are crossed over

before they reach the amplifiers, so each
amplifier only receives the correct
frequency range for its driver.

• The amplifiers are designed specifically

for these speaker load impedances.
There is no guesswork as to what load
each amplifier has to drive, so they can
provide maximum acoustic output from
the speakers, yet minimize the danger of
speaker damage due to overdriving a
lesser amplifier.

• The connecting wires between the

amplifier outputs and the drivers are
kept to a minimum, so the damping
factor of the amplifier isn’t compro-
mised by the resistance of long speaker
cables. In addition, all the power from
the amplifier is transferred directly to
the drivers with no speaker cable losses.

• The acoustic sum of the outputs from

the two drivers is optimized electroni-
cally, as well as physically, so the
amplitude response is flat and there is
no lobing error.

• The presence of active circuits within

the speaker cabinet allow the designer
to add on extra details, such as a high
quality mic/line input section and
optional accessory modules.

In short, all the complex interconnected

components in the system are designed to
work in harmony with each other to pro-
duce the best possible sound.

Summary of Contents for SRM350 2-WAY

Page 1: ...SRM350 2 WAY ACTIVE LOUDSPEAKER USER S MANUAL...

Page 2: ...e to the user 18 This apparatus does not exceed the Class A Class B whichever is applicable limits for radio noise emissions from digital apparatus as set out in the radio interference regulations of...

Page 3: ...hen operating this amplification system in order to prevent a permanent hearing loss if exposure is in excess of the limits set forth here Duration Per Day Sound Level dBA Typical In Hours Slow Respon...

Page 4: ...Amplifiers To power these beautiful things each SRM350 includes two power amplifiers They include the following features The low frequency amplifier produces 165 continuous watts before clipping The h...

Page 5: ...n of the cabinet makes it easy to use as a floor wedge for stage monitor applications The Active Advantage There are a number of advantages to us ing an active speaker system over a passive loudspeake...

Page 6: ...model 4 Turn on your signal source Make sure its Master Volume control if it has one is turned all the way down 5 Turn on the SRM350 POWER switch 6 Start the signal source whether it be speaking into...

Page 7: ...ER INPUT THRU PARALLEL DESIGNED BY MACKOIDS IN WOODINVILLE WA USA AND REGGIO EMILIA ITALY LIMIT SIGNAL 12k AIR 100Hz CONTOUR 3dB ACTIVE SOUND REINFORCEMENT SYSTEM ON SRM350 LINE MIC LEVEL O O MIC GAIN...

Page 8: ...t has its own battery power The SRM350 has several connectors controls and indicators that you should understand IEC Socket This is where you connect the supplied AC linecord to provide AC power to th...

Page 9: ...ctive It s okay for the LIMIT indicator to blink occasionally but if it blinks frequently or continuously either turn down the signal level at the mixer or other signal source or turn down the SRM350...

Page 10: ...ssible monitoring the sound rather than changing it Room acoustics play a crucial role in the overall performance of a sound system However the wide high frequency disper sion of the SRM350 helps to m...

Page 11: ...you may be able to take some steps to mini mize the reflections such as putting carpeting on the floors closing draperies to cover large glass windows or hanging tapestries or other materials on the...

Page 12: ...bs in the U S This provides two phases of AC power on either side of the center tap at 120V each If lighting is used in a show it is prefer able to power the lights from one leg of the service and pow...

Page 13: ...HE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE DO NOT REMOVE COVER NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL CAUTION LEVEL O O MIC GAI...

Page 14: ...ures in the Quick Start section on page 6 to verify that all the volume controls in the system are properly adjusted Is the signal source working and making union scale Make sure the connecting cables...

Page 15: ...of the SRM350 or any other component This is very dangerous The hum may appear when using an unbalanced source consumer preamp CD player VCR etc This is caused by the unbalanced to balanced interface...

Page 16: ...d 7 Tech Support will tell you where to ship the loudspeaker for repair We suggest insurance for all forms of cartage 8 We ll try to fix the loudspeaker within five business days Once it is repaired w...

Page 17: ...t to change these specifications at any time without notice Mackie and the Running Man figure are registered trademarks of LOUD Technologies Inc All other brand names mentioned are trade marks or regi...

Page 18: ...T XLR TRS COMBO MIC LINE SWITCH A 40 dB LEVEL LIMITER ACTIVE PROTECTION MANAGEMENT SYSTEM THERMAL SENSOR CONTOUR SIGNAL LIGHT HI PASS HI FREQ TWEET HI FREQ AMP LO PASS LO FREQ DYNAMIC BASS BOOST LO FR...

Page 19: ...with LOUD Technologies F Any products returned to one of the LOUD Technologies factory authorized service centers and deemed eligible for repair or replacement under the terms of this warranty will b...

Page 20: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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