background image

6

Main PA System with two subwoofers and two powered loudspeakers

WIDE

BYPASS

10

0

10

0

REVERBS

DELAYS

CHORUS/FLANGE/PHASER

DAMPING

DEPTH

TIME
RATE

NORMAL

NORMAL

EFX

SM. 

ROOM

MD. 

PLATE

LG. 

PLATE

LG. 

HALL

GATED

REVERSE

CATHEDRAL

MD. 

HALL

SPRING

PHASER

DELAY  4
CHORUS

DELAY  3

DELAY  1

FLANGE

DELAY  2

1

3-4

1-2

CLIP

0dB=0dBu

LEFT RIGHT

MID

400Hz

MID

400Hz

U

+15

O


U

+15

O

O

U

+15

O


U

+15

O

O

1

2

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

MIC

 

1

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

MIC

 

2

MIC

 

3

MIC 

4

MIC

 

5

MIC

 

6

MIC

 

7

MIC

 

8

ZERO

LEVEL

SET

TAPE LEVEL

O

O

MAX

PHONES LEVEL

UTILITY OUT LEVEL

1

(EXT)

48v

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

RIGHT

LEFT

RIGHT

LEFT

RIGHT

LEFT

RIGHT

LEFT

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

15–

15+

5

10

0
5

10

–15

+15

5

10

0
5

10

1

EFX

2

(INT)

EFX

1

(EXT)

POWER

STATUS

RUDE

SOLO

BREAK SWITCH

(MUTES ALL CHANNELS)

PRE FADER

AUX

U

+15

O


U

+15

O

O

U

+15

O


U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O


U

+15

O

O

U

+15

O


U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O


U

+15

O

O

U

+15

O


U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O


U

+15

O

O

U

+15

O


U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O


U

+15

O

O

U

+15

O


U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O


U

+15

O

O

U

+15

O


U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O


U

+15

O

O

U

+15

O


U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O


U

+15

O

O

U

+15

O


U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O


U

+15

O

O

U

+15

O


U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

2

3

4

5

6

7

8

9/10

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+20

O

O

U

+20

O

O

U

+10

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

11/12

AUX

EFX

MASTER SEND

U

GAIN

+20

-20

U

GAIN

+20

-20

LOW

LOW

22

10

7

4

2

0

2

4

7

10

20

30

STEREO

MAIN MIX

PHONES

FOOT

SWITCH

EFX 

LAMP

12V 0.5A

MAIN OUT

L

R

11

LEFT

AUX SEND

UTILITY OUT

SUB OUT

TAPE

INPUT

TAPE

OUTPUT

L

L

R

1

2

1

2

L

L

R

R

L

R

EFX SEND

STEREO EFX

RETURN

MAIN INSERT

(MONO)

(MONO)

L

R

S

75Hz

SUB OUT

R

1

2

1

2

3

4

MAIN OUT

9

LEFT

RIGHT

10

RIGHT

12

EFX  

1 RETURN

EFX 

2

SEND

TO MAIN MIX

EFFECTS TO MONITOR

AUX 

1

AUX 

2

PHANTOM POWER 

STEREO GRAPHIC EQ

1K

500

250

63

125

16K

2K

4K

8K

12k

HI

HI

MID

3k

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

12k

HI

HI

MID

3k

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

CLIP

 DIGITAL STEREO EFFECTS PROCESSOR

EFX 2 (INT) RETURN MASTERS

12 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXER 

ASSIGN

1

MUTE

ASSIGN

2

MUTE

ASSIGN

3

MUTE

ASSIGN

4

MUTE

ASSIGN

5

MUTE

ASSIGN

6

MUTE

ASSIGN

7

MUTE

ASSIGN

8

MUTE

ASSIGN

9-10

MUTE

ASSIGN

11-12

MUTE

SUB

SUB

SUB

SUB

1

2

3

4

ASSIGN

ASSIGN

ASSIGN

ASSIGN

STEREO

MAIN MIX

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN 

5

+50

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN 

5

+50

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN 

5

+50

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN 

5

+50

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN 

5

+50

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN 

5

+50

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN 

5

+50

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN 

5

+50

-15dB +30dB

REVISION

SERIAL NUMBER

WARNING

: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE.  DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

B

A

INPUTS

B

A

B

A

OUTPUTS

HIGH PASS

FULL RANGE

LEVEL

OL

SIGNAL POWER

POL ARITY

NORMAL
INVERT

THERMAL

+

6dB

6dB

REVISION

SERIAL NUMBER

WARNING

: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE.  DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

POWER

I

O

B

A

INPUTS

B

A

B

A

OUTPUTS

HIGH PASS

FULL RANGE

LEVEL

OL

SIGNAL POWER

POLARITY

NORMAL
INVERT

THERMAL

+

6dB

6dB

POWER

I

O

18-INCH POWERED SOUND REINFORCEMENT SUBWOOFER 

18-INCH POWERED SOUND REINFORCEMENT SUBWOOFER 

ACTIVE SOUND REINFORCEMENT SYSTEM

ACTIVE SOUND REINFORCEMENT SYSTEM

Right Main

Powered Loudspeaker

(Mackie SRM450v2 shown)

Left Main

Powered Loudspeaker

(Mackie SRM450v2 shown)

Pole Mount

High Pass

Output

Pole Mount

High Pass

Output

From Mixer

Left Output

From Mixer

Right Output

Mixing Console

(Mackie CFX12mkII shown)

The left and right line-level outputs from a mixer feed the inputs of the Mackie SRM1801 powered 

subwoofers. The high pass line-level outputs of the subwoofers feed the inputs of the Mackie SRM450v2 

powered loudspeakers, so these reproduce the mid-to-high frequencies in stereo, and the subs provide 

the low frequencies in stereo.

ACTIVE SOUND REINFORCEMENT SYSTEM

ACTIVE SOUND REINFORCEMENT SYSTEM

18-INCH POWERED SOUND REINFORCEMENT SUBWOOFER 

B

A

INPUTS

B

A

B

A

OUTPUTS

HIGH PASS

FULL RANGE

LEVEL

OL

SIGNAL POWER

POLARITY

NORMAL
INVERT

THERMAL

6dB

+

6dB

POWER

I

O

REVISION

SERIAL NUMBER

WARNING

: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE.  DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

Left and Right Main

Powered Loudspeakers

(Mackie SRM450v2 shown)

From Mixer

Left and Right

Outputs

High Pass

Output

Mixing Console

(Mackie ProFX12 shown)

8K

4K

2K

1K

500

250

125

15

15

10

10

5

5

0

15

15

10

10

5

5

0

TAPE

 IN

ST RETURN

MAIN OUT

PHONES

FOOTSWITCH

PHONES

TAPE
OUT

L

R

L

(UNBALANCED)

R

STEREO GRAPHIC EQ

FX SEND

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

LINE IN 4 

INSERT

R

L

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

4

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

R

L

LOW CUT

100 Hz

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

BAL /

UNBAL

(MONO)

(MONO)

(MONO)

(MONO)

LINE IN 7

LINE IN 8

BAL /

UNBAL

LINE IN 9 

R

L

LOW CUT

100 Hz

GAIN

7/8

5/6

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

R

L

MIC

 GAIN

U

+50

GAIN

MIC

 GAIN

U

+50

9/10

12kHz

HI

LEVEL

SET

LEVEL

SET

LEVEL

SET

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

LEVEL

SET

LEVEL

SET

LEVEL

SET

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

GAIN

MIC 

MIC 

MIC 

MIC 

MIC 

MIC 

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

U

+20

-20

GAIN

U

+20

-20

R

L

11/12

ST RTN

FX RTN

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

U

+15

FX TO MON

FX MASTER

U

+15

O

O

O

O

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

L

R

(MONO)

LINE IN 5

LINE IN 6

BAL /

UNBAL

L

R

LINE IN 10

BAL /

UNBAL

L

R

LINE IN 11

LINE IN 12

BAL /

UNBAL

L

R

BAL /

UNBAL

L

R

BAL /

UNBAL

L

R

MON SEND

BAL /

UNBAL

BAL /

UNBAL

PRESETS

FX PRESETS 

01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL

13 DELAY 1  (300ms)
14 DELAY 2  (380ms)
15 DELAY 3  (480ms)
16 DLY  (250ms)

07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 REV
11 DOUBLER
12 TAPE SLAP

MON

MAIN

4

LINE IN 3 

INSERT

3

BAL /

UNBAL

3

LINE IN 2

INSERT

2

BAL /

UNBAL

BAL /

UNBAL

2

LINE/HI-Z IN 1 

INSERT

1

5/6

7/8

9/10

11/12

0dB=0dBu

MAIN

METERS

OL

4

6
3

10

15

7

10

20
30

0
2

BREAK

(MUTES ALL CHANNELS)

PHANTOM

POWER

POWER

O

O

+20

U

TAPE LEVEL

O

O

+20

U

 USB THRU

LINE 

HI-Z

O

O

MAX

1

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

MAIN MIX 

MON

EQ IN

BYPASS

PROFESSIONAL MIC/LINE MIXER WITH FX

R

L

INPUT LEVEL

USB

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

48V

Main PA System with one subwoofer and two powered loudspeakers

The left and right line-level outputs from a mixer feed the inputs of the Mackie SRM1801 powered 

subwoofer. The high pass line-level outputs of the subwoofer feed the inputs of the Mackie SRM450v2 

powered loudspeakers, so these reproduce the mid-to-high frequencies in stereo, and the sub provides 

the low frequencies in mono.

Hookup Diagrams

Summary of Contents for SRM1801

Page 1: ...OWNER S MANUAL 18 Powered Subwoofer SRM1801...

Page 2: ...or an experienced radio TV technician for help CAUTION Changes or modifications to this device not expressly approved by LOUD Technologies Inc could void the user s authority to operate the equipment...

Page 3: ...at www mackie com for more information about this and other Mackie products Subwoofer 1 Subwoofer 2 Please write the serial number for your SRM1801 here or for both SRM1801 s if you have two for futu...

Page 4: ...volume control and loudness from the subwoofer Now that you have your subwoofers working it s time to hunker down and read the rest of this manual especially the following ADDITIONAL TIDBITS OF WIDSD...

Page 5: ...hat is ideal for small clubs DJs and rehearsal spaces The SRM1801 has both full range and high pass stereo outputs for connection to full range top boxes Just dial in the appropriate level and use the...

Page 6: ...R POLARITY NORMAL INVERT THERMAL 6dB 6dB REVISION SERIAL NUMBER WARNING TO REDUCETHE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS EQUIPMENTTO RAIN OR MOISTURE DO NOT REMOVE COVER NO USER SERVICEA...

Page 7: ...UIPMENTTO RAIN OR MOISTURE DO NOT REMOVE COVER NO USER SERVICEABLE PARTS INSIDE REFER SERVICINGTO QUALIFIED PERSONNEL AVIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR B A INPUTS B A B A OUTPUTS HIGH PASS...

Page 8: ...n off thumps in your speakers The rear panel is where you connect AC power and your signals to and from the subwoofer You may also adjust the level and polarity to match the other loudspeakers in your...

Page 9: ...t powers the subwoofer The frequency range above 125 Hz is sent to these line level output jacks Connect these outputs to the inputs of your main powered loudspeakers or to the inputs of the amplifier...

Page 10: ...tor lights when the amplifier in the SRM1801 is near the clipping point It is okay if the OL indicator blinks occasionally because this means that the transient peaks are just reaching the maximum out...

Page 11: ...sition especially if you are listening to just the subwoofer This is normal as our ears perceive them both as the same The polarity invert switch comes into play when the SRM1801 subwoofer is paired w...

Page 12: ...esigned to protect the subwoofers under reasonable and sensible conditions Should you choose to ignore the warning signs i e frequent OL LED indications excessive distortion you can still damage the s...

Page 13: ...al source turned up Make sure the signal level from the mixing console or whatever device immediately precedes the subwoofer is high enough to produce sound If it s a stereo pair try switching them ar...

Page 14: ...g a ground loop If connecting an unbalanced output to the SRM1801 balanced input make sure the shield is connected to the unbalanced ground and to pin 1 of the XLR Repair For warranty service refer to...

Page 15: ...abeled FULL RANGE and two labled HIGH PASS These are also wired according to the AES standards listed above The FULL RANGE connectors allow you to connect several SRM1801 s Simply plug the signal sour...

Page 16: ...Technologies Inc All other brand names mentioned are trademarks or registered trademarks of their respective holders and are hereby acknowledged 2011 LOUD Technologies Inc All Rights Reserved Acousti...

Page 17: ...25 3 in 643 mm 20 2 in 513 mm WEIGHT 73 lb 33 1 kg 15 1 in 383 mm 18 INCH POWERED SOUND REINFORCEMENT SUBWOOFER SRM1801 Dimensions SRM1801 Frequency Response 1 3 Octave Response Normalized to 0 dB SPL...

Page 18: ...ded by the distributor in your local market LOUD warrants to Customer that the product will be free from defects in materials and workmanship under normal use during the Warranty Period If the product...

Page 19: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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