Mackie REACH Owner'S Manual Download Page 16

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Reach Professional PA System

Placement

WARNING: Installation should only be done  
by an experienced technician. Improper  
installation may result in damage to the  

equipment, injury or death. Make sure that Reach is 
installed in a stable and secure way in order to avoid 
any conditions that may be dangerous for persons or 
structures.

Reach is designed to be pole-mounted via the built-in 

socket located on the bottom. Be sure the pole  
is capable of supporting the weight of Reach.  
The SPM200 is a great option if using a subwoofer. 

Check to make sure that the support surface  

(e.g. floor, etc.) has the necessary mechanical  
characteristics to support the weight of Reach.

When pole-mounting, be sure that the Reach  

is stabilized and secured from falling over or being  
accidentally pushed over. Failure to follow these  
precautions may result in damage to the equipment, 
personal injury, or death.

As with any powered components, protect them from 

moisture. Avoid installing the loudspeaker in places 
exposed to harsh weather conditions. If you are setting 
them up outdoors, make sure they are under cover if 
you expect rain.

Room Acoustics

Reach is designed to sound fantastic in nearly every 

application.

But, room acoustics play a crucial role in the overall  

performance of a sound system. However, the wide  
high-frequency dispersion of Reach helps to minimize 
the problems that typically arise.

Here are some additional placement tips to help  

overcome some typical room problems that might arise:

•  Placing Reach in the corner of a room increases 

the low frequency output and can cause the 
sound to be muddy and indistinct.

•  Placing Reach against a wall increases the 

low frequency output, though not as much as 
corner placement. However, this is a good way 
to reinforce the low frequencies, if so desired.

•  Avoid placing Reach directly on a hollow stage 

floor. A hollow stage can resonate at certain 
frequencies, causing peaks and dips in the 
frequency response of the room. It is better to 
place it on a sturdy stand designed to handle 
the weight.

•  Position Reach so the high-frequency drivers 

are two to four feet above ear level for the  
audience (making allowances for an audience 
that may be standing/dancing in the aisles). 
High frequencies are highly directional and 
tend to be absorbed much easier than lower  
frequencies. By providing direct line-of-sight 
from the loudspeakers to the audience,  
you increase the overall brightness and  
intelligibility of the sound system.

•  Highly reverberant rooms, like many  

gymnasiums and auditoriums, are a  
nightmare for sound system intelligibility. 
Multiple reflections off the hard walls, ceiling, 
and floor play havoc with the sound. Depending 
on the situation, you may be able to take some 
steps to minimize the reflections, such as    
putting carpeting on the floors, closing  
draperies to cover large glass windows, or  
hanging tapestries or other materials on the 
walls to absorb some of the sound.

 

However, in most cases, these remedies are not 
possible or practical. So what do you do?  
Making the sound system louder generally 
doesn’t work because the reflections become 
louder, too. The best approach is to provide as 
much direct sound coverage to the audience 
as possible. The farther away you are from 
the speaker, the more prominent will be the 
reflected sound. 

 

Use more Reach Professional PA Systems  
strategically placed so they are closer to the 
back of the audience. If the distance between 
the front and back speakers is more than about 
100 feet, you should use a delay processor  
to time-align the sound. (Since sound travels 
about 1 foot per millisecond, it takes about  
1/10 of a second to travel 100 feet.)

Keep in mind that the EQ mode and feedback  

destroyer are two great ways to compensate for some of 
these issues. See page 14 for more information [18, 16].

Summary of Contents for REACH

Page 1: ...OWNER S MANUAL...

Page 2: ...arantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipmen...

Page 3: ...1 4 Combo Inputs 11 4 OL LEDs 12 5 Bluetooth Aux In 12 6 Phones 12 7 FX Footswitch 12 8 Link In Link Out 12 Reach Side Panel Features 13 9 LED Indicator 13 10 Ch 1 4 Buttons 13 11 BT Aux 13 12 Mon But...

Page 4: ...silent practice mode Footswitch jack for instant control over FX mute Link out to connect another Reach for additional power and more inputs o Loaded with professional sound tools to optimize your so...

Page 5: ...rs clear high fidelity sound to your entire audience and with the EarShot personal monitoring system Reach provides an incredibly flexible built in stage monitoring solution as well Plus with wireless...

Page 6: ...jam along to the backing tracks you added to your device In this example a mic is connected to the channel 1 input Adjust the level as described on page 14 Now grab your guitar and plug it directly in...

Page 7: ...oth or 1 8 input Adjust the levels for both guitars and both mics as described on page 14 You may add color to the sound with FX Simply press and hold the channel button you want to add FX to followed...

Page 8: ...ard and a bassist channel 4 input all on one Reach The fourth member who always thinks he s the first and best member is the vocalist His mic is connected to the channel 1 input of the second Reach as...

Page 9: ...op is connected to the aux input for the stereo audio video portion of the presentation Be sure to adjust the levels as described on page 14 For the output you will want to set an EQ mode described in...

Page 10: ...device is connected to Reach via Bluetooth or 1 8 input playing music as the wedding party and guests leave the premises Be sure to adjust all levels as described on page 14 Guess what Reach can now...

Page 11: ...cord from Reach and the AC mains supply 3 XLR and 1 4 Combo Inputs The four input channels may accept a balanced mic signal using an XLR connector They are wired as follows according to standards spec...

Page 12: ...tton and the level may be adjusted with the endless rotary knob By default all speakers are muted when headphones are plugged in but this may be changed via the Mackie Connect app The phones output fo...

Page 13: ...el will be represented in the meters with white LEDs After five seconds of inactivity the selection changes back to the default Main To enter pairing mode press and hold the BT Aux button The button L...

Page 14: ...dy effects including various reverbs delays choruses and combinations of these as well On the Reach there are four preset effects to choose from including Verb 1 Verb 2 Delay 1 or Delay 2 Simply press...

Page 15: ...or you illuminates white then off you go While we realize that this list is far from complete it is a start We re looking at adding HW3 and HW4 buttons for Reach V2 0 A few things have come up mostly...

Page 16: ...if so desired Avoid placing Reach directly on a hollow stage floor A hollow stage can resonate at certain frequencies causing peaks and dips in the frequency response of the room It is better to plac...

Page 17: ...f the thermal switch activates try turning down the level control a notch or two on the mixing console or the back of Reach to avoid overheating the amplifier Be aware that direct sunlight and or hot...

Page 18: ...tell you where the nearest factory authorized service center is located in your area If you think your Reach has a problem please check out the following troubleshooting tips and do your best to conf...

Page 19: ...rs System Power Amplification Rated Power 360 watts rms 720 watts peak Low Frequency Power Amplifier Rated Power 2x 100 watts rms 2x 200 watts peak Rated THD 10 Cooling Convection Design Class D 1 Cal...

Page 20: ...User Interface Control Construction Features Cabinet PC ABS Finish High durability black paint Handles One on top one in back Grille Powder coated 18 gauge steel Physical Properties Height 28 0 in 711...

Page 21: ...Owner s Manual 21 Owner s Manual ReachDimensions WEIGHT 31 4 lb 14 2 kg 9 5 in 241 mm 8 6 in 218 mm 28 0 in 711 mm...

Page 22: ...quencies This mode is perfect for plug and play singer songwriters DJ Speaker Mode This mode bumps the lows and highs perfect for music playback Voice Speaker Mode This mode features a significant low...

Page 23: ...mp Amp Amp Limit Limit ADC DAC DAC DAC DAC User EQ User EQ Feedback desTROYer Voicing Mode Effects Reverb Delay Chorus TRS 0 dB fixed gain Hi Z XLR 30 dB fixed gain 0 dB fixed gain Crossover EQ Limite...

Page 24: ...d no pre delay Perfect for thickening percussive instruments such as a snare drum or tight vocal arrangements Cathedral This reverb emulates the extremely long tails dense diffusion and long pre delay...

Page 25: ...of the noncompliance within the Warranty Period to the Company at www mackie com support or by calling LOUD technical support at 1 800 898 3211 toll free in the U S and Canada during normal business...

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Page 28: ...16220 Wood Red Road NE Woodinville WA 98072 USA Phone 425 487 4333 Toll free 800 898 3211 Fax 425 487 4337 www mackie com...

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