Mackie ONYX 1220i Quick Start Manual Download Page 14

14

   Onyx 1220i

Talkback

The mixer's built-in microphone allows you to talk to 

the band through the phones outputs or stage monitors. 
This can often be charming, pleasant, informative, and 
enlightening.

TALKBACK MIC

The omni-directional dynamic microphone will pick 

up your voice from anywhere in front of the mixer. Any 
hint of exasperation and despair in your voice will be 
faithfully picked up.

TALKBACK Switch

Press this switch in to talk. This is a momentary 

switch, and as long as you hold it in, talkback is  
activated.

When it is pressed in, the control room outputs are  

attenuated (ducked) to allow your voice to come 
through clearly.

TALKBACK LEVEL

Use the talkback level knob to control the level of the 

signal from the internal microphone.

1.  Start with this level turned down.

2.  Select the destination: either headphones 

and/or aux 1-2, and make sure the phones level 
or aux send master levels are set up nicely.

3.  Press the talkback switch as you talk.

4.  Slowly turn the talkback level knob up until 

they can hear you in phones or monitors.

5.  Release the talkback switch when you are 

fi nished talking.

Once you have set the level, you can leave it there for 

the duration of the session or gig.

DESTINATION: PHONES, AUX 1-2

Push in the phones talkback destination switch to 

communicate with the talent in the studio through the 
headphones during a recording session. 

The aux 1-2 talkback destination switch routes the 

talkback signal to the aux send 1 and 2 outputs. Use this 
to communicate with the musicians through their stage 
monitors when you are setting up a live performance.

In a studio, the aux out could be fed to the input of a 

headphone amplifi er feeding several sets of headphones.

It is fi ne to have both talkback destination switches 

pushed in at the same time. If you don’t have either 
switch pushed in, the talkback signal won’t go  
anywhere.

Headphones

dB

30

20

10

40
50

5

5

U

60

10

O

O

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

OL

20

OL

20

OL

20

OL

20

OL

20

OL

20

OL

20

OL

20

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

48V

48V

48V

48V

U

+

15

-15

U

+

15

-15

ON

YX MIC PRE

 

TALKBACK

MAIN MIX

TALKBACK

PRE
POST

HI-Z

LINE

PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE

 

TAPE 

MAIN OUT

IN

OUT

L

R

BAL/UNBAL

BAL/UNBAL

ALT 3-4 OUT

BAL/UNBAL

CTRL - RM OUT

AUX

1-2

PHONES

DESTINATION

LEVEL

O

O

MAX

 SEND

PRE
POST

 SEND

PRE
POST

 SEND

EQ

MID

2.5kHz

HIGH

12kHz

PRE
POST

SEND

L

L

L

L

R

R

R

R

 SEND

INPUT

FW 1-2

LINE

(MONO)

(MONO)

(MONO)

(MONO)

R/4

L/3

L

R

L

R

POWER

MIC

1

2

75Hz

18dB/OCT

3

75Hz

18dB/OCT

4

ON

YX MIC PRE

 

PRE
POST

HI-Z

LINE

 SEND

ON

YX MIC PRE

 

PRE
POST

 SEND

ON

YX MIC PRE

 

GAIN

GAIN

GAIN

GAIN

+

40dB

U

-20dB

U

20

30

40

60

+

40dB

U

-20dB

U

20

30

40

60

+

40dB

U

-20dB

U

20

30

40

60

+

40dB

U

-20dB

U

20

30

40

60

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

EQ

MID

2.5kHz

LOW

80Hz

HIGH

12kHz

EQ

MID

2.5kHz

LOW

80Hz

HIGH

12kHz

MID

2.5kHz

LOW

80Hz

HIGH

12kHz

PRE
POST

 SEND

1k

100

8k

HIGH

12kHz

U

+

15

-15

LOW

80Hz

EQ

AUX

2

1

L

R

PAN

1

LINE

2

LINE

4

LINE

3

LINE

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

GAIN

GAIN

GAIN

GAIN

+

20dB

-20dB

U

+

20dB

-20dB

U

U

+15

-15

U

+15

-15

U

+15

-15

+

20dB

-20dB

U

U

+15

-15

U

+15

-15

U

+15

-15

+

20dB

-20dB

U

AUX MASTER

2

1

SEND

RETURN

2

1

CTRL ROOM/PHONES

SOURCE

PHONES

CONTROL

ROOM

RUDE
SOLO

20

15

10

6

3

0

2

4

7

10

20

30

L

R

0dB=0dBu

LEVEL

SET

CLIP

PRE
POST

PRE
POST

RTN TO

AUX1

MAIN MIX

ALT 3-4

TAPE

FW 1-2

ASSIGN TO

MAIN MIX

MAX

O

O

MAX

O

O

+

15

O

O

+

15

O

O

+

10

O

O

+

10

O

O

MAX

O

O

MAX

O

O

U

+15

-15

U

+15

-15

LOW

80Hz

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

2

3

4

7-8

5-6

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

9-10

11-12

LINE IN 9-10

LINE IN 11-12

LINE IN 7-8

LINE IN 5-6

MID

FREQ

U

+

15

-15

U

+

15

-15

1k

100

8k

HIGH

12kHz

U

+

15

-15

LOW

80Hz

EQ

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

MID

FREQ

U

+

15

-15

U

+

15

-15

1k

100

8k

HIGH

12kHz

U

+

15

-15

LOW

80Hz

EQ

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

MID

FREQ

U

+

15

-15

U

+

15

-15

1k

100

8k

HIGH

12kHz

U

+

15

-15

LOW

80Hz

EQ

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

MID

FREQ

1

FIREWIRE

L

R

POWER

4

3

CHANNEL INSERT

BAL/UNBAL

1

AUX RETURN

2

2

1

1

( PRE-FADER / PRE EQ    TIP SEND / RING RETURN )

BAL/UNBAL

2

MAIN OUT

BALANCED

AUX SEND

L

R

L

R

MAIN OUTPUT

 LEVEL

MIC

+4dB 

Built-in Microphone

Destination

Talkback Switch

Talkback
Level

Aux Sends

Summary of Contents for ONYX 1220i

Page 1: ...40 60 40dB U 20dB U 20 30 40 60 40dB U 20dB U 20 30 40 60 40dB U 20dB U 20 30 40 60 U 15 15 U 15 15 U 15 15 U 15 15 EQ MID 2 5kHz LOW 80Hz HIGH 12kHz EQ MID 2 5kHz LOW 80Hz HIGH 12kHz MID 2 5kHz LOW...

Page 2: ...Canadian Department of Communications ATTENTION Le pr sent appareil num rique n met pas de bruits radio lectriques d passant las limites applicables aux appareils num riques de class A de class B sel...

Page 3: ...realize that you must be really keen to try out your new mixer Please read the safety instructions on page 2 and this page and then have a look through some of the features and details in this quick...

Page 4: ...MIX 36 CONTROL ROOM SOURCE TAPE FW 1 2 ALT 3 4 37 ASSIGN CONTROL ROOM SOURCE TO MAIN MIX 38 CONTROL ROOM LEVEL 39 PHONES LEVEL 40 LEFT RIGHT LEVEL METERS 41 RUDE SOLO LIGHT 42 AUX MASTER SEND 1 AND 2...

Page 5: ...5 15 U 15 15 U 15 15 U 15 15 EQ MID 2 5kHz LOW 80Hz HIGH 12kHz EQ MID 2 5kHz LOW 80Hz HIGH 12kHz MID 2 5kHz LOW 80Hz HIGH 12kHz PRE POST SEND 1k 100 8k HIGH 12kHz U 15 15 LOW 80Hz EQ AUX 2 1 L R PAN 1...

Page 6: ...R L R POWER MIC 1 2 75Hz 18dB OCT 3 75Hz 18dB OCT 4 ONYX MIC PRE PRE POST HI Z LINE SEND ONYX MIC PRE PRE POST SEND ONYX MIC PRE GAIN GAIN GAIN GAIN 40dB U 20dB U 20 30 40 60 40dB U 20dB U 20 30 40 6...

Page 7: ...15 1k 100 8k HIGH 12kHz U 15 15 LOW 80Hz EQ AUX 2 1 L R PAN MAX O O MAX O O MID FREQ U 15 15 U 15 15 1k 100 8k HIGH 12kHz U 15 15 LOW 80Hz EQ AUX 2 1 L R PAN MAX O O MAX O O MID FREQ 1 FIREWIRE L R P...

Page 8: ...main meter level is hovering around the 0 dB mark labeled level set 4 Now that the gain is set correctly disengage solo 5 During a performance if you notice that the OL overload LED comes on next to...

Page 9: ...emind you that the source playing in the control room headphones and the right main meter is the soloed channel 2 Play your source at typical loudness levels 3 Adjust the channel gain control until th...

Page 10: ...pear on both sides of the main mix RETURN to AUX 1 The signals going into aux return 2 can also be added to aux send 1 by engaging the return to aux 1 switch For example you could add the effects retu...

Page 11: ...meter Solo signals reaching the headphones and control room are not affected by the channel level or main level therefore turn down the phones level and control room level first as soloed channels may...

Page 12: ...e 15 TAPE OUT This RCA unbalanced output is a copy of the main mix post fader You can use it to record the main mix on an analog tape deck for example dB 30 20 10 40 50 5 5 U 60 10 O O 10 dB 30 20 10...

Page 13: ...48V U 15 15 U 15 15 ONYX MIC PRE TALKBACK MAIN MIX TALKBACK PRE POST HI Z LINE PREMIUM ANALOG MIXER w PERKINS EQ FIREWIRE TAPE MAIN OUT IN OUT L R BAL UNBAL BAL UNBAL ALT 3 4 OUT BAL UNBAL CTRL RM OU...

Page 14: ...10 40 50 5 5 U 60 O O ALT 3 4 10 dB 30 20 10 40 50 5 5 U 60 O O ALT 3 4 OL 20 OL 20 OL 20 OL 20 OL 20 OL 20 OL 20 OL 20 SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE...

Page 15: ...e FireWire output is not affected by the main mix fader important for recording live Use FireWire to record a live performance directly to your computer then mixdown to a stereo mix later Or you can u...

Page 16: ...erial from your computer FireWire Connections FW Pre or Post dB 30 20 10 40 50 5 5 U 60 10 O O 10 dB 30 20 10 40 50 5 5 U 60 O O ALT 3 4 10 dB 30 20 10 40 50 5 5 U 60 O O ALT 3 4 10 dB 30 20 10 40 50...

Page 17: ...Again performance will vary based on system hardware MAIN MIX The left and right main mix is always available on FireWire channels 15 and 16 to send to your computer For example you can record the liv...

Page 18: ...ity 44 1 kHz sample rate 0 5 dB 20 Hz to 20kHz 3 dB at 21 kHz 96 kHz sample rate 0 5 dB 20 Hz to 20 kHz 3 dB at 45 kHz Distortion THD N 20 Hz to 20 kHz 20 Hz to 80 kHz bandwidth Mic input at insert 4...

Page 19: ...thout notice Mackie and the Running Man are registered trademarks of LOUD Technologies Inc All other brand names mentioned are trademarks or registered trademarks of their respective holders and are h...

Page 20: ...0 40dB U 20dB U 20 30 40 60 40dB U 20dB U 20 30 40 60 U 15 15 U 15 15 U 15 15 U 15 15 EQ MID 2 5kHz LOW 80Hz HIGH 12kHz EQ MID 2 5kHz LOW 80Hz HIGH 12kHz MID 2 5kHz LOW 80Hz HIGH 12kHz PRE POST SEND 1...

Page 21: ...Quick Start Guide 21 Track Sheet Session Date Notes...

Page 22: ...to Phones to Aux1 2 Firewire I O FW 13 14 C R dim Channel 1 12 direct outs Firewire outputs Alt 3 4 Main L R Alt 3 4 Main L R to Aux1 to Main L R post pre post pre Firewire1 2 to C R off C R to Main o...

Page 23: ...presentative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at www mackie...

Page 24: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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