Mackie MicroSeries 1202 Owner'S Manual Download Page 9

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phone amp” chip, we use a high-current
version of our main output amplifier, which
is why it can really clean out your cochlea if
you crank it up too far… but still be a very
clean signal source.

Metering

The MS 1202’s 3-way peak metering sys-

tem is made up of two columns of twelve
LED’s (21) and an INPUT CH. METERING
switch (22).

Thanks to the MS 1202’s wide dynamic

range, you can get a good mix with peaks
flashing anywhere between –30 and +10dB
on this display. Most PA amps clip at +4, and
most recorders aren’t so forgiving either. For
best real-world results, try to keep your
peaks below +7.

In combination with the INPUT CH. i/ME-

TERING button, the display can be used to
monitor three different sources:

Stereo Output.

 This is the normal

function you’d expect from any mixer. It’s
displayed when the INPUT CH. METER-
ING button is in the OUT position. But
don’t go away, there’s more! Press the
INPUT CH. METERING button IN and you
get input metering as well.

Channel Operating Level. 

The right

column of LED’s displays the overall
operating level of all 12 channels and AUX
Returns (pre-
Master Gain). To
monitor just one
channel, turn down
the others.

Mic Input. 

The left

column of LED’s
displays the
combined operat-
ing levels of
Channel 1–4’s mic
preamps. By using
just one channel at
a time, you can use
this feature to
TRIM for 0dB
operating level
(explained else-
where in detail).

Avoid lighting the

red CLIP LED’s.

 

With

the INPUT CH. ME-
TERING button OUT,
watch the bouncing
LED’s to control the

OUTPUT SECTION

Here’s where it all comes together.

Master gain

This controls both stereo MAIN and TAPE

outputs from OFF (fully counterclockwise),
through Unity Gain at the center detent, to
10dB of extra gain at fully clockwise. Most of
the time this is run between Unity and off.

Phones

As you might expect, this control does the

same thing for the PHONES jack. The con-
trol range is from full OFF to loud. It’s totally
independent of the MASTER pot, so you can
use the headphone output to preview your
mix before fading up the main outputs.

You can also use the PHONES output to

independently drive a separate tape recorder
or PA system. We made sure the audio quality
at that output is the same audio quality as at
the main outputs.

Because the headphone signal is controlled

by the PHONES knob but not by the MASTER
gain knob, you can use this feature to:

Preview a mix. 

Leave the MASTER

control all the way down while you listen
to the musicians’ intro or click track in
the headphones and then quickly bring
up the master for a clean entrance.

Serve as a totally isolated, high-quality

output

 for a second tape recorder or PA

system. Instead of using a low-cost “head-

PHONES

O

O

+22

CLIP

MASTER

+10

O

O

U

+10

+4

+2

0

-2

-4

-7

-10

-20

+7

-30

TRIM

1-4

LINE IN

1-12

INPUT CH.

METERING

U

 BAL.

0dBu

 CAL

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22

21

1202

CONTROLS

MS1202 MODIFICATION:

Convert AUX SEND 2 to pre-EQ/pre-fader
Channels 1–4 only.

(1) Remove bottom cover. You will be
working on the solder side (bottom)
of the circuit board.
(2) Locate this area on the circuit
board. Near the Aux Send 2 pots,
channels 1 thru 4.

(3) Cut trace here.

(4) Add jumper here.

PRE

POST

Any internal modification of the MS 1202 must be
performed by a competent electronic technician.
Mackie Designs accepts no responsibility in the
event of improperly performed modifications or
other damages and, in such cases, may declare
warranty privileges void.

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20

22

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Summary of Contents for MicroSeries 1202

Page 1: ...O O 15 2 O O U GAIN 9 10 20 O O PAN L R EQ 15 15 LO 15 15 HI 15 1 O O 15 2 O O 22 CLIP U GAIN 1 1 12 20 O O MASTER 10 O O U U U U U AUX AUX AUX AUX AUX AUX AUX AUX TRIM4 4 U 40dB GAIN 10 S E N S I TI...

Page 2: ...or moisture CAUTION AVIS RISK OF ELECTRIC SHOCK DO NOT OPEN RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS...

Page 3: ...u re an experienced big bucks engineer with lots of fader hours under your fingertips at least read Part 1 All the Holes and Knobs We ve found that experienced engineers usually read manuals cover to...

Page 4: ...O O MASTER 10 O O U U U U U AUX AUX AUX AUX AUX AUX AUX AUX TRIM4 4 U 40dB GAIN 10 S E N S I TIVITY TRIM1 4 U 40dB GAIN 10 S E N S I TIVITY TRIM2 4 U 40dB GAIN 10 S E N S I TIVITY TRIM3 4 U 40dB GAIN...

Page 5: ...r cold Sleeve Shield or ground To connect the inputs to unbalanced sources use a mono phone plug or standard instrument cable The jack on the MS 1202 will sense the plug and disable the balancing circ...

Page 6: ...onnector is low impedance 120 capable of driving all processors the input is high impedance over 10k and buffered capable of being driven by almost any processor We ll discuss other aspects of channel...

Page 7: ...t tempt to adjust your sets NOTE Phantom power will not harm standard dynamic mics See item 1 page 4 advance it for best levels with a typical sound source Engineers who fry their ears find them selve...

Page 8: ...EQ 15 15 LO 15 15 HI 15 1 O O 15 2 O O U GAIN 1 20 O O AUX U 18 17 16 15 15 16 17 18 represents the punch in bass drums bass guitar fat synth patches and some really serious male singers Cutting sligh...

Page 9: ...d TAPE outputs from OFF fully counterclockwise through Unity Gain at the center detent to 10dB of extra gain at fully clockwise Most of the time this is run between Unity and off Phones As you might e...

Page 10: ...AUX 2 Return In this mode the AUX 2 Return control adjusts the level sent to the master It s perfect for injecting just the right amount of weird sound effects you re corded on your cassette deck into...

Page 11: ...u might also have a harmonizer or en hancer as well All of these effects can be grouped into two categories effects parallel devices and processors series devices depending on what they do Effects The...

Page 12: ...t find these controls or indica tors check the drawings in Part 1 1 Set the TRIM control fully counterclock wise on Channels 1 4 only 2 Set the channel GAIN to its detented Unity position You ll feel...

Page 13: ...ly the culprit This saves time all around and prevents you from feeling sheepish when it turns out that it s really your Blort Tronics Sonic Defrabulator that s creating the prob lem and not our mixer...

Page 14: ...R In that case we figure you need it fixed ASAP so we put it at the head of the line and ship the unit back U P S RED Next Day Air This policy does not apply to non warranty service Legalese fine prin...

Page 15: ...IC GAIN 10dB TO 50dB LINE GAIN UNITY TO 40dB 3 1 DISCRETE MIC AMP 2 HOT CHANNELS 1 4 CHANNEL INSERT TIP SEND RING RETURN L R RIGHT LEFT 20dB GAIN OFF TO GAIN CHANNELS 5 12 EQUALIZATION LO HIGH LINE BU...

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