HDA: POLE-MOUNTED WITH POWERED SUBWOOFER(S)
This type of setup will typically be found at small indoor or outdoor gigs, festivals, weddings, or parades
where a high output PA with wide coverage and throw is necessary. This is a great setup for local DIY
bands, too.
The left output from a mixer feeds INPUT A of a Mackie HD1801 powered subwoofer. The HIGH PASS
OUTPUT A of the subwoofer feeds the MAIN INPUT of a Mackie HDA powered loudspeaker. The LOOP OUT of
that Mackie HDA powered loudspeaker feeds the MAIN INPUT of the next Mackie HDA powered loudspeaker.
The HDAs reproduce the mid-to-high frequencies in mono, and the subs provide the low frequencies in mono.
The Array Mode switch should be in the ‘1-2’ position on both units.
Since two HDAs are in the array, it is possible to reproduce this exact same hookup in stereo. Simply utilize
the left and right main outputs from the mixer to feed the main inputs of each subwoofer and mirror the rest of
the system as identifi ed above.
Another important aspect to keep in mind is the rigging setup of loudspeakers. In this diagram, the HDAs
are pole-mounted on a subwoofer, utilizing an SPM200 adjustable pole. Refer to page 17 to view a table listing
other confi guration possibilities and pages 18 and 19 for more information about rigging.
Note that the HDAs AC power may be linked via the AC LOOP. Refer to page 6 for details on daisy-chaining
AC power.
01 P L A T E R E V E R B
02 V O C A L P L A T E
03 W A R M R O O M
04 BRIGHT ROOM
05 WARM LOUNGE
06 SMALL STAGE
13 CHORUS
14 REVERB
15 D O U B L ER
16 TAPE SLAP
17 DLY 1 BRIGHT (350ms)
18 DLY 1 WARM (300ms)
19 DLY 2 BRIGHT (250ms)
20 DLY 2 WARM (200ms)
21 DLY 3 BRIGHT (175ms)
22 DLY 3 WARM (150ms)
23 DLY (300ms)
24 DLY (200ms)
FX PRESETS
TAP TO EDIT
07 WARM THEATER
08 BRIGHT STAGE
09 W A R M H A L L
10 CONCERT HALL
11 C A T H E D R A L
12 GATED REVERB
GAIN
1
GAIN
2
GAIN
3
GAIN
4
GAIN
5
GAIN
6
GAIN
7
GAIN
8
GAIN
9
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
10
11
12
13
14
15
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
20
21/22
23/24
17
18
19
GAIN
16
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
PAD
-20dB
LOW CUT
100 Hz
18dB/OCT
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
2404
M
MUT
UTE
1
MUT
UTE
2
MUT
UTE
3
MUT
UTE
4
MUT
UTE
5
MUT
UTE
6
MUT
UTE
7
MUT
UTE
8
MUT
UTE
9
MUT
UTE
10
10
MUT
UTE
11
11
MUT
UTE
12
12
MUT
UTE
13
13
MUT
UTE
14
14
MUT
UTE
15
15
MUT
UTE
18
18
MUT
UTE
19
19
MUT
UTE
20
20
MUT
UTE
21/22
21/22
MUT
UTE
23/24
23/24
MUT
UTE
16
16
MUT
UTE
17
17
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
EQ
EQ
EQ
EQ
EQ
PAN
PAN
PAN
PAN
BAL
BAL
EQ
PAN
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
INT FX
AUX 5/6
PRE
SOLO
LEFT
TAP
DELAY
INT FX
MUTE
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
HI
12k
LOW
80Hz
MID
HI
12k
LOW
80Hz
HI
12k
LOW
80Hz
LOW
MID
400Hz
HI
MID
2.5k
LOW
MID
400Hz
HI
MID
2.5k
INT FX
AUX 5/6
PRE
INT FX
AUX 5/6
PRE
INT FX
AUX 5/6
PRE
HI
12k
LOW
80Hz
MID
FREQ
FREQ
FREQ
FREQ
FREQ
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
PUSH
TO TALK
TALKBACK
GROUPS
MAIN
RIGHT
AUX 1-4
STEREO
RIGHT
SOLO
LEFT
TO AUX 1
TO AUX 2
SOLO
PHONES
MONITOR
TAP
DELAY
INT FX
MUTE
TO AUX 1
TO AUX 2
RIGHT
SOLO
STEREO
LEFT
RIGHT
SOLO
LEFT
SEND MASTER
SEND MASTER
TO MAIN
TO MAIN
FX
2
FX
1
1
2
3
4
MAIN MIX
SOLO
1
SOLO
1
2
3
4
2
SOLO
SOLO MODE
MAIN
FX 1
USB
STEREO RETURNS
AUX MASTERS
SOLO
SOLO
SOLO
SOLO
+15
O
O
+15
O
O
+15
O
O
SOLO
U
MAX
O
O
U
U
MAX
O
O
U
MAX
O
O
FX 2
U
MAX
O
O
U
MAX
O
O
SIG/OL
SIG/OL
AUX
AUX
AUX
AUX
MAIN
MIX
0 dB=0 dBu
RUDE SOLO
20
10
7
4
2
0
2
4
7
10
20
30
LEFT RIGHT
SOLO
MAX
O
O
U
MAX
O
O
U
MAX
O
O
U
MAX
O
O
U
MAX
O
O
U
MAX
O
O
U
+20
O
O
TO MAIN
PFL
AFL
GRP 1-2
CH 1-2
CH 3-4
AUX 5-6
PWR
48V
TAPE
USB
2-TRACK RETURN
USB OUT
GRP 3-4
MAIN L/R
LEVEL
SET
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
U
MAX
O
O
OFF
MAX
COMP
OFF
MAX
COMP
OFF
MAX
COMP
OFF
MAX
COMP
LEVEL
U
+15
O
O
3
1
5
6
2
U
U
+15
O
O
U
+15
O
O
+15
O
O
U
+15
O
O
U
4
U
U
+20
-20
U
+20
-20
12V
0.5A
50%
25%
75%
0%
100%
SUCK
OFF
MAX
OFF
MAX
OFF
MAX
OFF
MAX
COMP
COMP
COMP
COMP
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
SOLO
3-4
1-2
L/R
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
OL
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
2k
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
-15 +15
-15 +15
U
U
-15 +15
-15 +15
U
-15 +15
U
-15 +15
U
-15 +15
U
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
0
60
-45dB
+15dB
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
U
dB
30
20
10
O
O
40
50
5
5
U
60
10
dB
30
20
10
O
O
40
50
5
5
U
60
10
dB
30
20
10
O
O
40
50
5
5
U
60
10
dB
30
20
10
O
O
40
50
5
5
U
60
10
dB
30
20
10
O
O
40
50
5
5
U
60
10
SIG
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SIG
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SIG
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SIG
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SIG
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SIG
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
SIG
SOLO
3-4
1-2
L/R
OL
dB
30
20
10
O
O
40
50
5
5
U
60
10
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
2k
0
60
-45dB
+15dB
U
800
200
8k
100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
MI
C GAIN
-10 dBV
MI
C GAIN
HIGH PASS
OUTPUT A
LEFT MAIN OUT
INPUT A
MAIN INPUT
MAIN INPUT
LOOP OUT
Mixing Console
(Mackie 2404-VLZ3 shown)
8
HDA
HD
A
