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DRM Professional Passive Loudspeaker Series

Getting Started

Introduction

  DRM Series Professional Passive Loudspeakers deliver 

high-performance, crystal-clear sound with the rugged 

construction and reliability that professional production  

and install customers demand. 

  Custom transducers housed in coated touring-grade plywood 

cabinets are designed for consistent performance in the most 

demanding applications.  

  Equipped with M10 flypoints, dual angle pole mounts,  

and available line array configurations; the DRM Series  

is perfect for clubs, houses of worship, rental systems  

and more. 

  Combine with MX Series Amplifiers* and the SP260 

Loudspeaker Processor for a complete Mackie  

professional system.

  *MX Series Amplifiers not available in the US, Canada,  

China, Japan and other 100 – 120V countries.

How to Use This Manual:

  After this introduction, a getting started guide will help  

you get things set up fast. The hookup diagrams show some 

typical DRM-P loudspeaker setups, including some that 

involve the DRM18S-P subwoofer.

This icon marks information that is critically 

important or unique! For your own good, read and 

remember them...it is a good idea to pay special 

attention to these areas in the Owner’s Manual 

marked with the “VERY IMPORTANT” hand icon.

There’s an illustration of a microscope,  

so, of course, you’re going to get more  

detailed information when you see this little  

guy. There are explanations of features  

and practical tips listed here.

It’s a good idea to pay attention to text displayed 

next to a note icon, as this icon draws attention 

to certain features and functions relating to the 

usage of the DRM-P Series.

  The following steps will help you set up the loudspeakers 

quickly.

  1.   Make all initial connections with the power switches  

OFF on all equipment. Make sure the master volume, level  

and gain controls are all the way down.

  2.   Connect the outputs from the mixing console (or other 

signal source) to the inputs on the rear panel of the power 

amplifier.

  3.   If not using a subwoofer, connect the speaker output(s) 

from the power amplifier to the input on the rear panel  

of the loudspeaker(s).

  4.   If using a subwoofer, connect the speaker output(s)  

from the power amplifier to the input on the rear panel  

of the subwoofer(s), then connect the thru outputs  

from the subwoofer to the inputs of the loudspeakers.

  5.   Turn the mixer (or other signal source) on.

  6.   Turn the power amplifier on. Turn up its volume  

or gain control(s) as recommended by the manufacturer.

  7.   Start the signal source and raise the mixer’s main  

L/R fader up to a comfortably loud listening level.

Things to Remember:

•  Never listen to loud music for prolonged periods. Please see 

the Safety Instructions on page 2 for information on hearing 

protection.

•   As a general guide, the mixer (or other signal source)  

should be turned on first, followed by the amplifier.  

As such, the amplifier should also be turned off first,  

followed by the mixer. This will reduce the possibility  

of any turn-on or turn-off thumps and other noises  

generated by any upstream equipment from coming  

out of the speakers.

•   Save the shipping boxes and packing materials! You may  

need them someday. Besides, the cats will love playing  

in them and jumping out at you unexpectedly. Remember  

to pretend like you are surprised!

•   Save your sales receipt in a safe place.

Please write the serial numbers here for future reference  

(i.e., insurance claims, tech support, return authorization,  

make dad proud, etc.) 

 

 

 

Purchased at: 

 

 

 

Date of purchase:

Summary of Contents for DRM212-P

Page 1: ...OWNER S MANUAL Professional Passive Loudspeaker Series DRM212 P DRM215 P DRM315 P DRM12A P DRM18S P...

Page 2: ...posure in excess of these permissible limits could result in some hearing loss To ensure against potentially dangerous exposure to high sound pressure levels it is recommended that all persons exposed...

Page 3: ...M212 P and DRM215 P provides optimal coverage and minimal reflections in most venues Optional SP260 Loudspeaker Processor provides custom EQ curves and crossovers for your DRM Passive System Versatile...

Page 4: ...usage of the DRM P Series The following steps will help you set up the loudspeakers quickly 1 Make all initial connections with the power switches OFF on all equipment Make sure the master volume lev...

Page 5: ...o the amplifier s input jack s patch the amplifier s speakON output jack s to the DRM passive speaker s input jack the thru jack to the next speaker s input jack and so on daisy chaining multiple DRM...

Page 6: ...P on a tripod for the audience and another on the stage floor as a wedge or as a small club system with both loudspeakers on tripods A ProFX12v2 mixer is connected directly to the XLR input jacks of a...

Page 7: ...he thru jacks of this amplifier are connected to the input jacks of an additional MX3500 amplifier The speakON outputs from this amplifier are connected to the inputs of each DRM passive loudspeaker b...

Page 8: ...xt to it Connect the speaker level output of an amplifier to the loudspeaker s input jack 2 Thru This is a female NL4 type connector that produces exactly the same signal that is connected to the inpu...

Page 9: ...loudspeakers in the corners of a room increases the low frequency output and can cause the sound to be muddy and indistinct Placing loudspeakers against a wall increases the low frequency output thou...

Page 10: ...te safety precautions and back up systems Rigging Hardware and Accessories Rigging our loudspeakers will invariably require hardware not supplied by us Various types of load rated hardware are availab...

Page 11: ...DRM18S P Fly Points DRM12A P Fly Points MP Mounting Point MP MP MP MP MP MP MP REAR BOTTOM TOP SIDE INPUT THRU MP MP MP MP MP MP MP MP MP MP REAR BOTTOM TOP SIDE INPUT THRU MP MP MP MP MP MP MP BOTTOM...

Page 12: ...hoist ring or similar fitting must be used These fittings have full swivel and pivot action which helps avoid side loads WARNING When the FB100 Flybar is used to suspend a system it cannot retain a 1...

Page 13: ...P loudspeaker this would be 800 watts 2 1600 watts per channel into 8 This ensures that the amplifier can reproduce peaks that are 6 dB higher than the continuous rms power handling rating before clip...

Page 14: ...They will tell you where the nearest factory authorized service center is located in your area If you think your DRM loudspeaker has a problem please check out the following troubleshooting tips and...

Page 15: ...r more information Options DRM212 P Cover P N 2036809 48 SPM400 Loudspeaker Pole Mount P N 2051055 PA A2 Forged Shoulder Eyebolt Kit 3 x M10 x 1 5 x 20 mm P N 0028272 AcousticPerformance Type 15 Profe...

Page 16: ...PA A2 Forged Shoulder Eyebolt Kit 3 x M10 x 1 5 x 20 mm P N 0028272 AcousticPerformance Type 12 Arrayable Passive Loudspeaker Frequency Range 10 dB 47 Hz 20 kHz Frequency Range 3 dB 60 Hz 18 kHz Horiz...

Page 17: ...ke our products better by incorporating new and improved materials components and manufacturing methods we reserve the right to change these specifications at any time without notice The Running Man f...

Page 18: ...Series DRM212 PLoudspeakerDimensions DRM315 PLoudspeakerDimensions DRM215 PLoudspeakerDimensions WEIGHT 42 0 lb 19 1 kg 14 7in 373mm 16 2in 411mm 25 0in 635mm WEIGHT 68 0 lb 30 8 kg 18 8in 478mm 36 5...

Page 19: ...Manual 19 Owner s Manual DRM12A PLoudspeakerDimensions DRM18S PSubwooferDimensions WEIGHT 55 0 lb 24 9 kg 24 7in 627mm 15 2in 386mm 18 0in 457mm WEIGHT 90 0 lb 40 8 kg 23 3in 592mm 31 1in 790mm 23 0i...

Page 20: ...stomer gives notice of the noncompliance within the Warranty Period to the Company at www mackie com or by calling LOUD technical support at 1 800 898 3211 toll free in the U S and Canada during norma...

Page 21: ...16220 Wood Red Road NE Woodinville WA 98072 USA Phone 425 487 4333 Toll free 800 898 3211 Fax 425 487 4337 www mackie com...

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