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11

Owner’s Manual

Owner’

s Manual

If you only have one monitor speaker, just use one of 
the BOOTH Outputs and push in the BOOTH STEREO/
MONO switch [34] in the CONTROL section on the top 
panel.

9. XLR MAIN OUTs

These male XLR connectors provide a balanced mic- 

or line-level signal from the MAIN LEVEL control [32]. 
The LINE/MIC Switch [10] determines if it is a mic-
level or line-level output. Connect these to the balanced 
inputs of the active speakers, or power amplifi er(s) 
powering your main speakers.

If you are connecting the MAIN OUT of the d.2 to an 

unbalanced input, use the RCA Main Outs [11] instead.

Note: Balanced connections offer better immunity to 

external noise (specifi cally, hum and buzz) than unbal-
anced connections. Because of this, it is the preferred 
interconnect method, especially in cases where very 
long lengths of cable are being used. A long unbalanced 
cable carries with it more opportunity for noise to get 
into the system — having balanced cables means very 
little noise will enter the system. If you must use an 
unbalanced connection, keep the cable length to 10 feet 
or less (3 meters).

10. LINE/MIC Switch

If you are connecting the XLR MAIN OUTs [9] to line-

level inputs like a power amplifi er’s inputs, leave this 
switch out, in the LINE position.

If you are using the d.2 as a submixer and connecting 

the XLR MAIN OUTS to the mic inputs of another mixer, 
push this switch in to the MIC position. This inserts a 
30 dB pad to reduce the output signal to a mic level. 
This great feature allows you to connect the d.2 output 
directly to a snake without using direct boxes.

11. RCA Main Outs

These RCA connectors provide an unbalanced line-

level signal from the MAIN OUT, either pre- or post-
MAIN LEVEL control [32], depending on the setting of 
the LIVE/RECORD switch [12].

12. LIVE/RECORD Switch

When this switch is out (LIVE position), the RCA 

Main Outs provide the signal just after the MAIN LEVEL 
control [32], so it essentially provides the same signal 
as the XLR MAIN OUTs [9], except it is an unbalanced 
signal rather than a balanced one.

When this switch is pushed in (RECORD position), 

the RCA Main Outs provide the signal just prior to the 

MAIN LEVEL control. This allows you to make a stereo 
recording that is not affected by Main Out level changes 
during a performance.

13. POWER Switch

When the POWER switch is turned ON, power is sup-

plied to the d.2 and the cool blue EQ knobs light up.

14. Power Receptacle

This is a standard 3-prong IEC power connector. Con-

nect the detachable linecord (included in the box with 
your d.2) to the power receptacle, and plug the other 
end of the linecord into an AC outlet.

The d.2 has a universal power supply that can accept 

any AC voltage from 100 VAC to 240 VAC. No need for 
voltage select switches. It will work virtually anywhere 
in the world. That’s why we call it a “Planet-Earth” 
power supply! This also means that it is less susceptible 
to voltage sags or spikes, providing greater electromag-
netic isolation and better protection against AC line 
noise.

15. FIREWIRE I/O Option

FireWire (a.k.a. IEEE 1394) is a high-speed serial I/O 

interface for connecting digital devices, with more than 
30 times the bandwidth of USB 1.1. You can install the 
optional FireWire card here, to provide two FireWire 
connectors for transferring digital audio to and from 
your laptop computer or digital audio workstation 
(DAW) with absolute zero latency.

The FireWire interface provides a stereo main output 

to your computer. The signals are pre-MAIN LEVEL con-
trol [32], so they are independent of any adjustments 
made to the MAIN LEVEL control. This allows you to 
record your live performance directly to your laptop.

The FireWire interface also lets you use your comput-

er to playback music for mixing on the d.2. It provides 
a return for four signals, which can be selected as the 
program source for PGM 1 and PGM 2. Assign two chan-
nels (or a stereo pair) to ASIO or CoreAudio outputs 1 
and 2 for PGM 1, and two channels (or a stereo pair) to 
outputs 3 and 4 for PGM 2.

The FireWire card can easily be installed with the 

help of a small screwdriver. Ask your Mackie dealer 
about it. (The FireWire card, not the screwdriver.) Each 
card comes with installation instructions that I have 
to write before the boss gets back from his vacation in 
Gary, Indiana.

FIREWIRE

Summary of Contents for D.2

Page 1: ... LOW MID HIGH PHONES BOOTH MAIN SOURCE EQ FX PAN BAL LOW MID HIGH LINE PHONO CD EQ SIG OL MIC CONTROL 2 PGM LEVEL PGM MAIN STEREO MONO 50 3 O O R L U 15 15 U 15 15 U 15 15 SOURCE EQ BAL LOW MID HIGH LINE PHONO CD 1 PGM R L R L KILL 10 KILL 10 KILL 10 KILL 10 KILL 10 KILL 10 OFF ON LEVEL U O O MAX LEVEL U O O MAX RETURN 15 O O SEND 15 O O LEVEL MAX LEVEL U O O MAX LEVEL U O O MAX PGM SOURCE 1 1 1 2...

Page 2: ...bility to noise induced hearing loss but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a period of time The U S Government s Occupational Safety and Health Administration OSHA has specified the permissible noise level exposures shown in the following chart According to OSHA any exposure in excess of these permissible limits could result in some hearing loss To...

Page 3: ...oduction 4 GettingStarted 5 READTHISPAGE 5 HookupDiagrams 6 RearPanelFeatures 10 TopPanelFeatures 12 MicrophoneInputSection 12 ProgramInputSection 13 ControlSection 14 ProgramOutputSection 15 FrontPanelFeatures 17 AppendixA ServiceInformation 18 WarrantyService 18 Troubleshooting 18 Repair 19 AppendixB Connections 20 AppendixC TechnicalInfo 21 Specifications 21 BlockDiagram 23 GainStructureDiagram ...

Page 4: ...rs plus individual program meters for cueing and beat matching Separate mono stereo switchable booth output on balanced TRS connectors Stereo FX loop for outboard effects Planet Earth power supply operates on volt ages between 100 and 240 VAC Standard IEC power receptacle and power cord HOW TO USE THIS MANUAL We know that many of you can t wait to get your new mixer hooked up and you re probably n...

Page 5: ...o however the manufacturer recommends This is usually all the way up Set the Levels To set the LEVEL controls it s not even necessary to hear what you re doing at the outputs of the mixer If you want to listen while you work plug headphones into the PHONES jack on the front panel then set the PHONES knob up a little 1 Select the input using the SOURCE switch 2 Play something into the selected inpu...

Page 6: ...ODINVILLE WA USA MANUFACTURED IN CHINA FABRIQUE EN CHINE COPYRIGHT 2005 MACKIE AND THE RUNNING MAN FIGURE ARE TRADEMARKS OF LOUD TECHNOLOGIES INC PATENT PENDING LIVE RECORD ON 100 240 VAC 50 60Hz 20W PGM 1 LINE PHONO GND PHONO CD R R L L SERIAL DATE CODE FIREWIRE Microphone Headphones Plug into front panel headphone jack Effects Processor Pro CD Player Laptop Computer SWA1501 Powered Subwoofer SWA...

Page 7: ...MANUFACTURED IN CHINA FABRIQUE EN CHINE COPYRIGHT 2005 MACKIE AND THE RUNNING MAN FIGURE ARE TRADEMARKS OF LOUD TECHNOLOGIES INC PATENT PENDING LIVE RECORD ON 100 240 VAC 50 60Hz 20W PGM 1 LINE PHONO GND PHONO CD R R L L SERIAL DATE CODE FIREWIRE cup of tea optional Microphone Headphones Plug into front panel headphone jack Turntable with phono level output ground wire Turntable with phono level o...

Page 8: ...AND THE RUNNING MAN FIGURE ARE TRADEMARKS OF LOUD TECHNOLOGIES INC PATENT PENDING LIVE RECORD ON 100 240 VAC 50 60Hz 20W PGM 1 LINE PHONO GND PHONO CD R R L L SERIAL DATE CODE FIREWIRE SRM450 Powered Speaker Main Left SWA1501 Powered Subwoofer Main Left Main Right Microphone Headphones Plug into front panel headphone jack SRM450 Powered Speaker Main Right SWA1501 Powered Subwoofer Turntable with p...

Page 9: ... ON 100 240 VAC 50 60Hz 20W PGM 1 LINE PHONO GND PHONO CD R R L L SERIAL DATE CODE FIREWIRE Microphone Headphones Plug into front panel headphone jack Turntable PGM 2 with phono level output ground wire Laptop Computer Turntable PGM 1 with phono level output SRM450 Powered Speaker Booth Left Booth Left Booth Right Main Left Main Right SRM450 Powered Speaker Booth Right ground wire SA1532z Powered ...

Page 10: ...nect to the preamp for the purpose of eliminating hum in the audio signal Simply turn the ground terminal on the d 2 counter clockwise to loosen it wrap the end of the ground wire clockwise around the terminal and hand tighten the ground ter minal for a secure ground connection 6 StereoFXSEND These 1 4 TRS jacks provide a balanced line level output signal from the stereo FX Send bus Use these to c...

Page 11: ...ne When this switch is pushed in RECORD position the RCA Main Outs provide the signal just prior to the MAIN LEVEL control This allows you to make a stereo recording that is not affected by Main Out level changes during a performance 13 POWERSwitch When the POWER switch is turned ON power is sup plied to the d 2 and the cool blue EQ knobs light up 14 PowerReceptacle This is a standard 3 prong IEC ...

Page 12: ...s phan tom power or not 20 HIGHEQ This knob gives your mic signal up to 15 dB of boost and cut at 12 kHz and above At the center position the HIGH EQ has no effect on the signal LOW MID HIGH PHONES BOOTH MAIN SOURCE EQ FX PAN BAL LOW MID HIGH LINE PHONO CD EQ SIG OL MIC CONTROL 2 PGM LEVEL PGM MAIN STEREO MONO 50 3 O O R L U 15 15 U 15 15 U 15 15 SOURCE EQ BAL LOW MID HIGH LINE PHONO CD 1 PGM R L ...

Page 13: ... the HIGH EQ has no effect on the signal 28 MIDEQ This knob gives you up to 10 dB of boost at 1 kHz and turns off the signal at 1 kHz when the knob is turned to the KILL position At the center position the MID EQ has no effect on the signal 29 LOWEQ This knob gives you up to 10 dB of boost at 300 Hz and below and turns off the signal at 300 Hz and below when the knob is turned to the KILL position...

Page 14: ... MID HIGH PHONES BOOTH MAIN SOURCE EQ FX PAN BAL LOW MID HIGH LINE PHONO CD EQ SIG OL MIC CONTROL 2 PGM LEVEL PGM MAIN STEREO MONO 50 3 O O R L U 15 15 U 15 15 U 15 15 SOURCE EQ BAL LOW MID HIGH LINE PHONO CD 1 PGM R L R L KILL 10 KILL 10 KILL 10 KILL 10 KILL 10 KILL 10 OFF ON LEVEL U O O MAX LEVEL U O O MAX RETURN 15 O O SEND 15 O O LEVEL MAX LEVEL U O O MAX LEVEL U O O MAX PGM SOURCE 1 1 1 2 48V...

Page 15: ...CAs Voltage Controlled Amplifiers that determine the gain of the signal This is a very good thing by the way as the audio will not be affected by any scratchy electrical con tacts and the design allows for customizing the fader action using the CONTOUR and REVERSE controls 42 PGMLEVELMETERS These meters have 12 LEDs ranging from 30 to 20 OL They indicate the summed mono signal strength of the PGM ...

Page 16: ...der is a high quality infinium contact free optical digital fader designed to last the lifetime of the d 2 with no degradation in quality You can adjust the tension of the fader movement to your specific taste To adjust the crossfader tension 1 Move the crossfader all the way to the left 2 Remove the fader cap knob by grasping it firmly and pulling straight up 3 Use a small slot head screwdriver t...

Page 17: ...n when you move the crossfader left to right PGM 2 will fade into PGM 1 This is sometimes called a hamster switch Note These switches and the CONTOUR controls do not affect the meters just the faders PGM 2 FADER REVERSE CROSS FADER REVERSE PGM 1 FADER REVERSE CONTOUR CONTOUR CONTOUR SLOW FAST SLOW FAST SLOW FAST 49 HeadphonesJack This is where you plug in your stereo headphones It is a 1 4 TRS ste...

Page 18: ...gh If the FX button 30 is pressed on that channel make sure your effects processor is connected cor rectly and is working Try the same source signal in the other channel set up exactly like the suspect channel Bad Output Is the associated level control if any turned up If it s one of the MAIN OUTPUTS try unplugging the others For example if it s the XLR LEFT MAIN OUT unplug the RCA LEFT OUT If the...

Page 19: ...Include a legible note stating your name shipping address no P O boxes daytime phone number Service Request Number and a detailed description of the problem including how we can duplicate it 6 Write the Service Request Number in BIG PRINT on top of the box Units sent without the SR number will be refused 7 Tech Support will tell you where to ship the d 2 for repair We suggest insurance for all for...

Page 20: ... stereo headphones BalancedMono SLEEVE TIP SLEEVE TIP RING RING TIP SLEEVE RING 1 4 TRS Balanced Mono Wiring Sleeve Shield Tip Hot Ring Cold StereoHeadphones SLEEVE TIP SLEEVE TIP RING RING TIP SLEEVE RING 1 4 TRS Stereo Unbalanced Wiring Sleeve Shield Tip Left Ring Right 1 4 TS Phone Plugs and Jacks TS stands for Tip Sleeve the two connection points available on a mono 1 4 phone jack or plug They...

Page 21: ...CD Line Input 150 Ω source impedance Less than 110 dBu Dynamic Range Main Out Greater than 100 dB Maximum Input Levels rated at 1 THD Mic Input Gain minimum 9 dBu CD and Line Inputs PGM Gain 0 dB 22 dBu FX Input 22 dBu Phono Input 78 mV 1kHz Input Output Characteristics Input Gain Control Range Mic Input 13 dB to 63 dB PGM Input OFF to 13 dB FX Return OFF to 13 dB Appendix C Technical Info Input I...

Page 22: ...es See www odysseygear com for more details Options d 2 FireWire Interface Card LOUD Technologies Inc is always striving to improve our prod ucts by incorporating new and improved materials components and manufacturing methods Therefore we reserve the right to change these specifications at any time without notice Mackie and the Running Man are registered trademarks of LOUD Technologies Inc All ot...

Page 23: ...o Preamp Phono Preamp L R 1 2 PHONO LINE REVERSE LINE PHONO L R MIC LINE REC Post Fader Pre Fader Post Fader Pre Fader LIVE Mono Sum 20 dB Pad 20 dB Pad 30 dB Pad 30 dB Pad FX SEND OUTPUT FX SEND LEVEL R L FX Assign NC NO LO MID HI 3 BAND EQ BAL CD INPUT SOURCE SWITCH PGM2 LEVEL Phono Preamp Phono Preamp L R FireWire Inputs option 3 4 PHONO LINE LINE PHONO 3 4 FX Assign NC NO LO MID HI PROGRAM MAI...

Page 24: ...0 dB 13 dB inf dB 0 dB Phones Output 22 dBu max out PGM 1 2 CUE FADER inf dB inf dB PHONES LEVEL EQ LOW Phono In 0 dB MID HIGH CD Line In 10 dB inf dB 10 dB inf dB 3 dB center inf dB 0 dB BALANCE 22 dBu max in RIAA Gain 33 dB 1 kHz 11 dBu max in 1 kHz GAIN 13 dB inf dB inf dB inf dB PGM FADER CROSSFADER inf dB PHONES CUE Tap to C PGM CHANNEL to B to F FX Assign 10 dB E MAIN RCA 0 dB 0 dB MAIN RCA ...

Page 25: ...e away from Llamas L R MAIN B A OL 10 7 4 2 0 2 4 7 10 20 30 OL 10 7 4 2 0 2 4 7 10 20 30 OL 10 7 4 2 0 2 4 7 10 20 30 TRANSFORM PGM 2 TRANSFORM REVERSE contact free cross fader infinium PGM 1 REVERSE REVERSE PGM 2 FADER REVERSE CROSS FADER REVERSE PGM 1 FADER REVERSE CONTOUR CONTOUR CONTOUR SLOW FAST SLOW FAST SLOW FAST 5 Gently lift off the panel taking care not to dam age the front panel contou...

Page 26: ...of the recep tacle on the bottom of the fader assembly 13 Insert the connector into the receptacle on the new fader assembly It will only fit in one way 14 Secure the fader assembly to the chassis with the two screws you lost in step 11 15 Replace the top cover and make sure that all the meter LEDs and the Reverse LEDs are pok ing through before you tighten down the screws securely 16 Check that a...

Page 27: ...chnologies factory authorized service centers and deemed eligible for repair or replacement under the terms of this warranty will be repaired or replaced within thirty days of receipt LOUD Technologies and its authorized service centers may use refurbished parts for repair or replacement of any product Products returned to LOUD Technologies that do not meet the terms of this Warranty will not be r...

Page 28: ... Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail sales mackie com ...

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