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26

GENERAL PRECAUTIONS AND CONSIDERATIONS

NEVER

 bypass the AC

plug’s ground pin. This is
dangerous!

It is recommended that a stiff (robust)

supply of AC power be used because the amp-
lifiers place high momentary current demands
on the AC line. The more power that is available
on the line, the louder the amplifiers will play
and the more peak output power will be
available for cleaner, punchier bass. A suspected
problem of “poor bass performance” is often
caused by a weak AC supply to the amplifiers.

AC Power Distribution

The majority of AC outlets encountered in

homes and clubs (in the U.S.) are served by a
240VAC center-tapped service entrance trans-
former. This provides two phases of AC power
on either side of the center tap, at 120V each.

If lighting is used in a show, it is preferable

to power the lights from one leg of the service,
and power the audio equipment from the other
leg. This will help minimize noise from the
lights coupling into the audio (particularly if
SCRs, or light-dimmer switches, are used).

In order to minimize ground loops, the safety

grounds for all the outlets should be connected
to a common (“star”) grounding point, and the
distance between the outlets and the common
grounding point should be as short as possible.

When setting up for a show, oftentimes you

are plugging into an AC power distribution sys-
tem you know nothing about. You may even be
faced with 2-wire outlets that are missing the
third safety ground pin. It’s a good idea to have
a three-wire AC outlet tester in your toolbox so
you can check the outlets yourself to make
sure they are wired correctly. These testers will
tell you if the polarity of the hot and neutral
wires is reversed and if the safety ground is
disconnected. 

Don’t use an outlet if it is wired

improperly!

 This is to protect yourself as well

as your equipment.

If you find that you must plug into a two-wire

outlet, you will need to use a two-wire to three-
wire adapter (cheater plug). These come with a
metal tab that you put underneath the center
screw that holds the AC outlet faceplate in place.
This center screw 

must

 be grounded. You can

check it by connecting the adapter to the outlet
and then plugging in your handy-dandy AC
outlet tester.

Thermal Considerations

The PPM Series Powered Mixers contain

two powerful built-in amplifiers. All amplifiers
produce heat, and the more power it produces,
the more heat is produced. It is important to
dissipate the heat away from an amplifier as
quickly as possible. This results in increased
reliability and longevity for the amplifier. That’s
what the massive die-cast aluminum heatsink
on the rear panel is for.

Heat from the output transistors is coupled

to the heatsink, which draws the heat away
from the transistors and out to the heatsink
fins. Cool air is drawn through the fins due to a
process called convection, warming the air and
taking the heat away.

In order for this convection cooling to work

efficiently, it is important to provide adequate
airspace behind the mixer. We recommend
leaving at least six inches of air space behind
the mixer when you set it up.

In the unlikely event of the amplifier overheat-

ing, a thermal switch activates and shuts down
the mixer until it cools off. Double-check the
speaker load on each amplifier and make sure
that the total impedance of each load is 2 ohms or
greater. If the load impedance drops below 2 ohms,
it can cause the amplifier to overheat. If the load
impedance is okay, overheating may be caused by
excessive ambient temperature (the room’s too
hot!). Try using a fan aimed at the heatsink to
move air through the fins faster.

AC Power Considerations

Be sure the PPM Series Powered Mixer is

plugged into an outlet that is able to supply the
correct voltage specified for your model. If the
voltage should drop below 97% of the specified
line voltage, the built-in amplifiers will no
longer be able to supply rated power. (They will
continue to operate down to 75% of the rated
voltage, but won’t reach full power, resulting in
lower headroom.)

Under typical conditions, reproducing music

where musical peaks are just below clipping,
the powered mixers draw the following average
currents:

Average Current

Amplifier Loading

406M, 408M, 408S

808M, 808S

8

 per side

2.0 A

2.2 A

4

 per side

3.1 A

3.3 A

2

 per side

4.8 A

5.0 A

(Above current based on using 120V AC line)

Summary of Contents for 406M

Page 1: ...LINE LINE LINE INSERT 15 U O O 1K 500 250 63 125 16K LEVEL 2K 4K 8K MAIN MASTER EFX TO MAIN U O O 10 MASTER OUTPUT SECTION LINE U 12dB O O L R R L POWER OUT MONITOR EQUALIZER 15 15 5 10 0 5 10 15 15 5...

Page 2: ...pr sent appareil num rique n met pas de bruits radio lectriques d passant las limites applicables aux appareils num riques de class A de class B selon le cas prescrites dans le r glement sur le broui...

Page 3: ...ally dangerous exposure to high sound pressure levels it is recommended that all persons exposed to equipment capable of producing these levels use hearing protectors while this unit is in operation E...

Page 4: ...s and we ve applied what we ve learned to the mechanical design of our powered mixers Reliability is paramount to sound reinforce ment That s why our engineers have subjected our powered mixers to the...

Page 5: ...ON 18 EFX TO MON 19 MONITOR MASTER 19 EFX TO MAIN 19 MAIN MASTER 19 LEVEL Meters 19 PHANTOM POWER Switch 19 BREAK Switch 20 POWER AMP ROUTING 20 COMPRESSOR 20 TAPE IN LEVEL 20 POWER switch 21 MAKING T...

Page 6: ...controls to center including the graphic EQ sliders Turn down the MAIN MASTER and MONITOR MASTER controls 2 If your microphone is a condenser mic push in the PHANTOM POWER switch If you are using bot...

Page 7: ...0 0 5 10 1K 500 250 63 125 16K 2K 4K 8K MONITOR MASTER EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION LEFT RIGHT LEFT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH...

Page 8: ...EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 408S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATE...

Page 9: ...INE HI Z SUM MONO MIC LINE HI Z AMP 1 MAIN MAIN MONITOR AMP 2 MAIN SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT...

Page 10: ...EDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DE...

Page 11: ...PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN RIGHT MONITOR 2 X 400W STEREO PROFESSIONAL POWERED MIXER LEVEL 30 CLIP 5 5 0 10 15 20 L R LEFT MONO LEFT MONO STEREO...

Page 12: ...10 15 20 L R LEFT MONO LEFT MONO STEREO MIC LINE HI Z STEREO MIC LINE HI Z U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 U O O 10 U 15 15 U 15 15 U 12 12 U 20dB O O HI LOW NORM...

Page 13: ...BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN R...

Page 14: ...obs cut as well as the right boost EFX MON HI 12kHz MID 2 5kHz LOW 80Hz PAN VOLUME CH 1 INPUT LEVEL SET MIC 1 INSERT LINE U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 R L Stere...

Page 15: ...is controlled by the MONITOR MASTER control Themonitorsendsignalispre EQandpre VOLUME soifyouadjustthesecontrolstheywill affectonlythemainmixandnotthemonitormix Each MON send control ranges from off...

Page 16: ...rfect for vocals and snare Decay range adjustable from 1 second to 5 seconds No pre delay MD PLATE Good early reflections and no pre delay Tails are short and warm with strong high end for increased p...

Page 17: ...the effect Rate which is the speed of the sweeping effect Fully counter clockwise produces the slowest sweeps and fully clockwise produces the fastest DAMPING DEPTH PARAMETER controls the effect depth...

Page 18: ...Note Make sure the singer is within 3 to 6 inches of the microphone No amount of EQ can save a vocal when the singer is too far away from the microphone 2 For more presence set the 4K and 8K sliders...

Page 19: ...al level at the MONITOR LINE OUT and the MIXER LINE OUT To attain the best signal to noise ratio while still maintain ing adequate headroom set the MONITOR MASTER and MAIN MASTER controls so the 0 dB...

Page 20: ...our monitor speakers When the switch is pushed IN the main mix is routed to the input of the MAIN power amp and the monitor mix is routed to the input of the MONITOR power amp You can still con nect u...

Page 21: ...rip 2 2 3 1 1 SHIELD COLD HOT SHIELD COLD HOT 3 SHIELD COLD HOT 3 2 1 Balanced XLR Connectors SLEEVE SHIELD TIP SLEEVE TIP HOT RING COLD RING TIP SLEEVE RING Balanced 1 4 TRS Plug MAKING THE CONNECTIO...

Page 22: ...a TS plug like a guitar plug or if it s a TRS plug like a headphone plug make sure the ring is tied to the shield preferably at the source You can connect an input signal to both the MIC input and th...

Page 23: ...el Inserts section to see how to make this connection Parallel effects device Plug a TS plug half way into the EFFECTS SEND jack to the first click This allows you to use the EFFECTS SEND jack as a di...

Page 24: ...the other band can plug right into the PPM Series and use its amplifiers and con nected speakers see application diagram on page 13 MIXER LINE OUT This is a 1 4 connector that produces an unbalanced l...

Page 25: ...everyone around you Rear Panel Connections SPEAKER OUT This is a 1 4 connector that produces an unbalanced speaker level signal Use 1 4 TS speaker cables to connect the SPEAKER OUTs to the inputs of y...

Page 26: ...holdstheACoutletfaceplateinplace This center screw must be grounded You can check it by connecting the adapter to the outlet and then plugging in your handy dandy AC outlet tester Thermal Consideratio...

Page 27: ...ling If the other side is louder now the problem is with the mixer the amp or the signal source Warranty Service If you think your powered mixer has a prob lem please do everything you can to confirm...

Page 28: ...R based device on the same AC circuit as the powered mixer Use an AC line filter or plug the powered mixer into a differ ent AC circuit Is there an external processor or other electronic device connec...

Page 29: ...unity to external noise specifically hum and buzz Because a balanced system is able to minimize noise it is the preferred interconnect method especially in cases where very long lengths of cable are b...

Page 30: ...t one end Some times this can be true but for most 99 audio systems it is unnecessary If you do ev erything else correctly you should be able to connect every component of your audio system using stan...

Page 31: ...le Rate 31 25kHz Bandwidth 15 6kHz VU Meters Main and Monitor 8 segments Clip 5 0 5 10 15 20 30 APPENDIX C Technical Info Specifications PPM Series Powered Mixers 406M 408M 408S 808M 808S Mixer Sectio...

Page 32: ...40VAC 50Hz Japan 100VAC 50 60Hz Korea 220VAC 60Hz Capable of operation from 75 to 110 of rated line voltage Physical Height 11 7 inches 297mm Width 20 5 inches 521mm Overall Depth 13 inches 330mm Weig...

Page 33: ...6 EFX AND MONITOR PHANTOM L R EFX MON L R EFX EFX TO MONITOR EFX TO MAIN EFX BYPASS EFX CLIP EFX RETURN L EFX SEND LEFT POWER AMP IN AMP ROUTING TAPE IN TAPE OUT L STEREO MAINS MAIN MONITOR MONITOR E...

Page 34: ...NITOR PHANTOM MAIN EFX MON MAIN EFX EFX TO MONITOR EFX TO MAIN EFX BYPASS EFX CLIP EFX RETURN MIXER LINE OUT AMP ROUTING TAPE IN TAPE OUT L MAINS MAIN MONITOR MONITOR EFX VOLUME MONITOR EFX TRIM INPUT...

Page 35: ...35 NOTES...

Page 36: ...rope Asia Central South America 425 487 4333 Middle East Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail sales mackie com Some of the people at our factory who helped design build sell an...

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